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This image displays a newspaper clipping mounted on a light brown, manila paper folder, likely from a scrapbook or archive. The clipping appears aged, with some yellowing and slight wear along the edges.

Header:
At the top of the article, the section is identified as “REVIEW / PHOTOGRAPHY”.

Main Photograph:
A prominent black-and-white photograph dominates the upper portion of the clipping. It features a surreal, dreamlike image: two disembodied legs, clad in dark stockings, float vertically against a hazy, light background. Below them, near the bottom of the frame, are what appear to be two white slippers or mules, suspended as if gliding or floating beneath the legs. The composition is stark and enigmatic, characteristic of surrealism.

Caption:
Beneath the photograph, the caption reads:

“Surrealist work dated 1928 by Umbo, from the Julien Levy Collection at the Fogg.”

Headline:
The article is titled in large, bold font:

“Levy’s treasure trove”

Subheading/Byline:
Below the headline, a subheading provides context:

“PHOTOGRAPHS FROM THE JULIEN LEVY COLLECTION: Starting With Alger — Exhibit at the Fogg Art Museum, Cambridge, through Feb. 26.”
The byline attributes the article to “By Jessica Ahlum, Globe Correspondent.”

Body Text:
The article discusses the significant collection of photographs assembled by Julien Levy, a key figure in promoting Surrealist art and photography in the United States. It notes that historical scholarship has often overlooked Levy's contributions. The article highlights that 136 of Levy’s vintage prints are featured in the Fogg Museum exhibition, including works by renowned photographers such as Atget, Cartier-Bresson, Man Ray, and Moholy-Nagy.

It specifically mentions Umbo, a German photographer whose work is described as having a “surrealist flair.” The article refers to the featured photograph, noting that it “optically deceives the viewer” and reveals “two disconnected suspended legs which appear to glide from someone’s dreamlike slipper anchored to the floor.”

Handwritten Note:
Handwritten in pencil on the clipping, over the caption area, is:

“Boston Globe 2/19/84”

Advertising Strips:
At the very bottom of the clipping, there are several small, printed advertisements or classifieds, some of which are upside down or partially torn, including:

• “BAYLAWN’S FLOWER SHOP”
• “NASHUA”
• “COLLINS FLOWERS, INC.”

Folder:
The clipping is affixed to a simple manila folder, visible around the edges, which has two binder holes punched on its left side, suggesting it was stored in a ring binder.

In summary, the image is a preserved newspaper article from the Boston Globe, dated February 19, 1984, reviewing an exhibition at the Fogg Art Museum showcasing the Julien Levy Collection of photography. The article centers around a striking 1928 surrealist photograph by Umbo — depicting floating legs and slippers — and celebrates Levy’s role in promoting Surrealism and photography in America. The clipping is archived on a folder with handwritten dating, indicating its value as a historical record.

The image appears to be a photograph of a vintage newspaper clipping, affixed to a beige background with a hole punch on the left side, suggesting it was once part of a collection or scrapbook. The clipping is titled "REVIEW / PHOTOGRAPHY" at the top. Below the title is a photograph of a surrealist work dated 1928 by Umbo, identified as "from the Julien Levy Collection at the Fogg." The image shows elongated shadows of three sidewalk repairmen, creating a surreal effect.

The main text of the clipping is an article titled "Levy's treasure trove," authored by Jessica Alonso, a Globe Correspondent. The article discusses photographs from the Julien Levy Collection, specifically mentioning an exhibit at the Fogg Art Museum in Cambridge, Massachusetts. The text highlights Levy's role in introducing Surrealist art and photography to the United States and his collection of vintage prints. It also references the work of notable photographers like Atget, Cartier-Bresson, Man Ray, and Moholy-Nagy. The article provides insights into Levy's collection and his appreciation for surrealism, as exemplified by the work of Umbo.

At the bottom of the clipping, there is a partially visible advertisement for Barlow's Flower Shop, located at 11 Birch Street, Nashua, New Hampshire, along with a note indicating that Master Charge and BankAmericard are accepted. The date "Boston Globe 2/9/78" is handwritten at the top right corner of the clipping.

