Archives Scrapbooks

The image shows an open book or scrapbook with several newspaper clippings and a printed page. The left page contains a French newspaper article titled "Le nouveau musée Fogg d'Harvard University," which translates to "The New Fogg Museum of Harvard University." The article discusses the opening of the new Fogg Art Museum at Harvard University in Cambridge, Massachusetts. It mentions that the museum was inaugurated in November 1926 and highlights its architectural features and the role of its director, Paul Sachs. The article also talks about the museum's collection and its significance.

The right page contains a section titled "The Fogg Art Museum" from the "Christian Science Monitor" dated July 3, 1927. This section lists various acquisitions made by the museum, including gifts from different donors. The items listed include Chinese sculptures, terracotta pieces, paintings, drawings, and other artworks from various periods and regions. Notable donors mentioned include George R. Agassiz, Samuel Colt, A. Everett Austin Jr., and others. The list provides details about the specific items donated, such as a Chinese sculpture head of a lion, a painting by Howard Glass, and a watercolor drawing by H. H. Bridgman.

Overall, the image captures historical documentation related to the Fogg Art Museum's opening and its early acquisitions.

The image shows an open book or journal with text in French on the left page and English on the right page. The left page is an article from "Le Journal des Débats" dated June 24, 1927, discussing the opening of the Fogg Museum at Harvard University. It mentions the presence of several important figures and describes the new building and its features, including the Fogg Art Museum and the Bussey Institution.

The right page is from the "Christian Science Monitor" dated July 5, 1927, with an article about the opening of classes at the Fogg Museum. It lists several acquisitions and gifts donated to the museum, including Chinese sculptures, paintings, drawings, and other artworks from various donors. The text also mentions specific items like a Greek vase, a Roman lamp, and works by artists such as H. B. Brabanzon and Ivan Mestrovic. The page is numbered 274, indicating it is part of a larger publication.

The image shows a page from the "Journal des Débats," a French newspaper dated June 24, 1927. The main headline on the left side of the page is about the new Fogg Museum at Harvard University.

Summary of the Article:

Title: Le nouveau musée Fogg, d'Harvard University

Content:
The article discusses the recent reopening of the Fogg Museum at Harvard University, which has undergone significant changes. Previously, the museum housed various collections, including art objects from different periods and origins, which were somewhat disorganized. The new museum building, designed by the architects Coolidge, Shattuck, Bulfinch, and Abbott, now features modernized facilities.

The new Fogg Museum was inaugurated in November 1926 after a complete reconstruction. It includes advanced educational facilities, art studios, and exhibition rooms specifically designed to enhance art education and research. The article highlights the museum's dedication to both the display and the study of art, marking it as an important center for art education.

Right Side Content:

Christian Science Monitor:
A snippet from this publication, dated July 5, 1927, mentions the opening of classes at a certain location.

The Fogg Art Museum:
This section lists recent acquisitions by the museum, including various gifts and artworks. Some notable acquisitions include:

• Chinese sculpture (Gift of Mrs. George R. Agassiz and Sausud Cabot)
• Roman torso (Gift of Gregor P. Affleck)
• A painting by Francesco del Cossa (Gift of Mrs. Frederick M. Watkins)
• Various drawings and paintings by artists like William Merritt Chase, Maurice Prendergast, and others
• Chinese ceramics and paintings
• A Persian bowl
• Books by Hokusai
• Mexican artifacts

Additionally, there are mentions of items from European artists and historical periods, indicating a broad and diverse collection.

Overall, the page highlights both the architectural and educational advancements of the Fogg Museum and its expanding art collection.

The image shows two pages from a newspaper, specifically the Journal des Débats from June 24, 1927, and the Christian Science Monitor from July 5, 1927.

The left page is an article from the Journal des Débats titled "Le nouveau musée Fogg, d'Harvard University." The article discusses the newly established Fogg Art Museum at Harvard University, which opened in 1895. The text highlights the museum's collections, which include ancient Greek, Roman, and Etruscan artifacts, as well as medieval and Renaissance works. It mentions the museum's notable pieces, such as the "Dying Gaul," and its ongoing acquisitions and expansions. The article also describes the museum's architectural features and its integration into Harvard’s campus.

The right page includes a section from the Christian Science Monitor titled "Classes Opened at Fogg Museum." It notes that classes began at the Fogg Art Museum, and lists several acquisitions made by the museum. These include various pieces of art and artifacts, such as Chinese sculptures, paintings by different artists, and a variety of other items like a "Chalk plate," "Water-color drawing," and "Mexican painting." Each acquisition is attributed to specific donors and classes or years.

The article provides a glimpse into the museum's activities and its expanding collection, reflecting its role as an educational institution and a repository for significant artworks and artifacts.

The image displays a page from the "Journal des Debats" dated June 24, 1927, alongside a page from the Christian Science Monitor dated July 9, 1927, detailing information about the Fogg Art Museum at Harvard University.

Journal des Debats (June 24, 1927):

The article is titled "Le nouveau musée Fogg, d'Harvard University" and describes the inauguration of the Fogg Art Museum. It notes that Harvard University has opened a museum named after Paul Fogg, which houses an extensive collection of art. The museum's collections include paintings, sculptures, and other artworks, which have been assembled over the years and are now housed in a dedicated building in Cambridge, Boston.

