Archives Scrapbooks

The image shows a page from a scrapbook or collection of articles, dated from the early 20th century. The left side of the page features a newspaper article titled "Harvard Screen Project," dated November 27, 1927. The article discusses a contract between Harvard University and Pathé Exchange, Inc., to produce a series of films on scientific subjects, known as the Pathé Science Series. It mentions the involvement of various departments at Harvard, including Anthropology and Geology, and the selection and editing of films by graduate students. The article also includes a section titled "Camera Men for Expeditions," which discusses the involvement of Pathé Exchange in scientific expeditions.

On the right side of the page, there is a photograph of a man wearing a suit and hat, with the caption "The second occupant of the Charles Eliot Norton Chair of Poetry: Professor Eric R.D. Maclagan." Below the photograph, there is a brief article about an exhibition of Japanese art at the Fogg Museum of Art at Harvard, dated December 12, 1925.

The page appears to be part of a collection of historical documents, news clippings, and photographs, possibly related to academic and cultural events at Harvard University in the 1920s.

This image shows an open book or scrapbook with various clippings and articles, primarily related to Harvard University and its activities in the late 1920s. The left page contains a newspaper article titled "HARVARD SCREEN PROJECT" from The New York Times, dated November 27, 1927. The article discusses a contract between Harvard University and Pathé Exchange, Inc., to create a series of educational films on scientific subjects.

The right page features a photograph of a man in formal attire, including a bowler hat and a suit, standing on a sidewalk. The accompanying text identifies him as Professor Eric R. D. Maclagan, the second occupant of the Charles Eliot Norton Chair of Poetry. The text also mentions that he is giving a course of ten lectures on Italian Sculpture.

Below the photograph, there is another article titled "HARVARD MUSEUM TO SHOW JAPANESE ART," dated December 12, 1927. This article announces an exhibition of Japanese screens at the Fogg Museum of Art at Harvard.

The book appears to be a collection of articles and clippings related to Harvard University's academic and cultural activities, with a focus on the late 1920s. The pages are well-preserved, and the overall layout suggests a carefully curated collection of materials.

This image shows a close-up of an open, aged scrapbook or clipping album.

Overall Structure:

• The scrapbook has a dark red or maroon hardcover binding.
• The visible pages are yellowed with age, suggesting they are from the late 1920s or early 1930s.
• The pages are bound on the left, and a clear plastic or glassine sheet is laid over the right-hand page, possibly for protection.

Left-Hand Page:

• Dominated by a large newspaper article from The New York Times, dated Nov. 27, '27.
• The headline reads: HARVARD SCREEN PROJECT.
• The article details a contract between Harvard University and Pathé Exchange, Inc., to produce a series of educational films on scientific subjects, specifically mentioning the Division of Anthropology and the Division of Geology. It discusses the project's goals, leadership (including Dr. Kitry F. Mather and Dr. Ernest A. Hooton), and plans for production and distribution.
• The text is arranged in multiple columns and uses a traditional newspaper font. Some sections are underlined or bolded, such as the subheadings "The University's Statement" and "Two Sets of Films."
• A small, typed or handwritten note, possibly an index or catalog entry, is visible in the margin along the left edge of the page.

Right-Hand Page:

• Features a large, black-and-white photograph above a smaller newspaper clipping.
• The Photograph: It shows a man, identified in the accompanying text as Professor Eric R. D. MacLagan, wearing a light-colored fedora-style hat and a dark suit or jacket. He is seated, seemingly in a studio or office, next to a large piece of art or sculpture with a textured, possibly metallic, surface. The caption identifies him as "The second occupant of the Charles Eliot Norton Chair of Poetry," who is also "Director and Secretary of the Victoria and Albert Museum in London." The photo is credited to The Yard, Dec. 10, '27.
• The Newspaper Clipping: Below the photo is a smaller clipping from The New York Times, dated Dec. 12, '27.
• Its headline reads: HARVARD MUSEUM TO SHOW JAPANESE ART.
• It announces an exhibition of Japanese screens at the Fogg Museum of Art, which had opened the previous day, featuring about 12 screens from the 17th, 18th, and 19th centuries.

