Archives Scrapbooks

The image appears to be a scanned page from a newspaper or magazine, dated October 13, 1927, titled "Crimson." The page contains several articles and sections:

1. Top Left Article: This article is titled "SCHOOL OF ARCHITECTURE TAKES CHARGE OF OLD FOGG MUSEUM" and discusses the transition of the old Fogg Museum to the use of four departments of the Architectural School. The text mentions Professor G.H. Edgell '09, Dean of the Faculty of Architecture, and details the changes in the museum's use for architectural construction classes.

2. Top Right Article: This section is dedicated to commemorating the "NORTON CENTENARY." It mentions plans to hold an exhibition of letters and works of Charles Eliot Norton '46, the first Professor Fine Arts at Harvard University. It highlights his pioneering work and influence on art appreciation in the United States in the late 19th century.

3. Middle Left Article: Titled "THE SAGE OF SHADY HILL," this article provides a biography and reflections on Charles Eliot Norton '46, emphasizing his impact on the educational and artistic worlds. It mentions his role as a teacher and critic and references his contributions to Harvard and the broader cultural scene.

4. Middle Right Article: This section contains a note about the Fogg Museum exhibiting a sculpture of Allan Clark, a notable figure in the art world. The note provides details about Clark's background and experiences, including his travels and contributions to art appreciation.

5. Bottom Right Column: This column lists several academic lectures scheduled for the day, indicating the variety of topics and speakers, including themes on British and Chinese policies, commerce, and the principles of early state constitutions, among others.

The page is aged and contains some stains, indicating its historical significance. The content suggests a focus on academic and cultural developments, particularly in the field of art and architecture, during the early 20th century.

This image shows a scrapbook page or a collection of clippings from a newspaper, likely "The Crimson," as mentioned in the text. The clippings are dated around October 1927 and cover various topics related to the Fogg Museum and Charles Eliot Norton.

Key Contents:

1. School of Architecture Takes Charge of Old Fogg Museum:

   • This article discusses the acquisition of the old Fogg Museum by the Architectural School for use in four of its departments. It mentions Professor G. H. Edgell '09, Dean of the Faculty of Architecture, and details the use of the building for different branches of the school.

2. To Commemorate Norton Centenary:

   • This article announces an exhibition to commemorate the centenary of Charles Eliot Norton, the first Professor of Fine Arts at Harvard University. The exhibition will feature letters and works of notable scholars and will be held in the Treasure Room of Widener Library. It highlights Norton's contributions to the appreciation of art and his influence as a teacher and friend.

3. The Sage of Shady Hill:

   • This piece provides a tribute to Charles Eliot Norton, describing him as one of the most famous characters of "old Cambridge." It praises his personality and achievements, emphasizing his role in promoting the appreciation of art in the United States.

4. Note on Allan Clark's Sculpture:

   • A note mentions the exhibition of a sculpture by Allan Clark at the Fogg Museum. It provides brief biographical information about Clark, including his travels and studies in various countries.

5. Today's Schedule:

   • A section titled "Today" lists various lectures and events scheduled for October 21, 1927, covering topics such as British and Chinese policies, government of territories, commerce, early state constitutions, Spanish Romanesque architecture, and the rationale of free trade.

6. Photograph:

   • There is a photograph of a sculpture, which is likely the sculpture by Allan Clark mentioned in the note.

The page is well-organized, with each article and note clearly separated and dated. The content is focused on academic and cultural events, particularly those related to the Fogg Museum and the legacy of Charles Eliot Norton.

This image displays a spread of aged, yellowed newspaper clippings compiled into what appears to be a scrapbook, bound with a red ribbon. The papers are fragile, with torn and frayed edges, indicating their historical nature. The clippings are dated from October 1927 and originate from a publication called Crimson, likely the Harvard student newspaper.

The articles are centered on commemorating the centenary of Professor Charles Eliot Norton, a foundational figure in Harvard’s art history and fine arts program.

Left Page (Oct. 13, 1927):

• Headline: “SCHOOL OF ARCHITECTURE TAKES CHARGE OF OLD FOGG MUSEUM”
  • Announces that the Harvard School of Architecture has acquired the Old Fogg Museum building to house four departments of Architectural Construction. It describes renovations, such as a redecorated entrance hall and new galleries, and retains the semi-circular lecture room.
• Headline: “THE SAGE OF SHADY HILL”
  • A tribute to Charles Eliot Norton, describing him as a towering intellectual figure of “old Cambridge.” It highlights his pioneering role in art education and his influential personality, which inspired generations.

