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This image shows a vintage newspaper clipping, mounted on a tan-colored, three-hole-punched paper sleeve, likely for archival purposes. The clipping is from a “REVIEW / PHOTOGRAPHY” section and features an article titled “Levy’s treasure trove” by Jessica Almoss, Globe Correspondent.

At the top of the article is a black-and-white photograph, captioned:

“Surrealist work dated 1929 by Umbo, from the Julien Levy Collection at the Fogg.”

The article discusses the Julien Levy Collection, focusing on his role as a pioneer promoter and collector of photography and Surrealist art in the 1920s and ‘30s. It details Levy’s background (studying art history at Harvard, frequenting Alfred Stieglitz’s gallery), his connections with key figures like Marcel Duchamp and Man Ray, and his role in bringing Surrealist photography and art to the United States. It also notes that the Fogg Museum in Cambridge was showcasing 136 of Levy’s vintage prints.

Handwritten in blue ink on the clipping, near the top right, is:

“Bevita. CUBE 2/17/8”

The clipping shows signs of age—yellowed paper, slightly torn or uneven edges, and creases—all suggesting it is a preserved historical document. The overall tone of the article is informative and celebratory of Levy’s legacy in art and photography.

This artifact appears to be part of a personal or research archive, carefully saved and documented.

The image appears to be a page from a newspaper or magazine, specifically from the "Photography" section, with the headline "REVIEW / PHOTOGRAPHY." The main article is titled "Levy's treasure trove," which discusses photographs from the Julien Levy Collection, starting with the work of Atget, and an exhibit at the Fogg Art Museum, Cambridge, through February 26.

The article mentions that the Julien Levy Collection includes works by renowned photographers such as Atget, Cartier-Bresson, Man Ray, and Moholy-Nagy. It also highlights the work of surrealist photographer Umbo, who is known for his surrealist images, and his connection to the surrealist movement. The article notes that Umbo's collection was purchased by Levy in the 1920s to save it from destruction.

The text describes Levy's background and his contributions to the promotion of surrealism and photography in the United States. It mentions that Levy opened his own gallery in Paris, where he promoted photography and surrealism, and sponsored early exhibitions of painters Salvador Dalí, Max Ernst, and René Magritte, and photographers Nadar, Walker Evans, and Henri Cartier-Bresson.

At the bottom of the article, there is a mention of the gallery's closure in 1949. The article also includes a photograph of a surrealist image by Umbo, labeled as a work from 1928. The photograph shows a pair of legs with a white object (possibly a piece of cloth or a figure) in the foreground, creating an intriguing and surreal composition.

This image is a photograph of a newspaper clipping mounted on a beige sheet of paper. The clipping is from a section titled "REVIEW / PHOTOGRAPHY" and features an article about Julien Levy's collection of photographs. The article is titled "Levy's treasure trove" and is written by Jessica Alonso, a Globe Correspondent. The article discusses the photographs from the Julien Levy Collection, which are on exhibit at the Fogg Art Museum in Cambridge from February 19th to February 26th. The collection includes works by Eugène Atget, Henri Cartier-Bresson, Man Ray, and others.

At the top of the clipping, there is a photograph described as a surrealist work dated 1928 by Umbo, from the Julien Levy Collection at the Fogg. The photograph shows a pair of legs and feet, with the feet appearing to be disconnected and floating above a pair of slippers on the floor.

The clipping is slightly torn at the bottom and has some handwritten notes on it, including "Boston Globe 2/19/78," indicating the source and date of the article. The overall condition of the clipping suggests it is an older document, likely from the 1970s.

The image is a photograph of a newspaper clipping featuring an article about Julien Levy and his photography collection. The clipping is mounted on a brown paper background, which appears to be a scrapbook page. The newspaper clipping has a black and white photograph at the top, showing the legs of a person, possibly a model, wearing high-heeled shoes. The photograph is titled "Surrealist work dated 1928 by Umbo, from the Julien Levy Collection at the Fogg."

The article is titled "Levy's treasure trove" and is written by Jessica Alman. The article discusses Julien Levy's collection of photographs, which includes works by artists such as Man Ray, Cartier-Bresson, and Moholy-Nagy. The article mentions that Levy's collection is one of the finest in the United States and that it includes photographs from the Surrealist movement. The article also notes that Levy's collection is currently on exhibit at the Fogg Art Museum in Cambridge through February 26th.

The article provides a brief history of Julien Levy's career as a photographer and art dealer, highlighting his role in introducing Surrealist art and photography to the United States. The article also mentions that Levy's collection includes photographs by contemporary American artists such as Walker Evans and Henri Cartier-Bresson.

Overall, the image is a historical document that provides insight into Julien Levy's significant contribution to the world of photography and art.

A newspaper clipping with a black-and-white photo of a pair of legs, possibly in a gallery. The clipping is titled "Levy's treasure trove" and is about a photography exhibition of Julien Levy's collection. The clipping is placed on a brown folder with a hole in the middle and is attached to a gray surface, probably a wall.

The image shows a page from a publication titled "REVIEW / PHOTOGRAPHY", featuring an article titled "Levy's treasure trove" by Jessica Alonso, a Globe Correspondent. The article discusses the work of Julien Levy, a prominent figure in the art world, particularly known for his contributions to photography and the Surrealist movement.

