Archives Scrapbooks

The image shows a page from a book or a magazine, specifically from the Harvard Crimson, dated October 1st, 1927. The page is divided into two main sections.

On the left side, there is a printed announcement for an exhibition titled "SCULPTURE By ALLAN CLARK." The announcement is from the Fogg Art Museum, Harvard University, and is dated October, 1927. Below this announcement, there is an image of a sculpture, described as a bust of Amelita Galli-Curci, a grand opera soprano, modeled in Italian Marble from Seravezza by Allan Clark. The piece is one of a group of Mr. Clark's sculptures now on display at the Fogg Art Museum.

On the right side, there are two articles. The first article, dated September 29, 1927, is titled "FOGG TREASURES WILL BE REMOVED." It reports that works of art from prominent collectors will be removed by the middle of October. The article mentions that these works, exhibited all summer, include rare paintings, tapestries, and books, which have been attracting daily visitors. The text lists several notable artworks that have been exhibited, such as a Gutenberg Bible, a manuscript of J.P. Morgan, and a tapestry from Mrs. Harold Pratt. The article also mentions that when these masterpieces are removed, new exhibitions with new acquisitions and an exhibition of sculpture by Allan Clark will be held.

The second article, dated October 1st, 1927, is titled "To Exhibit Clark Sculptures." It announces an exhibition of sculptures in wood, bronze, and stone by Allan Clark, which will be held at the New Fogg Art Museum for two weeks, beginning on Monday. The article provides additional information about Allan Clark, stating that he is a young American sculptor who studied at the Art Institute of Chicago and has traveled and lived in various countries, including Japan, China, Chocin China, Java, and India, in order to come into direct contact with the early art of the East.

This image shows an open book or scrapbook page with various clippings and text. The left page contains a flyer titled "SCULPTURE By ALLAN CLARK" with the text "FOGG ART MUSEUM HARVARD UNIVERSITY OCTOBER, 1927." Below this flyer, there is a photograph of a sculpture, which is described as a bust of Amelita Galli-Curci, a grand opera soprano, modeled in Italian marble from Seravezza by Allan Clark. The sculpture is part of an exhibition at the Fogg Art Museum.

The right page contains two newspaper clippings. The top clipping, dated September 29, 1927, is titled "FOGG TREASURES WILL BE REMOVED" and discusses the removal of works of art lent by prominent collectors for the opening of the New Fogg Art Museum. The bottom clipping, dated October 1, 1927, is titled "To Exhibit Clark Sculptures" and mentions that sculptures in wood, bronze, and stone by Allan Clark will be on exhibition at the New Fogg Art Museum for two weeks beginning Monday. It also provides some biographical information about Allan Clark, noting his studies at the Art Institute of Chicago and his travels to various countries in the East.

This image displays an open scrapbook or album, showcasing two pages filled with newspaper clippings and printed materials related to an art exhibition in 1927.

The left-hand page features:

• A printed title page for a publication or exhibition catalogue: "SCULPTURE By ALLAN CLARK", published by the FOGG ART MUSEUM, HARVARD UNIVERSITY in OCTOBER, 1927.
• Below this, a newspaper clipping dated October 3, 1927, from the Harvard Crimson. It includes a black-and-white photograph of a bust sculpture — a portrait of a woman with classical styling, likely Amelita Galli-Curci.
• The accompanying caption identifies the subject as: "(Right) Amelita Galli-Curci, the grand opera soprano, modeled in Italian Marble from Seravezza by Allan Clark." It notes the piece is part of a group of Mr. Clark's sculptures on display at the Fogg Art Museum.

The right-hand page contains several newspaper articles from the Harvard Crimson:

• An article dated Sept. 29, 1927, titled "FOGG TREASURES WILL BE REMOVED". It announces that works of art loaned by prominent collectors for the opening of the New Fogg Art Museum will be removed by mid-October. It highlights the popularity of the summer exhibition, which featured rare paintings, tapestries, and books, including loans from C.H. Pforsheimer (a Gutenberg Bible), J.P. Morgan, Mrs. Harold Pratt, C.F. Adams, Arthur Sachs VI, and J. Horace Harding.
• A follow-up article dated Oct. 1, 1927, titled "To Exhibit Clark Sculptures". This announces a new exhibition of sculpture by Allan Clark — in wood, bronze, and stone — to be held at the New Fogg Art Museum for two weeks beginning Monday. It describes Clark as a young American sculptor who studied at the Art Institute of Chicago and traveled in Japan, China, Chocin China, Java, and India to study early Eastern art.

