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Fogg Museum Scrapbook, March 1927 - February 1928

ARCH.2003.1, Rendition: 791212

Mistral, mistral.magistral-small-2509

The Motion Picture Industry

By WILL HAYS

(Continued from Page 60)

The salaries of the actors, directors, camera men and assistants is about thirty-five per cent of the total cost of a production. This does not provide for the salaries of scenic artists, carpenters, property men, electricians, and the like. Each dollar spent in this way is spent again, as follows:

  • Actors, directors, and assistants ..... $28
  • Scenary and stories ..... 10
  • Scenic artists, carpenters, property men, electricians ..... 19
  • Studio overhead (including management, clerical help, etc.) ..... 10
  • Film, cutting, printing, developing, and other laboratory costs ..... 13
  • Film, advertising, and publicity ..... 10
  • Total ..... $100

We have established in Hollywood an institution that I believe is unique in the world. It is a free employment agency for the people. In Hollywood and vicinity, 98 per cent of all the actors and actresses are registered with this bureau and the companies employ through this bureau. Many of the actors and actresses are free-lancers. The important ones are under contract. The free-lancers are registered and the bureau knows their qualifications. When a company is to make a picture, it notifies the bureau of its needs. The bureau sends the men and women to the company who are best fitted to do the work. The company is not bound to employ them, but in practice it does. The bureau has a list of 5,000 actors and actresses. The company may send for an actor or actress at any time. The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The casting director of a company may have to choose between two or three people for a part. He selects the one he wants. Perhaps he indicates certain individuals he wants. The bureau notifies them and they report the next morning. They are told what clothes to wear and are given a script to study. If they are to be in a scene in which they are to wear evening clothes, they are so notified and bring a change of clothing.

The casting director of a company may have to choose between two or three people for a part. He selects the one he wants. Perhaps he indicates certain individuals he wants. The bureau notifies them and they report the next morning. They are told what clothes to wear and are given a script to study. If they are to be in a scene in which they are to wear evening clothes, they are so notified and bring a change of clothing.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and actresses pay nothing for this service.

The bureau also has a list of 1,000 directors, cameramen, and other technicians. The bureau is supported by the companies. The actors and

Mistral, mistral.ministral-3-3b-instruct

The image displays a page from a newspaper article titled "The Motion Picture Industry" by Will Hays, published in Toronto, Ontario. The article continues from page 60 and is detailed on pages 93 and 95. The article discusses various aspects of the motion picture industry, including salaries for actors, directors, and other crew members, and the financial burden of maintaining a career in Hollywood.

Key points from the article include:

  1. Salaries and Extras:

    • Actors, directors, camera men, and assistants earn about 30% of the total cost of a production.
    • Salaries for these roles are not fixed and can vary widely.
    • Extras are paid a small fee, with a substantial number of them being children.
  2. Hollywood and Extra Work:

    • Many extras are underpaid and work in a system where they are contracted for specific scenes and then may be required to work on other productions.
    • The casting director’s role is crucial, and they often have significant influence over who gets the roles.
  3. Casting Bureau:

    • The casting bureau operates with a fee structure, where each company pays a fee for placing their actors.
    • Actors and actresses who are not under contract may need to find their own work.
  4. Free Casting Bureau:

    • This bureau is for those who do not have a contract, offering free placements but with a fee structure for the companies.
  5. Theatrical and Arbitration Practices:

    • The article mentions the difficulty of selling motion pictures, the role of distributors, and the use of arbitration boards.
    • Arbitration boards handle disputes between producers, distributors, and exhibitors, with a significant number of cases being settled outside court.
  6. Arbitration Board Operations:

    • There are specific boards in various cities, including New York and Toronto.
    • The American Arbitration Association plays a role in these processes.
  7. Financial and Organizational Challenges:

    • The industry is noted for its challenges, including financial losses and the need for cost-effective operations.
    • The article references a statement by Lee J. Eastman regarding the financial impact and the need for efficient operations in the film industry.