The image is a scanned newspaper clipping mounted on a beige folder. The clipping is from a section labeled "REVIEW / PHOTOGRAPHY" and features an article titled "Levy's treasure trove." The article discusses photographs from the Julien Levy Collection, which is on exhibit at the Fogg Art Museum in Cambridge, with the exhibition running through February 26. The author of the article is Jessica Alonso, a Globe Correspondent.

The photograph accompanying the article is surrealist in nature, dated 1928 by Umbo, and is part of the Julien Levy Collection at the Fogg. The image shows a pair of disconnected human legs suspended in the air, seemingly floating above a pair of white slippers on the floor.

The article text highlights Julien Levy's contributions to promoting and collecting photography during the 1920s and 1930s. It mentions that Levy introduced Surrealist art and photography to the United States and gathered one of the finest collections of vintage prints. The article also notes that Levy would buy photographs that he failed to sell, which inadvertently helped him build his collection.

At the bottom of the clipping, there are advertisements for "Collins Flowers, Inc." and "Barlow's Flower Shop," both located in Nashua, with their respective phone numbers and addresses. The clipping appears to be from the Boston Globe, as indicated by the handwritten note "Boston Globe 2/9/78" on the image.

The image is a photograph of a newspaper clipping. The clipping features an article about an exhibition of photographs by Julien Levy, a renowned photographer. The article is titled "Levy's Treasure Trove" and is accompanied by a black-and-white photograph of a pair of legs wearing high heels. The photograph is from the Julien Levy Collection at the Fogg Art Museum in Cambridge, Massachusetts. The article discusses Levy's work and his impact on the art world. It mentions that Levy's photographs have been sold for high prices and that his work has been exhibited at prestigious institutions. The article also highlights Levy's innovative use of photography to create surreal and dreamlike images. The clipping is printed on a beige-colored paper, and the edges of the paper are slightly curled, indicating that it may have been folded or stored for a long time.

A page of a magazine is shown with a picture of a woman's legs wearing high heels. The page is titled "Levy's Treasure Trove" and it seems to be an article about photographs from the Julien Levy Collection. The article is written by Jessica Alonso, a Globe Correspondent. The page is folded in half, and the bottom part is torn. The article discusses the collection of vintage prints and photographs by Julien Levy, a prominent art collector and dealer.

The image depicts a mounted document or article titled "Levy’s treasure trove" from the Boston Globe, dated February 24, 1978. The document is part of a collection labeled "REVIEW / PHOTOGRAPHY" and is associated with the Julien Levy Collection at the Fogg Art Museum, Cambridge.

Key Features of the Image:

1. Layout and Content:

   • The document is a printed article or review, likely discussing the work of photographer Julien Levy, focusing on his Surrealist-inspired photographs.
   • The article includes a headline and subheading that reads: "PHOTOGRAPHS FROM THE JULIEN LEVY COLLECTION STARTING AT $10", indicating an exhibition or auction of Levy's work.

2. Photograph:

   • A black-and-white photograph is prominently displayed at the top of the document. The image shows a surreal, dreamlike scene featuring a human figure in a dynamic pose, seemingly suspended or floating in mid-air. The figure appears to be interacting with a shadowy, abstract form, creating an eerie and surreal atmosphere.
   • The photograph is dated 1928 and attributed to Umbo, a German photographer known for his Surrealist work. The caption below the image identifies it as part of the Julien Levy Collection at the Fogg Art Museum.

3. Textual Details:

   • The article discusses Levy's contributions to Surrealist art and photography, highlighting his role in introducing Surrealism to the United States.
   • It mentions that Levy's work, including vintage prints, was part of an exhibition at the Fogg Museum, featuring artists such as André Kertész, Man Ray, and Moholy-Nagy.
   • The article notes that Levy's photographs, though innovative, were not widely recognized during his time, and some of his work remains lesser-known to contemporary American viewers.

4. Mounting and Preservation:

   • The document is mounted on a brown archival board, likely for preservation or display purposes. The board has visible holes at the top left and bottom left corners, suggesting it may have been part of a binder or filing system.
   • The mounting appears to be professional, with the document centered and secured, indicating it may be part of an archive or museum collection.