The entire spread is a historical documentation of the activities and exhibitions at Harvard University's Fogg Art Museum in the fall of 1927, focusing on the transition from a major loan exhibition to a solo show by sculptor Allan Clark, with particular emphasis on his sculpture of opera star Amelita Galli-Curci. The pages are bound in a dark brown or maroon book, indicating it was a personal or institutional record of press coverage.

The image shows an open book with a white page on the left and a black-and-white image of a sculpture on the right. The text on the left page reads "Sculpture" and "By Allan Clark" with a date of October 1927. The text on the right page reads "Fogg Treasures Will Be Removed" and "Works of Art of Prominent Collectors Will Be Removed by Middle of October." The book appears to be a magazine or newspaper with a brown cover and a ribbon bookmark.

The image depicts an open book, specifically a newspaper clipping placed on the right side of the page. The clipping appears to be an article about the Fogg Art Museum at Harvard University, which was established in October 1927. The article mentions that the museum's collection includes works by prominent collectors, such as Allan Clark, and that it will exhibit new acquisitions and sculptures by Clark. The article also highlights the museum's extensive collection of rare paintings, tapestries, books, and manuscripts. The clipping is placed on top of a photograph of a sculpture by Allan Clark, which is titled "Amelia Galli-Curci." The sculpture is made of marble and is modeled in Italian style. The book is open to a page that features the clipping and the photograph, with the clipping on the right side and the photograph on the left side.

The image shows an open book or catalog page from the Fogg Art Museum at Harvard University, dated October 1927. The page is titled "SCULPTURE By ALLAN CLARK" and features a detailed description of an exhibition. Here is a breakdown of the visual and textual elements:

Visual Elements:

1. Photograph:

   • A black-and-white photograph of a bust is prominently displayed in the center of the page. The bust appears to be of a classical or historical figure, with detailed facial features and draped clothing. The photograph is labeled with a caption at the bottom, indicating that it is a work by Allan Clark titled "Amelia Galli-Curci, the grand opera soprano, modeled in Italian Marble from Savarese by Allan Clark."
   • The caption also notes that this piece is part of a group play at the Fogg Art Museum.

2. Text Layout:

   • The page is divided into two main sections:
     • Left Side: Contains the title "SCULPTURE By ALLAN CLARK" and a smaller heading "FOGG ART MUSEUM HARVARD UNIVERSITY" along with the date "OCTOBER, 1927." Below the photograph, there is additional text describing the bust and its significance.
     • Right Side: Contains a larger headline "FOGG TREASURES WILL BE REMOVED" followed by a subheading: "Works of Art of Prominent Collectors Will Be Removed by Middle of October EXHIBITED ALL SUMMER." This section discusses the upcoming removal of artworks lent by prominent collectors and highlights the variety of items on display, including rare paintings, tapestries, books, and bindings.

3. Additional Text:

   • At the bottom of the page, there is a smaller section titled "To Exhibit Clark Sculptures," which provides details about Allan Clark's exhibition at the New Fogg Art Museum. It mentions that Clark is a young American sculptor from Chicago who has traveled extensively in Japan, China, Chochin China, Java, and India to study early art.

Textual Content:

• Exhibition Details:

  • The page announces that works of art from prominent collectors will be removed by the middle of October after being exhibited all summer.
  • It highlights the diversity of items on display, including rare paintings, tapestries, books, and bindings, which have attracted hundreds of visitors.
  • Specific examples of loaned items are mentioned, such as a Gutenberg Bible, a helmet of J.P. Morgan '88, manuscripts and bindings of New York, and a 16th-century tapestry by Mrs. Pratt.

• Allan Clark's Sculpture:

  • The bust of Amelia Galli-Curci is described as being modeled in Italian marble from Savarese by Allan Clark. It is noted as part of a group play at the Fogg Art Museum.
  • The smaller section at the bottom provides context about Clark's background, emphasizing his travels and study of early art in Asia.

Design and Formatting:

• The page uses a clean, formal layout typical of museum catalogs or exhibition announcements from the early 20th century.
• The use of bold headings and clear typography helps organize the information for readers.
• The inclusion of a photograph adds a visual element that complements the textual description, enhancing the reader's understanding of the sculpture.