The article concludes with a mention of the large investments and financial stakes involved in the motion picture industry and the need for effective management and arbitration to handle disputes.

Mistral, mistral.ministral-3-8b-instruct

The image displays a page from a newspaper article titled "The Motion Picture Industry" by Will Hays. The content is divided into sections discussing various aspects of the industry, including salaries, working conditions, and arbitration processes.

Key Points:

Salaries and Costs:

  • Salaries of Actors, Directors, and Crew Members:
    • Actors, directors, camera men, and assistants receive about thirty percent of the total cost of a production.
    • Salaries for scenarists, designers, and others are also detailed:
      • Scenarists: $15,000
      • Directors: $10,000
      • Cameramen and assistants: $10,000
      • Scenarios and stories: $10,000
      • Studio overhead: $10,000
      • Costumes, gowns, etc.: $8,000
      • Locations and transportation: $8,000
      • Raw film: $8,000
    • Total costs are summarized as $100,000.

Working Conditions:

  • Unique Industry Practices:

    • The article highlights the unique nature of the motion picture industry, where individuals are paid a percentage of the total cost of the production.
    • The free casting bureau operates in Hollywood, providing actors and actresses for various roles.
    • The industry employs around 98% of all people involved in the motion picture business, including actors, directors, and crew.
  • Demand for Extra Work:

    • There's a significant demand for extra work in the industry, with many individuals working more than one job to supplement their income.
    • The industry is noted for its high turnover, with many individuals moving in and out of the business.
  • Working Hours and Conditions:

    • Actors and actresses often work long hours and are required to maintain a particular appearance and lifestyle.
    • The article mentions the challenges faced by individuals who are paid for extra work and how they are not always provided with adequate means of support.

Arbitration Process:

  • Disputes and Arbitration:
    • The article discusses the arbitration process in the motion picture industry, which is managed by the American Arbitration Association.
    • There are 33 arbitration boards, with a significant number of cases handled each year, involving issues such as disputes over payments, working conditions, and other related matters.
    • The arbitration process is seen as a method to resolve conflicts without lengthy court proceedings.

Industry Statistics:

  • Economic and Social Impact:
    • The industry employs a vast number of people, with wages and salaries totaling $2,165,305.65 in the year mentioned.
    • The article also notes the widespread prevalence of arbitration in the industry, with 127 cases handled in one year, involving various disputes such as payments and working conditions.

Conclusion:

The article provides a comprehensive overview of the motion picture industry's structure, economic aspects, and the mechanisms in place for resolving disputes, emphasizing the unique and demanding nature of the work involved.

Mistral, mistral.ministral-3-14b-instruct

The image is a page from a document titled "The Motion Picture Industry" by Will Hays, specifically pages 93 and 95 from the Toronto 2, Ontario edition. The text discusses various aspects of the motion picture industry, including salaries, employment, and arbitration.

Key Points from the Text:

  1. Salaries in the Motion Picture Industry:

    • Salaries for actors, directors, camera men, and assistants are about 30% of the total cost of production.
    • Salaries of scenarios, costumes, and sets are not included in this percentage.
    • The document lists specific salary ranges for various roles, such as directors, cameramen, and scenarists.
  2. Production Costs and Employment:

    • The industry is unique in that it employs a large number of extras and temporary workers.
    • The free casting bureau in Hollywood provides extras who earn around $10 per day.
    • The industry employs a significant number of people, including those who work in studios and on location.
  3. Arbitration in the Motion Picture Industry:

    • The industry has established arbitration boards to handle disputes between producers and unions.
    • In the year reported, there were 35,650 cases involving 57,734,661 dollars.
    • The American Arbitration Association handled 127 cases, with 38 claims involving $21,096,757, and 89 awards totaling $7,874,242.
    • The majority of arbitration cases involved claims related to salaries, percentages, and other financial disputes.
  4. Arbitration Outcomes:

    • The report highlights the significant number of arbitration cases and the substantial amounts of money involved.
    • The arbitration process is seen as an essential tool for maintaining order and resolving disputes in the industry.