Context and Significance:
The scrapbook page appears to be documenting events, projects, and figures associated with Harvard University around 1927. The items collected suggest an interest in academia, anthropology, art history, and cultural exchange, specifically highlighting Harvard's initiatives in visual education (the Screen Project) and its art museum's exhibitions (Japanese Art). The inclusion of the photo of Professor MacLagan connects Harvard to prominent international academics and institutions like the Victoria and Albert Museum. The overall impression is that of a meticulously curated historical record.

The image is of an open book with several pages showing. The pages are filled with text and images. The first page shows a headline reading "HARVARD SCREEN PROJECT" with a subheading "Harvard University has made a contract with Pathé Exchange, Inc." The article discusses the contract between Harvard University and Pathé Exchange, Inc. for the distribution of scientific films. The contract involves the Division of Anthropology, the Peabody Museum, and the Department of Geology. The article also mentions the involvement of Yale University in the project. The book appears to be a collection of newspaper clippings or articles from the New York Times.

The image shows a newspaper clipping featuring an article about the Harvard Screen Project. The article is divided into two main sections, with the left side containing the main text and the right side featuring a photograph of a man dressed formally. The photograph is accompanied by a caption that reads "The Yard."

The main text on the left side of the image is titled "HARVARD SCREEN PROJECT" and is written in a bold, uppercase font. The text discusses the collaboration between Harvard University and Pathe Exchange, Inc., to create a series of films for educational purposes. The films will cover various scientific subjects and will be used by Harvard and other institutions for teaching and research.

The article mentions that Pathe Exchange, Inc. will provide a series of pictures dealing with various scientific subjects, which will be leased to Harvard as part of the Pathe Science Series. The films will be made available to other institutions for similar cooperation. The article also highlights the benefits of using films in education, such as the ability to show different environments and the habits of various plants and animals.

The photograph on the right side of the image shows a man dressed in a suit, bow tie, and hat, standing in front of a building. The caption "The Yard" suggests that the location is Harvard Yard, a central area of Harvard University. The man's formal attire and the setting imply that he may be a faculty member or administrator involved in the Harvard Screen Project.

Overall, the image provides a glimpse into the early use of film as an educational tool and the collaboration between Harvard University and Pathe Exchange, Inc., to create a series of scientific films for teaching and research purposes.

The image shows an open book, likely a newspaper or magazine, with several pages visible. The left page is from The New York Times, dated December 27, 1927, and features a headline titled "HARVARD SCREEN PROJECT." The article discusses a collaboration between Harvard University and Pathé Exchange, Inc., for a film project. It details the scope of the project, which involves the collection and preservation of scientific and anthropological films. Key points include:

• Harvard's Role: Harvard University has entered into a contract with Pathé Exchange, Inc., to prepare a series of scientific subjects for film.
• Scope: The project will focus on subjects known when the series are leased, with the aim of preserving them for future use.
• Cooperation: The project involves various departments and organizations, including the Division of Anthropology and the Peabody Museum.
• Film Series: The series will include over 2,000 pictures taken during the last fifteen years of the Pathé Film Magazine, featuring expeditions and scientific studies.
• Purpose: The films will be used for educational purposes in universities and schools, with the goal of preserving valuable scientific material.

The right page is from The Yard, dated December 10, 1927, and contains an article titled "HARVARD MUSEUM TO SHOW JAPANESE ART." This article announces an exhibition of Japanese screens at the Harvard Museum, scheduled to open on December 17th. It highlights the historical significance of the screens and their display at the museum.

