Archives Scrapbooks

The image shows a page from a book or scrapbook containing a clipping from the "New York Times" dated October 22, 1927. The article is titled "Allan Clark: Far Eastern and Sharply Contrasting Pieces—Other Shows" and is written by Elisabeth L. Cary. The article discusses an exhibition of Allan Clark's sculptures at the Wildenstein Galleries, which opened after its exhibition at the Fogg Museum in Cambridge.

The page includes a black-and-white photograph of a sculpture titled "Japanese Actor," which is described as being cut in French walnut by Allan Clark. The article also provides a detailed description of the exhibition, focusing on the themes and techniques used by Clark in his sculptures, which draw inspiration from Far Eastern cultures.

Below the main article, there is a smaller clipping titled "Professor Sachs Gives Rare Books for Professor Norton Centenary," dated October 31, 1927. This clipping describes the donation of a valuable collection of limited editions by Bruce Rogers to the Harvard University Press, presented to Widener Library in memory of Professor Charles Eliot Norton, in celebration of his centenary. The collection includes examples of Rogers's typographical masterpieces from the past thirty years.

The book or scrapbook itself appears to be aged, with some pages slightly torn and the edges frayed, indicating its historical value and the passage of time. There are also some handwritten annotations and labels on the pages, suggesting that the book may have been used for research or personal records.

This image shows a vintage newspaper clipping from the "New York Times," dated October 22, 1927, placed inside a scrapbook or collection. The article is titled "ALLAN CLARK" and discusses his exhibition of sculpture at the Wildenstein Galleries. The article, written by ELISABETH L. CARY, describes Clark's sculptures, which include various materials like wood, stone, and bronze, and subjects ranging from portraits of notable figures to actors and dancers from Java and Japan.

The clipping includes a photograph of a sculpture titled "Japanese Actor," carved in French walnut by Allan Clark. The article describes the sculpture's features and artistic qualities in detail.

At the bottom of the page, there is another smaller clipping titled "Professor Sachs Gives Rare Books for Professor Norton Centenary," discussing a valuable collection of limited editions presented to Widener Library in memory of the late Professor Charles Eliot Norton.

The scrapbook itself appears to be old, with some wear and tear visible on the pages and edges. There are also some handwritten notes and dates on the pages, indicating that this is part of a personal collection or archive.

This image displays an open page from an old scrapbook or clipping album, bound in a dark red or maroon hardcover. The pages are yellowed with age, and the clippings are taped or pasted onto them.

The primary content is a collection of newspaper clippings from the New York Times, dated around October 1927, focusing on an exhibition of the American sculptor Allan Clark.

Key Elements on the Page:

1. Main Article:

   • Headline: "ALLAN CLARK" in large, bold letters, followed by a sub-headline: "Far Eastern and Sharply Contrasting Pieces—Other Shows."
   • Author: By Elizabeth L. Cary.
   • Date: Dated October 22, 1927.
   • Content: The article reviews Clark's exhibition at the Wildenstein Galleries (which had just opened after a previous show at the Fogg Museum in Cambridge). It discusses his use of diverse materials, his subjects (including portraits of Amelita Galli-Curci and Mrs. Adrian Iselin II, and figures inspired by Javanese and Japanese actors), and his style, which combines ceremonial robes with a sense of action and vitality. The author notes his interest in "Far Eastern art" (India, China, Cambodia, Japan) and mentions specific works, including "The Five Hundredth Concubine."

2. Illustration:

   • A prominent, dark-toned photograph or print accompanies the article.
   • Caption: "'Japanese Actor,' Cut in French Walnut, by Allan Clark. In Exhibition at Wildenstein Galleries." The date "Oct. 29, '27" is noted below the caption.
   • Image Description: The image is a dynamic, stylized wood carving depicting a figure with an elaborate, swirling headdress or hair. The figure appears to be in motion, captured mid-gesture, showcasing the deep carving and contrast in the wood.

3. Other Clippings:

   • Below the main article is another, smaller article titled "Objects That Speak Clearly," which continues the review of Clark's work.
   • In the bottom right corner, there is a separate, smaller clipping with the headline: "Professor Sachs Gives Rare Books for Professor Norton Centenary" (dated Oct. 31, '27). It describes a collection of limited editions given to Harvard University in memory of Professor Charles Eliot Norton.
   • There are also fragments of other articles visible on the left page and partially obscured on the right, including one titled "The Beginnings of Umbrian Painting."

4. Annotations:

   • Handwritten annotations in pencil are visible: "University Com." and "New York Times" at the top, along with dates such as "Oct. 22, 1927" and "October 30, '27," helping to log the clippings.

