Archives Scrapbooks

The image displays an open book page with two distinct sections on the left and right sides.

On the left side of the page, there is a yellowed newspaper clipping in French titled "Le nouveau musée Fogg, d'Harvard University" dated June 24, 1927. The article discusses the opening of the Fogg Art Museum at Harvard University, with details about its history and significance. The text is written in a serif font, and it appears to have been cut out from a larger newspaper or publication.

On the right side of the page, there is a printed page with the title "274 THE FOGG ART MUSEUM," which seems to be part of a larger document or book. This page lists various acquisitions made by the Fogg Art Museum, including gifts and bequests like sculptures, paintings, and other artworks from donors such as Mrs. George R. Agassiz, Samuel Cabot, A. Everett Austin, Frank M. Avery, James W. Barney, Hamilton Bell, Owen Bryant, James Croke, William Emerson, Edward W. Forbes, and others. The text mentions the years 1875, 1895, and 1906, indicating milestone years for the museum's collection development. The page also includes information about the exhibitions held at the museum, such as the one at the Metropolitan Museum of Art in January and February 1926, held in memory of an artist.

The pages are placed in what appears to be a burgundy or maroon-colored binder, suggesting that this might be part of a collection or archive related to the Fogg Art Museum or Harvard University. The overall condition of the pages shows some aging and wear, with some edges appearing slightly frayed.

This image shows an open book or document, possibly a scrapbook or a collection of articles related to the Fogg Art Museum at Harvard University. The left page contains a French newspaper clipping from "Le Journal des Débats," dated June 24, 1927. The article discusses the new Fogg Museum at Harvard University. The right page is a printed document titled "The Fogg Art Museum," page 274, which lists various art acquisitions made by the museum, including gifts from individuals and classes, as well as bequests. The acquisitions include a mix of sculptures, paintings, drawings, and other art pieces from various cultures and time periods. There are also handwritten notes at the top of the pages, indicating the sources of the clippings and documents. The left page has a handwritten note that says "Journal des Debats June 24, 1927," and the right page has a note that says "Christian Science Monitor Boston, July 5, 1927."

This image shows an open, vintage scrapbook or clipping album with a maroon cover, resting on a neutral gray surface. The album is open to a spread displaying two pages filled with newspaper and magazine clippings related to the Fogg Art Museum at Harvard University, dating primarily from 1927.

Left Page:

• At the top, handwritten in cursive ink, are the words “Journal des Debats” and the date “June 24, 1927.”
• Below this is a large, yellowed newspaper clipping in French titled “Le nouveau musée Fogg, d’Harvard University.” The article appears to be a review or feature on the museum, written by Gaston Migeon.
• A small, handwritten number “2” is visible in the top-left margin of the page.
• A small, rectangular piece of paper with the handwritten number “3°” is tucked into the upper-left corner.

Right Page:

• At the top, a small clipping reads “Christian Science Monitor Boston, July 5, 1927.” Below it, another small clipping states “CLASSES OPENED AT FOGG...”
• The main content is a typed document titled “THE FOGG ART MUSEUM” with the page number “274” at the top left.
• This document details the museum’s acquisitions, specifically mentioning that items were lent to the Metropolitan Museum of Art for an exhibition held in January and February 1926, in memory of the artist.
• The section “ACQUISITIONS” lists numerous gifts and bequests made to the museum between 1922 and 1926, including:
  • Chinese sculpture (lion’s head) from Mrs. George R. Agassiz and Samuel Cabot.
  • A Roman terra-cotta sculpture from George Aharon.
  • Various paintings and drawings by artists such as Frank M. Avery, James W. Barney, Owen Bryant, and others.
  • Items from the China Expedition Funds.
  • A “Chalk plate” from James Croker.
  • Watercolor drawings and pen drawings from William Emerson and William Rowan.
  • Twelve rabbings of a bronze table from Dr. John C. Ferguson.
  • A painting by Dösideri from Edward W. Forbes.
  • Spanish Romanesque capitals from the Abbey of Alabaña.
  • A copy of Titian’s Madonna from the Friends of the Fogg Art Museum.
  • Bequests of Greek vases and terracotta heads.
  • An oil painting by Jeanquin Sorolla and Bastida.
  • Books by Hokusai from Dallas D. L. McGrew.
  • Drawings from Ivan Mettrović and others.
  • A sarcophagus slab from Salahgun, dating from the eleventh century.

Overall Impression:
The image captures a well-curated historical record, showcasing how the Fogg Art Museum was documented and celebrated in contemporary press and internal records. The juxtaposition of French and American sources, along with the mix of newspaper clippings and an official typed acquisitions list, highlights the international interest in the museum and the systematic way its collection was managed and recorded. The aged paper and handwritten annotations add to the sense of historical authenticity and personal curation.

