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ARCH.2003.1, Rendition: 791046
This image shows a page from a newspaper or magazine, likely from the early 1900s, based on the date stamps and the style of the text. The page contains several articles and a photograph.
Top Left Section: This section is titled "WHAT IS GOING ON TONIGHT" and lists various events taking place in Boston, including lectures, meetings, and social gatherings. The dates range from September 29, 1927, to October 8, 1927.
Top Right Section: This section is titled "FOGG TREASURES WILL BE REMOVED" and discusses the removal of works of art from the Fogg Art Museum at Harvard University. The article mentions that these artworks, which were lent for the opening of the new museum and exhibited throughout the summer, will be removed by the end of October. It lists some of the notable items, such as a Gutenberg Bible and a tapestry by Mrs. Harold Pratt.
Bottom Section: This section features an image of a marble bust titled "Amelita Galli-Curci," a grand opera soprano, modeled by Allan Clark. The bust is described as being one of a group of Clark's sculptures on display at the Fogg Art Museum. The text also mentions an upcoming exhibition of sculptures by Allan Clark at the New Fogg Art Museum.
The overall layout and content suggest that this page is from a local or university newspaper, likely focused on cultural and social events in and around Boston.
This image is a collection of clippings from newspapers, likely from the 1920s, pasted into a scrapbook. The scrapbook pages are bound by a dark red or maroon fabric binding.
On the left page, there is a clipping titled "WHAT IS GOING ON TONIGHT" dated October 14, 1927. This clipping lists various events and lectures happening that evening, including a public lecture by Sir Robert C. Witt at the Fogg Art Museum, Harvard University, and an address by H. M. Tomlinson at Harvard Union.
Below this clipping, there is a photograph of a bust sculpture with the caption: "Amelita Galli-Curci, the grand opera soprano, modeled in Italian Marble from Seravezza by Allan Clark. The piece is one of a group of Mr. Clark's sculpture now on display at the Fogg Art Museum."
On the right page, there is a clipping titled "FOGG TREASURES WILL BE REMOVED" dated September 29, 1927. This article discusses the removal of works of art lent by prominent collectors for the opening of the New Fogg Art Museum. It mentions that these works will be removed by the middle of October and lists some of the prominent items, including a Gutenberg bible and works by Tintoretto and Goya.
Below this article, there is another clipping titled "To Exhibit Clark Sculptures" dated October 1, 1927. This article announces an exhibition of sculptures by Allan Clark at the New Fogg Art Museum, which will be on display for two weeks.
The overall content of the clippings is related to art and cultural events, particularly focusing on the Fogg Art Museum and the works of Allan Clark.
This image displays an open scrapbook or press clipping book from October 1927, featuring several newspaper articles and a photograph related to the Fogg Art Museum at Harvard University. The pages are aged, with yellowed paper and some visible wear, bound in a dark reddish-brown cover.
The content is arranged as follows:
Left Page:
“October 9, 1927
(Right) Amelita Galli-Curci, the grand opera soprano, modeled in Italian Marble from Seravezza by Allan Clark. The piece is one of a group of Mr. Clark’s sculpture now on display at the Fogg Art Museum.
Harvard Crimson”
* Four empty square boxes are printed around the caption, likely for tracking or archiving purposes.
Right Page:
In summary, this scrapbook page captures a moment in the early life of the new Fogg Art Museum in 1927, documenting public events, the display of significant loaned artworks, and the upcoming exhibition of sculptures by young American artist Allan Clark, including a marble bust of opera singer Amelita Galli-Curci. The clippings, dated from late September to mid-October, highlight the dynamic programming and community engagement of the museum in its opening year.
The image shows an open book with a newspaper clipping pasted on one of the pages. The clipping is titled "Fogg Treasures Will Be Removed" and is dated September 29, 1927. The article discusses the removal of artworks from the Fogg Art Museum in Cambridge, Massachusetts, by the middle of October. The museum had been exhibiting works of art from prominent collectors throughout the summer, attracting hundreds of visitors daily. The article mentions specific artworks that will be removed, including a Gutenberg Bible, a portrait of Mr. C. H. Pforzheimer by Mr. F. Morgan, and a portrait of Goya by Arthur Sachs. The article also mentions that new acquisitions will be displayed in the museum's exhibition room, including works by Allan Clark, a young sculptor who studied at the Art Institute of Chicago.
