Archives Scrapbooks

The image is a page from a historical newspaper, specifically the "Boston Evening Transcript," dated July 7, 1927. The page contains two main articles:

1. Left Column: "Taking Library Methods to Rome"

   • The article features a photograph of Monsignor Eugene Tisserant, who is described as the Curator of Oriental Manuscripts and Assistant to the Librarian of the Vatican Library.
   • The text details Tisserant's background, including his education at Harvard, his military service during World War I, and his extensive travels and studies in various countries, including Greece, Turkey, and the United States.
   • Tisserant's work involves assisting scholars using the Vatican Library and cataloging Oriental manuscripts. He has also been involved in the study of American library methods and has lectured on the subject.
   • The article mentions his plans to return to Rome to assist in the Vatican Library and his expertise in ancient manuscripts and languages.

2. Right Column: "Harvard's New Art Museum"

   • This article discusses the new Fogg Art Museum at Harvard, which was officially opened in June 1927. The museum is noted for its modern design and ample space for displaying art.
   • The museum's collection includes a variety of artworks, from ancient to modern, and is organized to facilitate study and teaching.
   • The article highlights the museum's unique features, such as its adaptable exhibition spaces and the integration of natural light.
   • It also mentions the museum's educational programs, including courses and special training for individuals interested in museum work.

The page is part of a larger bound volume, as indicated by the visible edges of other pages and the binding on the left side of the image.

The image shows a page from a newspaper with two articles from different newspapers, dated July 1928.

Left Article:
Title: "Taking Library Methods to Rome"

• The article discusses Mgr. Eugene Tisserant, the curator of Oriental manuscripts and assistant to the librarian of the Vatican Library. It highlights his extensive knowledge and contributions to the Vatican Library. Mgr. Tisserant, who spent 22 years in the Vatican, is described as a scholar who has compiled a vast collection of printed catalogs and manuscripts.
• The article mentions his extensive experience in organizing and cataloging manuscripts and his role in preparing the library for the modern world. He is noted for his dedication and expertise in the field of oriental manuscripts.

Right Article:
Title: "Harvard's New Art Museum – Building That Suits Its Purpose"

• This article from the London Times details the opening of Harvard's new Fogg Art Museum. The museum is praised for its practical design and varied utility.
• The text describes the museum's extensive collection, including over 40,000 items, and its architectural features, which are designed to enhance both the viewing experience and the educational aspect. The museum's layout is highlighted for its ease of access and comprehensive organization, making it a fitting space for art appreciation and study.

Both articles emphasize the significance of their respective institutions in preserving and showcasing valuable collections and providing educational opportunities.

The image shows two pages from a newspaper, the Boston Evening Transcript, dated July 7, 1927. The left page features an article titled "Taking Library Methods to Rome" with a portrait of Mgr. Eugene Tisserant, who was the Curator of Oriental Manuscripts and Assistant at the Vatican Library. The article discusses his role, expertise, and contributions to the library, highlighting his work in cataloging and his extensive knowledge of various languages and manuscripts. It also mentions his presentation at the American Library Association meeting in Chicago.

The right page features an article titled "Harvard's New Art Museum: Building That Suits Its Purpose." The article describes the new Fogg Art Museum at Harvard, emphasizing its practical design suited for the study and protection of art. It details various features, including well-lit rooms, ample space, and a scientific approach to display and storage. The piece also notes the museum's role in education and its resources for art students and the public. Additionally, it mentions the adjacent archaeological and Oriental libraries, which house significant collections, including Professor Denison's library of 60,000 volumes.

The image shows a two-page spread from a newspaper, specifically the "Boston Evening Transcript" dated July 17, 1927. The main article on the left page is titled "Taking Library Methods to Rome," featuring a photograph of Mgr. Eugene Tisserant.

Left Page:

Article Title: Taking Library Methods to Rome

Subheading: Curator of Oriental Manuscripts and Assistant to the Librarian of the Vatican Library

Photograph Caption:

• Photo by Bainbridge
• Mgr. Eugene Tisserant

Content Summary:
The article discusses Mgr. Eugene Tisserant, a curator of Oriental manuscripts and assistant to the librarian of the Vatican Library. It highlights his scholarly background and contributions to the library, particularly in organizing and cataloging manuscripts. Tisserant, who has a strong command of several languages, is noted for his work in enhancing the library's collection of ancient texts, including those in Sumerian, Assyrian, and other Oriental languages.

The article mentions that Tisserant was previously a professor at the Pontifical Institute in Rome and was assigned to the Vatican Library in 1908. His efforts have significantly contributed to making the Vatican Library one of the most extensive repositories of ancient manuscripts.

Right Page:

Article Title: Harvard’s New Art Museum

Subheading: Building That Suits Its Purpose

Content Summary:
This article describes the new Fogg Art Museum at Harvard University, emphasizing its design and functionality. The building is noted for its practical design that caters to the specific needs of an art museum, with features like varied utility and an emphasis on the quality of natural light for art exhibitions.

The museum's design is intended to provide a suitable environment for the display and study of art, accommodating everything from large collections to smaller, more focused exhibits. The article also highlights the museum's role in professional training for art historians and museum curators.

Additionally, the right page includes a section from "London Scribes," dated July 27, but the content is partially cut off and not fully visible.

Overall, the newspaper spread covers both international library science and the academic developments in art history at Harvard.

The image shows an open newspaper with two articles from July 1927.

