Archives Scrapbooks

The image shows an open book or newspaper with two visible pages. The right page is an article from "The Christian Science Monitor," dated Monday, October 10, 1927. The article is titled "Allan Clark, Sculptor" and discusses the work of sculptor Allan Clark, highlighting his current exhibit at the Fogg Museum of Art at Harvard University. The article describes Clark's approach to sculpture, his use of different materials like wood and bronze, and his focus on creating vivid representations of his subjects, often capturing movement and life. The text also mentions that Clark has traveled extensively in the East, which has influenced his work.

The left page appears to be from a different section or publication, possibly titled "Boston Transcript," dated October 5, 1927. The visible text on this page discusses various sculptures and artists, with descriptions of specific works and critiques of their qualities. There is also a mention of an exhibit at the Fogg Museum to be published in a portfolio by Professor C. N. Greenwood, which will include reproductions of William Blake's illustrations for "Night Thoughts."

Both pages contain detailed discussions on art and sculpture, with the Fogg Museum of Art at Harvard being a central point of reference for current exhibits.

The image is a collage of two pages from newspapers dated October 5, 1927, and October 10, 1927.

Top Page:

• The left side features a snippet from the Boston Transcript dated October 5, 1927. It discusses the aesthetic qualities of various sculptures and the influence of Oriental art on sculptors. The article mentions the 'Braque' sculptures and the sculpture's technique of using a variety of materials including bronze and gold.

• The right side is a full-page article from the Christian Science Monitor titled "Allan Clark, Sculptor." It describes Allan Clark's exhibit at the Harvard Art Museum, highlighting his sculptures' minimalism and technical skills. The article mentions Clark's training in Europe and his work, emphasizing the beauty of simplicity and the use of materials like marble and bronze.

Bottom Page:

• The left side contains a brief article in the Boston Transcript dated October 15, 1927, discussing a news item related to the Fogg Museum and William Blake's portfolio publication. It mentions that the Fogg Museum will publish a portfolio of William Blake’s watercolor illustrations in November.

• The right side shows a smaller article from the Boston Transcript, detailing the continuation of the Fogg Museum's exhibition through October 16, 1927, which includes sculptures in wood, bronze, and stone by Allan Clark.

Overall, these pages cover artistic exhibitions and notable sculptures, with a focus on Allan Clark's work and the publication plans for William Blake's artwork.

The image shows a newspaper page from the Christian Science Monitor, dated Monday, October 10, 1927. The main article is titled "Allan Clark, Sculptor" and discusses an exhibit of sculptures by Allan Clark at the Fog Museum of Art at Harvard University. The article highlights Clark's unique style, which combines classical techniques with modern sensibilities, and his use of various materials like bronze and lacquer.

Key points mentioned in the article include:

• Clark's sculptures are praised for their fresh ideas and innovative techniques.
• His work is noted for its expressiveness, capturing a range of emotions and movements.
• Clark’s sculptures are compared to those of ancient Chinese and Japanese artists.
• The article mentions Clark's extensive travels, which have influenced his work.
• Clark's approach to sculpture is described as both classical and modern, with a focus on form and emotional expression.

Additionally, there is a smaller article in the bottom right corner titled "FOGG MUSEUM TO PUBLISH WILLIAM BLAKE PORTFOLIO," which announces the upcoming publication of a portfolio of Blake's watercolor illustrations, edited by C. N. Greenough, and is set to be issued on November 1st.

The newspaper page also includes a Boston Transcript section with a date stamp of October 20, 1927, and mentions an exhibit of sculptures by Allan Clark. The text is accompanied by a clipping from the Boston Transcript dated October 10, 1927.

The image is a page from the Boston Transcript and the Christian Science Monitor, dated October 10, 1927. It features two articles:

1. Boston Transcript (October 5, 1927):

   • The article is titled "Boston Transcript" and discusses an exhibition of sculptures by Allan Clark, a renowned sculptor.
   • The article describes Clark's work as a blend of technical mastery and artistic vision, highlighting his ability to combine color and form to create striking pieces.
   • Clark's sculptures are noted for their "sensuous and sensational" appeal, with a focus on the interplay of light and shadow, and the use of rich textures.
   • The article mentions several sculptures, such as "The Composer" and "The Japanese Courtesan," and notes their distinctive styles and emotional impact.
   • Clark's training and travels, including his time in Europe and Asia, are noted as contributing to his unique artistic perspective.
   • The article also mentions Clark’s ability to convey a range of emotions and themes, from serene to violent and dramatic, through his sculptures.

