Archives Scrapbooks

The image shows an open page from a book or document that discusses the history and significance of the Fogg Art Museum at Harvard University. The text details the opening of the new Fogg Art Museum on Tuesday, May 20, 1927, and its importance to the University and the public. It highlights the museum's origins, tracing back to the beginnings of the Department of Fine Arts at Harvard and the contributions of Professor Charles Eliot Norton. The text mentions the establishment of the old Fogg Art Museum in 1895 and the acquisition of various art collections, including English drawings, watercolors, Greek vases, and prints. The document also notes the expansion of the museum's collections over the years, including gifts and purchases that have made the Fogg Museum one of the finest in the country. It concludes with information about the museum's financial management and the significant funds raised for its operations and acquisitions.

The image shows a page from a newspaper or a magazine featuring an article titled "The New Fogg Art Museum." The article discusses the history and establishment of the Fogg Art Museum at Harvard University.

Key points from the article include:

1. Opening Event: The museum is set to open during Harvard’s Commencement Week, on June 20, with the public access to the main doors and the inner court.

2. Founding: The plan for the museum was initiated by Professor Charles Eliot Norton, who was an advocate for the teaching of Fine Arts at Harvard. Norton's tenure began in 1875, and the museum was conceived during his time.

3. Old Fogg Art Museum: The old Fogg Art Museum Building was established in 1895, initially lacking significant art pieces. The building was designed with a focus on the teaching of Fine Arts, and it was intended to house modest collections.

4. Early Collections: The early collections of the museum included works donated by various individuals, such as Professor Charles Herbert Moore, Edward P. Warren, and others, which started with Greek vases and prints.

5. Growth: The museum's collections have grown significantly over the years, with notable acquisitions like Greek sculptures, Japanese art, and other significant pieces. In 1912, the museum was expanded to include better lighting and exhibition space.

6. Leadership and Expansion: Edward W. Forbes became the Director in 1909, and Paul J. Sachs later took over the role, overseeing continued growth and acquisitions. The museum’s collections' value has steadily increased, with significant contributions from various sources.

The article provides a glimpse into the museum's early years and the gradual development of its collections, emphasizing its importance in the academic and artistic community of Harvard University.

The image depicts a page from a book or a document titled "The New Fogg Art Museum." The text discusses the significance and history of the Fogg Art Museum at Harvard University, highlighting its establishment and development. Key points include the museum's founding, the role of Professor Charles Eliot Norton in its early days, and the growth of its collections. The text also mentions the museum's initial lack of significant artworks, its early acquisitions, and the contributions of various individuals like Edward P. Warren, William Gray, and others. The document details the expansion and improvement of the museum's facilities over time, including the remodeling of the lower floor and the gallery in 1912. It also notes the financial aspects, such as the annual income for acquisitions not exceeding $3,000 and the value of collections estimated at over $3,000,000 by 1924. Additionally, the text describes plans for the museum's future, including the potential for more space and the possibility of borrowing or acquiring more significant works of art.

The image shows a page from a publication detailing the history and significance of the opening of the new Fogg Art Museum at Harvard University.

Key points from the text include:

1. Opening Event: The new Fogg Art Museum will open on Quincy Street in Cambridge, Massachusetts, on Monday, June 20, during Harvard's Commencement Week. This event will mark the unveiling of the new museum building to the public and the Harvard community.

2. Historical Background:

   • The teaching of Fine Arts at Harvard and the presence of the Fogg Art Museum date back to the early initiatives led by Professor Charles Eliot Norton.
   • Norton began teaching art history at Harvard in 1875 and continued until his retirement in 1898.
   • The original Fogg Art Museum building was erected in 1895, after the university received a bequest from Mrs. Elizabeth Fogg, intended to support the study of art.

3. Educational Philosophy: Initially, the museum's purpose was modest, aiming to provide students with examples of significant art to enhance their learning experience.

4. Museum Development:

   • The Fogg Museum evolved over the years, expanding its collections and exhibitions.
   • In 1899, the museum began acquiring significant works, such as English drawings and watercolors from Professor Charles Herbert Moore.
   • In the early 20th century, the museum continued to grow its collection, including Greek vases, Italian paintings, and other notable works through various donations and acquisitions.