The image shows an open book with a red border on the right side. The book is opened to two pages. On the left page, there is a list of events, including "WHAT IS GOING ON TONIGHT" and other events. There is also a blank space with two checkboxes. On the right page, there is a headline that reads "FOGG TREASURES WILL BE REMOVED." Below the headline, there is a photograph of a sculpture of a woman. The text below the photograph reads "Exhibited All Summer." There is also a date at the bottom of the page.
The image shows an open book, likely a newspaper or magazine, with two pages visible. The left page is titled "What is Going On Tonight" and lists various events happening in Boston on October 14, 1927. The events include public lectures, concerts, club meetings, and other social gatherings, with details such as locations, times, and organizers.
The right page is titled "FOGG TREASURES WILL BE REMOVED" and discusses an upcoming exhibition at the New Fogg Art Museum. It highlights that works of art from prominent collectors will be removed by the middle of October and exhibited during the summer. The text mentions rare paintings, tapestries, books, and book bindings, including notable pieces such as a Gutenberg Bible, manuscripts, and portraits by famous artists like Titian and Goya. The page also notes that the exhibition will feature works by Allan Clark and other recent acquisitions.
In the center of the right page, there is a black-and-white photograph of a bust, likely a sculpture, with the caption "Amelia Galli-Curci, the grand opera soprano, modeled in Italian Marble from a sculpture by Allan Clark." The bust is described as being on display at the Fogg Art Museum as part of a group play at the museum.
At the bottom of the right page, there is a smaller section titled "To Exhibit Clark Sculptures," which provides additional context about Allan Clark, a young American sculptor who studied at the Art Institute of Chicago and traveled extensively in Asia, including Japan, China, and India, to study early Eastern art.
The overall layout and content suggest that this is a historical document from October 1927, focusing on cultural events and art exhibitions in Boston.
The image presents a page from an old newspaper, featuring a photograph of a bust and an article about the Fogg Art Museum. The page is yellowed with age and has a brown border around it.
In summary, the image presents a page from an old newspaper that features a photograph of a bust and an article about the Fogg Art Museum. The page is yellowed with age and has a brown border around it, giving it a classic and timeless feel. The photograph is of a bust, which appears to be a sculpture or a work of art. The article discusses the removal of works of art from the Fogg Art Museum, including rare paintings, tapestries, books, and other objects. There are also several other articles and pieces of text on the page, including a list of upcoming events and a section titled "What Is Going On Tonight." Overall, the image provides a glimpse into the past and offers insight into the art and culture of the time.
The image depicts a page from an old book or scrapbook, featuring a newspaper clipping and a photograph. The clipping is titled "FOGG TREASURES WILL BE REMOVED" and discusses the removal of art from the New Fogg Art Museum. The photograph shows a marble bust of a woman, with a caption describing it as "Amelita Galli-Curci, the grand opera soprano, modeled in Italian Marble from Seravezza by Allan Clark." The page also includes other text and images, but they are not clearly visible.
Overall, the image appears to be a collection of items related to art and culture, possibly from the early 20th century. The newspaper clipping and photograph suggest that the page may have been created by someone interested in art history or collecting.
The image depicts an open book with a brown cover, showcasing a page from the Harvard Crimson newspaper dated September 29, 1927. The page features a prominent headline, "FOGG TREASURES WILL BE REMOVED," accompanied by a subheading that reads, "Works of Art of Prominent Collectors Will Be Removed by Middle of October." The article discusses the removal of artworks from the Fogg Art Museum, highlighting the significance of the collection and the anticipation surrounding the exhibition.
Key Features:
Overall Impression:
The image presents a historical newspaper clipping that provides insight into the Fogg Art Museum's collection and exhibitions in 1927. The article's focus on the removal of artworks and the anticipation surrounding the exhibition suggests that the event was significant and noteworthy. The inclusion of a photograph adds a visual element to the article, providing a tangible representation of the artworks being discussed.
The image presents a vintage newspaper clipping from the Harvard Crimson, dated October 1, 1927. The clipping is divided into two columns of text, with the left column featuring a list of events titled "What Is Going On Tonight" and the right column announcing that "Fogg Treasures Will Be Removed."
Key Features:
Overall Impression:
The image provides a glimpse into the cultural and artistic scene of 1927, highlighting the types of events and exhibitions that were popular at the time. The removal of the Fogg treasures suggests that the museum was preparing for new exhibitions, and the photograph of the bust adds a touch of elegance and sophistication to the page.