Archives Scrapbooks

This is an image of an article from the Boston Evening Transcript dated Saturday, June 18, 1927. The headline reads, "Paintings by the Masters Lent for Fogg Opening." The article discusses the opening of the Fogg Museum in Cambridge, which is now Harvard's Fogg Museum. It highlights the paintings on loan for the opening, including works by artists such as Vermeer, Goya, Titian, Rembrandt, and El Greco. The article also mentions that the Fogg Museum will be officially opened with permanent exhibits and those lent from numerous private sources under highly advantageous circumstances. The article includes several illustrations of the paintings mentioned, such as a portrait by Vermeer, a Goya portrait of a toreador, and a sculpture from Copan. The article also discusses the illuminated manuscripts from the Morgan Library, which are also being shown at the Fogg Museum.

This image is a page from the Boston Evening Transcript, dated Saturday, June 18, 1927. The page is titled "Paintings by the Masters Lent for Fogg Opening," and it discusses the opening of the Fogg Museum in Cambridge with a collection of paintings and other artworks lent from various private sources. The article is written by Harley Perkins.

The page contains several illustrations:

1. Top Left: A portrait of a young lady by Vermeer, lent by Hon. Andrew W. Mellon.
2. Top Right: A painting by Manet titled "La Prune," from the Arthur and Alice Sachs Collection.
3. Bottom Left: A sculpture from Copan, a Maya head, from the Peabody Museum of American Archaeology and Ethnology.
4. Bottom Right: A portrait of Pedro Romero by Goya, also from the Arthur and Alice Sachs Collection.

The article describes the significance of the event and the quality of the artworks on display. It mentions various master painters such as Vermeer, Goya, Titian, Rembrandt, and El Greco, and highlights the importance of the artworks lent for the opening of the museum. The article also discusses other notable items such as illuminated manuscripts from the Morgan Library and rare art lent from collectors like J. Pierpont Morgan, Andrew W. Mellon, and Charles Francis Adams. The page also includes some decorative floral designs separating the text and illustrations.

This image displays page eight of the Boston Evening Transcript, dated Saturday, June 18, 1927. It is a vintage newspaper page, yellowed with age, and features a substantial article titled “Paintings by the Masters Lent for Fogg Opening,” written by Harley Perkins.

The article announces the official opening of the Fogg Museum in Cambridge, which will feature a special exhibition of masterworks loaned from the private collections of Boston residents, including works from New York’s Morgan Library. The exhibit opens on Monday morning at eleven o’clock.

The page is illustrated with four black-and-white reproductions of famous paintings, each labeled in the “ILLUSTRATIONS” section below:

1. Top Left: “Portrait of a Young Lady” by Vermeer.
2. Top Right: “La Princesse de Broglie” by Ingres, showing a woman seated in a formal pose.
3. Bottom Left: “Self-Portrait” by Rembrandt, depicting the artist with his characteristic hat and intense gaze.
4. Bottom Right: “Portrait of Padre Raimundo” by Goya, showing a robed man in clerical attire.

The article text provides detailed commentary on these works and others included in the exhibition. It highlights key pieces such as:

• A Vermeer portrait noted for its “exquisite delicacy” and “luminous quality.”
• A Goya portrait described as a “masterpiece of characterization,” noted for its “intense personality” and “mystic solemnity.”
• A Rembrandt self-portrait described as “impressive and imposing.”
• An El Greco “Vigil at the Sea,” noted for its “dramatic power” and “rich tonality.”

The layout includes two additional columns of text on the right side of the page. One box, titled “RARE ART LENT FOR FOGG MUSEUM,” lists the names of the Boston collectors who lent their artworks, including Morgan, Mellen, Thurlow, and others. Another box details “HARVARD OPENS FOGG MUSEUM,” mentioning that Harvard’s new art museum building opens on June 21, 1927, and will feature a collection of Chinese, Korean, and Greek Roman sculpture.