5. Expansion and Modernization:

   • By the late 19th and early 20th centuries, the museum underwent several improvements and expansions to better accommodate its collections and visitors.
   • In 1909, Edward W. Forbes became Director and initiated substantial changes, including better lighting and display arrangements.
   • In 1924, a significant fundraising effort raised $2,000,000 for the museum, allowing it to expand and improve its facilities.

The text highlights the transition from the old Fogg Art Museum to the new building, emphasizing the museum's growing importance in the study and exhibition of art.

The image shows an open book page featuring an article titled "The New Fogg Art Museum." The article discusses the establishment and early history of the Fogg Art Museum at Harvard University. Here is a detailed summary of the content on the page:

1. Significance and Opening:

   • The opening of the new Fogg Art Museum on Quincy Street is a significant event in Harvard's Commencement Week, scheduled for June 20.
   • This event marks the culmination of a plan initiated by Professor Charles Eliot Norton, a pioneer in the teaching of Fine Arts at Harvard.

2. Early History and Founding:

   • The museum was founded in 1895, following Norton’s retirement, and was initially housed in the old Fogg Art Museum building, which was regarded as a remarkable architectural achievement.
   • Norton's vision was to create a museum with a diverse collection of art objects that could serve as teaching tools for students.

3. Donations and Collections:

   • The museum's early collections came from donations by notable figures, including:
     • Edward P. Warren, who donated his collection of Greek vases and prints.
     • The Gray and Randall print collection from Harvard.
   • Other significant contributions included the collection of early prints and engravings from Boston and Japanese works of art from the Boston Museum of Fine Arts.

4. Expansion and Development:

   • In 1899, the museum expanded with the addition of Greek sculpture and other artworks.
   • Edward W. Forbes became the Director in 1909, leading to improvements in the museum's infrastructure, including better lighting and more exhibition space.
   • Professor Paul J. Sachs, the Associate Director of Fine Arts, also contributed significantly to the museum's growth.

5. Financial Growth:

   • By 1924, the museum had raised $2,000,000, indicating a substantial financial growth and expansion of its collections.

The article highlights the museum's development from its inception to its early years, emphasizing the contributions of key individuals and the architectural and collection growth that marked its establishment.

The image is a page from a book or newspaper article detailing the history and early development of the Fogg Art Museum at Harvard University.

The article is titled "The New Fogg Art Museum." It describes the opening of the new Fogg Art Museum on Quincy Street, on Monday, June 20, during Harvard's Commencement Week. The museum's opening is significant as it fulfills a plan that began with the teaching of Fine Arts at Harvard, spearheaded by Professor Charles Eliot Norton.

Key points include:

1. Historical Context: The history of Fine Arts teaching at Harvard dates back to the early 1870s with Professor Charles Eliot Norton. The old Fogg Art Museum building was erected in 1895.

2. Initial Collection: At the time, Harvard had few appreciable works of art. The initial collection was modest and included donations such as the English drawings and watercolors from Edward P. Warren, Greek vases from Edward P. Warren, and an early collection of prints and engravings.

3. Expansion and Growth:

   • In 1899, the museum acquired Greek sculpture.
   • In 1909, Edward W. Forbes became the Director.
   • In 1912, the museum saw significant expansion with the addition of a new gallery to house more collections.
   • The museum continued to grow, receiving grants and donations. For example, in 1924, $2,000,000 was raised, and the museum's collections were valued at more than $3,000,000.

4. Curatorial Efforts: Notable acquisitions include the loan of a group of Japanese works of art, and the museum's collections were enriched through various gifts and purchases.

5. Architectural and Space Considerations: The design of the new museum building aimed to improve exhibition space and lighting. The main exhibition room was intended to house minor objects, casts, and photographs, with the bulk of the collection stored in less accessible areas.

6. Membership and Funding: The museum was supported by the University and private donations, indicating a steady growth and increasing value of its collections.