Key Elements of the Image:

1. Headline and Subheading:

   • The main headline is "Levy's treasure trove", indicating the focus on Julien Levy's collection of photographs.
   • The subheading, "PHOTOGRAPHS FROM THE JULIEN LEVY COLLECTION, STARTING AT $1,000, TO BE EXHIBITED AT THE FOGG ART MUSEUM, CAMBRIDGE, THROUGH FEB. 26", provides context about an exhibition of Levy's collection at the Fogg Art Museum.

2. Visual Content:

   • A black-and-white photograph is prominently displayed in the upper portion of the page. The photograph depicts a surreal, dreamlike scene featuring two figures in an abstract, ethereal setting. One figure appears to be a woman with long hair, and the other is a shadowy, indistinct form. The composition evokes themes of surrealism, with soft lighting and a sense of mystery.
   • Below the photograph, there is a caption: "Surrealist work, dated 1923 by Umbo, from the Julien Levy Collection at the Fogg." This identifies the photograph as a Surrealist work by the artist Umbo, dated 1923, and notes its origin from the Julien Levy Collection at the Fogg Art Museum.

3. Article Content:

   • The article provides background on Julien Levy, describing him as one of the foremost art patrons of photography in the United States during the 1920s and 1930s. It highlights his role in introducing the Surrealist movement to American audiences and his collection of vintage photographs.
   • The text mentions that Levy's collection includes works by notable photographers such as Man Ray, Moholy-Nagy, Brassai, and Henri Cartier-Bresson, among others. It also notes that Levy's collection was sold to the Fogg Art Museum, with three photographs fetching high prices ($10,000 each).
   • The article includes quotes from Levy, such as:

     "This appealed to the revolutionary side of my being, and I decided that it was the way I wanted to live my life instead of dead ones."
     This quote reflects Levy's passion for avant-garde art and his commitment to supporting living artists.

4. Layout and Design:

   • The page is part of a publication with a clean, structured layout. The text is typeset in a classic serif font, typical of mid-20th-century print media.
   • The photograph is placed above the article text, drawing immediate attention to the visual element and setting the tone for the discussion of Levy's collection.

Summary:

The image is a page from a review or article discussing Julien Levy's significant collection of Surrealist and modernist photographs. It features a striking Surrealist photograph by Umbo, dated 1923, and provides context about Levy's role in promoting photography and Surrealist art in the United States. The article highlights the historical and artistic importance of Levy's collection, now housed at the Fogg Art Museum.

You are looking at a photo of a newspaper clipping affixed to a brown folder or a scrapbook page. The clipping features an article titled "LEVY'S TREASURE TROVE," which seems to be a review or discussion about photography, specifically relating to works from the Julien Levy Collection at The Fogg Museum. Beneath the main title of the article, there is a subheading in italics: "Surrealist works dated 1925 by Umbo, from the Julien Levy Collection at the Fogg."

The article includes a black-and-white photograph of legs suspended in the air. This image exemplifies the surrealist approach to art and photography.

The text of the article is too small to read in detail, but it uses terms related to photography and art, suggesting that it discusses aspects of the collection, its history, importance, or specific works within it.

At the top right-hand side of the clipping, handwritten text appears, possibly a date or annotation, "To Soho [unreadable] 2/3/78," suggesting the clipping may have been used for reference or was filed by someone interested in the topic on that date.

There is an aged look to the paper, indicating that it has some history, and the page it's pasted on has a hole punch on the left side, indicating it might be part of a bound collection of documents or a scrapbook.

This image is a scanned newspaper clipping mounted on brown paper, with visible hole punches on the left. The header reads "REVIEW / PHOTOGRAPHY," and it contains a photograph with surrealist characteristics, dated 1928 by Umbo. The photo features disembodied legs and shoes in a surreal composition. The text below the image has the title "Levy's treasure trove" and discusses photographs from the Julien Levy Collection, mentioning surreal works, notable artists, exhibitions, and photographic history. Handwritten notes, including "Boston Globe 2/17/91," are visible near the clipping's title, possibly referencing the publication date or origin.

The image is a newspaper clipping featuring a review of a photography exhibit titled "Levy’s treasure trove," which showcases photographs from the Julien Levy Collection. The clipping includes a photograph of a surrealist work dated 1928 by Umbo from the Julien Levy Collection at the Fogg Museum. The photograph depicts a pair of long, shadowed legs with white slippers anchored to the floor, emphasizing a surreal, dreamlike quality. The article, written by Jessica Alonso, discusses Julien Levy's impact on photography and surrealism, his connections with famous artists, and how his collection eventually became part of the Fogg Museum exhibition. There is also a handwritten note in the clipping that reads "Boston Globe 2/19/78". The article appears to be quite detailed, providing historical context about Levy and his contributions to the art world. The clipping is taped to a larger piece of brown paper with a hole punch on the left side.

A vintage scrapbook/page layout. A brown paper sheet with two binder holes on the left holds a torn newspaper clipping. The clipping shows a black-and-white photo of two long legs (appearing surreal or stylized) standing with feet on the ground. The header at the top reads “REVIEW / PHOTOGRAPHY,” and below the image is the headline “Levy’s treasure trove” with a column of text to the side. The overall look is aged and collage-like, as if part of an archival exhibition or magazine feature.