Overall, the image captures a moment in Boston’s cultural history, documenting a major art exhibition that brought world-class masterpieces to the public for a limited time, highlighting the importance of private collecting and museum collaboration in the 1920s. The page is a rich source of art historical commentary from the period.

This image is of a newspaper clipping, which is a page from the Boston Evening Transcript, dated June 18, 1927. The clipping features an article about the Fogg Museum's opening, which will showcase paintings by masters such as Vermeer, Goya, Titian, Rembrandt, and a superb El Greco. The article also mentions that some remarkable illuminated manuscripts from the Morgan Library will be on display. The clipping includes several black-and-white photographs of the paintings and manuscripts.

The image is a page from a newspaper titled "Boston Evening Transcript," dated Saturday, June 18, 1927. The headline reads "Paintings by the Masters Lent for Fogg Opening." The page is divided into several sections with text and images.

The top section features an article about the opening of the Fogg Museum, highlighting the loan of paintings by masters such as Vermeer, Goya, Titian, Rembrandt, and El Greco. The article mentions that these paintings will be officially opened to the public the following week. It also notes that the museum has been fitted with a special lighting system to enhance the viewing experience.

Below the headline, there are three black-and-white photographs of paintings. The first photograph shows a portrait of a woman in a large hat, attributed to Vermeer. The second photograph depicts a seated woman, possibly by Goya. The third photograph shows a portrait of a man, possibly by Titian or Rembrandt.

The middle section of the page contains a photograph of a sculpture, described as a head of a man in black stone, which is attributed to the Renaissance period. Below this image is a smaller photograph of a portrait of a young woman, possibly by El Greco.

The bottom section of the page features another article titled "Illustrations" and includes a photograph of a page from an illuminated manuscript. The article describes the manuscript as coming from the Morgan Library and mentions that it will be on display at the Fogg Museum.

The page also includes smaller text sections with additional information about the museum's collection and upcoming exhibitions. The layout is typical of a newspaper from the early 20th century, with columns of text and images interspersed throughout.

The image is a scanned page from a newspaper titled "Boston Evening Transcript", dated Saturday, June 18, 1927. The headline prominently displayed at the top reads: "Paintings by the Masters Lent for Fogg Opening." This indicates that the article is reporting on an art exhibition at the Fogg Art Museum, where works by renowned artists have been loaned for display.

Key Elements of the Image:

1. Headline and Subheading:

   • The main headline, "Paintings by the Masters Lent for Fogg Opening," suggests that the article is focusing on a special exhibition at the Fogg Art Museum.
   • A subheading states: "Portraits by Vermeer, Goya, Titan, Rembrandt, and a Superb El Greco to Be Shown at the Harvard Museum Illuminated Manuscripts from the Morgan Library." This highlights the notable artists whose works are featured in the exhibition, as well as a mention of illuminated manuscripts from the Morgan Library.

2. Illustrations:

   • The page includes several black-and-white illustrations of artworks, which are central to the article's focus:
     • Top Illustration: A portrait of a woman, likely one of the works mentioned in the article. The subject is dressed in period clothing, suggesting historical or classical art.
     • Middle Illustrations: Two additional portraits are shown, one depicting a man and the other a woman. These illustrations align with the mention of portraits by artists such as Vermeer, Goya, and Rembrandt.
     • Bottom Illustration: Another portrait of a woman, reinforcing the theme of portraiture in the exhibition.

3. Text Content:

   • The article is written in a formal, journalistic style typical of newspapers from the early 20th century.
   • The text discusses the opening of the Fogg Art Museum's exhibition, detailing the loaned works and their significance. It mentions:
     • Vermeer, Goya, Titan, Rembrandt, and El Greco as key artists whose works are on display.
     • Illuminated manuscripts from the Morgan Library, indicating a diverse range of art forms being showcased.
     • Descriptions of specific artworks, such as a portrait by Goya and a work by Vermeer, with details about their historical and artistic value.
   • The article also references the Harvard University context, noting that the Fogg Art Museum is part of Harvard and that the exhibition is part of its public programming.