Right Page:

• Headline: “TO COMMEMORATE NORTON CENTENAR” (Centenary)
  • This section details a special exhibition of Norton’s letters and works in Widener Treasure Room, celebrating the 100th anniversary of his birth.
  • A sub-headline notes: “PIONEER IN ART FIELD — Founded Department and Was First Fine Arts Professor Here — Honored as Teacher and Friend.”
• Image Insert:
  • A black-and-white photograph of a sculpture, captioned “4” and identified as “The Fogg Museum takes pleasure in presenting the sculpture of ALLAN CLARK.”
  • The sculpture is a marble bust of a female figure with an elaborate headdress, described as a “grand opera soprano” and noted for its “American Marble from Vermont.” The text explains that Allan Clark studied under Norton, served as the Fogg’s curator, and collected artifacts during travels in Asia, including the “cave chapels of Tun Huang” in China.
• TODAY (Oct. 21, 1927) Schedule:
  • Lists a series of lectures by Harvard professors and Fogg Museum staff at 9–12 o’clock, covering topics such as “Great Britain and China, Policies and War,” “The Government of Territories and Dependencies,” “Commerce and the National Domain,” “The Principles of the Early State Constitutions,” “Spanish Romanesque Architecture,” “The Newer Teleology,” and “The Rationale of Free Trade.”

In summary, this scrapbook page is a curated historical record documenting Harvard’s celebration of Charles Eliot Norton’s legacy in 1927, featuring institutional announcements, personal tributes, scholarly lectures, and an exhibition of art connected to Norton’s circle — all reflecting the university’s cultural and educational milestones.

The image shows a page from an old newspaper, specifically the Crimson, which is the student newspaper of Harvard University. The page is dated October 13, 1927, and it features several articles and notes.

At the top of the page, there is an article titled "SCHOOL OF ARCHITECTURE TAKES CHARGE OF OLD FOGGY MUSEUM." This article discusses the School of Architecture taking over the Fogg Museum, which was previously used for architectural construction. The article mentions that the museum has been acquired by the Architectural School for use in four of its departments. It also notes that the museum's front part has been recently confirmed by the Faculty of Arts to be the back of the Fogg Museum, and the entrance to the Fine Arts Department is now located at the back of the building.

Further down the page, there is an article titled "TO COMMEMORATE NORTON CENTENARY," which commemorates the centenary of the birth of Charles Eliot Norton, a prominent figure in the field of art. The article highlights Norton's contributions to Harvard University, including founding the Department of Fine Arts and being the first professor of art history in the university. It mentions that a hold exhibition of Norton's letters and works will be arranged in the Widener Library in memory of him.

Below the main articles, there are several notes and announcements. One note mentions that the Fogg Museum is presenting the sculpture of Allan Clark, which was born in Montana, USA, and studied in Japan. Another note provides information about the schedule of lectures and events at Harvard University for that day.

The image also includes a photograph of a sculpture, possibly of a woman, which is mentioned in the article about the hold exhibition of Norton's letters and works.

Overall, the image depicts a page from a student newspaper that covers various topics, including the acquisition of the Fogg Museum by the School of Architecture, the commemoration of Charles Eliot Norton's centenary, and announcements related to lectures and events at Harvard University.

The image is a photograph of an open book, which appears to be a historical or academic publication. The book is opened to a page with multiple columns of text and an illustration. The page is dated October 13, 1927, and the book is titled "The Crimson," suggesting it is a publication from Harvard University, as "The Crimson" is the name of Harvard's student newspaper.

The left column of the page contains an article titled "SCHOOL OF ARCHITECTURE TAKES CHARGE OF OLD FOGG MUSEUM." This article discusses the acquisition of the old Fogg Museum by the School of Architecture for use in one of its departments. It mentions the renovation of the building, including the use of the large gallery upstairs for water color and life classes, and the use of the side galleries downstairs for drawing construction students. The article also notes that the entrance hall has been redecorated and is used as an exhibition room for students' drawings.

The middle column features an article titled "TO COMMEMORATE NORTON CENTENAR." This article commemorates Charles Eliot Norton, a pioneer in the field of art history. It discusses his achievements, including the establishment of the Department of Fine Arts at Harvard University and his role as a teacher and friend to many distinguished men of letters. The article also mentions an exhibition of Norton's letters and works of fine arts under way in the Widener Treasure Room.

