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The image depicts a newspaper clipping mounted on a piece of cardboard. The article is titled "Levy's treasure trove" and is from the "Review/Photography" section. The article discusses the discovery and sale of a collection of photographs by Julien Levy, a prominent figure in the art world known for his contributions to photography and surrealist art.

The article mentions that three photographs from Levy's collection were sold for $10 to his family and friends as a Christmas gift in 1938. These photographs are described as surrealist works created by Umbo, from the Julien Levy Collection, and are dated 1929. The article also notes that 138 of Levy's vintage prints are part of the Page Museum exhibition, which includes works by celebrated photographers such as Auguste Sander, Man Ray, and others.

Levy's background is briefly covered, highlighting his studies at Harvard, his involvement in the surrealist movement, and his friendship with Alfred Stieglitz. The article also mentions his efforts to save artworks from destruction during World War II and his subsequent career in photography and surrealist art.

The article concludes by mentioning that Levy's gallery, which closed in 1949, was instrumental in introducing European avant-garde art to the United States. The gallery showcased works by artists such as Salvador Dali, Max Ernst, and Henri Cartier-Bresson.

The image accompanying the article shows a surrealist photograph featuring a pair of legs and a small animal, likely a dog, in a dreamlike setting.

The image shows a newspaper article titled "Levy's treasure trove," which is part of a review or photography section. The headline is underlined with the subheading "PHOTOGRAPHS FROM THE JULIEN LEVY COLLECTION: Starting this weekend at the Fogg Art Museum, Cambridge, through Feb. 26." The byline indicates that the article is written by Jessica Alonso, a Globe Correspondent.

The article begins by describing how historians of photography often overlook Julien Levy, a prominent proponent of Surrealist art and photography in New York during the 1930s and '40s. Levy's collection, which includes works by Man Ray, Marcel Duchamp, and other influential artists, is being showcased at the Fogg Museum. The article explains that Levy's interest in photography was sparked by Alfred Stieglitz's work, leading him to open his own gallery in 1931, which became an important venue for avant-garde art.

The article also mentions specific details about some of the photographs, such as an Umbo piece from 1928, which depicts a surreal scene of a hand holding a small model of a car. The text highlights the significance of these images and Levy's role in promoting photography as a serious art form.

The article appears to be pasted on a piece of cardboard or paper, and there are some handwritten notes on the top right corner that read "Boston Globe" and a date, possibly indicating the source and date of the clipping.

The image shows a newspaper clipping titled "Levy's treasure trove," dated 1972, from the Boston Globe. The article is a review and features photography from the Julien Levy Collection.

The article discusses the historical significance of the Julien Levy Collection, which focuses on Surrealist art and photography. It highlights the career of Julien Levy, a prominent figure in the photography world during the 1920s and 1930s.

Key points from the article include:

• Levy's introduction to Surrealist art and photography, which was a significant movement of the time.
• Levy's early career and his efforts to save Surrealist works from destruction.
• His association with artists such as Marcel Duchamp and the avant-garde photographer Eugene Atget.
• The establishment of his own gallery in Paris, where he showcased works by several notable artists including Salvador Dali, Man Ray, and Walker Evans.
• Levy's collection, which includes rare photographs by artists like Umbo, Man Ray, and others, which were later sold at auctions.
• The article mentions a specific photograph by Umbo, dated 1925, from the collection, and describes it as a notable piece.

The article also mentions that Levy's vintage prints, including some by lesser-known artists, were part of the Pogg Museum exhibition. The clipping is part of a larger collection and is likely from a newspaper archive or a scrapbook.

The image is a newspaper clipping from the Boston Globe, dated April 17, 1972. The article is titled "Levy's treasure trove," and it discusses the photography collection of Julien Levy, a prominent figure in the history of photography.

Here is a detailed summary:

1. Title and Date:

   • The headline is "Levy's treasure trove."
   • The date at the bottom right corner of the clipping is April 17, 1972.

2. Photography Collection:

   • The article is about photographs from the Julien Levy Collection, which are being displayed at the Fogg Museum in Cambridge through February 26.

3. Julien Levy's Background:

   • Julien Levy is noted as one of the foremost promoters of photography in the United States during the 1920s and 1930s.
   • Levy introduced Surrealist art and photography to the American public.
   • He also gathered one of the finest collections of vintage prints during his lifetime.

4. Levy's Career and Interests:

   • Levy studied art history at Harvard, where he was tutored by an eminent professor.
   • He was inspired by the revolutionary ideas of the Steiglitz group and decided to focus on contemporary photography rather than historical art.

