Archives Scrapbooks

The image appears to be a page from a book or magazine, featuring a photograph and accompanying text. The photograph shows an interior courtyard of a building, specifically described as the "Court, New Fogg Art Museum. Design adapted from the façade of Sangallo's House at Montepulciano." The courtyard is surrounded by a colonnade with arches and features a sloped roof with a grid-like pattern. The text below the photograph discusses the art collections of the Fogg Art Museum, mentioning loans from various institutions and lenders, and describing the rich variety of artworks, including early Chinese ceramics, bronzes, and Egyptian art. The text also touches on the generosity of donors and the significance of art in a university museum setting.

This image is a scanned page from a book or a catalog, featuring a photograph of an architectural structure and a block of text underneath it. The photograph shows a courtyard with a series of arched openings supported by columns on two levels. The design of the courtyard is noted in the caption below the photograph, which reads, "COURT, NEW FOGG ART MUSEUM. DESIGN ADAPTED FROM THE FAÇADE OF SANGALLO'S HOUSE AT MONTEPULCIANO."

The text beneath the photograph discusses various art collections and loans from different institutions and individuals to the Fogg Art Museum. It mentions items such as early Chinese ceramics and bronzes, Mayan art, and works by artists like Degas and John Singer Sargent. The text also highlights the generosity of friends of the Fogg Museum and the life of a work of art in a university museum setting.

The page number "346" is visible at the bottom center of the page. The surrounding pages appear to be part of a larger collection or archive, as indicated by the visible edges of other pages and some text on the left side.

This image displays a page from a vintage publication, likely a museum bulletin or report, featuring a black-and-white photograph and accompanying text. The page is laid over other aged documents, visible at the edges, suggesting it is part of an archive or scrapbook.

Main Photograph:
The central image is a high-angle, monochrome photograph of an architecture courtyard. It shows a two-story, light-toned stone building with arched colonnades on both levels, encircling a central open space. The structure is topped with a flat, grid-patterned roof, possibly a glass or skylight ceiling, allowing light to illuminate the court. The windows are small and rectangular, symmetrically placed above the arches.

Caption:
Beneath the photograph, a caption reads:

COURT, NEW FOGG ART MUSEUM. DESIGN ADAPTED FROM THE FAÇADE OF SANGALLO’S HOUSE AT MONTEPULCIANO

This identifies the location as the courtyard of the New Fogg Art Museum and notes its architectural inspiration from the Renaissance-era house of Antonio da Sangallo the Elder in Montepulciano, Italy.

Text:
The text below the caption, which begins on this page (page 346), details recent acquisitions and loans to the museum. It mentions gifts and loans of art including “early Chinese ceramics and bronzes,” “Mayan art” (lent by the Peabody Museum, Cambridge), and works by artists such as Degas, John Singer Sargent, and Paolo Veronese. The text also credits various lenders and donors, including Yale University, Dr. Ernest G. Stillman, Mrs. Charles Homer, and Mr. Carl H. Pforzheimer. The passage concludes by reflecting on the “generosity of the many friends of the Fogg Museum” and the “life” a work of art gains when placed in a museum context.

Overall Context:
The publication appears to be a historical record of the Fogg Art Museum’s activities, possibly from the 1930s or 1940s, given the typography, paper aging, and references to contemporary donors. The image captures a moment in the museum’s history, documenting both its architecture and its evolving collection through generosity and scholarship.

The image appears to be a page from a book or publication featuring an architectural photograph and accompanying text. The photograph shows a courtyard with a glass roof, reminiscent of an architectural design adapted from the facade of Sangallo's House at Montepulciano. The text discusses the generosity of donors who have contributed works of art to the Fogg Museum, including pieces from notable individuals such as Dr. Degas, Mrs. Sears, and Mr. Joseph Sargeant. It also mentions the importance of art in university life and the friendships formed through the museum.

The image shows a page from a book or magazine with an old photograph of a building. The photograph is in black and white and is positioned in the center of the page. The building is a large, open courtyard with arched windows and doors. The courtyard is surrounded by columns and has a glass roof. The photograph is titled "Court, New Fogg Art Museum. Design adapted from the facade of Sangallo's House at Montepulciano." The page also includes text describing the building and its history.

The image shows a page from a book or publication, featuring a photograph and accompanying text. Here is a detailed description:

Photograph:

• The photograph depicts the interior courtyard of a historic building, likely Sangallo's House at Montepulciano, as indicated by the caption below the image.
• The courtyard has a symmetrical, classical architectural design with multiple arched openings on the upper level.
• The arches are evenly spaced and supported by columns, giving the space a grand and open feel.
• The roof appears to be made of glass or a translucent material, allowing natural light to filter into the courtyard. This creates a bright and airy atmosphere.
• The overall structure suggests a Renaissance or early modern architectural style, characterized by its symmetry, proportion, and use of classical elements.

Caption:

• The text at the bottom of the image reads:
  "COURT, NEW FOGG ART MUSEUM. DESIGN ADAPTED FROM THE FAÇADE OF SANGALLO'S HOUSE AT MONTEPULCIANO."
  • This indicates that the photograph is part of a publication related to the Fogg Art Museum (now part of the Harvard Art Museums) and that the design of the courtyard is inspired by or adapted from the façade of Sangallo's House in Montepulciano, Italy.

