Archives Scrapbooks

This image shows a book or a collection of historical documents, with a page from the "Harvard Alumni Bulletin" dated December 15, 1927, prominently displayed. The page discusses the Fogg Art Museum and its collection of rare prints from the masterpieces of etching and engraving. The text mentions the work of various artists, including Schongauer, Dürer, Van Leyden, Mantegna, Montagna, Pollaiuolo, Moretto, Canaletto, Rembrandt, Meryon, and Whistler. The page also includes a section about the "Black Lion Wharf" and "Becquet," which are described as prints designated as "selected proof."

The page is part of a larger collection, with additional pages visible on the left and right sides. The left page has a black and white illustration with the title "In the World of Art" and a subtitle "By F. W. Coburn." The right page contains more text about the Fogg Art Museum and its exhibitions. The book appears to be bound with a dark red cover.

The image shows an open book with a page titled "The Fogg Art Museum" from the "Harvard Alumni Bulletin" dated December 15, 1927. The page contains an article about an exhibition at the Fogg Art Museum, featuring a priceless collection of rare prints from various masterpieces of etching and engraving. The collection includes works from artists such as Schongauer, Dürer, Van Leyden, Mantegna, Montagna, Pollaiuolo, Moretto, Canaletto, Rembrandt, Meryon, and Whistler. The article describes several prints in detail, including their historical significance and artistic value.

At the top of the page, there is a smaller clipping from the "Boston Herald" dated December 25, 1927, with the headline "In the World of Art" by F. W. Coburn. This clipping appears to be related to an event at the Museum of Fine Arts, mentioning the omission of the usual Sunday afternoon lecture due to the Christmas season.

The book is open and appears to be part of a scrapbook or collection of clippings and articles, as indicated by the visible spine and other pages in the background. There are also some handwritten markings on the page.

This image shows an open book or scrapbook with a dark maroon or burgundy cloth binding, laid flat to display two facing pages. The pages are aged, with a yellowish or cream-colored tone and visible wear along the edges and folds.

The content is primarily a printed article titled “The Fogg Art Museum” from the “Harvard Alumni Bulletin”, dated December 15, 1927. This title and date are handwritten in ink at the top of the left-hand (verso) page, above the article. The article itself is presented in two columns and discusses a print collection at the Fogg Art Museum, mentioning artists such as Schongauer, Dürer, Van Leyden, Mantegna, Montagna, Pollaiuolo, Meryon, Canaletto, Rembrandt, and Whistler.

Above the Harvard Alumni Bulletin page, on the right-hand (recto) page, is a cut-out article from the “Boston Herald”, dated Dec. 26, ’27. Its headline reads “In the World of Art” and is credited to F. W. Coburn of the Museum of Fine Arts. This clipping, which appears to be a newspaper review or announcement, discusses an exhibition and includes mentions of Blake’s “Book of Job” and other art news. The clipping is affixed with tape at its top edge.

A large, handwritten “V” checkmark is visible on the right-hand page, near the Boston Herald clipping.

The bottom left corner of the left-hand page features a printed caption: “L’Abîme Notre Dame—Charles Meryon, France, 1821–1868. (Owned by the Fogg Art Museum)”, indicating that the article likely references or is accompanied by a reproduction of this print.

Overall, the image depicts a curated archival page—likely from a personal scrapbook or institutional record—compiling early 20th-century press coverage about an art exhibition at the Fogg Art Museum. The arrangement suggests careful preservation and annotation for historical or research purposes.

This image shows a spread of two pages from a book or magazine. The left page has a headline "In the World of Art" and a subheading "Harvard Alumni Bulletin, December 15, 1921." The right page has an article titled "The Fogg Art Museum." The article discusses the new Fogg Art Museum's exhibition of rare prints and engravings from the works of Schongauer, Dürer, Leyden, Mantegna, Rembrandt, Pollaiuolo, Moretto, Whistler, and others. It mentions specific works on display and provides details about the artists and their techniques. The pages are bound together with a metal clip and have a brown leather cover.