5. Additional Text:

   • At the bottom of the image, there is additional text that appears to be catalog or inventory information, including codes like "SEAMUS SNITCO", "VHSYN", and other alphanumeric identifiers, likely used for archival or organizational purposes.

Summary:

The image showcases a mounted article from the Boston Globe reviewing Julien Levy's Surrealist photographs, specifically highlighting a 1928 work by Umbo. The article emphasizes Levy's significance in introducing Surrealism to the United States and discusses the exhibition of his vintage prints at the Fogg Art Museum. The photograph itself is surreal and evocative, featuring a floating figure in a dreamlike setting, reflecting the themes of Surrealism. The document is preserved on archival board, suggesting its importance as part of a historical or museum collection.

The image shows an old newspaper clipping mounted on a brown paper backing sheet with two punched holes on the left side, likely from being stored in a binder or scrapbook. The clipping appears to be a review under the category "REVIEW / PHOTOGRAPHY."

At the top of the clipping, there is a black-and-white photograph depicting a surreal image of a pair of legs with some sort of unusual object near the feet, possibly shoes or slippers, contributing to a surreal effect. The caption below the photo reads: "Surrealist work dated 1928 by Umbo, from the Julien Levy Collection at the Fogg."

The main headline below the photograph is "Levy’s treasure trove." The article is about photographs from the Julien Levy Collection, with the subheadline mentioning an exhibit at the Fogg Art Museum, Cambridge. The text explains that the exhibit features vintage prints, including surrealist works and other notable photographers.

There is also handwriting in black ink on the right side under the photo that says "Boston Globe 2/19/78," presumably indicating the source and date of this clipping.

Additionally, there is a small upside-down text or label at the bottom part of the clipping, which appears to be an advertisement or another clipping, partially attached but not fully readable.

This image shows a clipping from a newspaper or magazine mounted on a brown sheet, with an article about photography titled "Levy's treasure trove." The text under the title discusses an exhibition featuring photographic works from the Julien Levy Collection, with details of its significance in the historical and artistic context.

At the top of the clipping, there’s a black-and-white surrealistic photograph showing a pair of legs and feet, seemingly in motion, blending into or interacting with an abstract or cloudy form at the base. The photograph is credited to "Umbo" and is dated 1928.

Below the article, there are two small rectangular clippings, possibly advertisements or tickets. The mounting paper has a single hole punch on the left side, suggesting it might be part of a scrapbook or a catalog. Handwriting in pen near the middle reads “Boston Globe 2/17/81.”

This image appears to be a photograph of a newspaper clipping or a page from a publication, pasted into a scrapbook or on a larger piece of paper. The newspaper section is titled "REVIEW / PHOTOGRAPHY," and the headline underneath reads "Levy's treasure trove."

At the top of the newspaper clipping is a black and white photograph featuring surrealist artwork—there appears to be an inverted image of a pair of legs and feet, with the legs disappearing into a cloud of smoke or mist. Above the photograph, a caption reads: "Surrealist work dated 1929 by Umbo, from the Julien Levy Collection at the Fogg."

The article below the photograph, written by Jessica Lambright, discusses the Julien Levy Collection featuring 20th-century photography and its exhibition at the Fogg Museum. The text mentions how Levy was an important figure in the introduction of photography to the American art scene during the 1920s and '30s and praises his collection for its diversity and significance.

Handwritten text in what appears to be pen, possibly indicating the date, is present in the upper right corner: "Boston Globe 2/17/89." The paper on which the clipping is mounted has two punched holes on the left, suggesting it was part of a binder or folder. The background appears to be a neutral tan or light brown, and the edges of the paper have a slight wear, indicating age or handling.

A vintage newspaper clipping mounted on tan kraft paper. The clipping is narrow and vertical, with three punched holes along the left edge of the mounting sheet. At the top, a small header reads “REVIEW / PHOTOGRAPHY.” The main image is a black-and-white photograph of two elongated legs or a surreal, abstract form, occupying most of the clipping. Beneath the image is a bold headline: “Levy’s treasure trove,” followed by columns of text. The clipping has a slightly torn edge around the photo area and a small block of supplementary text or a small card attached near the bottom. The overall look is archival and artsy, suggesting a mid-20th-century magazine or newspaper feature.