The image shows an open book with a page on the left side displaying French text and a page on the right side displaying English text. The French text is titled "Le nouveau musée Fogg, d'Harvard University" and appears to be an article about the Fogg Art Museum at Harvard University. The English text on the right side is titled "The Fogg Art Museum" and provides information about the museum's acquisitions and exhibitions. The pages are part of a journal or magazine, and the book appears to be an old edition.

The image is a photograph of an open book, showing two pages. The book appears to be an old publication, possibly a journal or magazine, given the style of the text and the layout.

The left page contains text in French, which is likely an article or editorial. The text is densely packed, with multiple paragraphs and no images or illustrations. The title at the top of the page reads "Le nouveau musée Fogg, d'Harvard University," indicating that the article is about the new Fogg Museum at Harvard University. The text discusses the museum's opening and its significance.

The right page contains text in English, which is also an article or editorial. This page is less densely packed than the left page, with more white space and a more structured layout. The title at the top of the page reads "THE FOGG ART MUSEUM," indicating that the article is about the Fogg Art Museum. The text provides information about the museum's opening and its significance.

Both pages have a header at the top, with the left page's header reading "Journal des Débats" and the right page's header reading "Christian Science Monitor." These headers suggest that the book is a collection of articles from different publications.

The book appears to be in good condition, with no visible damage or wear. The pages are clean and the text is legible, indicating that the book has been well-preserved.

The image shows an open page from a historical journal titled "Journal des Débats", dated June 24, 1927. The page is divided into two main sections, each containing French text and annotations.

Left Section:

• Title: "Le nouveau musée Fogg, d'Harvard University" (The New Fogg Museum, of Harvard University).
• Content: This section discusses the establishment and significance of the Fogg Art Museum at Harvard University. It highlights the museum's role in housing American art, its acquisition of notable collections, and its importance in the art world. The text mentions key figures associated with the museum, such as Paul Sachs, Edward Forbes, and Charles Herbert Morgan Jr., and describes the museum's collections, including works by prominent artists like John Singer Sargent and John Singer Sargent. It also touches on the museum's administrative structure and its contributions to art education and preservation.

Right Section:

• Title: "THE FOGG ART MUSEUM."
• Content: This section lists acquisitions made by the Fogg Art Museum, detailing various donations and gifts received. Each entry includes:
  • The donor or gifter.
  • The description of the acquired item (e.g., paintings, sculptures, drawings).
  • The artist or creator of the item.
  • Additional notes, such as the date of acquisition or specific details about the artwork.

Examples of Acquisitions Listed:

1. Gift of Mrs. George R. Agassiz and Samuel Cabot: Chinese sculpture (stone head of a Lion).
2. Gift of Professor A. L. Lowell: Roman terra-cotta head.
3. Gift of Gregor Arano: Portrait of a Young Girl, a painting in the style of Sarato di Pietro (Madonna and Child).
4. Gift of James W. Avery: Drawing by Howard Giles (Cassidy).
5. Gift of Frank M. Barney: Chinese wall painting (Ming Dynasty).
6. Gift of Hamilton Bell: Chinese bronze mirror (Tang Dynasty).
7. Gift of Owen Bryant: Ducking, a pencil drawing by William Rowand (Bufflehead Class of 1904).
8. China Expedition Funds: Chinese wall paintings; Chinese bronze, Tang Dynasty; Chinese sculpture in wood (Exed Bodhisattva), late Tang Dynasty.
9. Gift of James Crooke: Chalk plate-color drawing by H. B. Brintzon (Mrs. William Emerson: Water-color drawing by Ivan Mostrovic).
10. Gift of Mrs. William Emerson: Drawing by Ivan Mostrovic (The Car of Perdue).
11. Gift of John C. Ferguson: Twelve rubbings of rune by Dr. Ferguson.
12. Gift of Edward W. Forbes, Class of 1904: Two Spanish Romaneesque capitals accompanying vessels, and descriptive pamphlet of Desiderio (Profile of a Girl).
13. Gift of the Fogg Art Museum: Painting by Donasie (capitals from the Abbey of Alabanza, Province of Palenino, dating from the twelfth century; Drawing by Ivan Metrović (Woman at Prayer); Chinese wall paintings, Coptic painting on cloth, detail by Carl Madsen of the Peano Madonna; detail by Carl Madsen of Titian's Venus's Holy Family and Saint Catherine (copy by Carl Pegeen); Copy of Botticelli's Magdalene at the Foot of the Cross by Peter Tegen).
14. Gift of George Gilman: Wooden head of Christ, thirteenth century, French.
15. Gift of Professor Albert C. Hepburn: Collection of Greek vases and antiquities.
16. Bequest of Joseph Huntington: Oil painting by Joaquin Sorolla y Bastida (Landscape).
17. Gift of Dallas D. L. McGrew, Class of 1903: Three books by Hössler, accompanying xylographs, and descriptive pamphlet (The Sculptor be Drawing by Ivan Mostrovic).
18. Gift of Class of 1922, Mexican painting, Class of 1922, and George C. Villiant, Class of 1922: Moonhead, seventeenth-eighteenth century, Mexican.
19. Gift of Professor A. Kingsley Porter: Sepulchral slab from Sigehlin, dating from the eleventh century.