The image shows an open book with two pages facing each other. The book is open to the pages of an article titled "The Fogg Art Museum," which is part of the Harvard Alumni Bulletin dated December 15, 1921. The article is written by F. W. Coburn and discusses the new Fogg Art Museum's collection of rare prints and engravings.

The left page contains the beginning of the article, detailing the museum's collection, which includes etchings and engravings from various artists such as Schongauer, Dürer, Lucas van Leyden, Mantegna, Rembrandt, and others. It mentions specific prints and engravings, such as "House with a Date and Plate with Portico," "Hundred of the Famous Rembrandt Prints," and others.

The right page continues the article, providing more details about the museum's collection, including works by artists like Whistler, Fragonard, and Goya. It also mentions the museum's acquisition of rare engravings and the significance of certain prints, such as "Assumption of the Virgin" and "Battle of Nancy."

The book appears to be well-preserved, with clear text and a structured layout. The pages are bound together, and the article is formatted with a title, author's name, and publication date at the top. The text is written in a formal and descriptive style, typical of academic or historical publications from the early 20th century.

The image shows an open book, specifically a page from the Harvard Alumni Bulletin dated December 15, 1927. The page is titled "The Fogg Art Museum" and is part of a section discussing an exhibition at the Fogg Art Museum. The content is a detailed description of the museum's collection of rare prints and engravings, highlighting notable works by various artists.

Key Elements in the Image:

1. Header Information:

   • The top of the page includes the title "In the World of Art" and a subheading "The Fogg Art Museum."
   • The publication is identified as the Harvard Alumni Bulletin, dated December 15, 1927.
   • The page also includes the date Dec. 25, 1927, likely indicating when the bulletin was printed or distributed.

2. Content Overview:

   • The article discusses an exhibition at the Fogg Art Museum, showcasing a collection of rare prints and engravings.
   • It highlights works by prominent artists such as Schongauer, Diirer, Van Leyden, Mantenga, Rembrandt, Morret, Canaletlo, Pollaiuolo, and Whistler.
   • Specific prints mentioned include:
     • "The Foolish Virgin" by Schongauer.
     • "Crucifixion" and "Christ Bearing the Cross" by Durer.
     • "Madonna with the Cat" and "Battle of Sea-Gods" by Rembrandt.
     • "Assumption of Virgin" by an unknown artist, possibly Polailuolo.
     • "Battle of Nudes" by Pollaiuolo, described as one of the greatest engravings in the world.

3. Exhibition Details:

   • The exhibition is described as a "masterpiece collection of rare prints from the priceless collection of rare prints of Schongauer, Diirer, Van Leyden, Mantenga, Rembrandt, Morret, Canaletlo, Pollaiuolo, and Whistler."
   • The prints are displayed in the Venetian gallery on the second floor of the new building.
   • The article emphasizes the historical and artistic significance of the works, noting influences and connections to earlier masters.

4. Visual Layout:

   • The text is printed in a classic serif font, typical of early 20th-century publications.
   • The page includes a column of text on the right side, which appears to be a continuation of the article or related content, discussing the Fogg Museum's exhibitions and other art-related topics.
   • There are visible handwritten markings or annotations on the page, suggesting it may have been used or reviewed by someone.

5. Contextual Clues:

   • The article is part of a broader section titled "In the World of Art," indicating that the Harvard Alumni Bulletin regularly covered art-related topics.
   • The mention of the Fogg Art Museum suggests the article's focus on art exhibitions and collections, likely aimed at alumni or art enthusiasts.

