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The image shows a clipping from a newspaper or magazine that has been pasted onto a piece of cardboard. The clipping is a review of a photography exhibition titled "Levy's treasure trove," written by Jessica Alonso for the Globe Correspondent. The article discusses a collection of surrealist photographs from the Julien Levy Collection, which was exhibited at the Fogg Art Museum in 1998.

The main photograph featured in the article is a surrealist work dated 1929 by Umbo, depicting a pair of disembodied legs wearing slippers, seemingly floating in the air. The article highlights the significance of the collection, which includes works by renowned photographers such as Brassai, Man Ray, and Moholy-Nagy, and notes that these vintage prints are rarely seen and have been meticulously preserved.

The article also mentions the historical context of the photographs, particularly those taken during the interwar period, and how they reflect the surrealist movement's fascination with the subconscious and the unusual. The text emphasizes the rarity and value of these prints, which have been carefully collected and preserved by Julien Levy.

The cardboard backing appears to be part of a scrapbook or archive, with holes punched along the left side, suggesting it was once part of a binder or folder.

The image shows a yellowed, clipped newspaper article pasted on a light brown, possibly cardboard, background. The headline of the article is "Levy's treasure trove," authored by Jessica Alonso, and it discusses photographs from the Julien Levy Collection, featuring works by artists such as Umbo, Man Ray, and Moholy-Nagy. The article is from the "Boston Globe," dated Friday, February 17, 1984. The main photograph in the article is a surrealist work from 1928 by Umbo, showing a striking image of three elongated shadows of a person casting a net. There are some handwritten notes and a small, partially visible label or stamp in the lower portion of the pasted article. The overall context suggests an exhibition review or an article on a photography exhibit.

The image shows a newspaper clipping featuring a review and photographs of Surrealist artworks from the Julien Levy Collection.

1. Header and Date:

   • The clipping is from a Boston Globe newspaper dated March 17, 1978.

2. Title:

   • The main headline of the article is "Levy’s treasure trove," highlighting the significance of the photographs from the Julien Levy Collection.

3. Article Content:

   • The article is written by Jessica Alonso and discusses the exhibition of photographs from the Julien Levy Collection at the Fogg Museum, Cambridge.
   • It mentions that the collection, which was started by Julien Levy, a prominent photographer and collector of photography, includes works by notable Surrealist artists.
   • The text describes how these works were introduced to American viewers and the history of their collection.

4. Photographs and Specific Works:

   • The clipping includes two photographs:
     • The first photograph is a surrealist work dated 1928 by Umbo, showing a hand with a dog-like creature.
     • The second photograph is of a similar surrealist style, depicting an abstract, elongated shadowy figure.

5. Additional Notes:

   • The article explains that three photographs had been sold to Levy’s family and friends. One photograph, by Umbo, was purchased by a collector.
   • The Fogg Museum exhibition includes 136 vintage prints from the collection, featuring works by artists such as Man Ray, Moholy-Nagy, and others.
   • The article provides a description of the artistic styles and themes of the photographs, such as the surrealist elements and the innovative photographic techniques used by these artists.

6. Visuals and Context:

   • The clipping is placed on a piece of cardboard, with a visible stamp and barcode, indicating it may have been part of an archival collection.

The clipping serves as a historical snapshot of the recognition and appreciation of Surrealist photography in the 1970s.

The image shows a newspaper clipping from the Boston Globe dated January 17, 1978. The article is titled "Levy's treasure trove" and focuses on the Julien Levy Collection, which includes surrealist photography and art.

The article discusses the exhibition of the collection at the Fogg Museum in Cambridge, which ran through February 26. The collection, primarily introduced by Julien Levy, a prominent promoter of photography and photography collectors, includes a range of surrealist art and photography from the United States and Europe.

The clipping highlights that Levy's collection includes works by well-known photographers such as Man Ray and Moholy-Nagy, among others. The article mentions a specific photograph by Umbo, a German photographer, taken during World War II, featuring surrealist elements that make the viewer question the reality of the depicted scene. The photograph includes distorted, elongated shadows and a surrealistic composition of a pair of slippers.

