Archives Scrapbooks

The image is a page from a book or catalog, showcasing an interior view of the Great Hall at the New Fogg Art Museum at Harvard University. The photograph displays a Renaissance-style ceiling and a large tapestry on the left wall. The text accompanying the image provides details about the artwork and the architectural features of the hall.

Key points from the text include:

1. Artworks:

   • The tapestry on the left is "Annunciation," lent by Mrs. Harold Pratt.
   • The Romanesque capitals on the right are from Montbenoit-Saint-Martin.

2. Artistic Development:

   • The fresco technique has evolved from early Byzantine and Roman styles to its final form seen in works like those by Giotto, Cimabue, and Duccio.

3. Architectural Contributions:

   • Professor Paul Cockerell, a consulting architect, played a significant role in the design of the hall.

4. Additional Artworks:

   • Other notable pieces mentioned include:
     • "Madonna and Child" by Piero di Cosimo.
     • "Holy Family" tondo in the Dresden Gallery.
     • Various other paintings and tapestries, including works depicting scenes from "The Triumph of Christianity" and "The Nativity."

5. Artists and Contributors:

   • Sir Joseph Duveen has contributed several items, including a large tondo painting.
   • Mrs. Harold Pratt has lent significant pieces, such as the "Annunciation" tapestry, which was exhibited at the Marqués Salgado’s early in the century.

The page is part of a larger publication, as indicated by the page number "242" at the bottom right corner. The layout suggests a detailed and scholarly approach to documenting the art and architecture of the Fogg Art Museum.

The image is a page from a book featuring an architectural photograph and accompanying text. Here is a detailed summary:

1. Photograph:

   • The photograph shows the interior of the Great Hall at the New Fogg Art Museum, Harvard University.
   • The hall displays a Renaissance ceiling and features several tapestries, which are mentioned in the text as being lent by Mrs. Harold Pratt and Mr. Joseph Duveen.
   • The architectural style includes Romanesque capitals from Montecassino.

2. Text:

   • The text describes the development of the building's design, emphasizing that it evolved from the inside outwards.
   • It mentions that the firm responsible was that of Coolidge, Shepley, Bulfinch & Abbott, with Prof. Meyric Rogers as the consulting architect.
   • The text invites readers to visit the Fogg Museum over the next three months to see the new building and its collection.
   • It highlights that the collection is greatly enriched by loans from various individuals, including a large tondo painting of the "Madonna and Child" by Piero di Cosimo, which is noted for its similarity in style to the "Holy Family" in the Dresden Gallery.
   • The text also mentions several other notable works on loan: fifteenth and sixteenth-century tapestries depicting scenes from "The Triumph of Christianity" and "The Story of Helen of Troy," as well as a French tapestry depicting "Semiramis."
   • Additionally, it references a "Nuremberg" tapestry from 1483 and an "Annunciation" tapestry lent by Mrs. Harold Pratt, which was exhibited at Jacques Seligmann's gallery.

3. Page Layout:

   • The photograph is centrally placed on the page with the descriptive text surrounding it.
   • The page numbers are marked as 343 on the bottom right corner and 55 on the top right corner.

The page appears to be from an older publication, likely from the early to mid-20th century, based on the style of the text and the nature of the content.

The image shows a page from a book or a magazine featuring an article about the Great Hall of the New Fogg Art Museum at Harvard University.

The main focus of the image is a black-and-white photograph of the interior of the Great Hall, showcasing a Renaissance ceiling. The ceiling features intricate designs and architectural details. The photograph is captioned at the bottom with text describing the scene and its significance.

Below the photograph, there is descriptive text that discusses the development of the hall and mentions several artworks and tapestries:

• The hall's design has evolved over time, starting from an initial form.
• The ceiling and the interior are influenced by Cozzarelli and Duveneck.
• Notable artworks and tapestries mentioned include:
  • "Madonna and Child" by Piero di Cosimo.
  • Tapestries from the fifteenth and sixteenth centuries, including the "Triumph of Christianity."
  • A French "salle fleure," depicting "Semiramis."
  • A piece by the Nuremberg school from 1483.
  • A "Annunciation" tapestry lent by Mrs. Harold Pratt, which was exhibited at Jacques Seligmann's early in the 19th century.

Additionally, it mentions that Sir Joseph Duveen has sent a large tondo painting of the "Madonna and Child," and Prof. Meyric Rogers is noted as the consulting architect for the museum.

The page number at the top right corner of the visible part of the image is 55.

