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ARCH.2003.1, Rendition: 791009
The image shows a page from a publication, likely a catalog or pamphlet, featuring an illustration of a classical sculpture. The title of the illustration reads "Meleager - an ancient copy after Scopas." The sculpture is depicted as a muscular, youthful male figure, facing left, with curly hair and a prominent musculature. The figure is partially draped with a garment or cloth that hangs down the right side.
Below the image, there is a caption that reads "Meleager - an ancient copy after Scopas. Permanent Collection, Fogg Art Museum." The page also contains text discussing the Fogg Art Museum's collection, mentioning various artworks and contributors. The text references items such as a "Madonna and Child" attributed to Pesellino, manuscripts from the Morgan collection, and several paintings and drawings by various artists like Titian, Holbein, and Ingres. It also mentions donations from individuals like Mr. Samuel Sachs and his sons, and contributions from the Sachs family and the Medici Society of London and Boston.
This image shows a page from a book or magazine featuring a black-and-white photograph of a classical sculpture. The sculpture is identified as "Meleager—an ancient copy after Scopas" and is part of the permanent collection at the Fogg Art Museum. The sculpture depicts a male figure with a muscular build, shown from the waist up. The figure is unclothed, and the head is turned slightly to the side.
Below the photograph, there is a block of text discussing various art collections and contributions from different individuals and families. The text mentions works by artists such as Pesellino, Tintoretto, El Greco, Titian, Holbein, Poussin, Goya, Manet, Daumier, Ingres, and Fragonard. It also refers to the Fogg Museum collection of early Italian paintings and mentions the addition of panels attributed to Pietro Lorenzetti, lent by Mr. Felix Warburg, and other works.
The page number "344" is located at the bottom center of the page. The image appears to be a scanned copy, as there are visible edges of the page and some other papers or items in the background.
This image captures a historical document page, likely from a museum catalogue or art journal, featuring a black-and-white photograph of an ancient sculpture.
The Central Photograph:
The photograph prominently displays a marble torso statue of a young, muscular male figure. The sculpture is a meleager, identifiable by its heroic physique and characteristic contrapposto stance. It is identified in the caption below as “AN ANCIENT COPY AFTER SCOPAS,” meaning it is a Roman-era reproduction of a Greek original attributed to the renowned 4th-century BCE sculptor Scopas. The statue is visibly fragmentary: the head is tilted and the gaze is directed upward and to the right; the arms are missing below the shoulders; and the lower legs and feet are also absent, leaving a rough, broken base. A modern metal support rod is visible behind the torso, holding it in place for display.
The Caption:
Below the photograph, the caption reads:
MELEAGER—AN ANCIENT COPY AFTER SCOPAS
PERMANENT COLLECTION, FOGG ART MUSEUM
This identifies the subject, its attribution, and its institutional home at the time.
The Surrounding Text:
The photograph is embedded within an article page (page 344, as indicated in the bottom left of the text block). The text discusses loans and additions to the Fogg Museum collection during an exhibition. It mentions various artworks, including:
The Physical Context:
The document page is mounted on a larger, aged, beige-colored sheet, possibly from a scrapbook or archival folder. The edges of the paper are slightly yellowed and curled, and the background shows the faint, reversed text of another document or newspaper page, suggesting this is an archival or collected item.
In essence, the image documents the presentation of an important classical sculpture within the context of a historical museum exhibition catalogue, surrounded by detailed descriptions of the contemporary art world and its patrons.
The image is a page from a book, featuring a black-and-white photograph of a statue. The photograph is titled "Meleager—An Ancient Copy After Scopas" and is described as being part of the permanent collection at the Fogg Art Museum. The photograph shows a statue of Meleager, a figure from Greek mythology, standing in a simple pose with a neutral expression. The statue is carved from stone and appears to be a copy of an original work by the ancient Greek sculptor Scopas. The photograph is accompanied by text that provides additional information about the statue and its historical context.
The image is a page from a book or catalog, featuring a photograph of an ancient statue and accompanying text. The photograph is in black and white and depicts a statue of a male figure, likely a classical sculpture, standing on a pedestal. The statue appears to be of a young man with a muscular build, and the photograph captures him from the front, showing his face, torso, and legs. The statue is labeled as "Meleagros--An Ancient Copy After Scopas."
Below the photograph, there is a block of text that provides additional information about the statue and the collection it belongs to. The text mentions that the statue is part of the "Permanent Collection, Fogg Art Museum." It also describes the statue as a "fitting complement to the Fogg Museum collection of early Italian paintings," suggesting that it is a significant addition to the museum's holdings.
The text goes on to mention other artworks and artists represented in the collection, including works by Tintoretto, El Greco, and various Italian and French artists. It also notes the contributions of individuals who have lent or donated artworks to the museum, such as Mr. Felix Warburg, Mr. and Mrs. Jesse I. Straus, and Mr. John Nicholas Brown.
Overall, the image appears to be a promotional or informational piece aimed at highlighting the museum's collection and the significance of the statue of Meleagros within it.
The image shows a page from a book or catalog, featuring a black-and-white photograph of an ancient sculpture titled "Meleager—An Ancient Copy After Scopas". The sculpture is a male figure, likely a representation of the mythological character Meleager, depicted in a classical style. The figure is nude, standing with a muscular build, and is positioned on a pedestal. The photograph is centered on the page, with the text below providing context.
The text on the page discusses the Fogg Art Museum's collection, mentioning various artworks and donations. It highlights the addition of early Italian paintings, including works attributed to Pesellino, Pietro Lorenzetti, and El Greco. The text also references donations from individuals such as Mr. Samuel Sachs, Mr. Felix Warburg, Mr. and Mrs. Jesse I. Straus, and others, including notable pieces like Tintoretto's "Diana and a large Baptism of Christ," and works by artists such as Manet, Daumier, Ingres, and John Nichols Brown.
This image provides insight into the museum's collection and the historical context of art curation during the period.
The image displays a page from a book or publication. It includes a photograph of an ancient marble sculpture of a male torso, identified as "Meleager—An Ancient Copy After Scopas," which is part of the permanent collection at the Fogg Art Museum. The sculpture shows a fragmented figure with missing arms, part of the neck, and legs. The text below the image provides information about art collections, detailing notable works and collections by various individuals. The page surrounding the photograph includes textual context about artworks and their provenance. The background consists of the folded edges of the paper and faint visible layers of additional pages or materials.
The image is of a printed page from a book or a catalogue, featuring a black and white photograph of a classical sculpture. The sculpture, which is missing its lower legs, depicts a male figure that appears to be standing in a contrapposto stance, which is a common pose in classical art where the weight is shifted onto one leg, giving the body an "S"-shaped curve.
The photograph is centered on the page, with text above and below the image. Above the photograph, the text indicates the title: "MELEAGER—AN ANCIENT COPY AFTER SCOPAS". Below the image, the text continues and seems to discuss various artworks, artists, and collections, although the details of the text are not all fully legible in this view.
The top-left corner of the page appears to be bent forward, giving a glimpse of the reverse side, which also contains printed text. The page also includes a fold or crease that runs vertically, slightly to the left of the sculpture's image. The physical attributes of the page, such as color, creases, and the way it's bound or attached to other pages, suggest that this image is from a book or similar publication focused on art or art history.
The image shows a black-and-white photograph of a damaged marble statue, likely from ancient times. The statue is missing its head, arms, and portions of its lower body. The text beneath the photograph identifies the statue as "Meleager—An Ancient Copy After Skopas," from the permanent collection of the Fogg Art Museum. The page also includes a description mentioning various artworks, collections, and notable individuals associated with the museum.