Additional Notes:

• The page includes a handwritten note in the top right corner: "Christian Science Monitor, Boston, July 5, 1927. CLASSES OPENED AT FOGG."
• The text is printed in a formal, serif font typical of early 20th-century publications.
• The page number "274" is visible at the top right of the right section.
• The layout is structured, with clear headings and organized lists, reflecting the formal nature of the journal.

Overall Impression:

The image captures a historical document detailing the growth and acquisitions of the Fogg Art Museum at Harvard University in 1927. It serves as a record of the museum's expansion and the cultural treasures it acquired during that period. The annotations and structured format suggest the document's importance as a historical record of the museum's development.

An open, old-fashioned scrapbook resting on a light surface. The left page is filled with dense clipped text in French from a newspaper (Le Journal des Debats) with a 1927 date and a headline about the new Fogg Museum at Harvard University. The right page shows a clean, typed sheet titled “The Fogg Art Museum” listing acquisitions and gifts, like a catalog of donations. The pages are aged yellow, with other small clipping fragments visible around the margins and the binding of a dark leather cover. Overall, it looks like a 1920s-era collection of press clippings about the Fogg Art Museum.

This image shows an open book or scrapbook with inserted clippings and papers. The left side features a French newspaper article titled "Le nouveau musée Fogg, d'Harvard University", focused on discussing the Fogg Art Museum at Harvard. The article is mounted on the background and is accompanied by handwritten notes at the top, referencing the Journal des Débats and the date "June 24, 1927."

The right side displays a page from a printed publication detailing acquisitions made by the Fogg Art Museum. Various gifts to the museum are listed, such as sculptures, paintings, and other artworks, each credited to specific donors. The document is titled “The Fogg Art Museum,” and this page appears to be part of a catalog or record.

Handwritten notes at the top right margin mention Christian Science Monitor and “Boston, July 8, 1927,” suggesting an additional connection to an article or publication. The overall feel is archival and organizational, reflecting documentation or curation efforts related to museum activities.

This image depicts an open book with two pages visible. The left page is from "Journal des Débats," dated June 21, 1927. It is an article in French discussing "Le nouveau musée Fogg, d’Harvard University." The content seems to describe the new Fogg Museum at Harvard University, referencing its collections and its establishment, potentially highlighting recent additions or features.

The right page is from "Christian Science Monitor Boston," dated July 5, 1927, and it covers "CLASSES OPENED AT FOGG ART MUSEUM." This page lists various donations made to the Fogg Art Museum under the heading "ACQUISITIONS," categorized by the year 1927. It includes a list of gifts such as sculptures, paintings, and other art pieces from different donors, for example, a Chinese sculpture by the "Gift of Mrs. George A. Reisner," and "Two Spanish Romaneque capitals from the Abbey of Arhuis" by the "Gift of Friends of the Fogg Art Museum." It appears that the acquisitions include a wide variety of art works and the donors range from individuals to groups like the Friends of the Fogg Art Museum.

The book’s pages are off-white with black type, and the left edge of the left page is frayed, suggesting age or frequent handling. On the left side, a ribbon bookmark is partially visible, suggesting that these pages are of particular interest or importance. The overall setting appears to be a library or personal collection, given the nature of the content and the aged look of the paper.

The image displays an opened book containing various newspaper clippings and typed notes. At the top of the image, handwritten labels identify these clippings' sources and dates: one from "Journal des Débats" dated June 24, 1927, and another from "Christian Science Monitor" from Boston, dated July 5.

The newspaper clipping on the left is written in French with a headline mentioning "Le nouveau musée Fogg, d'Harvard University." It discusses the new museum at Harvard University. The typed text on the right side describes the "The Fogg Art Museum" and lists several acquisitions by the museum, including gifts, artwork, artifacts, and sculptures. The detailed list includes donors' names, the items donated, and brief descriptions of these items. The context suggests a historical record of acquisitions for the museum's exhibition held in early 1926.