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The image shows a page from a report titled '[From the Report of the President of Harvard University, 1925-26]'. The specific section is focused on 'THE FOGG ART MUSEUM', addressed to 'THE PRESIDENT OF THE UNIVERSITY'. The report is likely authored by the museum's director, providing an update on the institution's activities and progress over the year 1925-26.

The report highlights several key points:

1. New Building: The construction of a new building for the Fogg Art Museum has been a major focus. The concrete foundation was nearly complete as mentioned in the previous report. Structural work is now finished, with external work nearly complete and internal work (plastering, painting, flooring) progressing rapidly. The museum is expected to open in the coming spring. The director has spent considerable time on building-related matters, including frequent meetings with architects to address new problems and changes, such as the decision to build an Italian Travertine court. Additionally, a 16th-century French wooden ceiling was purchased for the main hall.

2. Technical Research - X-Ray: The report also discusses technical research, specifically the X-raying of paintings. This work, led by Alan Burroughs, has continued with satisfactory results. About three hundred pictures have been photographed, revealing details about their backings and media. This research has helped in identifying modern forgeries.

The document appears to be a detailed account of the institutional progress and specific projects undertaken by the Fogg Art Museum during that academic year.

The image depicts a page from a report, specifically from the "Report of the President of Harvard University, 1925-26." The focus of this particular section is on the Fogg Art Museum.

Here are the key points mentioned in the text:

1. New Building Progress:

   • The report highlights that the new building at the Fogg Art Museum has been a significant focus for the year.
   • The concrete foundation was nearing completion when the previous report was written. During the year in question (1925-26), substantial progress was made, with all structural work nearly finished.
   • Internally, the building is mostly complete, with plastering, painting, and flooring progressing rapidly.
   • The Director spent considerable time consulting with architects to address issues and make necessary adjustments, including deciding to build a court (an architectural feature) and acquiring a beautiful early sixteenth-century French wooden ceiling.

2. Technical Research - X-Ray:

   • The report also mentions ongoing X-ray experiments on paintings, carried out by Alan Burroughs, a former student from the Minneapolis Institute of Arts.
   • About three hundred pictures, painted on various materials and media (such as wood, canvas, and oil or tempera), have been X-rayed.
   • The X-ray technique was used to test forgeries and verify the authenticity of the artworks.

The text indicates that the museum is making significant advancements in both physical construction and scientific research to ensure the preservation and verification of its art collection.

The image displays an open page from a document titled "From the Report of the President of Harvard University, 1925-26." Specifically, it features a section detailing the work of the Fogg Art Museum for that period.

The section is headed "THE FOGG ART MUSEUM" and addressed to "The President of the University." The report highlights several key points:

1. New Building:

   • The report states that the most significant progress was in the construction of the new building. The concrete foundation was nearing completion, and substantial structural work was completed by the end of the year.
   • Internally, work on plastering, painting, and flooring was rapidly progressing, with the expectation that the museum would be ready for opening the following spring.
   • The Director spent a considerable amount of time addressing architectural issues and coordinating with architects. A notable decision was made to build an Italian Travertine court, and an early sixteenth-century French wooden ceiling was acquired to enhance the museum's interior.
   • Additional expenses were covered by generous subscriptions.

2. Technical Research - X-Ray:

   • The report mentions the continuation of experiments in X-raying paintings by Alan Burroughs, who was associated with the Minneapolis Institute of Arts. These experiments have been conducted successfully on about three hundred pictures.
   • The X-raying involved various media such as wood, canvas, and different painting techniques like oil or tempera.
   • The X-ray technology was used to test suspicions about modern forgeries.

The page is part of an older document, evident from the yellowed and aged appearance of the paper.

The image is a page from a report, specifically from "The Report of the President of Harvard University, 1925-26," focusing on the Fogg Art Museum.

The section titled "THE FOGG ART MUSEUM" includes a letter addressed to the President of the University. Key points from the report include:

1. New Building:

   • The most significant development of the year was the progress on the new building.
   • The concrete foundation was nearly complete in the last report, and during the year, substantial progress was made, with the building nearing its final state externally.
   • Internally, plastering, painting, and flooring were ongoing, with significant progress made during the summer months.
   • The museum aimed to open the new building the following spring.