Overall Impression:

This image captures a moment of historical art criticism and curation. The scrapbook page serves as a personal archive, documenting the reception of Allan Clark's sculptural work, which drew heavily on Asian aesthetics and was showcased in prominent New York and Boston galleries in 1927. The combination of the review text, the photograph of a specific artwork, and the dated clippings provides a rich snapshot of the art world during that period. The physical state of the scrapbook—yellowed pages, taped clippings, handwritten notes—adds to its historical authenticity and feel.

The image shows a page from an old newspaper with an article titled "Far Eastern and Sharply Contrasting Pieces" by Elisabeth L. Cary. The article discusses an exhibition of Allan Clark's sculpture at the Fogg Museum in Cambridge, which includes a variety of materials, wood, stone, and bronze, using techniques in developing these materials and subjects in developing these materials and subjects. The article also includes a picture of a Japanese actor in French walnut, which is described as an inexplicable piece of work that speaks clearly from the power of the impression it makes upon the Eastern ideal of an actor.

The image shows a page from a newspaper with a headline that reads "Allan Clark: Far Eastern and Sharply Contrasting Pieces." The page contains an article about Allan Clark's exhibition at the Wildenstein Galleries in Cambridge, which includes sculptures made from various materials such as wood, stone, and bronze, using different methods and techniques. The article also mentions that the sculptures are displayed in a way that allows visitors to freely explore and engage with them. The article is accompanied by a photograph of a Japanese actor cut in French walnut by Allan Clark. The photograph is titled "Japanese Actor. Cut in French Walnut, by Allan Clark." The article also includes a caption that describes the sculpture and its significance. The page also contains other articles and advertisements, but they are not the focus of the image.

The image depicts an open book or newspaper spread featuring an article titled "Far Eastern and Sharply Contrasting Pieces—Other Shows" by Elizabeth L. Cary, published in the New York Times on October 30, 1927. The article discusses an exhibition of works by Allan Clark, held at the Wildenstein Galleries in New York City.

Key Elements in the Image:

1. Text Content:

   • The article describes Clark's exhibition, which includes a variety of materials and subjects ranging from wood carvings to plaster figures.
   • It highlights Clark's use of unconventional materials and his focus on the human element in his work, particularly through the depiction of actors and dancers.
   • The article emphasizes the artist's ability to convey emotion and movement through his sculptures, noting that his work is "quite apparent that strange ness alone has not drawn the char- acteristic attention which has come to the Japanese, gestures, and atti- tudes of India, Cambodia, Java, and He- tries of these countries as they purey aesthetic."

2. Illustrations:

   • On the right side of the spread, there is a detailed illustration of a wooden sculpture titled "Japanese Actor, Cut in French Walnut" by Allan Clark.
   • The sculpture depicts a stylized figure, likely representing a Japanese actor, carved from French walnut. The figure is shown in a dynamic pose, with intricate detailing that captures the essence of movement and emotion.
   • Below the illustration, there is a caption that reads: "Japanese Actor, Cut in French Walnut, by Allan Clark. In Exhibition at Wildenstein Galleries."

3. Layout and Design:

   • The layout is typical of early 20th-century newspaper design, with dense text columns and a clear separation between the article and the accompanying illustration.
   • The article is printed in a serif font, and the illustration is placed prominently to the right, drawing attention to the visual representation of Clark's work.
   • The page also includes other headlines and snippets of text, such as "Professor Sachs Gives Rare Rooks Valuable Collection of Limited Editions for Professor Norton Centenary", indicating that this is part of a broader publication covering various cultural and academic events.

4. Contextual Details:

   • The date at the top right corner of the page is October 30, 1927, situating the article in the interwar period, a time of significant cultural and artistic exploration.
   • The mention of the Wildenstein Galleries suggests that the exhibition was part of a broader art scene in New York City during that era.

Overall Impression:

The image captures a historical moment in art criticism, showcasing how Allan Clark's unique approach to sculpture—blending Eastern influences with Western techniques—was received and discussed in the press. The combination of detailed text and a striking visual illustration provides insight into the artistic trends and cultural dialogues of the time.

The image shows a newspaper clipping of an article about Allan Clark's sculpture exhibition at the Fogg Museum in Cambridge, Massachusetts. The clipping is from the New York Times, dated October 22, 1927.