Context:

• The page reflects the cultural and artistic focus of the Fogg Art Museum in the 1920s, showcasing both historical and contemporary works. The mention of Allan Clark's travels and study of early art suggests an interest in cross-cultural influences and the integration of global artistic traditions into modern sculpture.

In summary, the image depicts a well-organized catalog page from the Fogg Art Museum, highlighting an exhibition of sculptures by Allan Clark and providing details about the upcoming removal of loaned artworks, emphasizing the museum's role in showcasing diverse and historically significant pieces.

The image presents a page from an old book or scrapbook, featuring a newspaper clipping about the Fogg Art Museum and a photograph of a sculpture. The clipping is dated September 29, 1927, and announces that the works of prominent collectors will be removed by middle of October. The photograph, dated October 7, 1927, shows a bust of a woman with a blank check box below it.

• Newspaper Clipping:
  • Date: September 29, 1927
  • Title: "FOGG TREASURES WILL BE REMOVED"
  • Content: Announces the removal of works of prominent collectors from the Fogg Art Museum by middle of October
• Photograph:
  • Date: October 7, 1927
  • Subject: Bust of a woman
  • Location: Fogg Art Museum
  • Description: A blank check box is located below the photograph

The image provides a glimpse into the history of the Fogg Art Museum and its collection, highlighting the removal of works by prominent collectors and featuring a photograph of a sculpture.

The image depicts a page from an old book or scrapbook, featuring a collection of newspaper clippings and other documents related to art exhibitions. The page is open to a spread with two main sections: the left side contains a white paper insert with the title "SCULPTURE By ALLAN CLARK" in black text, while the right side features a newspaper clipping titled "FOGG TREASURES WILL BE REMOVED."

The newspaper clipping discusses the removal of works of art from the Fogg Art Museum at Harvard University, including rare paintings, tapestries, and books. It also mentions that the museum will be closed for the summer and will reopen in October with new exhibitions.

Below the newspaper clipping is a small black-and-white photograph of a bust sculpture, accompanied by a caption that reads "(Right) Amelita Galli-Curci, the grand opera soprano, modeled in Italian Marble from Seravezza by Allan Clark." The caption also notes that the piece is one of a group of Mr. Clark's sculptures now on display at the Fogg Art Museum.

Overall, the image provides insight into the art world of the early 20th century, highlighting the importance of museums like the Fogg Art Museum in showcasing and preserving works of art.

The image is a photograph of an open book, with the left page displaying the title page of a pamphlet and the right page showing a newspaper clipping.

The title page of the pamphlet is titled "SCULPTURE By ALLAN CLARK" and features the text "FOGG ART MUSEUM HARVARD UNIVERSITY OCTOBER, 1927." The pamphlet appears to be a catalog or program for an exhibition of Allan Clark's sculptures at the Fogg Art Museum.

The newspaper clipping on the right page is from the "Crimson" and is dated September 29, 1927. The headline reads "FOGG TREASURES WILL BE REMOVED," and the article discusses the removal of artworks from the Fogg Art Museum during the summer months. The article also mentions that the museum will be closed for three weeks while the artworks are being removed and that new exhibitions will be held in their place.

Below the clipping is another article, dated October 1, 1927, titled "To Exhibit Clark Sculptures." This article announces that Allan Clark's sculptures will be exhibited at the New Fogg Art Museum for two weeks beginning on Monday. The article provides information about Clark's background as a young American sculptor who studied at the Art Institute of Chicago and has traveled extensively throughout Asia.

Overall, the image suggests that the book is a scrapbook or archive related to Allan Clark's work and his exhibition at the Fogg Art Museum in 1927.

The image presents a vintage, open book with yellowed pages, featuring various inserts and clippings. The left page displays the title "SCULPTURE By ALLAN CLARK" in black text on a white insert, accompanied by a smaller insert from the Fogg Art Museum at Harvard University, dated October 1927. A black-and-white photograph of a bust sculpture is situated below these inserts.

On the right page, a newspaper clipping from the Crimson, dated September 29, 1927, announces that "FOGG TREASURES WILL BE REMOVED," while another clipping from October 1, 1927, titled "To Exhibit Clark Sculptures," provides information about an upcoming exhibition of Allan Clark's sculptures at the New Fogg Art Museum. The book's pages are set against a dark brown cover, which is visible along the edges of the image. The overall atmosphere suggests that this is a historical document or archive related to art and sculpture.