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ARCH.2003.1, Rendition: 791047
The image shows a page from a newspaper, specifically from "The New York Times," dated Sunday, September [partially obscured]. The page is titled "THE WEST AND THE EAST CAN..." with a subheading "EASTERN SCULPTURE" and further text beneath it. The article discusses "Brilliant Work by American Sculptor, the Result of Long Study in the Far East" by Elisabeth L. Cary. The text is written in a typical newspaper column format, with multiple paragraphs discussing the sculptor's work, influenced by his extensive study of Eastern art and culture, particularly in Cambodia and other Southeast Asian countries.
The page has visible signs of wear, including some creases, discoloration, and a tear at the bottom of the page. There are also some stamps or marks on the page, possibly indicating it was part of a collection or scrapbook, and a small piece of paper or label is affixed near the top of the page, which appears to have the name "Allan Clark" and an address in New York. The overall condition suggests that this is an older newspaper clipping, likely from the early to mid-20th century.
This image is of a vintage newspaper clipping from The New York Times, dated Sunday, September. It is stored in a maroon-colored archival folder, and the clipping is partially taped to the folder. The clipping appears to be from the arts section, focusing on an article titled "The West and the East Can Meet: Eastern Sculpture", written by Elisabeth L. Cary.
The article discusses the work of Allan Clark, an American sculptor, whose art is influenced by his studies in the Far East. It highlights an exhibition of his recent sculptures, which is set to open at the Fogg Museum in Cambridge, Massachusetts, and will later move to New York. The exhibition includes portrait busts of Chinese and Indian subjects, as well as other sculptures influenced by his travels to countries such as Japan, China, Siam (Thailand), Cambodia, Java, and India.
The article delves into the historical and cultural context of Eastern sculpture, mentioning the Khmers of Cambodia, the art of Angkor Wat, and the influence of these ancient sculptures on modern artists. It also discusses the challenges of transporting these large, heavy sculptures from their original locations to museums in the West.
There are some additional annotations and markings on the clipping, including a handwritten note at the top left corner that reads "Allan Clark 176 Thirteenth Avenue New York," and a small circular mark near the bottom right corner, possibly indicating a page number or a reference point. The clipping is well-preserved, with some minor wear and tear, and it is secured to the folder with clear tape.
This image shows an open, vintage book or large-format publication lying flat, with two pages visible. The pages appear aged, with a yellowed, parchment-like hue, and the text is printed in a classic serif font.
The left page is headlined with the name and address:
Allan Clark
176 Thirteenth Avenue
New York
Below this is the main article title:
THE WEST AND THE EAST CAN M...
(The last word is cut off, but context suggests “MEET”)
A sub-headline reads:
EASTERN SCULPTURE
And a further descriptive line:
Brilliant Work by American Sculptor, the Result of Long Study in the Far East
The article is attributed to By ELISABETH L. CARY. The text details the work of American sculptor Allan Clark, particularly his collection of portraits and sculptures made after extensive study in the Far East—specifically China, Siam, Cambodia, Java, and India. It describes the influence of Eastern, especially Khmer (Cambodian) sculpture on Clark’s work, contrasting the spiritual, symbolic nature of Eastern art with Western realism. It mentions his exhibitions in New York and the technical and cultural challenges involved in replicating or interpreting ancient Eastern forms.
The right page continues the article, with a header that reads:
THE NEW YORK TIMES, SUNDAY, SE...
(Likely “SUNDAY, SEPTEMBER...” — the rest is cut off)
This page further discusses the “Dramatic Experience” of acquiring and interpreting ancient Cambodian art, referencing French archaeological efforts and the emotional and aesthetic impact of these sculptures. It mentions museums like the Boston Museum and the Brooklyn Museum Quarterly (April, 1923), and includes a quote from Elizabeth F. Robb. The text reflects early 20th-century perspectives on Eastern art and Western appreciation of it, touching on themes of cultural authenticity, craftsmanship, and the spiritual versus the material.
At the bottom of the right page, a partial phrase is visible: “history or invention or bus...”
Overall, the image captures a historical document from the early 1920s—a newspaper or magazine article (or possibly a bound clipping) — discussing cross-cultural artistic exchange and the influence of Eastern sculpture on an American artist, presented in a format typical of period journalism. The worn appearance and formal typography underscore its archival and historical value.
The image is of an old newspaper clipping. It is from The New York Times, dated Sunday, September 29, 1929. The article is titled "The West and the East Can Eastern Sculpture" and it is written by Elisabeth L. Cary. The article discusses the exhibition of Eastern sculptures by American sculptor Allan Clark, who has been studying in the Far East for three years. The sculptures are currently on display at the Fogg Art Museum in Cambridge, Mass.