• A newspaper clipping of an article about Allan Clark's sculpture exhibition
  • The clipping is from the New York Times, dated October 22, 1927.
  • The article discusses Clark's work and its reception at the Fogg Museum.
  • The clipping includes a photo of one of Clark's sculptures, a Japanese actor cut in French walnut.
• The clipping is from the New York Times, dated October 22, 1927
  • The clipping is a page from the New York Times, dated October 22, 1927.
  • The page includes several other articles and advertisements.
  • The clipping is torn along the edges and has some creases.
• The article discusses Clark's work and its reception at the Fogg Museum
  • The article discusses Clark's work as part of a larger exhibition at the Fogg Museum.
  • The article mentions that Clark's work is "far Eastern and sharply contrasting pieces".
  • The article notes that Clark's work is not typical of the museum's usual exhibits.
• The clipping includes a photo of one of Clark's sculptures, a Japanese actor cut in French walnut
  • The photo shows a sculpture of a Japanese actor cut from French walnut.
  • The sculpture is described as "Japanese Actor" and is attributed to Allan Clark.
  • The photo is in black and white and is taken from a slight angle.

The clipping provides insight into the reception of Allan Clark's work at the Fogg Museum in 1927. The article highlights the unique nature of Clark's work and its contrast to the typical exhibits at the museum. The photo of one of Clark's sculptures adds a visual element to the article and provides a sense of the artist's style.

The image presents a collection of newspaper clippings, carefully preserved within a book. The clippings are arranged in a layered manner, with some partially overlapping others. Notably, the top clipping features a prominent headline that reads "ALLAN CLARK" in bold letters, accompanied by a subheading that states "Far Eastern and Sharply Contrasting Pieces - Other Shows."

Adjacent to this headline is an illustration of a sculpture, which appears to be a bust of a person with an elaborate hairstyle. The sculpture is rendered in a dark color, providing a striking contrast to the surrounding text.

Upon closer inspection, it becomes apparent that the clippings are from various newspapers, including The New York Times, which is dated October 22, 1927. This suggests that the collection may have been compiled during the late 1920s or early 1930s.

Overall, the image provides a fascinating glimpse into the world of art and culture during this period, offering insights into the works of Allan Clark and other artists of the time.

The image is a photograph of a scrapbook page, featuring a newspaper clipping from the New York Times dated October 22, 1927. The clipping is titled "Far Eastern and Sharply Contrasting Pieces - Other Shows" by Elisabeth L. Cary, and it discusses an exhibition of Allan Clark's sculpture at the Wildenstein Galleries.

The article is accompanied by a black-and-white illustration of a sculpture, which appears to be a bust of a man with a curved horn-like protrusion on his head. The sculpture is described as "Japanese Actor," Cut in French Walnut, by Allan Clark.

The clipping is pasted onto a page in a scrapbook, which has a maroon cover and yellowed pages. The page is filled with other newspaper clippings, some of which are visible on the left side of the image. The clippings appear to be from various dates in October 1927, and they cover a range of topics related to art and culture.

Overall, the image suggests that the scrapbook was created by someone who was interested in collecting and preserving articles and reviews about art exhibitions and cultural events in the 1920s. The use of a scrapbook as a medium for collecting and storing these clippings adds a personal touch to the image, and suggests that the creator of the scrapbook was actively engaged with the art world during this period.

The image presents a vintage newspaper clipping from the New York Times, dated October 30, 1927, featuring an article about Allan Clark's sculpture exhibition at the Wildenstein Galleries. The clipping is yellowed and worn, with visible signs of aging.

Newspaper Clipping:

• Title: "ALLAN CLARK"
• Subtitle: "Far Eastern and Sharply Contrasting Pieces—Other Shows"
• Author: By ELISABETH L. CARY
• Content: The article discusses Allan Clark's sculpture exhibition, highlighting his use of various materials, including wood, stone, and bronze, to create pieces that reflect his travels to Japan, Cambodia, Japan, India, and China.
• Image: A black-and-white photograph of a sculpture titled "Japanese Actor," cut in French Walnut, by Allan Clark.

Additional Articles:

• "Professor Sachs Gives Rare Books for Professor Norton Centenary"
  • Discusses a valuable collection of limited edition books designed by Bruce Rogers, typography by Harvard University Press, and presented to Widener Library by Professor C. J. Norton.
• "The Beginning of L'Emilian Painting"
  • Mentions Professor Edgell, Fogg Museum, and Perception of Space.

Newspaper Details:

• Date: October 30, 1927
• Publication: New York Times

Background:

• The newspaper clipping is placed on a gray surface, with a white strip visible behind it.

Overall, the image provides a glimpse into the artistic and cultural landscape of 1920s New York, highlighting the work of Allan Clark and other notable figures in the art world.