5. Friends and Collaborations:

   • Levy had a close relationship with artists like Marcel Duchamp, Man Ray, and others.
   • He met artists such as Man Ray and Eugene Atget, who influenced his collection.

6. Gallery and Exhibitions:

   • Levy opened his own gallery in Paris, where he promoted the works of photographers like Nadar, Walker Evans, and Henri Cartier-Bresson.
   • His gallery showcased early exhibitions of painters Salvador Dalí and Man Ray.
   • In 1940, Levy’s gallery closed due to the outbreak of World War II.

7. The Collection Today:

   • The article mentions that 136 of Levy's vintage prints are part of the exhibition at the Fogg Museum.
   • The collection includes works by famous photographers such as Umbo, who was a German photographer.
   • Levy's collection is noted for its innovative and often overlooked works, providing a unique perspective on the art world of the 20th century.

The accompanying images in the article show surrealist works from the collection, including one by Umbo. The text and images together highlight the importance of Julien Levy's contributions to the field of photography and his significant collection.

The image shows a clipping from a newspaper or magazine article titled "Levy's treasure trove" under the section "Review / Photography." The article is about the photographs from the Julien Levy Collection, which was displayed at the Fogg Museum, Cambridge, through February 26th.

Key points of the article include:

1. Julien Levy's Background: Levy was a prominent figure in the art world during the 1920s and 1930s, known for promoting Surrealist art and photography. He gathered an extensive collection of vintage prints from artists during this period.

2. Harvard and Art History: While studying art history at Harvard, Levy had the opportunity to meet and befriend many prominent artists, including Marcel Duchamp, Man Ray, and Moholy-Nagy.

3. Career in Film and Photography: Levy initially pursued a career in film but later became a collector and promoter of photography, opening his own gallery in Paris.

4. Art Exhibitions: His gallery in Paris showcased the work of notable photographers such as André Kertész, Walker Evans, and Henri Cartier-Bresson.

5. Collection Details: Levy’s collection included works by various artists, some of which were sold to his family and friends. The article mentions specific artists and their works, like Umbo, who lost all of his negatives during World War II.

6. Notable Artworks: The article highlights the significance of Levy’s collection, including a photograph by Umbo, which depicts a surrealist scene, and works by other artists like Eugène Atget.

The clipping is dated and includes a note from a person named "Toshi Gube" dated "4/9/72." The article also includes a photograph by Umbo from 1925, titled "Surrealist work dated 1925," which is part of the Julien Levy Collection.

The image shows a newspaper clipping with an article titled "Levy's treasure trove." The article is a review of an exhibition of photographs from the Julien Levy Collection at the Equitable Gallery, written by Jessica Aloi for the Review/Photography section of the newspaper.

Key points from the article include:

1. Julien Levy's Contributions:

   • Julien Levy, once a prominent photography dealer, introduced Surrealist art and photography to the United States during the 1930s and 1940s.
   • He was known for promoting artists such as Man Ray and exhibiting the works of Henri Cartier-Bresson.

2. Historical Context:

   • Levy studied art history at Harvard and later in Paris with Marcel Duchamp, which influenced his taste and vision for art.
   • Levy's gallery in New York was a significant venue for modern art and photography in the mid-20th century.

3. Exhibition Details:

   • The current exhibition features a collection of photographs amassed by Levy, including works by notable photographers.
   • The exhibition includes innovative and experimental pieces, such as a photo by Umbo (Otto Umbehr) featuring a German photographer with an unusual camera setup.
   • The article mentions that only a small portion of Levy's extensive collection is on display.

4. Significant Works:

   • The article highlights that some of the exhibited photographs have fetched high prices at auctions, with one being sold for $110,000.
   • The collection includes works by artists such as Max Ernst, René Magritte, Walker Evans, and Henri Cartier-Bresson.

The article is accompanied by a photograph from the Julien Levy Collection, showing a surrealist artwork dated 1928 by Umbo, featuring a twisted tree root or branch. The newspaper is dated Tuesday, February 26.

You are looking at a photo of a newspaper clipping affixed to a brown folder or a scrapbook page. The clipping features an article titled "LEVY'S TREASURE TROVE," which seems to be a review or discussion about photography, specifically relating to works from the Julien Levy Collection at The Fogg Museum. Beneath the main title of the article, there is a subheading in italics: "Surrealist works dated 1925 by Umbo, from the Julien Levy Collection at the Fogg."

The article includes a black-and-white photograph of legs suspended in the air. This image exemplifies the surrealist approach to art and photography.

The text of the article is too small to read in detail, but it uses terms related to photography and art, suggesting that it discusses aspects of the collection, its history, importance, or specific works within it.