The article notes that Levy's collection contains 136 vintage prints, many of which were not sold during his lifetime. The clipping also includes a small image of a surrealist photograph by Umbo, dated 1928, from the Julien Levy Collection, showing a figure with elongated shadows and a surreal composition. The photograph appears to depict a person with a dog, creating a dreamlike, surreal atmosphere.

The image shows a newspaper clipping from the Boston Globe dated April 17, 1978. The article is titled "Levy's treasure trove" and is a review of a photography exhibition featuring works from the Julien Levy Collection at the Fogg Museum in Cambridge, which ran through February 28.

The article, written by Jessica Alonso, the Globe Correspondent, discusses the historical significance of Julien Levy, who played a key role in introducing Surrealist art and photography to the United States. The article highlights that despite the photographs not selling well, Levy’s family and friends have preserved them.

The clipping includes a photograph by Umbo (Otto Umbehr), a German photographer, taken during World War II. The caption under the photograph notes that it is surrealist work dated 1928. The article mentions that 136 of Levy’s vintage prints from the exhibition are now available for sale, including works by artists such as Brassaï, Man Ray, and Moholy-Nagy.

The clipping also describes some of the photographs, including one that depicts elongated shadows of three sidelong figures and another showing disconnected suspended legs anchored to a pair of slippers. The overall theme of the article is Levy’s contribution to the art world and the intriguing nature of the photographs on display.

The image is a newspaper clipping from the Boston Globe dated Saturday, October 27, 2001. The article is titled "Levy's treasure trove" and is focused on photographs from the Julien Levy Collection. Here are the detailed points:

1. Article Content:

   • The article discusses an exhibition at the Fogg Art Museum titled "Photographs from the Julien Levy Collection: Starting with Atget."
   • Julien Levy (1906-1981) was a prominent photography dealer in New York and introduced Surrealist art and photography to the United States.
   • The collection includes works by notable photographers such as Eugène Atget and Man Ray.

2. Surrealist Photography:

   • The article highlights a 1928 Surrealist work by Umbo (Otto Umbehr) featured in the exhibition.
   • Surrealist photography is noted for its dreamlike and imaginative qualities.

3. Julien Levy's Contribution:

   • Levy's gallery in Manhattan was a hub for avant-garde artists, and he played a significant role in promoting photography as an art form.
   • The collection includes many vintage prints that are highly valued today.

4. Market Value:

   • The article mentions that many of Levy's photographs were sold for relatively low prices in the past, but their value has significantly increased over time.
   • An example given is that three photos sold for $10 each in the past are now worth much more, with one print recently selling for $31,050.

5. Exhibition Details:

   • The exhibition at the Fogg Museum runs through February 28.
   • It features various intriguing photographs, including works by George Platt Lynes and another photograph revealing unexpected surreal elements.

6. Miscellaneous:

   • The newspaper clipping includes a small advertisement at the bottom for a store called "NASHUA Photo," offering film development services.

This detailed article provides insight into the historical and artistic significance of Julien Levy's collection and the evolving market for vintage photography.

This image appears to be a photograph of a newspaper clipping or a page from a publication, pasted into a scrapbook or on a larger piece of paper. The newspaper section is titled "REVIEW / PHOTOGRAPHY," and the headline underneath reads "Levy's treasure trove."

At the top of the newspaper clipping is a black and white photograph featuring surrealist artwork—there appears to be an inverted image of a pair of legs and feet, with the legs disappearing into a cloud of smoke or mist. Above the photograph, a caption reads: "Surrealist work dated 1929 by Umbo, from the Julien Levy Collection at the Fogg."

The article below the photograph, written by Jessica Lambright, discusses the Julien Levy Collection featuring 20th-century photography and its exhibition at the Fogg Museum. The text mentions how Levy was an important figure in the introduction of photography to the American art scene during the 1920s and '30s and praises his collection for its diversity and significance.