Key points include:

• The museum was officially opened on June 23, 1927.
• It is a significant milestone for Harvard University, which has invested in creating a space to showcase its art collections.
• The museum includes a wide array of art pieces, including those from the Renaissance and other periods.

Christian Science Monitor (July 9, 1927):

The page from the Christian Science Monitor includes a section titled "The Fogg Art Museum" with a list of acquisitions made by the museum. The acquisitions include:

• Gifts from various individuals and institutions, such as Mrs. George R. Agassiz and Samuel Cabot, who donated a Chinese sculpture (stone head of a Lion).
• Donations of paintings and drawings, including a Roman terracotta by George Abbot, a painting by Howard Giles, and various works by other artists.
• Specific works include Chinese paintings, sculptures, and drawings, and other notable items like a Romanesque capital from a church in Palermo and a painting by Joaquín Sorolla.
• The museum also held an exhibition during January and February 1926, in memory of the artist.

The page is dated July 9, 1927, and includes a mention of classes opened at Fogg Art Museum, indicating it was a place of education and cultural enrichment.

Additional Notes:

• The left-hand side of the Christian Science Monitor page includes a section listing various artworks and their donors, showcasing the museum's commitment to expanding its collection through donations and acquisitions.
• The bottom part of the Christian Science Monitor page includes a note about the "Classes Opened at Fogg Art Museum," suggesting that the museum offered educational courses or lectures.

The image is a page from a historical newspaper or journal, specifically from June 24, 1927. The page is divided into several sections:

1. Top Left Section (Le nouveau musée Fogg, d'Harvard University):

   • This section details the inauguration of the new museum at Harvard University. It mentions the significance of the event and the contributions of various individuals, such as Paul Nachmanson and Charles Eliot Norton. It describes the establishment of the Fogg Art Museum as a new chapter in Harvard's history.

2. Center Left (French Article):

   • There is a French article titled "Le nouveau musée Fogg, d'Harvard University," which provides a summary of the museum's opening and its historical and educational importance.

3. Center Right (Christian Science Monitor):

   • This section is a news article from the Christian Science Monitor dated July 5, 1927, mentioning classes being opened at Fogg Art Museum.

4. Center Bottom (Exhibition Details):

   • A part of the text discusses the exhibitions held at the Fogg Art Museum, particularly mentioning the temporary loan of artworks from the Metropolitan Museum of Art for an exhibition in memory of the artist.

5. Right Section (Acquisitions):

   • This section lists several acquisitions made by the Fogg Art Museum:
     • Gift of Mrs. George A. Argus: Chinese sculpture.
     • Gift of Gregory Aharon: Roman terra-cotta.
     • Gift of Frank M. Avery: Drawings by Howard Giles.
     • Gift of James W. Burney: Ming Dynasty painting.
     • Various other donations including pieces by artists like William Rowan, Edward W. Forbes, and others, ranging from ancient to contemporary artworks.

6. General Layout:

   • The layout includes a mix of French and English text, reflecting the bilingual nature of academic and cultural publications from this period. The visual elements include headlines, subheadings, and detailed descriptions of the museum's activities and acquisitions.

The overall theme revolves around the establishment and growth of the Fogg Art Museum, showcasing its acquisitions and the significant events marking its inception and early activities.

This image depicts an open book with two pages visible. The left page is from "Journal des Débats," dated June 21, 1927. It is an article in French discussing "Le nouveau musée Fogg, d’Harvard University." The content seems to describe the new Fogg Museum at Harvard University, referencing its collections and its establishment, potentially highlighting recent additions or features.

The right page is from "Christian Science Monitor Boston," dated July 5, 1927, and it covers "CLASSES OPENED AT FOGG ART MUSEUM." This page lists various donations made to the Fogg Art Museum under the heading "ACQUISITIONS," categorized by the year 1927. It includes a list of gifts such as sculptures, paintings, and other art pieces from different donors, for example, a Chinese sculpture by the "Gift of Mrs. George A. Reisner," and "Two Spanish Romaneque capitals from the Abbey of Arhuis" by the "Gift of Friends of the Fogg Art Museum." It appears that the acquisitions include a wide variety of art works and the donors range from individuals to groups like the Friends of the Fogg Art Museum.

The book’s pages are off-white with black type, and the left edge of the left page is frayed, suggesting age or frequent handling. On the left side, a ribbon bookmark is partially visible, suggesting that these pages are of particular interest or importance. The overall setting appears to be a library or personal collection, given the nature of the content and the aged look of the paper.

The image displays an opened book containing various newspaper clippings and typed notes. At the top of the image, handwritten labels identify these clippings' sources and dates: one from "Journal des Débats" dated June 24, 1927, and another from "Christian Science Monitor" from Boston, dated July 5.

