Archives Scrapbooks

The image appears to be a page from an old magazine or newsprint, dated September 18, 1927. The page features a sepia-toned photograph of an elderly woman sitting in a chair. She is dressed in period attire, including a bonnet and a heavy, dark dress, suggesting the photograph is of historical significance, possibly from the late 18th or early 19th century. The woman is seated in a well-furnished room with a draped curtain in the background. The photograph has a rectangular frame and is positioned centrally on the page.

The surrounding text and other smaller articles are partially visible but somewhat obscured, indicating that the page has been cut and pasted into a scrapbook or a collection of historical clippings. The text above the photograph speaks about an exhibition, mentioning "Thomas Boylston," which seems to be the subject of the exhibit. The overall appearance of the page suggests it is part of a historical or cultural archive, possibly related to art, history, or local events of the time.

This image shows a scrapbook page with a clipping from a newspaper dated September 18, 1927. The page appears to be from a historical or artistic context, as it includes a photograph or print of a woman dressed in period clothing, sitting in a chair. The text above the image mentions a loan exhibition and a painting, suggesting that the image is of a notable artwork. The text below the image identifies the woman as Mrs. Thomas Boylston and praises the artist Copley for the sheen of silk and satin in the painting. The scrapbook page also has other cut-out pieces of paper and fabric, indicating a collage-like composition. The overall appearance is aged, with a sepia tone, and the materials used give it a vintage feel.

This image shows an open scrapbook or album, displaying a collection of aged newspaper clippings and photographs. The central focus is a large, sepia-toned reproduction of a formal portrait painting, which is mounted on a yellowed piece of paper.

The Portrait:

• It depicts an elderly woman seated in an armchair, gazing directly at the viewer with a calm, dignified expression.
• She is dressed in dark, rich fabrics — a sheer, dotted shawl or bodice over a dark dress with voluminous, satin-like folds.
• Her head is covered with a light-colored, wrapped bonnet or headdress.
• She holds a crumpled white cloth or handkerchief in her lap.
• The background is dark and indistinct, with a hint of a draped curtain and a hanging tassel to the right.

Text and Context:

• Above the portrait, the date “SEPTEMBER 18, 1927” is prominently printed.
• Above that, a partial headline reads: “...REPRESENTED IN THE SPLENDID LOAN EXHIBITION IN THE GAL...N PAINTING, HAS BEEN FOUND MOST INTERESTING TO SUMMER...”
• Below the portrait, a caption reads: “Thomas Boylston, one of the pieces whose sheen of silk and satin gave Copley his high [position?] in the world of art.”
• This identifies the subject as Thomas Boylston (likely referring to Thomas Boylston, the son of John Boylston, a Harvard benefactor — though the portrait is clearly of a woman, suggesting a possible error or reference to the painting being of a female relative or a misattribution. John Singleton Copley, the renowned colonial American painter, is correctly associated with it).

The Scrapbook:

• The clipping is pasted onto a thick, brittle sheet of paper that shows signs of aging (yellowing and slight tearing at the edges).
• Additional, smaller newspaper clippings are visible underneath and around the main piece, creating a layered, collage-like effect.
• The right-hand page of the scrapbook is bound with a dark reddish-brown cloth or leather cover, partially visible along the spine.
• Overall, the image evokes a sense of historical documentation, preserving a newspaper article about a significant art exhibition and its featured works.

In summary, the image captures a preserved newspaper clipping from September 18, 1927, featuring a portrait painting attributed to John Singleton Copley — titled “Thomas Boylston” — which was displayed in an important loan exhibition. The clipping is carefully pasted into a vintage scrapbook, surrounded by other paper ephemera.

The image shows a collection of pages from a book, with one page open to reveal a monochrome image of a woman sitting on a couch. The page is from the September 18, 1927, edition of the book. The image of the woman is printed in a sepia tone, giving it an old-fashioned appearance. The woman is wearing a bonnet and a long dress, and she appears to be posing for a portrait. The book's pages are yellowed and have some stains and tears, suggesting that it is an old and well-used book.

The image shows a page from a book with a newspaper clipping pasted on it. The clipping features a black-and-white photograph of a woman wearing a dress and a bonnet. The woman is seated on a couch with a pillow. The newspaper clipping is from September 18, 1927. The clipping is pasted on a page that contains text and other clippings. The book appears to be a scrapbook with various clippings and notes.

The image depicts an open book or scrapbook with a central focus on a black-and-white photograph of a woman dressed in period attire. The woman is seated and wearing a bonnet and a long, elaborate dress with intricate details, suggesting a historical or formal setting. The photograph is framed within a rectangular border and is accompanied by text at the top, which reads: "REPRESENTED IN THE SPLENDID LOAN EXHIBITION IN THE GALVAN PAINTING, HAS BEEN FOUND MOST INTERESTING TO SUMMER." Below the photograph, there is a caption that states: "Thomas Boylston, one of the pieces whose sheen of silk and satin gave Copley his high station in the world of art."

The surrounding pages of the book appear to contain various printed materials, including text snippets and fragments of illustrations. The text on the right side of the image is partially visible and seems to be part of a larger document or article. The overall condition of the book suggests it is aged, with visible wear and tear, such as frayed edges and faded text. The photograph and accompanying text indicate a historical or artistic context, possibly related to an art exhibition or a collection of notable works. The book itself appears to be a curated compilation, potentially a scrapbook or archive, featuring historical documents and images.

This image shows an open book with various clippings and pages inside. The most prominent feature is a sepia-toned vintage newspaper clipping or image of a person sitting, dressed in period clothing with visible textures, possibly silk or satin, which could be indicative of a historical painting or artwork from an exhibition, as suggested by the partial text below the image. The clipping is dated September 18, 1927. Below the main image, there is another piece of text referring to an individual, "Thomas Boylston," which may be connected to the historical context of the image. The book's pages appear to be aged, with some yellowing and wear, indicating it could be an archival or artistic project, perhaps a scrapbook or a personal compilation of historical artifacts.

The image depicts a historical artwork printed in a newspaper dated September 18, 1927. The subject appears to be a person dressed in luxurious silk and satin, with intricate detailing represented in the fabric's sheen and folds. The newspaper mentions Thomas Boylston and artist John Singleton Copley, highlighting Copley's renown in the art world for his depiction of rich textiles. The article appears to be part of a collection, perhaps within a scrapbook, as it is surrounded by other pieces of paper and clippings.

The image shows an old magazine or book page dated September 18, 1927. The page features a sepia-toned photograph of a seated woman dressed in elaborate, shiny silk or satin attire, including gloves and a head covering or bonnet. The woman's hands are delicately positioned on her lap, holding a piece of cloth or handkerchief. The photograph is bordered and has a caption below that reads: "Thomas Boylston, one of the pieces whose sheen of silk and satin gave Copley his high tation in the world of art." The page appears to be part of a scrapbook or collection, as there are multiple overlapping and worn papers beneath and around it. The photograph and text emphasize the artistic quality and material richness of the woman's attire.

• The image shows an old scrapbook or album opened to a single layered page.
• A large sepia-toned reproduction of an 18th-century portrait or painting sits in the center, showing a woman in a full satin gown seated, with hands folded.
• The woman’s face is covered by a small beige square that looks pasted over the image.
• At the top of the clipping, the date “September 18, 1927” is printed.
• The reproduction is framed by a simple rectangular border; the page around it is worn, torn, and yellowed with age.
• A caption at the bottom mentions “Thomas Boylston” and references Copley, indicating the artwork’s context or attribution.
• Behind this primary clipping, there are additional layers of torn paper and other clippings visible, giving the page a cluttered, collage-like look.