Text on the Page:

• The main body of text on the page discusses art loans and donations to the Fogg Art Museum. It mentions:
  • Early Chinese ceramics and bronzes being loaned to the museum as an indefinite loan.
  • Examples of Mayan art lent by the Peabody Museum in Cambridge.
  • A list of lenders, including Yale University, Dr. Ernest G. Stillman, Mrs. Charles Homer, Mr. Jules Bache, Mr. Frank C. Smith, Jr., Mr. Richard Wheatland, Mrs. J. Gardner Bradley, Mrs. J. Montgomery Sears, and several New York galleries.
  • Notable artworks mentioned include:
    • An eighteenth dynasty Egyptian head from Dr. Denman W. Ross.
    • A pasto Sargent’s “Summer” from Mrs. Sears.
    • A Degas painting from Sir Joseph Singer Duveen.
    • A distinguished drawing by Carl H. Pforzheimer, most recently drawn by Palo Veronese.
  • The text emphasizes the generosity of donors and the importance of art in university museums, noting that the life of art is not just in the museum but also in the relationships formed through such collections.

Overall Context:

• The page appears to be from a publication discussing art acquisitions, loans, and donations to the Fogg Art Museum. The photograph of the courtyard serves as an illustrative example, possibly to highlight the museum's design or to provide a visual reference for the historical or architectural context of the museum itself.
• The text is formal and descriptive, likely intended for an academic or art-historical audience.

Visual Condition:

• The page shows signs of age, with yellowed edges and slight wear, suggesting it is part of an older publication or archive. The photograph itself is clear and well-preserved, indicating careful handling or reproduction.

In summary, the image combines a historical architectural photograph with detailed textual content about art donations and loans, providing insight into the museum's collection and the generosity of its supporters.

• A black-and-white photograph of a square interior courtyard in a historic building.
• Two stories of arched arcades surround the courtyard, with thick columns and rounded arches on both levels.
• The upper level has smaller arches and rectangular windows above them; the ground level arches are larger.
• A glass skylight or roof grid covers the open courtyard, letting light into the space.
• The photo is mounted on a white page inside an old scrapbook or album; there is a caption beneath the image and a column of text around it.
• The overall appearance is classical/renaissance-inspired architecture. No people are present in the scene.

This image shows a printed page with a photograph in black and white of an architectural courtyard, likely from a book or catalog. The photograph features an indoor courtyard with two levels of arched openings, supported by columns forming a colonnade. The roof appears to be made of a glass enclosure, providing natural light. Below the image, there is a caption that reads: "COURT, NEW FOGG ART MUSEUM. DESIGN ADAPTED FROM THE FAÇADE OF SANGALLO'S HOUSE AT MONTEPULCIANO."

The lower portion of the page contains a block of text in a serif font, discussing museum collections, loans, and associated benefactors. It provides details about art pieces, loans from other institutions, and the importance of art and appreciation. Overall, this page appears to be from an art catalog or an academic publication.

The image depicts the courtyard of a museum, which is inspired by the design of the façade of Sangallo's House at Montepulciano. This is evident from the caption provided at the bottom of the photo. The architecture is Renaissance in style, with a focus on symmetry, proportion, and the use of arches and columns. The courtyard features two levels of arcaded galleries, supporting arched openings on the lower level and rectangular window openings on the upper level. The roofline is adorned with an ornate entablature beneath a simple pitched roof. A safety net is visible stretched across the top of the courtyard, presumably to protect against falling debris or birds. The photo is monochromatic, suggesting it is quite old or was intended for reproduction in printed media with only black ink. The page on which the photo is mounted has some signs of age, with discoloration, tears, and adhesive marks visible on the paper. The page number "546" is printed at the bottom, indicating this image is from a book or a catalog.

This image features a printed page taken from a book or magazine. The primary visual component on the page is a black-and-white photograph of an architectural courtyard. The courtyard has a rectangular shape and is two stories high, featuring a series of arches on both levels. The upper level has arches supported by columns and windows, creating a cloister-like atmosphere. The roof appears to be transparent or glass, allowing in natural light.

The text below the photograph discusses various artworks that have come to a museum on indefinite loan. Mentioned are early Chinese ceramics and bronzes, Mayan art lent by the Peabody Museum in Cambridge, and pieces from various lenders including Yale University, Dr. Ernst G. Stillman, and several Mrs. Gardner Bradley, among others. It also lists specific artworks such as an eighteenth-century Egyptian head from Dr. Denman W. Ross, a pastel by Degas from Mrs. Sears, and John Singer Sargent's "Summer" from Sir Joseph Duveen, among others.

The photograph is titled "Court, New Fogg Art Museum. Design adapted from the façade of Sangallo’s House at Montepulciano," which explains the courtyard depicted in the image as a design inspired by the façade of a historic house in Montepulciano.

The page itself is placed on top of another document, suggesting it is part of a collection or archive of pages.