The newspaper clipping on the left is written in French with a headline mentioning "Le nouveau musée Fogg, d'Harvard University." It discusses the new museum at Harvard University. The typed text on the right side describes the "The Fogg Art Museum" and lists several acquisitions by the museum, including gifts, artwork, artifacts, and sculptures. The detailed list includes donors' names, the items donated, and brief descriptions of these items. The context suggests a historical record of acquisitions for the museum's exhibition held in early 1926.

The image shows an open page from a historical journal titled "Journal des Débats", dated June 24, 1927. The page is divided into two main sections, each containing French text and annotations.

Left Section:

• Title: "Le nouveau musée Fogg, d'Harvard University" (The New Fogg Museum, of Harvard University).
• Content: This section discusses the establishment and significance of the Fogg Art Museum at Harvard University. It highlights the museum's role in housing American art, its acquisition of notable collections, and its importance in the art world. The text mentions key figures associated with the museum, such as Paul Sachs, Edward Forbes, and Charles Herbert Morgan Jr., and describes the museum's collections, including works by prominent artists like John Singer Sargent and John Singer Sargent. It also touches on the museum's administrative structure and its contributions to art education and preservation.

Right Section:

• Title: "THE FOGG ART MUSEUM."
• Content: This section lists acquisitions made by the Fogg Art Museum, detailing various donations and gifts received. Each entry includes:
  • The donor or gifter.
  • The description of the acquired item (e.g., paintings, sculptures, drawings).
  • The artist or creator of the item.
  • Additional notes, such as the date of acquisition or specific details about the artwork.

Examples of Acquisitions Listed:

1. Gift of Mrs. George R. Agassiz and Samuel Cabot: Chinese sculpture (stone head of a Lion).
2. Gift of Professor A. L. Lowell: Roman terra-cotta head.
3. Gift of Gregor Arano: Portrait of a Young Girl, a painting in the style of Sarato di Pietro (Madonna and Child).
4. Gift of James W. Avery: Drawing by Howard Giles (Cassidy).
5. Gift of Frank M. Barney: Chinese wall painting (Ming Dynasty).
6. Gift of Hamilton Bell: Chinese bronze mirror (Tang Dynasty).
7. Gift of Owen Bryant: Ducking, a pencil drawing by William Rowand (Bufflehead Class of 1904).
8. China Expedition Funds: Chinese wall paintings; Chinese bronze, Tang Dynasty; Chinese sculpture in wood (Exed Bodhisattva), late Tang Dynasty.
9. Gift of James Crooke: Chalk plate-color drawing by H. B. Brintzon (Mrs. William Emerson: Water-color drawing by Ivan Mostrovic).
10. Gift of Mrs. William Emerson: Drawing by Ivan Mostrovic (The Car of Perdue).
11. Gift of John C. Ferguson: Twelve rubbings of rune by Dr. Ferguson.
12. Gift of Edward W. Forbes, Class of 1904: Two Spanish Romaneesque capitals accompanying vessels, and descriptive pamphlet of Desiderio (Profile of a Girl).
13. Gift of the Fogg Art Museum: Painting by Donasie (capitals from the Abbey of Alabanza, Province of Palenino, dating from the twelfth century; Drawing by Ivan Metrović (Woman at Prayer); Chinese wall paintings, Coptic painting on cloth, detail by Carl Madsen of the Peano Madonna; detail by Carl Madsen of Titian's Venus's Holy Family and Saint Catherine (copy by Carl Pegeen); Copy of Botticelli's Magdalene at the Foot of the Cross by Peter Tegen).
14. Gift of George Gilman: Wooden head of Christ, thirteenth century, French.
15. Gift of Professor Albert C. Hepburn: Collection of Greek vases and antiquities.
16. Bequest of Joseph Huntington: Oil painting by Joaquin Sorolla y Bastida (Landscape).
17. Gift of Dallas D. L. McGrew, Class of 1903: Three books by Hössler, accompanying xylographs, and descriptive pamphlet (The Sculptor be Drawing by Ivan Mostrovic).
18. Gift of Class of 1922, Mexican painting, Class of 1922, and George C. Villiant, Class of 1922: Moonhead, seventeenth-eighteenth century, Mexican.
19. Gift of Professor A. Kingsley Porter: Sepulchral slab from Sigehlin, dating from the eleventh century.

Additional Notes:

• The page includes a handwritten note in the top right corner: "Christian Science Monitor, Boston, July 5, 1927. CLASSES OPENED AT FOGG."
• The text is printed in a formal, serif font typical of early 20th-century publications.
• The page number "274" is visible at the top right of the right section.
• The layout is structured, with clear headings and organized lists, reflecting the formal nature of the journal.

Overall Impression:

The image captures a historical document detailing the growth and acquisitions of the Fogg Art Museum at Harvard University in 1927. It serves as a record of the museum's expansion and the cultural treasures it acquired during that period. The annotations and structured format suggest the document's importance as a historical record of the museum's development.

The image shows an open book with a page on the left side displaying French text and a page on the right side displaying English text. The French text is titled "Le nouveau musée Fogg, d'Harvard University" and appears to be an article about the Fogg Art Museum at Harvard University. The English text on the right side is titled "The Fogg Art Museum" and provides information about the museum's acquisitions and exhibitions. The pages are part of a journal or magazine, and the book appears to be an old edition.