2. Christian Science Monitor (Boston, Monday, October 10, 1927):

   • The article, titled "Allan Clark, Sculptor," focuses on Clark's exhibition at the Fogg Museum of Art at Harvard University.
   • It describes the exhibition as a display of Clark's sculptures arranged with a sense of drama and sensitivity.
   • The article highlights Clark's diverse range of sculptures, from classical models to modern works, and his ability to capture different moods and emotions.
   • Clark's sculptures are noted for their use of color and texture, which adds to their expressive power.
   • The article mentions specific sculptures, including a marble of Amelita Galli-Curci and a portrait of Mr. Adrian Iselin, and praises their lifelike qualities and emotional resonance.
   • The article concludes by emphasizing Clark's skill in capturing the essence and personality of his subjects, whether through expressive figures or serene, decorative forms.

Additionally, there is a small notice at the bottom of the page about the Fogg Museum planning to publish a portfolio of William Blake's watercolor illustrations for "Night Thoughts," edited by Professor C. N. Greenough, with a foreword by Max Jaffe of Yale University. This portfolio will be issued on November 1 and will include 30 reproductions of Blake's works.

The image displays a page from the newspaper "The Christian Science Monitor," dated Monday, October 10, 1927. The main articles and sections visible on this page include:

1. Main Article: Allan Clark, Sculptor

   • This article discusses the works and exhibitions of Allan Clark, a sculptor. It mentions his exhibition at the Fogg Museum of Art at Harvard University, highlighting his diverse portfolio which includes:
     • A literal representation of a Chinese play.
     • Sculptures that have evolved from the use of direct carving in wood to modeling in clay.
     • Pieces that show his adaptability and experimentation with various artistic styles and cultural influences, including Oriental, Mexican, and American.
   • The article praises Clark’s ability to capture expressive emotion and his skill in working with different materials, such as marble, wood, and bronze.
   • It also notes his background, including his training in Europe and the Far East, and his membership in the Society of American Artists.

2. Art Section: Fogg Museum to Publish William Blake Portfolio

   • This section announces an upcoming portfolio of reproductions of William Blake's watercolor illustrations for "Night Thoughts," edited by Professor William A. White.
   • The portfolio will feature thirty color reproductions and is noted as a significant contribution to the study of Blake's work, with only one other similar portfolio existing at that time.

3. Miscellaneous:

   • There is a small excerpt from a travel article about Boston, describing the city's unexpected beauty and charm.
   • The page includes some dated entries, such as the date of the newspaper and specific mentions of events and exhibitions happening in October 1927.

Overall, the page provides a detailed look into the art scene of the time, focusing on sculpture and significant contributions to the preservation and study of historical artworks.

The image shows a page from a newspaper, specifically "The Christian Science Monitor," dated October 10, 1927. The page contains several articles and notices.

1. Article on Allan Clark, Sculptor:

   • The main article is about Allan Clark, a sculptor whose work is exhibited at the Fogg Museum of Art, Harvard University.
   • The exhibit includes sculptures and drawings that showcase Clark's travels and artistic inspirations from various countries, including Russia, Mexico, and Central Africa.
   • The article discusses Clark's unique style, which combines traditional sculpture techniques with modern influences, and his ability to capture the essence of his subjects with a sense of movement and life.
   • Clark's work is noted for its dramatic appeal and the artist's skill in portraying both the physical and emotional aspects of his subjects.

2. Notice on William Blake Portfolio:

   • There is a notice about the Fogg Museum's plan to publish a portfolio of William Blake's works.
   • The portfolio will include reproductions of Blake's "Night Thoughts" and other works, with an introductory essay by Professor C. N. Greenough.
   • The publication is noted to be issued around November 1st and will be available for purchase.

3. Additional Articles and Notices:

   • There is a brief article dated October 8, 1927, about an exhibition of sculptures by Allan Clark at the Wilhelmina Galleries in New York.
   • Another notice mentions an exhibition of Chinese and Japanese actors, dancers, and portrait heads by Allan Clark, also at the Wilhelmina Galleries.

The layout of the page includes columns of text with clear headings and subheadings, making it easy to distinguish between different articles and notices. The text is printed in a traditional newspaper font, and the overall design is typical of newspapers from the early 20th century.