4. Layout and Design:

   • The page has a classic newspaper layout, with a clear hierarchy of information:
     • The headline is large and bold, drawing immediate attention.
     • Subheadings and captions provide additional context.
     • The illustrations are strategically placed to complement the text, enhancing the visual appeal and reinforcing the article's focus on art.
   • The text is dense and formatted in columns, typical of newspaper design from the era.

5. Additional Context:

   • In the top right corner, there is a smaller article titled "Rare Art Lent for Fogg Opening Treasures," which appears to be related to the main article, possibly discussing additional loaned artworks or providing further details about the exhibition.
   • The page also includes a small illustration of a person, likely a staff member or contributor, in the bottom right corner, which was common in newspapers of the time to credit contributors or photographers.

Overall Impression:

The image captures a historical moment in art curation, showcasing the Fogg Art Museum's effort to bring together masterpieces from renowned artists for public display. The combination of text and illustrations provides a vivid glimpse into early 20th-century art journalism, highlighting the cultural significance of such exhibitions and the role of museums in making art accessible to the public.

The image is a photograph of an old newspaper page from the "Boston Evening Transcript" dated Saturday, June 18, 1927. The headline reads: "Paintings by the Masters Lent for Fogg Opening."

The article appears to discuss a museum exhibition at the Fogg Museum featuring paintings by renowned artists such as Vermeer, Goya, Titian, Rembrandt, and a superb El Greco. It mentions that these works will be shown at the Harvard Museum, along with remarkable illuminated manuscripts from the Morgan Library.

The page includes several black-and-white reproductions of the artworks mentioned, but the faces of the subjects in these images are obscured by rectangular blocks. The layout has one large image on the left and three smaller ones to the right and bottom. There is detailed text around the images elaborating on the exhibition and the significance of the pieces on display.

The text style and layout give the page a vintage look, characteristic of early 20th-century newspapers.

This is an old newspaper page, specifically from the Boston Evening Transcript dated Saturday, June 18, 1927. The page highlights the opening of the Fogg Museum and is titled "Paintings by the Masters Lent for Fogg Opening." It discusses notable portraits by artists such as Vermeer, Goya, Titian, Rembrandt, and others, which were provided for display.

The page features a mix of text and sepia-toned photographs of famous artworks, though specific details of the images have been blurred. Among the artworks are portraits and sculptures, reflecting the artistic richness of the pieces showcased at the Fogg Museum.

The text includes detailed descriptions of the artworks, their historical significance, and information about their origins or loans. Ornamental decorations are visible around some of the images, adding to the elegance of the layout. The page reflects an era of enthusiasm for fine art and museum culture of the time.

• This is a vintage newspaper clipping, printed on yellowed paper.
• It’s from the Boston Evening Transcript, dated Saturday, June 18, 1927.
• The large headline reads: “Paintings by the Masters Lent for Fogg Opening.”
• The article discusses artworks lent to the Fogg Museum (Harvard) for an opening, mentioning masters such as Vermeer, Goya, Titian, Rembrandt, and El Greco.
• The page shows four art images arranged in a 2x2 grid. The faces of the figures in the images are obscured with blur or blocks.
  • Top-left: a portrait in profile wearing a hat.
  • Top-right: a figure leaning over a table or bed, seemingly nude or draped.
  • Bottom-left: a sculpted head (classical bust).
  • Bottom-right: a seated figure, possibly a painting with a hand near the chest.
• Decorative elements separate the columns, and the overall look is characteristic of early 20th-century newspaper layout.

The image shows an aged newspaper page from the "Boston Evening Transcript" dated Saturday, June 16, 1928, with a headline that reads "Paintings by the Masters Lent for Fogg Opening." The article discusses artworks that have been provided for the opening of an art exhibit, most likely at the Fogg Museum. The newspaper page features black and white reproductions of several artworks and sections of text accompanying them. Some sections of the newspaper have been censored with blank rectangles over printed images or text. The page appears yellowed and slightly wrinkled, exhibiting signs of wear and age. There are visible fold marks indicating that the newspaper has been folded in the past.