The right column contains a note about the Fogg Museum, which takes pleasure in presenting the sculpture of Allan Clark, with one exception. It also includes a small illustration of a statue of a woman wearing a crown, which is likely Allan Clark's work.

The bottom of the page contains a schedule of events for the day, including lectures and performances, such as "Great Britain and China, Policies and War" by Professor Horbeck, "The Government of Territories and Dependencies" by Professor Yeomans, and "Commerce and the National Domain" by Professor Boyd.

Overall, the image provides a glimpse into the academic and cultural life of Harvard University in 1927, highlighting the School of Architecture's acquisition of the Fogg Museum, the commemoration of Charles Eliot Norton, and the diverse range of lectures and performances offered to students and the public.

The image depicts an open book or document with several typed entries dated from October 1927. The content appears to be a record or log, likely from a university or academic institution, detailing events, lectures, and announcements. Here is a detailed description:

Layout and Structure

• The document is formatted in a structured, columnar layout with multiple sections visible.
• The left column contains dated entries, while the right column includes additional details, such as notes, announcements, and descriptions of events.

Content Overview

Left Column: Dated Entries

1. October 5, 1927:

   • Title: "SCHOOL OF ARCHITECTURE TAKES CHARGE OF OLD FOGG MUSEUM"
   • Details: The text discusses the Architectural School acquiring the Old Fogg Museum, detailing its departments, construction, and use. It mentions Professor G. H. Edgell, Dean of the Faculty of Architecture, and the repurposing of the building for classrooms, galleries, and lecture rooms.

2. October 13, 1927:

   • Title: "THE SAGE OF SHADY HILL"
   • Details: This entry focuses on Charles Eliot Norton, a prominent figure in art and education. It highlights his legacy, his role as a teacher, and his contributions to the arts at Harvard. The text also mentions Norton's influence on the Harvard Art Museum and his efforts to promote art education.

3. October 21, 1927:

   • Title: "TO COMMEMORATE NORTON CENTENAR"
   • Details: This entry announces an exhibition to commemorate Charles Eliot Norton's centenary. It describes the exhibition of Norton's letters and works in the Widener Treasure Room, noting his influence as a pioneer in art and his role as a teacher and friend. The text also mentions the establishment of the Fine Arts Department and Norton's legacy.

Right Column: Additional Notes and Announcements

• October 13, 1927:

  • Note: A brief note at the top of the right column references the Fogg Museum's acquisition of a sculpture by Clark, born in Missoula, Montana, and studied in various locations, including Japan and China. The note also mentions Clark's travels and his participation in the Second Fogg Museum Expedition.

• October 21, 1927:

  • Today's Schedule: A list of events and lectures scheduled for the day, including:
    • 9 O’Clock: "Great Britain and China, Policies and War, 1834-1843," by Professor Hornbeck.
    • 10 O’Clock: "The Government of Territories and Dependencies," by Professor Yeomans, Old Fogg Museum.
    • 11 O’Clock: "Commerce and the National Domain 1778-1787," by Professor Boyd, New Lecture Hall.
    • 12 O’Clock: "The Principles of the Early State Constitutions," by Professor Wright, Harvard 2.
    • Spanish Romance, Fogg Museum, small room.
    • "The Newer Theology," by Professor Hocking, Emerson D.
    • "The Rationale of Free Trade," by Professor Cole, Harvard 5.

Visual Elements

• Image of a Sculpture: In the upper-right section of the right column, there is a small illustration or photograph of a classical-style sculpture, likely depicting a figure in draped clothing, possibly a bust or a relief. This image is associated with the note about Clark's sculpture acquisition.
• Handwritten Notes: There are handwritten notes and markings on the document, including a circled date ("Oct. 13, 1927") and other annotations, suggesting the document was used for reference or tracking purposes.

Context and Purpose

• The document appears to be an official record or log from a university, possibly Harvard, given the references to the Fogg Museum, the Fine Arts Department, and various professors and lectures.
• The entries highlight significant events, such as the acquisition of the Fogg Museum by the Architectural School, the commemoration of Charles Eliot Norton, and the daily schedule of lectures and exhibitions.

Conclusion

The image shows a detailed record of academic and cultural events from October 1927, focusing on architecture, art, and lectures. It combines typed entries with handwritten notes and includes an illustration of a sculpture, providing a glimpse into the institutional activities and intellectual life of the time.