2. Building-Related Activities:

   • The Director's time was largely occupied with matters related to the building, including frequent conferences with architects to address new problems and plan changes.
   • An important architectural feature was the decision to build an Italian Travertine court.
   • A beautiful, early sixteenth-century French wooden ceiling from Dijon was acquired for the main hall, which helped meet additional expenses through generous subscriptions.

3. Technical Research - X-Ray:

   • The report also mentions continued technical research, specifically X-ray experiments on paintings.
   • Alan Burroughs, Class of 1920 and formerly of the Minneapolis Institute of Arts, conducted these experiments.
   • Over three hundred pictures were X-rayed at the museum, including paintings on various materials such as wood, canvas, and different media like oil or tempera.
   • The X-rays were used to test suspicions of forgeries and to examine the underlying structure of the paintings.

The report emphasizes the progress made in both the physical expansion of the museum and the scientific examination of its artworks.

The image shows a page from the annual report of Harvard University, specifically from the year 1925-26, focusing on the Fogg Art Museum. Here's a detailed summary:

Title:
The Fogg Art Museum

Recipient:
To the President of the University

Content:

1. New Building:

   • The most significant development for the year has been the progress on the new building for the Fogg Art Museum.
   • The previous year's report mentioned that the concrete foundation was nearing completion. This year, construction has made remarkable progress, with almost all structural work now finished.
   • The building is taking its final shape, although the interior still requires substantial work, including plastering, painting, and flooring.
   • The anticipated completion date is set for the spring of next year.

2. Director's Involvement:

   • A considerable amount of the Director’s time has been dedicated to the new building. This involved numerous conferences with architects to address various issues that arose, necessitating changes in plans.

3. Interior Design:

   • A key decision was made to incorporate an Italian Travertine court, a primary architectural feature of the interior.
   • An opportunity arose in the spring of 1926 to purchase a beautiful, early sixteenth-century French wooden ceiling, originally part of a house in Dijon. This ceiling is well-suited to the main floor's large hall, and several generous subscriptions have helped cover the additional expenses.

4. Technical Research – X-Ray:

   • The report also mentions ongoing experiments in X-raying paintings, which began with Alan Burroughs in 1920 at the Minneapolis Institute of Arts.
   • The work has continued successfully throughout the year, with nearly 300 pictures being photographed at the Museum.
   • The X-ray images cover various types of paintings: on different backings (wood, canvas, etc.), and in different media (oil, tempera, etc.).
   • The research aims to test suspicions about modern forgeries using X-ray technology.

This page highlights both the physical and research-based advancements at the Fogg Art Museum during the specified period.

The image shows a page from the "Report of the President of Harvard University" for the year 1925-26. The page is specifically about the Fogg Art Museum and includes a report to the President of the University.

The report is divided into two main sections:

1. New Building:

   • The report discusses the progress of the new building for the Fogg Art Museum.
   • It mentions that the concrete foundation was nearing completion in the previous report, and since then, the structural steel framework has been constructed.
   • The exterior masonry work is practically complete, and the building is nearly finished externally.
   • Internally, significant work remains, including plastering, painting, and flooring.
   • The progress has been rapid, and the expectation is that the museum will be ready to open in the next spring.
   • The Director has spent considerable time on building-related matters, including conferences with architects and frequent trips to New York.
   • Changes to the original plans were made, such as installing Italian Travertine in the court and acquiring a fifteenth-century French stone ceiling.
   • Generous subscriptions have helped cover additional expenses.

2. Technical Research – X-Ray:

   • The report references X-ray experiments on paintings conducted by Alan Burroughs, Class of 1920, formerly of the Minneapolis Institute of Arts.
   • This work continued throughout the year with satisfactory results.
   • About three hundred paintings have been photographed using X-rays.
   • The research involved different types of paintings, including those on wood or canvas and in various media like oil or tempera.
   • Modern forgeries were X-rayed to test suspicions.

The page is part of a bound report, evident from the binding visible on the right side of the image.

The image shows two open pages of a vintage book or report. On the left, a part of the page is obscured, but you can see it's from a published material given the printed text and the typeset format. The right page has a heading "THE FOGG ART MUSEUM" which indicates that the text is related to a report on this institution.