Additionally, there is a smaller photograph on the right page depicting a man in formal attire, possibly a historical figure or notable individual, standing with his hands in his pockets. The photograph is captioned with details about the individual, mentioning the Charles Eliot Norton Chair of Poetry and the Victoria and Albert Museum in London.

The book appears to be a collection of historical documents or clippings, with visible page numbers and a maroon spine, suggesting it may be part of an archive or scrapbook. The text is typed or printed in a vintage style, consistent with the early 20th century.

An open scrapbook showing vintage newspaper clippings about the Harvard Screen Project. The left page is filled with a long article titled HARVARD SCREEN PROJECT, with dense columns of text and small header notes (the clipping is from The New York Times, dated 1927). The right page features a black-and-white photograph of a man in a dark suit and hat standing outdoors, with caption text around it. The pages are yellowed and worn, bound in a maroon hardcover, and there are smaller clipping notes tucked around the margins (including a note about the Harvard Museum showing Japanese art). Overall, it’s an archival collage from the late 1920s.

The image shows an open scrapbook or scrapbook-style book with two visible pages containing several newspaper clippings. The left page contains a newspaper clipping from The New York Times dated Nov. 21, 1927, titled "HARVARD SCREEN PROJECT." The article discusses Harvard University's contract with Pathé Exchange, Inc. to create a series of educational films dealing with scientific subjects, to be called the Pathé Science Series. It details the involvement of various Harvard departments and the benefits for education, particularly for school children.

The right page features two newspaper clippings. The larger clipping is titled "The Yard" and dated Dec. 10, 1927. It includes a photograph of a man in a suit and hat, identified as Charles Eliot Norton, a former Harvard professor and the first director and secretary of the Victorian and Albert Museum in London. The clipping mentions a lecture by an unnamed Professor Maclagan and notes interest in education for school children.

Below this, there is a smaller clipping with the headline "HARVARD MUSEUM TO SHOW JAPANESE ART," dated Dec. 12, 1927. It announces an exhibition of Japanese screens from the late 18th and 19th centuries at the Harvard Museum, emphasizing the cultural value of these works.

Both pages are secured within the scrapbook by possible photo corners or plastic strips. The pages have yellowed over time, indicating their age. Handwritten notes on the pages identify the newspapers and dates of the clippings.

This image shows an open scrapbook or book containing clippings from newspapers or other publications, with articles on two pages. The page on the left features a headline reading "HARVARD SCREEN PROJECT" and an article discussing Harvard University's collaboration with the Pathé Exchange for the production of educational visual content. The text is dense and formatted in multiple columns.

Below this article is a smaller clipping with the headline "HARVARD MUSEUM TO SHOW JAPANESE ART," discussing an exhibit of Japanese art at Harvard University.

The page on the right includes a photograph of an unidentified man in formal attire (a suit, hat, and tie), accompanied by a caption providing some background on him. A smaller column near the bottom discusses another topic.

The newspaper clippings are affixed to the pages, and handwritten notes, such as "The New York Times, Nov. 27, '27," label portions of the articles, indicating dates and sources.

The image displays the inside of an open vintage book or scrapbook with newspaper clippings pasted onto its pages. The left-side page has an article titled "HARVARD SCREEN PROJECT," and it appears to be from "The New York Times," dated Tuesday, April 27, 1927. The article discusses a project at Harvard University related to the motion picture study of experiences overseas, involving various faculties and departments, including the Fogg Art Museum and the Botanical Museum.

On the right-side page, the clipping is titled "The Yard" from "The Harvard" dated December 10, 1927. The visible portion of this page contains an article that mainly focuses on the Harvard Museum showcasing Japanese art, including exhibitions and loans of rare specimens.

The open book and newspaper clippings provide a glimpse into historical academic pursuits and cultural events from the late 1920s. The physical condition of the pages suggests age and handling over time, with browning and slightly frayed edges, typical of old paper materials. The book background is reddish-brown, with what appears to be a slightly textured cover visible on the left side of the image.