The image shows a page from a book or a catalog. At the top of the page, there is a black and white photograph of the Great Hall at the New Fogg Art Museum, Harvard University. The hall features high ceilings, large walls adorned with tapestries or paintings, and a balcony. Below the photograph, there is a caption that reads: "GREAT HALL, NEW FOGG ART MUSEUM, HARVARD UNIVERSITY. SHOWING RENAISSANCE CEILING FROM BOLOGNA; TAPESTRIES LENT BY MRS. HAROLD PRATT AND MR. JOSEPH DUVEN; ROMANESQUE CAPITALS FROM MOUNT DESIGNATED."

Underneath the caption, there is a body of text that appears to describe the museum's features and exhibits. The text mentions the development of the museum, the attractive form of the building, and various artworks on display, including a painting by Piero di Cosimo, a 16th-century French tapestry, and other significant pieces.

The page number at the bottom right corner indicates that this is page 343. The overall layout of the page is clean and organized, with the photograph taking up most of the space above the descriptive text.

The image depicts an open page from a book or a magazine featuring an article about the Fogg Art Museum at Harvard University. The page includes both text and an illustration.

Text Summary:
The article discusses the gradual transformation of the Great Hall in the new Fogg Art Museum. The new hall will feature Renaissance ceiling art from Rdo, specifically a tapestry lens by Miss Mabel Dwight.

The text mentions the acquisition of several important artworks:

• A large tondo (circular) painting of "Madonna and Child" by Piero di Cosimo, which is noted for its stylistic similarity to the "Holy Family" in the Uffizi Gallery in Florence.
• A well-known picture that is similar to the "Adoration of the Magi" by Baldovinetti, also in the Uffizi Gallery.

Professors Meyric Rogers and Paul J. Sachs are involved in the acquisition process, consulting with experts like Stephen Bullinch and Abbot.

The article also highlights the upcoming exhibitions and loans:

• The Fogg Museum will exhibit several tapestries, including a fifteenth and sixteenth-century series depicting "The Triumph of Christianity" and "The Story of Helen of Troy."
• An important "Annunciation" tapestry from Jacques Seligmann's collection, dated 1483, will be on display.
• Mrs. Harold Pratt is lending a significant baptismal font from the Church of Balyoc in France.

Illustration:
The illustration on the left side of the page shows the interior of the Great Hall in the new Fogg Art Museum. It depicts a spacious hall with classical columns, large wall-mounted artworks, and a vaulted ceiling. The hall is relatively empty, with just a few pieces of sculpture and furniture visible.

The page number at the top right corner is 55. The overall condition of the page suggests it is from an older publication.

The image shows a page from a book or catalog featuring a photograph of the Great Hall at the Fogg Art Museum, Harvard University. The photograph depicts the interior of the hall, showcasing its architectural design and various artworks displayed within.

The caption below the photograph provides details about the artworks and the hall itself:

• The hall is adorned with a Renaissance ceiling from Bologna.
• Tapestries are lent by Mrs. Harold Pratt and Sir Joseph Duveen, specifically Romanesque capitals from Mouchefontaine.
• The text mentions that the hall's design was influenced by Sir Joseph Duveen and developed by the firm of Coolidge, Shepley, Bulfinch & Abbott, with Prof. Meyer Rogers as consulting architect.

Additionally, the caption describes a few specific artworks:

• A painting of the "Madonna and Child" by Piero di Cosimo, which is similar in style to the "Holy Family" in the Dresden Gallery.
• Several tapestries from the fifteenth and sixteenth centuries, including scenes from "The Triumph of Christianity" and "The Story of Helen of Troy."
• A French "sallefloor" depicting "Semiramis," dated 1483, from the Nuremberg school.
• An "Annunciation" tapestry from Jacques Seligmann’s early collection, lent by Mrs. Harold Pratt.

The page also encourages readers to visit the Fogg Museum to appreciate the new building and its extensive collection.

The image depicts a page from an old book or magazine. The page features a black and white photograph of the Great Hall at the New Fogg Art Museum, Harvard University. The photograph shows a spacious interior with tall, decorated columns, tapestries hanging on the walls, and a wooden ceiling with exposed beams. There is a large ornate baptismal font or similar structure in the center of the room. Below the image is a caption describing the scene:

"GREAT HALL, NEW FOGG ART MUSEUM, HARVARD UNIVERSITY
SHOWING RENAISSANCE CEILING FROM DIJON; TAPESTRIES LENT BY MRS. HAROLD PRATT AND SIR JOSEPH DUVEEN; ROMANESQUE CAPITALS FROM MOUTIER-SAINT-JEAN"

Below the caption is a block of printed text discussing various artworks, including the "Madonna and Child" by Piero di Cosimo, Brussels tapestries, and an "Annunciation" tapestry lent by Mrs. Harold Pratt. The page number at the bottom right is 343. The edges of the page exhibit some discoloration and wear, indicating the age of the book or magazine.