Summary:

The image depicts a page from the Harvard Alumni Bulletin dated December 15, 1927, discussing an exhibition at the Fogg Art Museum. The article provides a detailed overview of the museum's collection of rare prints and engravings, highlighting notable works by artists such as Schongauer, Durer, Rembrandt, and Pollaiuolo. The layout and content suggest it is part of a regular feature on art and culture, aimed at a readership interested in fine arts. Handwritten markings indicate the page may have been reviewed or annotated by someone.

The image shows a page from a scrapbook or bound volume with a newspaper clipping pasted on it. The clipping is an article titled "The Fogg Art Museum" from the "Harvard Alumni Bulletin" dated December 15, 1927. The article discusses a new exhibition at the Fogg Art Museum featuring a priceless collection of rare prints by well-known masters such as Schongauer, Dürer, Van Leyden, Mantegna, Montagna, Pollaiuolo, Moretto, Canaletto, Rembrandt, Meryon, and Whistler. It mentions notable works and highlights the influence of earlier masters on later artists. The article also describes specific pieces, such as Meryon's "L'Abside Notre Dame" and the "Black Lion Wharf" by Whistler, noting artistic details and signatures. The text is neatly typed and includes a small decorative heading titled "In the World of Art" attributed to W. F. Coburn, from the Boston Herald dated December 26, 1927. Handwritten notes on the page mention the source and date: "Harvard Alumni Bulletin December 15, 1927." The article provides a detailed overview of the exhibition and the significance of the displayed prints.

This image shows a page from an open scrapbook or archival book, featuring both a newspaper clipping and a printed article.

1. Top section: The newspaper clipping is labeled "Boston Herald, Dec. 26, '27" on the top left. The headline reads, "The World of Art," and discusses various topics related to art.

2. Main portion:

   • It is a page from the Harvard Alumni Bulletin, dated December 15, 1927.
   • The article is titled "The Fogg Art Museum." It details the museum's exhibition of rare prints and etchings by notable artists such as Schongauer, Dürer, Rembrandt, and others.
   • It emphasizes the collection's significance by mentioning specific works and artists, such as "Christ Bearing the Cross," "Three Trees" by Rembrandt, and pieces by Whistler and Meryon.

3. Additional notes/details:

   • A handwritten number "4" is marked on the page.
   • The page is clipped from a book or journal and appears to be preserved with clear corner fasteners or supports.
   • Organizational marks and labels suggest the preservation of art news and documentation.

The image shows an open scrapbook or bound album. A yellowed page holds a pasted newspaper clipping with a decorative header that reads “In the World of Art.” Beneath it is a typed article titled “The Fogg Art Museum,” with two columns of small print describing the collection. A separate note, handwritten in pencil at the top of the clipping, reads “Harvard Alumni Bulletin December 15, 1927,” and there’s a pencil check mark nearby. The page is inside a dark burgundy cover, and you can see the binding and the edge of the adjacent page, giving it an old, archival look. The overall tone is vintage and scholarly.

This image shows an open book or bound collection of newspaper clippings and articles. The visible page includes an article from the "Boston Herald" dated December 5, 1927, and is partially overlapped by a piece titled "Harvard Alumni Bulletin December 15, 1927."

The main article discusses the Fogg Art Museum and describes a new exhibition offered. It mentions various works of art and artists such as Vermeer, Mantegna, Pollaiuolo, Meryon, and others. The text elaborates on the pieces featured in the exhibition, including "Christ Healing the Blind," "Knight, Death, and Devil," "St. Jerome in His Cell," and "The Four Impressions."

In addition to specific artworks, the article also references "Aryan armor" and the Fogg Art Museum having artifacts from Camelot's "House with the Date and House with Portico." The article highlights various impressions and etchings, noting the pieces have been selected for both their artistic and educational value.

The visible portion of the Harvard Alumni Bulletin has a checked mark, suggesting that the reader may have found this part significant or wanted to refer to it later.

The image captures the texture and color of the aged paper, the typeface, and layout common in printed media from the late 1920s. There are also visible signs of wear, like slight discoloration and frayed edges, indicative of the documents' age.