The image shows an open book with a newspaper clipping pasted on the left page. The clipping is from "The New York Times," dated Sunday, September 17, 1922. The headline reads "THE WEST AND THE EAST CAN EASTERN SCULPTURE." The article is titled "Brilliant Work by American Sculptor, the Result of Long Study in the Far East" and is written by Elisabeth L. Cary. The article discusses the sculpture work of an American sculptor named Allan Clark, who spent three years studying in the Far East, specifically in Cambodia and Java. The article highlights the influence of Eastern art on Clark's work and describes his sculptures as a fusion of Western and Eastern artistic traditions. The right page of the book contains additional text, but it is not clearly legible in the image. The book appears to be a scrapbook or a personal collection of newspaper clippings and articles.
The image shows an open book with two visible pages. The left page is blank, displaying only the spine and a few faint markings or annotations, such as the word "mg" and some numbers. The right page contains a printed article titled "THE WEST AND EAST CAN," which appears to be from The New York Times, Sunday, September [date not fully visible]. The article is titled "EASTERN SCULPTURE" and is subtitled "Brilliant Work by American Sculptor, the Result of Long Study in the Far East." It is authored by Elisabeth L. Cary and discusses the work of Allan Clark, an American sculptor known for his collection of Eastern sculptures.
The article highlights Clark's extensive travels and studies in the Far East, including locations such as Siam, Cambodia, Java, and Japan. It emphasizes the significance of his collection, which includes works from ancient civilizations such as the Khmer, Siamese, and Cambodian periods. The text delves into the historical and cultural context of these sculptures, their artistic qualities, and their importance in understanding ancient Eastern art and craftsmanship.
The layout of the page features a dense block of text with several paragraphs, and the article is formatted in a classic newspaper style, with clear headings and subheadings. The overall appearance suggests a historical or archival document, likely from the early 20th century, given the style of the typography and the subject matter.
The image shows a newspaper clipping from The New York Times, dated Sunday, September 12, 1926, with the headline "THE WEST AND THE EAST CAN" and a subheading "EASTERN SCULPTURE Brilliant Work by American Sculptor, the Result of Long Study in the Far East." The article is written by Elizabeth L. Cary and discusses the work of Allan Clark, an American sculptor who has been studying Eastern sculpture for three years. The article highlights Clark's unique approach to sculpture, which combines traditional techniques with modern materials and forms. It also mentions that Clark's work has been well-received by critics and collectors alike, and that he is considered one of the leading sculptors of his generation.
The article is presented in a vintage style, with a yellowed and worn appearance that suggests it is an old clipping. The text is printed in black ink on a white background, and the headline and subheading are in bold font. The article itself is divided into paragraphs, with each paragraph discussing a different aspect of Clark's work and its significance.
Overall, the image provides a glimpse into the art world of the 1920s, highlighting the innovative work of a talented sculptor and the importance of cultural exchange and collaboration. It also serves as a reminder of the enduring power of art to inspire and educate, even across generations and cultures.
This image presents a collection of newspaper clippings, with the topmost clipping being an article from "The New York Times" titled "THE WEST AND THE EAST CAN MEET IN SCULPTURE." The article discusses the work of American sculptor Allan Clark and his exhibition at the Fogg Museum in Cambridge, Massachusetts.
The article is accompanied by a subheading that reads "EASTERN SCULPTURE" and a subtitle that states "Brilliant Work by American Sculptor, the Result of Long Study in the Far East." The text is written in black ink on yellowed paper, indicating that it is an old newspaper clipping.
The background of the image appears to be a stack of other newspaper clippings, which are also yellowed and worn, suggesting that they are also old. Overall, the image provides a glimpse into the artistic achievements of Allan Clark and the cultural exchange between the West and the East during a specific time period.
The image depicts a worn, aged newspaper clipping titled "THE WEST AND THE EAST CAN" with a subheading that reads "EASTERN SCULPTURE." The clipping is placed in a dark red binder, which appears to be holding multiple pages together. The newspaper article discusses the work of an American sculptor, Elizabeth L. Cary, and her study of Eastern sculpture. The text is written in a formal, serif font and is divided into several columns.
The clipping is yellowed and torn at the bottom, indicating its age. The binder is also showing signs of wear, with visible creases and a loose page on the left side. The background of the image is a plain gray color, suggesting that it may be a product photo or a scan of the clipping.
Overall, the image presents a nostalgic and informative glimpse into the world of art and culture, highlighting the intersection of Eastern and Western influences on sculpture.
The image presents a yellowed newspaper clipping from "THE NEW YORK TIMES" dated Sunday, September 1924, featuring an article titled "THE WEST AND THE EAST CAN MEET IN EASTERN SCULPTURE." The article discusses the work of American sculptor Allan Clark, who has spent time studying in the Far East and has created sculptures that blend Eastern and Western styles.
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