Additional Insights:

  • The industry is characterized by its high employment rate and the need for arbitration to handle the financial disputes that arise.
  • The text emphasizes the economic scale of the industry and the complexity of managing such a large workforce and financial transactions.

Overall, the document provides a detailed look into the financial and employment aspects of the motion picture industry, highlighting the importance of arbitration in managing disputes and maintaining industry standards.

Mistral, mistral.mistral-large-3-675b-instruct

The image displays two pages from a document discussing various aspects of the motion picture industry, authored by Will Hays. Here's a detailed summary of the content:

Page Ninety-Three (Left Page)

Salaries and Expenditures in the Motion Picture Industry

  • Salaries of Key Roles:

    • Executive Directors: Approximately $25 per week.
    • Camera Men and Assistants: About three to five percent of the total production cost.
    • Scenario Writers: $20 to $500 per scenario.
    • Designers and Makers of Costumes: $20 to $100 per week.
    • Child Actors: $25 to $150 weekly, with some earning a flat rate per picture.
    • Directors, Cameramen, and Assistants: $10 to $1,500 per week.
    • Studio Overhead: Includes management, cutting, assembling, and titling, ranging from $8 to $100.
    • Locations: Costs for renting grounds and properties range from $10 to $500.
    • Raw Film: $0.05 per foot.
  • Total Production Costs: The total expenditure for producing a feature film is around $100.

Working Conditions and Practices

  • Unique Employment Practices:
    • In Hollywood, contracts for actors and actresses are unique as they might include provisions for housing and specific work conditions.
    • Some actors work for one company but may live in houses owned by another.
  • Free Casting Bureau:
    • Operated by producing companies to help extras find work, with no charge for the service.
    • Extras can be called at any time, sometimes leading to high turnover and the need for constant replacements.
  • Casting Directors:
    • They decide which extras will be needed and handle their scheduling and management.

Page Ninety-Five (Right Page)

Arbitration in the Motion Picture Industry

  • Industry Investments:

    • The report reveals a significant investment, with approximately $300,000 put out of court due to the industry's arbitration system.
  • Efficiency of Arbitration:

    • The industry has developed a system ensuring fair and swift resolution of disputes.
    • The public benefits from the avoidance of financial losses and uncertainties typically associated with court cases.
  • Historical Context:

    • In 1922, the industry faced around 175 lawsuits.
    • By 1929, the number of cases drastically reduced due to the implementation of arbitration.
  • Arbitration Details:

    • Arbitration boards handle disputes involving contracts, salaries, and other issues.
    • The American Arbitration Association reported handling 35,560 cases in 1929, with the motion picture industry contributing significantly to this number.
    • The system has been praised for its effectiveness and efficiency, saving time and money for all parties involved.

Arbitration Boards and Committees

  • Structure:

    • There are "Thirty-three Arbitration Boards" across the United States, including New York, Chicago, and Los Angeles.
    • Each board consists of three members, ensuring a fair representation of different interests.
  • Process:

    • Cases are brought to arbitration, heard, and settled promptly.
    • The boards' decisions are binding and have significantly reduced the number of litigations.

The overall tone of the document emphasizes the unique and efficient practices within the motion picture industry, particularly in handling salaries, employment, and dispute resolutions.

Mistral, us.mistral.pixtral-large-2502-v1:0

The image shows a page from a book or report titled "The Motion Picture Industry" by Will Hays, published in Toronto, Ontario. The page is labeled as "Page Ninety-three," and the content is a continuation from Page 60.

The text discusses various aspects of the motion picture industry, including the salaries of different roles, the costs involved in production, and the distribution of films. It highlights that the industry employs a large number of people, with a significant portion of the costs going towards salaries and other expenses.