It is addressed "To the President of the University" and refers to an honor in presenting a report on the work of the Fogg Art Museum for the year 1925-26. The section visible discusses the new building for the museum, detailing progress on the construction, structural work, and interior elements. It mentions elements like plastering, painting, and flooring, and notes that most of the shell is still visible, although that is expected to change once the museum opens the next spring.

The text also mentions the Director's time spent on matters related to the building and hints at some interactions with architects and frequent advice which evidently influenced design decisions, including the choice of Italian Travertine for part of the interior. A further paragraph begins discussion on Technical Research involving X-ray experiments carried out by Alan Burroughs, Class of 1920, suggesting this was a method used to analyze paintings and detect forgeries or changes in painted works.

The bottom of the page has a cutoff text indicator "— 290 —" likely pointing to the page number of the report. The edges of the pages are slightly worn, and the binding of the book is visible on the left, suggesting it is a well-maintained but old document. There are also slight discolorations on the paper, common with aged documents.

This image displays a page from a historical report of Harvard University dated 1925-1926. The report specific to "THE FOGG ART MUSEUM" is titled "From the Report of the President of Harvard University, 1925-26". The content on the page discusses progress and findings related to the museum's new building and technical research efforts, particularly involving X-ray examinations of paintings.

The "New Building" section mentions ongoing construction work and progress, internal and external structural developments, plastering, painting, flooring, and architectural plans incorporating a beautiful early sixteenth-century French wooden ceiling.

The "Technical Research – X-Ray" section highlights experiments in X-raying paintings conducted by Alan Burroughs from the Class of 1920, with substantial findings on the authenticity and composition of various artworks.

The page is visibly aged, with discoloration around the edges, and is part of a larger bound collection of documents.

The image shows an old printed page from a report titled "THE FOGG ART MUSEUM." The report is addressed to the President of Harvard University and comes from the President's Report for the year 1925-26. The text announces progress on the new building of the Fogg Art Museum, noting that the concrete foundation was nearing completion and that much of the structural work was done. The report mentions architectural features such as an Italian Travertine court and a sixteenth-century French wooden ceiling from Dijon.

Additionally, it discusses technical research involving x-rays on paintings conducted by Alan Burroughs, highlighting that about three hundred pictures have been x-rayed to analyze different materials and detect forgeries. The page number "269" is centered at the bottom of the page. The page itself has some slight yellowing and wear, suggesting its age. The text is printed on white paper, which is affixed to a thicker, yellowed page inside a book or report bound in a dark cover.

The image shows an open book, specifically a page from the Report of the President of Harvard University, 1925–26, focusing on the Fogg Art Museum. The page is titled "THE FOGG ART MUSEUM" and is addressed "TO THE PRESIDENT OF THE UNIVERSITY." The content is a formal report detailing the progress and activities of the Fogg Art Museum during the academic year 1925–26.

Key Details from the Page:

1. New Building:

   • The report highlights the construction progress of a new building for the museum.
   • The concrete foundation was nearly complete, and the structural work was substantially finished.
   • Externally, the building appeared in its final state, with plastering, painting, and flooring operations ongoing.
   • Internally, progress was rapid, and it was expected that the museum would be ready to open the following spring.

2. Architectural Features:

   • The interior design included an Italian Trecento-style court, a significant architectural feature.
   • In early 1926, the museum acquired a beautiful, early 16th-century French wooden ceiling, originally part of a house in Dijon. This addition was deemed admirably suited to the large hall on the main floor.

3. Technical Research – X-Ray:

   • The report mentions ongoing X-ray experiments conducted by Alan Burroughs, a member of the Minneapolis Institute of Arts (formerly of the Minneapolis Institute of Arts).
   • These experiments aimed to test suspicions regarding modern forgeries in paintings.
   • Over 300 paintings were examined, with pictures painted on various backings (wood, canvas, etc.) and in different media (oil or tempera). The results were described as satisfactory.

Visual Characteristics:

• The page is printed on aged, slightly yellowed paper, indicative of its historical nature.
• The text is typed in a formal, serif font, typical of official reports from the early 20th century.
• The left margin shows part of the adjacent page, which appears to contain additional text, though it is not fully visible.
• The book itself has a dark, leather-like binding, suggesting it is part of an official or archival document.

Context:

The document reflects the institutional and academic environment of Harvard University in the 1920s, focusing on the development and research activities of the Fogg Art Museum. It highlights both architectural achievements and scientific advancements in art authentication through X-ray technology.