The image depicts a page from a book featuring a black-and-white photograph of the Great Hall in the New Fogg Art Museum at Harvard University. The photograph shows a large, elegant room with a high, coffered ceiling and walls adorned with Renaissance tapestries. There are columns with ornate capitals and several pieces of antique furniture and decorative art pieces arranged throughout the hall. The page includes textual information below the photograph describing the Great Hall and the artifacts it houses, emphasizing the contributions by Mrs. Harold Pratt and architect Prof. Meyric Rogers. The text also mentions items in the collection, such as Renaissance tapestries and some significant paintings and sculptures. The page is slightly aged, with yellowing and wear visible on the edges. The number [53] is indicated at the top right corner.

This image shows a page from a book or catalogue. The page features a black and white photograph of an interior space which appears to be a museum or art gallery. The caption under the photograph reads "GREAT HALL, NEW FOGG ART MUSEUM, HARVARD UNIVERSITY" and details that it shows Renaissance ceiling from Padova; tapestries lent by Mrs. Gardner Sage. The photograph depicts a spacious hall with high ceilings, large paintings or tapestries on the walls, and an upper-level balcony that can be accessed via a staircase visible to the left side of the image. The flooring appears to be polished and reflects some of the light, enhancing the grandeur of the hall.

In the lower part of the page, there is text that seems to provide context or description for the museum's collection and possibly some history or interpretation of the pieces mentioned. The text references specific pieces of artwork, such as "Madonna and Child" by Piero di Cosimo and tapestries depicting historical scenes like "The Triumph of Chastity" and "The Story of Helen of Troy." It appears to discuss the development of the museum's collection and mentions various donors, architects, and pieces of significant historical value. The page number, "343," is visible at the bottom right, suggesting this is part of a larger publication. The right edge of the page shows signs of wear and discoloration, indicating the book's age or frequent use.

The image depicts an open book, showcasing a page from what appears to be a catalog or publication related to an art museum. The page is numbered "943" at the bottom right corner and features a black-and-white photograph and accompanying descriptive text.

Photograph Description:

• The photograph shows the Great Hall of the New Fogg Art Museum at Harvard University.
• The hall has a grand, classical architectural style with high ceilings, large windows, and ornate details.
• Prominently displayed on the wall is a large, detailed tapestry or painting, likely of significant artistic or historical importance.
• The room includes architectural elements such as columns, a balcony, and decorative moldings, contributing to its elegant and formal atmosphere.
• In the foreground, there is a small, ornate table or stand, possibly a display piece or part of the museum's interior design.

Text Description:

• The text at the top of the page is titled: "GREAT HALL, NEW FOGG ART MUSEUM, HARVARD UNIVERSITY".
• Below the title, a subheading reads: "SHOWING RENAISSANCE COLLECTIONS FROM ITALY: TAPESTRIES LENT BY MRS. HAROLD PRATT AND SIR JOSEPH DUVEEN, ROMANQUE CAPITALS FROM MOUTHER SAINT-JEAN."
• The accompanying paragraph provides context about the hall and its collections:
  • It mentions that the hall has gradually developed from the interior of the original Fogg Museum.
  • The firm responsible for its design is attributed to Coolidge, Shepley, Bulfinch, and Abbott, with Prof. Meyric Rogers as the consulting architect.
  • The hall will be accessible to the public for the next three months, during which time the new building will not be open.
  • The hall features significant Renaissance collections, including tapestries lent by Mrs. Harold Pratt and Sir Joseph Duveen, as well as Romanesque capitals from Mouter Saint-Jean.
  • The text highlights notable artworks, such as a "Madonna and Child" by Piero di Cosimo, a "Holy Family" by Simoni in Dresden Gallery, and various tapestries depicting scenes from the fifteenth and sixteenth centuries, including "The Triumph of Christianity," "The Story of Helen of Troy," "The Triumph of Semiramis," "The Triumph of Babylon," and a "baptismal font" dated 1853. It also mentions an "Annunciation" tapestry exhibited at Jacques Seligmann's early in the century.

Overall Context:

The page serves as a descriptive entry in a catalog or publication, likely documenting the interior and collections of the New Fogg Art Museum at Harvard University. It emphasizes the historical and artistic significance of the Great Hall, showcasing its architectural grandeur and the valuable artworks displayed within it. The inclusion of lender names (Mrs. Harold Pratt and Sir Joseph Duveen) underscores the collaborative nature of museum collections and the importance of private donations in enriching public cultural institutions.