This is an archival-style image featuring a historical scrapbook page containing clippings and a photograph. Here's a detailed description:

1. Text Clippings:

   • The page is filled with newspaper clippings and articles on various topics, primarily focusing on art, architecture, and history.
   • Articles mention a school of architecture taking charge of the old Fogg Museum, the commemoration of the Norton Centenary, and the legacy of Charles Eliot Norton. They discuss the development of fine arts education and Norton's contributions to Harvard and art history.

2. Layout:

   • The clippings are neatly pasted onto the scrapbook page. Each clipping looks like it was cut from a printed newspaper.
   • Margins have handwritten labels or dates. For example, "Crimson Oct. 5, 1927" and "Crimson Oct. 13, 1927" note the dates and source ("Crimson" likely refers to the Harvard Crimson newspaper).

3. Image of a Sculpture:

   • On the right, there is a photograph or image of a sculpture, possibly from the Fogg Museum collection referenced in the text. It depicts a crowned figure or a deity.

4. Handwritten Notes:

   • Certain areas contain handwritten notes referencing the dates and context of the articles.

5. General Presentation:

   • The page appears to be part of a larger archival or research effort, preserving information from the early 20th century related to Harvard University, art, and architecture.

It reflects a methodical effort to document institutional developments and historic figures in the arts and education.

This is a page from an old scrapbook or album, open to two adjacent pages filled with newspaper clippings. The pages are yellowed and frayed at the edges, and the sheets are held in a binder or ring mechanism along the top edge.

What’s on the left page:

• Several columns of small-type newspaper text with headings, including one about the "SCHOOL OF ARCHITECTURE TAKES CHARGE OF OLD FOGG MUSEUM" and a profile titled "THE SAGE OF SHADY HILL."
• A date stamp or note at the top that says something like “Crimson Oct. 13, 1927,” suggesting Harvard Crimson clippings.
• The overall layout is dense with narrow columns, typical of mid-20th-century newspaper clippings.

What’s on the center page:

• A large header that reads "TO COMMEMORATE NORTON CENTENARY."
• Subheadings such as "HOLD EXHIBITION OF FAMOUS Scholar's Letters and Works" and "PIONEER IN ART FIELD."
• Several paragraphs describing the Norton centennial celebration, the founding of departments, and notable figures in art and education.
• The style and typography resemble early 20th-century campus journalism.

What’s on the right page:

• A small black-and-white illustration/photo of a sculpted figure (a head and upper torso, with an ornate headdress or crown-like feature), with part of the image obscured or blurred.
• A caption or note beneath it beginning with "NOTE," mentioning the museum’s presentation of the sculpture and related details.
• Additional columns of text continuing from the clipping.

Overall impression:

• The spread looks like archival material documenting the Norton centenary and associated museum/art history topics, likely from a university newspaper (Harvard Crimson) or campus publication from the 1920s.
• The pages are pasted into a scrapbook, giving a historical, dusty, and scholarly vibe.

This image shows an open book or a collection of papers where the left page appears to be a page from a newspaper titled "Crimson," dated October 13, 1927. The newspaper contains several articles with titles such as "SCHOOL OF ARCHITECTURE TAKES CHARGE OF OLD FOE MUSEUM," "THE SAGE OF SHADY HILL," as well as continuation of articles from other pages. The right page also seems to be from the same publication dated October 14, 1927, and discusses topics related to commemorating a Norton centenary with an exhibition. Additionally, there is a section titled "NOTE" which refers to an exhibition of a Marco Polo mask, including a black-and-white photograph of what appears to be a mask. The topics span various cultural, historical, and educational subjects. There are signs of aging on the paper indicating it is an old document. There are also marginal notes written in pencil on some of the articles.

The image features an open book with various newspaper clippings and an explanatory note inserted between the pages. The clippings include articles commemorating the centenary of Norton, discussion about the school of architecture taking charge of the old Fogg Museum, and various other topics related to academia and scholarly achievements. One visible clipping discusses holding an exhibition of a famous scholar's letters and works in the Widener Treasure Room, highlighting a pioneer in the field of art. Another article titled "The Sage of Shady Hill" delves into the legacy of Charles Eliot Norton, emphasizing his impact on nineteenth-century educational practices. On the right side of the book, a note is attached detailing the Fogg Museum's presentation of a sculpture, offering background information on the artist, Alan Clark. Another snippet of text provides event details dated October 21, 1927.