Key points include:

  • The industry employs over 310,000 people.
  • The casting director plays a crucial role in selecting actors for future productions.
  • The industry faces challenges such as the need for continuous work and the impact of economic conditions.
  • The text mentions the establishment of an American Arbitration Association to handle disputes within the industry.
  • The report covers the financial aspects, including the costs of production and the revenue generated from film distribution.
  • It also discusses the efforts to regulate the industry and ensure fair practices.

The page is part of a larger document that provides an in-depth look at the motion picture industry's operations, economics, and regulatory framework.

Azure OpenAI Service, gpt-4

This image displays a single page from a book or a publication, with text on both sides of the open spread. The visible page is marked as "Page Ninety-three" on the top right corner, indicating that it is from the right side of the book.

The content of the page is headlined "The Motion Picture Industry" and is written by Will Hays. This suggests that the article is related to the history, economics, or regulations of the film industry, possibly during the time when Will Hays was influential in establishing production codes and moral guidelines for motion pictures in the United States. The Hays Code, named after him, was a set of industry moral guidelines that governed the production of most United States motion pictures.

The text is dense and continues from the previous page, which is indicated by the phrase "(Continued from Page 69)." The document looks historical, with its typeset and paper hue suggesting it’s from the early to mid 20th century. There are some marginal notes and underlines, suggesting that a reader has interacted with the text, possibly for study or research purposes.

The actual text covers various aspects of the motion picture industry, including salaries, employment conditions, and the impact of the industry on the economy. It seems to be an analytical or expository piece, rather than a narrative one.

On the far right edge of the image, we catch a glimpse of the edge of the adjacent page, marked as "Ninety-five," which also contains text, though it is not legible due to the viewing angle. The binding of the book is visible on the left edge, showing the physical depth of the book and hinting that it's of substantial thickness, possibly an in-depth study or a comprehensive report.

Azure OpenAI Service, gpt-4o-2024-05-13

The image depicts a page from a book or magazine titled "The Motion Picture Industry" by Will Hays. This page is part of a larger article, as indicated by the "Continued from Page 60" note below the title. It appears the article discusses various aspects of the motion picture industry, including salaries, employment practices, production costs, and the economic impacts.

Several key points can be seen in this portion of the text:

  1. Salaries of different roles within the industry, such as actors, directors, and technical staff.
  2. The use of extras and their typical job roles and wages.
  3. Comments on production practices and costs.
  4. Mention of Hollywood employment and the process of making motion pictures.
  5. Description of economic factors affecting the industry, including arbitration and adjustments in the industry.
  6. Notes on the conditions of employment contracts and challenges faced by the industry.

The page number is indicated at the top right as "Page Ninety-three" and "Ninety-five," suggesting two different pages are visible. The location "Toronto 2, Ontario" is printed at the top left, possibly indicating the publication's origin or place of relevance.

The page includes tightly packed paragraphs, and the text is formatted in a typical columnar structure common in older publications. In addition, some parts of the page seem slightly worn or aged, giving it a vintage appearance.

Azure OpenAI Service, gpt-4.1-mini-2025-04-14

The image shows an open book or magazine opened to a page titled "The Motion Picture Industry" by Will Hays, continuing from page 60. The text appears dense, formatted in a classic newspaper or magazine style with multiple columns. The content discusses various aspects of the motion picture industry, including salaries of actors, directors, cameramen, and assistants, as well as the processes and work conditions within the industry. It mentions the roles and pay of extras, casting bureaus, and the arbitration system related to industry disputes. The page is marked as "Toronto 2, Ontario," and the page number is "Page Ninety-three," with a partial number "Ninety-five" noted on the side. The publication has an old-fashioned look, suggesting it may be from an early to mid-20th-century periodical.

Amazon, amazon.nova-lite-v1:0

The image shows an open book with the title "The Motion Picture Industry" by Will Hays. The text discusses the salaries of actors, directors, cameramen, and other film industry workers, as well as the costs associated with producing films. It also touches on the arbitration process used to resolve disputes in the industry. The book is open to page 93, with the previous page numbered 92 and the next page numbered 94. The book has a brown cover with a decorative border and is placed on a gray surface.