Handwritten text in what appears to be pen, possibly indicating the date, is present in the upper right corner: "Boston Globe 2/17/89." The paper on which the clipping is mounted has two punched holes on the left, suggesting it was part of a binder or folder. The background appears to be a neutral tan or light brown, and the edges of the paper have a slight wear, indicating age or handling.

A page of a magazine is shown with a picture of a woman's legs wearing high heels. The page is titled "Levy's Treasure Trove" and it seems to be an article about photographs from the Julien Levy Collection. The article is written by Jessica Alonso, a Globe Correspondent. The page is folded in half, and the bottom part is torn. The article discusses the collection of vintage prints and photographs by Julien Levy, a prominent art collector and dealer.

The image depicts a mounted document or article titled "Levy’s treasure trove" from the Boston Globe, dated February 24, 1978. The document is part of a collection labeled "REVIEW / PHOTOGRAPHY" and is associated with the Julien Levy Collection at the Fogg Art Museum, Cambridge.

Key Features of the Image:

1. Layout and Content:

   • The document is a printed article or review, likely discussing the work of photographer Julien Levy, focusing on his Surrealist-inspired photographs.
   • The article includes a headline and subheading that reads: "PHOTOGRAPHS FROM THE JULIEN LEVY COLLECTION STARTING AT $10", indicating an exhibition or auction of Levy's work.

2. Photograph:

   • A black-and-white photograph is prominently displayed at the top of the document. The image shows a surreal, dreamlike scene featuring a human figure in a dynamic pose, seemingly suspended or floating in mid-air. The figure appears to be interacting with a shadowy, abstract form, creating an eerie and surreal atmosphere.
   • The photograph is dated 1928 and attributed to Umbo, a German photographer known for his Surrealist work. The caption below the image identifies it as part of the Julien Levy Collection at the Fogg Art Museum.

3. Textual Details:

   • The article discusses Levy's contributions to Surrealist art and photography, highlighting his role in introducing Surrealism to the United States.
   • It mentions that Levy's work, including vintage prints, was part of an exhibition at the Fogg Museum, featuring artists such as André Kertész, Man Ray, and Moholy-Nagy.
   • The article notes that Levy's photographs, though innovative, were not widely recognized during his time, and some of his work remains lesser-known to contemporary American viewers.

4. Mounting and Preservation:

   • The document is mounted on a brown archival board, likely for preservation or display purposes. The board has visible holes at the top left and bottom left corners, suggesting it may have been part of a binder or filing system.
   • The mounting appears to be professional, with the document centered and secured, indicating it may be part of an archive or museum collection.

5. Additional Text:

   • At the bottom of the image, there is additional text that appears to be catalog or inventory information, including codes like "SEAMUS SNITCO", "VHSYN", and other alphanumeric identifiers, likely used for archival or organizational purposes.

Summary:

The image showcases a mounted article from the Boston Globe reviewing Julien Levy's Surrealist photographs, specifically highlighting a 1928 work by Umbo. The article emphasizes Levy's significance in introducing Surrealism to the United States and discusses the exhibition of his vintage prints at the Fogg Art Museum. The photograph itself is surreal and evocative, featuring a floating figure in a dreamlike setting, reflecting the themes of Surrealism. The document is preserved on archival board, suggesting its importance as part of a historical or museum collection.

The image is a photograph of a newspaper clipping. The clipping features an article about an exhibition of photographs by Julien Levy, a renowned photographer. The article is titled "Levy's Treasure Trove" and is accompanied by a black-and-white photograph of a pair of legs wearing high heels. The photograph is from the Julien Levy Collection at the Fogg Art Museum in Cambridge, Massachusetts. The article discusses Levy's work and his impact on the art world. It mentions that Levy's photographs have been sold for high prices and that his work has been exhibited at prestigious institutions. The article also highlights Levy's innovative use of photography to create surreal and dreamlike images. The clipping is printed on a beige-colored paper, and the edges of the paper are slightly curled, indicating that it may have been folded or stored for a long time.