The image shows a scrapbook page with one large newspaper clipping and two smaller newspaper clippings attached to it. The large clipping is from "The Christian Science Monitor, Boston, Monday, October 10, 1927," and its headline reads "Allan Clark, Sculptor." This article appears to be a detailed review or profile of Allan Clark's exhibit at the Fogg Museum of Art at Harvard University, discussing his style, his focus on classical models, and his skill in capturing movement in his sculptures.

To the left of the main clipping, there is a narrow column of text with the handwritten header "Boston Transcript October 5, 1927," which is another article or excerpt related to art or an exhibition, but the text is smaller and more difficult to read in detail.

Below the large clipping, there is a smaller article from the "Art News Oct. 15, 1927," discussing the Fogg Art Museum's Exhibition of Sculpture in wood, bronze, and stone by Allan Clark, mentioning his background and the display of his work in various prominent galleries.

On the right side of the page, there is a small clipping from a publication called "Fogg Museum to Publish William Blake Portfolio," announcing the upcoming publication of a portfolio with color illustrations of William Blake's work, scheduled for November 1, 1927.

Handwritten notes in pencil or ink appear on the page near the smaller articles, including a note identifying the source of the Boston Transcript article and another note labeled "Froesntip" related to the right-side clipping. The page is carefully arranged, suggesting it is part of a curated collection focused on art exhibitions and artists, specifically from the year 1927.

This image shows a page from a scrapbook containing newspaper clippings. The largest clipping is an article from "The Christian Science Monitor" dated Monday, October 10, 1927, titled "Allan Clark, Sculptor." The article discusses an exhibition of Allan Clark's sculptures at the Fogg Museum of Art, Harvard University, elaborating on his work and artistic approach. The margins of the page contain handwritten notes indicating the sources and dates of the clippings.

The smaller clipping at the bottom right is titled "FOGG MUSEUM TO PUBLISH WILLIAM BLAKE PORTFOLIO" and announced the forthcoming publication of a portfolio featuring the works of William Blake. This clipping also has a handwritten note indicating it is from the "Transcript" dated "Oct. 10, 1927."

Another clipping at the bottom of the page from "ArtNews" on October 15, 1927, provides details about an exhibition of Allan Clark's sculpture at the Fogg Art Museum.

The layout and preservation suggest that this page is part of a collection documenting art-related news and events from various publications in the 1920s.

This is an image of an article from "The Christian Science Monitor," dated Monday, October 10, 1927. The headline reads "Allan Clark, Sculptor," and the article discusses Allan Clark and his sculptures which are displayed at the Fogg Museum at Harvard University. The text goes into detail about the artist's work, the themes and styles of his sculptures, and the critical reception of his work.

The image captures a well-preserved newspaper page with visible fold marks and slightly frayed edges, indicating some wear and aging. The paper also has a warmer, aged color, as opposed to the bright white of newer paper, which suggests its historical nature.

There is a handwritten note on the top right section of the page, scribbled in pencil, but it's difficult to decipher the handwriting from this image. The page seems to be part of a larger collection or book, as indicated by what appears to be a binding on the left side of the image.

The image shows an open book, likely a newspaper or magazine, dated October 10, 1927, and titled "The Christian Science Monitor." The left page is titled "Allan Clark, Sculptor" and appears to be an article discussing the work of the sculptor Allan Clark. The text is formatted in a classic newspaper style, with columns of dense, typed text. The article delves into Clark's artistic approach, his use of materials such as bronze, wood, and marble, and his creative process. It also references his work being displayed at the Fogg Museum of Art, Harvard University, and mentions his influences and techniques, including his focus on emotional expression and the interplay of form and movement in his sculptures.

The right page is titled "Fogg Museum to Publish William Blake Portfolio" and announces a forthcoming publication by the Fogg Art Museum at Harvard. It describes a portfolio of 98 reproductions of William Blake's watercolors, illustrations, and drawings, including original works from the museum's collection. The article highlights the significance of this publication, noting that it includes previously unpublished pieces and emphasizes the historical and artistic value of Blake's work.

At the bottom of the right page, there is a small, handwritten note that reads "Fronedcript Oct 20 1927", likely indicating the date the article was transcribed or reviewed. The overall layout and typography suggest a formal, historical publication, typical of early 20th-century newspapers or art journals. The content reflects a focus on art and culture, with detailed commentary on both contemporary sculptors and historical artists.