The overall article highlights the museum's growth from its humble beginnings to a significant cultural and educational institution by the early 20th century.

The image shows an open book with one page prominently displayed and another partially visible beneath a flap. The visible page contains a block of text titled "The New Fogg Art Museum." The text discusses the significance and history of the Fogg Art Museum at Harvard University, its establishment, and details about its collections, donors, and administration. The layout features justified paragraphs in a serif font, and the page edges appear aged, slightly yellowed. The book is bound in a dark reddish-brown cover, and the overall appearance suggests an old or archival publication.

The image depicts an open book. The visible page contains a text titled "The New Fogg Art Museum." The page is slightly yellowed along the edges, indicating age. The text begins with the statement that the opening of the new Fogg Art Museum on Quincy Street at Harvard University will be a significant event during Harvard's Commencement Week. The text covers information about the history of the museum, its significance, collections, and notable figures associated with its development. The surrounding pages are partially visible, showing similar signs of age. There is also a small, partial illustration or photograph on the left side of the opened page.

This is an image of an open book or journal article with the title "The New Fogg Art Museum". The article is discussing the significance, history, and progress of the Fogg Art Museum, including its collection, acquisitions, and the architectural design of the museum. The left side of the page has a faded watermark that reads "Harvard," indicating the relationship of the museum with Harvard University.

The article appears to be quite old, as suggested by the yellowing of the paper and the typeface used. It's on the right-hand side page of the book, and additionally, there are signs of wear on the pages, such as creasing and some torn edges. The left side shows the edge of the book with multiple stacked pages, some of which are protruding slightly, suggesting frequent usage or aging of the binding.

On the left margin of the article's page, there is a narrow vertical strip with text visible, but since it's not fully in frame, it's difficult to read or determine its content. There is also a red bookmark or ribbon present, which falls across the pages, indicating a place marker within the book. The book itself is resting on a flat surface, and the background behind it offers no additional context or elements to describe.

The image shows an open book, likely a historical or academic text, with a page titled "The New Fogg Art Museum". The page is part of a larger document, as indicated by the visible spine and other pages in the background. The text is formatted in a classic serif font and discusses the history and development of the Fogg Art Museum at Harvard University.

Key Observations:

1. Title and Content:

   • The title, "The New Fogg Art Museum", suggests the focus is on the establishment or evolution of the Fogg Art Museum.
   • The text begins with the letter "B", indicating it is part of a larger narrative or article.
   • The content discusses the significance of the museum, its origins, and its role in the history of art education at Harvard.

2. Layout:

   • The page is single-sided, with text aligned to the left margin.
   • There is a small, faint illustration or photograph in the top-left corner, which appears to depict part of a building, possibly related to the museum or Harvard campus. The illustration is subtle and does not dominate the page.

3. Textual Details:

   • The text references key historical figures, such as Professor Charles Eliot Norton, who played a pivotal role in the museum's early development.
   • It mentions the museum's founding, its collection, and its evolution over time, including acquisitions of art and the museum's physical expansion.
   • Specific dates and events are noted, such as the opening of the New Fogg Art Museum on Monday, June 20, and references to the old Fogg Museum and its collection.

4. Design Elements:

   • The book appears to be bound in a dark, possibly leather-like material, with visible spine edges and a subtle gold or dark trim.
   • The page edges are slightly worn, suggesting the book is of some age or has been handled frequently.
   • The overall aesthetic is formal and academic, consistent with historical or scholarly publications.

5. Contextual Clues:

   • The presence of the word "Harvard" at the top of the page indicates the book's association with Harvard University.
   • The detailed historical narrative and formal tone suggest this is part of a larger work, possibly a catalog, history book, or academic publication.

Summary:

The image depicts a page from a historical or academic text discussing the Fogg Art Museum at Harvard University. The page is titled "The New Fogg Art Museum" and includes a brief historical account of the museum's origins, its significance, and its development. The layout is formal, with a subtle illustration in the corner and text that references key figures and events in the museum's history. The book's binding and condition suggest it is a well-preserved, possibly vintage, scholarly document.