1. Left Page Article:

   • Headline: "Taking Library Methods to Rome"
   • Subheadline: "Mgr. Eugene Tisserant, Curator of Oriental Manuscripts and Assistant to the Librarian of the Vatican Library"
   • Description: The article discusses Mgr. (Monsignor) Eugene Tisserant, a prominent figure in the Vatican Library. It describes his scholarly contributions and his extensive work in cataloging and preserving manuscripts. Tisserant is noted for his expertise in Oriental manuscripts and his efforts to modernize the library's cataloging methods. The article mentions his visit to the Boston Public Library and the influence of American library methods on his work. It also notes his participation in the Vatican Library's cataloging efforts, which involved organizing over 60,000 manuscripts, and his recognition as a distinguished scholar.

2. Right Page Article:

   • Headline: "Harvard's New Art Museum"
   • Subheadline: "Building That Suits Its Purpose"
   • Description: This article discusses the new Fogg Art Museum at Harvard University, which was completed in 1927. It highlights the museum's varied utility and its role as a teaching tool for students. The article mentions the museum's collection, which includes American and European art, and its educational functions, such as providing art history courses and training students in the appreciation and study of art. The Fogg Art Museum is described as a blend of practicality and beauty, with a focus on serving both educational and aesthetic purposes. The article also notes the museum's architectural design and the significant contributions from Harvard alumni.

The articles collectively reflect the cultural and academic advancements in the fields of library science and art education during the late 1920s.

The image shows a page from an old newspaper, specifically the "Boston Evening Transcript" from July 1928. The main article is titled "Taking Library Methods to Rome," featuring an interview with Mr. Eugene Tisserant, who is described as the Curator of Oriental Manuscripts and Assistant to the Librarian of the Vatican Library.

The article discusses Mr. Tisserant's role in cataloging and preserving the Vatican Library's extensive collection of manuscripts, including ancient texts like the Greek Bible, the Dead Sea Scrolls, and other significant works. He is noted for his scholarly contributions and the meticulous methods he employs in preserving and studying these ancient texts.

The article also highlights Mr. Tisserant's journey to Rome, where he is taking his library methods, and his previous work in Chicago, where he helped develop a similar library system. The text emphasizes the importance of his work in preserving cultural and historical artifacts.

Additionally, there is a smaller article on the right-hand side titled "Harvard's New Art Museum," discussing the design and purpose of the new museum at Harvard, which aims to provide practical utility and educational value for art students and the public. The new museum is described as an educational resource and a center for art education, with a focus on providing practical training and criticism of art.

The page includes photographs of Mr. Tisserant and some images related to the art museum. The newspaper is preserved and appears to be an old, yellowed copy, indicating its historical value.

This image shows an open scrapbook or album with newspaper clippings pasted onto its pages. On the left page, there is an article titled "Taking Library Methods to Rome" dated July 11, 1927, with the subheading "Mgr. Eugene Tisserant, Curator of Oriental Manuscripts, and Assistant to the Librarian of the Vatican Library." Below this header, the article continues with several paragraphs of text, providing insights into the subject mentioned in the title.

On the right page, a heading reads "Harvard's New Art Museum" with a subheadline "Building That Suits Its Purpose. Varied Utility." The article appears to discuss the new art museum at Harvard University, detailing the building's features and the purposes it serves. Additional text and headings follow, which are related to the topic but not completely visible due to the viewing angle and the cropping of the image.

The pasted articles provide a historical snapshot of the topics covered at the time, giving a sense of the period's cultural and educational interests. The album or scrapbook is likely a personal or institutional collection of articles of significance to the owner or creator, used for reference or historical record. The medium, being a physical scrapbook, suggests a time before digital archiving when individuals preserved newspaper clippings of interest manually.

The image depicts a scrapbook containing newspaper clippings. The focal clipping is from the Boston Evening Transcript dated July 7, 1927, titled "Taking Library Methods to Rome." This article discusses Mgr. Eugene Tisserant, who was a Curator of Oriental Manuscripts and Assistant to the Librarian of the Vatican Library. Next to this clipping is another article from the London Times dated July 7, 1927, detailing "Harvard's New Art Museum," which describes the building suited for its purpose with various utilities. The articles include extensive text about their respective subjects. The scrapbook itself appears to be carefully compiled, showcasing historical and informative content.

The image shows an open book with two newspaper clippings pasted on the pages. The left clipping is titled "Taking Library Methods to Rome," dated July 1, 1927, and appears to be from the Boston Evening Transcript. It includes a photograph of a man (his face blurred) with the caption "Mgr. Eugene Tisserant, Curator of Oriental Manuscripts, and Assistant to the Librarian of the Vatican Library." The article discusses Father Eugene Tisserant, highlighting his role and contributions to the Vatican Library, his expertise in Oriental manuscripts, as well as his experience and travels related to this field.

The right clipping, titled “HARVARD'S NEW ART MUSEUM,” is dated July 27 (publication not explicitly mentioned but hand-written “London Times” is visible). This article discusses the opening of the Fog Art Museum at Harvard, emphasizing the building’s suitability, varied utility, and the effort put into architectural design and arrangement. It mentions the importance of this museum for Teh English-speaking world, its educational role, and the library facilities provided for students and scholars related to art.

The book pages and the clippings have a vintage appearance, with yellowed paper suggesting age. The text is printed in an old-fashioned typeface typical of early 20th-century newspapers. The two clippings are carefully cut and mounted on the book pages.

The image shows a newspaper clipping from the Boston Evening Transcript dated July 2, 1927. The clipping features an article titled "Taking Library Methods to Rome" with a photograph of Mr. Eugene Tisserant, Curator of Oriental Manuscripts and Assistant to the Librarian of the Vatican Library. The article discusses Tisserant's efforts to modernize and catalog the Vatican Library's collection of Oriental manuscripts. It highlights his background, his work in cataloging, and his contributions to the library's accessibility and preservation. The clipping also includes a brief mention of Harvard's new Art Museum, emphasizing its design and purpose.