At the top right-hand side of the clipping, handwritten text appears, possibly a date or annotation, "To Soho [unreadable] 2/3/78," suggesting the clipping may have been used for reference or was filed by someone interested in the topic on that date.

There is an aged look to the paper, indicating that it has some history, and the page it's pasted on has a hole punch on the left side, indicating it might be part of a bound collection of documents or a scrapbook.

A newspaper clipping with a black-and-white photo of a pair of legs, possibly in a gallery. The clipping is titled "Levy's treasure trove" and is about a photography exhibition of Julien Levy's collection. The clipping is placed on a brown folder with a hole in the middle and is attached to a gray surface, probably a wall.

The image shows a page from a publication titled "REVIEW / PHOTOGRAPHY", featuring an article titled "Levy's treasure trove" by Jessica Alonso, a Globe Correspondent. The article discusses the work of Julien Levy, a prominent figure in the art world, particularly known for his contributions to photography and the Surrealist movement.

Key Elements of the Image:

1. Headline and Subheading:

   • The main headline is "Levy's treasure trove", indicating the focus on Julien Levy's collection of photographs.
   • The subheading, "PHOTOGRAPHS FROM THE JULIEN LEVY COLLECTION, STARTING AT $1,000, TO BE EXHIBITED AT THE FOGG ART MUSEUM, CAMBRIDGE, THROUGH FEB. 26", provides context about an exhibition of Levy's collection at the Fogg Art Museum.

2. Visual Content:

   • A black-and-white photograph is prominently displayed in the upper portion of the page. The photograph depicts a surreal, dreamlike scene featuring two figures in an abstract, ethereal setting. One figure appears to be a woman with long hair, and the other is a shadowy, indistinct form. The composition evokes themes of surrealism, with soft lighting and a sense of mystery.
   • Below the photograph, there is a caption: "Surrealist work, dated 1923 by Umbo, from the Julien Levy Collection at the Fogg." This identifies the photograph as a Surrealist work by the artist Umbo, dated 1923, and notes its origin from the Julien Levy Collection at the Fogg Art Museum.

3. Article Content:

   • The article provides background on Julien Levy, describing him as one of the foremost art patrons of photography in the United States during the 1920s and 1930s. It highlights his role in introducing the Surrealist movement to American audiences and his collection of vintage photographs.
   • The text mentions that Levy's collection includes works by notable photographers such as Man Ray, Moholy-Nagy, Brassai, and Henri Cartier-Bresson, among others. It also notes that Levy's collection was sold to the Fogg Art Museum, with three photographs fetching high prices ($10,000 each).
   • The article includes quotes from Levy, such as:

     "This appealed to the revolutionary side of my being, and I decided that it was the way I wanted to live my life instead of dead ones."
     This quote reflects Levy's passion for avant-garde art and his commitment to supporting living artists.

4. Layout and Design:

   • The page is part of a publication with a clean, structured layout. The text is typeset in a classic serif font, typical of mid-20th-century print media.
   • The photograph is placed above the article text, drawing immediate attention to the visual element and setting the tone for the discussion of Levy's collection.

Summary:

The image is a page from a review or article discussing Julien Levy's significant collection of Surrealist and modernist photographs. It features a striking Surrealist photograph by Umbo, dated 1923, and provides context about Levy's role in promoting photography and Surrealist art in the United States. The article highlights the historical and artistic importance of Levy's collection, now housed at the Fogg Art Museum.

The image is a photograph of a newspaper clipping featuring an article about Julien Levy and his photography collection. The clipping is mounted on a brown paper background, which appears to be a scrapbook page. The newspaper clipping has a black and white photograph at the top, showing the legs of a person, possibly a model, wearing high-heeled shoes. The photograph is titled "Surrealist work dated 1928 by Umbo, from the Julien Levy Collection at the Fogg."

The article is titled "Levy's treasure trove" and is written by Jessica Alman. The article discusses Julien Levy's collection of photographs, which includes works by artists such as Man Ray, Cartier-Bresson, and Moholy-Nagy. The article mentions that Levy's collection is one of the finest in the United States and that it includes photographs from the Surrealist movement. The article also notes that Levy's collection is currently on exhibit at the Fogg Art Museum in Cambridge through February 26th.

The article provides a brief history of Julien Levy's career as a photographer and art dealer, highlighting his role in introducing Surrealist art and photography to the United States. The article also mentions that Levy's collection includes photographs by contemporary American artists such as Walker Evans and Henri Cartier-Bresson.

Overall, the image is a historical document that provides insight into Julien Levy's significant contribution to the world of photography and art.