Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2003.39, Rendition: 806838
The image appears to be a photograph of a vintage newspaper clipping, affixed to a beige background with a hole punch on the left side, suggesting it was once part of a collection or scrapbook. The clipping is titled "REVIEW / PHOTOGRAPHY" at the top. Below the title is a photograph of a surrealist work dated 1928 by Umbo, identified as "from the Julien Levy Collection at the Fogg." The image shows elongated shadows of three sidewalk repairmen, creating a surreal effect.
The main text of the clipping is an article titled "Levy's treasure trove," authored by Jessica Alonso, a Globe Correspondent. The article discusses photographs from the Julien Levy Collection, specifically mentioning an exhibit at the Fogg Art Museum in Cambridge, Massachusetts. The text highlights Levy's role in introducing Surrealist art and photography to the United States and his collection of vintage prints. It also references the work of notable photographers like Atget, Cartier-Bresson, Man Ray, and Moholy-Nagy. The article provides insights into Levy's collection and his appreciation for surrealism, as exemplified by the work of Umbo.
At the bottom of the clipping, there is a partially visible advertisement for Barlow's Flower Shop, located at 11 Birch Street, Nashua, New Hampshire, along with a note indicating that Master Charge and BankAmericard are accepted. The date "Boston Globe 2/9/78" is handwritten at the top right corner of the clipping.
The image is a scanned newspaper clipping mounted on a beige folder. The clipping is from a section labeled "REVIEW / PHOTOGRAPHY" and features an article titled "Levy's treasure trove." The article discusses photographs from the Julien Levy Collection, which is on exhibit at the Fogg Art Museum in Cambridge, with the exhibition running through February 26. The author of the article is Jessica Alonso, a Globe Correspondent.
The photograph accompanying the article is surrealist in nature, dated 1928 by Umbo, and is part of the Julien Levy Collection at the Fogg. The image shows a pair of disconnected human legs suspended in the air, seemingly floating above a pair of white slippers on the floor.
The article text highlights Julien Levy's contributions to promoting and collecting photography during the 1920s and 1930s. It mentions that Levy introduced Surrealist art and photography to the United States and gathered one of the finest collections of vintage prints. The article also notes that Levy would buy photographs that he failed to sell, which inadvertently helped him build his collection.
At the bottom of the clipping, there are advertisements for "Collins Flowers, Inc." and "Barlow's Flower Shop," both located in Nashua, with their respective phone numbers and addresses. The clipping appears to be from the Boston Globe, as indicated by the handwritten note "Boston Globe 2/9/78" on the image.
The image is a photograph of a newspaper clipping. The clipping features an article about an exhibition of photographs by Julien Levy, a renowned photographer. The article is titled "Levy's Treasure Trove" and is accompanied by a black-and-white photograph of a pair of legs wearing high heels. The photograph is from the Julien Levy Collection at the Fogg Art Museum in Cambridge, Massachusetts. The article discusses Levy's work and his impact on the art world. It mentions that Levy's photographs have been sold for high prices and that his work has been exhibited at prestigious institutions. The article also highlights Levy's innovative use of photography to create surreal and dreamlike images. The clipping is printed on a beige-colored paper, and the edges of the paper are slightly curled, indicating that it may have been folded or stored for a long time.
A page of a magazine is shown with a picture of a woman's legs wearing high heels. The page is titled "Levy's Treasure Trove" and it seems to be an article about photographs from the Julien Levy Collection. The article is written by Jessica Alonso, a Globe Correspondent. The page is folded in half, and the bottom part is torn. The article discusses the collection of vintage prints and photographs by Julien Levy, a prominent art collector and dealer.
The image depicts a mounted document or article titled "Levy’s treasure trove" from the Boston Globe, dated February 24, 1978. The document is part of a collection labeled "REVIEW / PHOTOGRAPHY" and is associated with the Julien Levy Collection at the Fogg Art Museum, Cambridge.
Layout and Content:
Photograph:
Textual Details:
Mounting and Preservation:
Additional Text:
The image showcases a mounted article from the Boston Globe reviewing Julien Levy's Surrealist photographs, specifically highlighting a 1928 work by Umbo. The article emphasizes Levy's significance in introducing Surrealism to the United States and discusses the exhibition of his vintage prints at the Fogg Art Museum. The photograph itself is surreal and evocative, featuring a floating figure in a dreamlike setting, reflecting the themes of Surrealism. The document is preserved on archival board, suggesting its importance as part of a historical or museum collection.
The image presents a vintage newspaper clipping featuring a black-and-white photograph of a person's legs and a dog, accompanied by an article discussing the photographer Julien Levy and his collection. The clipping is attached to a piece of cardboard with two holes punched through it, suggesting it may have been part of a scrapbook or album.
In summary, the image presents a vintage newspaper clipping featuring a photograph of a person's legs and a dog, accompanied by an article discussing the photographer Julien Levy and his collection. The clipping is attached to a piece of cardboard with two holes punched through it, suggesting it may have been part of a scrapbook or album.
The image depicts a newspaper clipping featuring a black-and-white photograph of a person's legs and feet, with the title "Levy's treasure trove" written below it. The clipping is attached to a piece of brown paper, which has two holes punched in it, suggesting that it was once part of a binder or folder.
The photograph shows a person standing on their toes, with their legs bent at the knees and their feet pointed upwards. The person is wearing white socks and shoes, and their legs are positioned in a way that creates a sense of movement and energy.
Below the photograph, there is an article about the photographer, Julien Levy, who was known for his surrealist work. The article discusses Levy's collection of photographs, which includes works by other famous photographers such as Man Ray and Moholy-Nagy. It also mentions that Levy's photographs are highly prized by collectors and museums, and that they are considered to be some of the most important works of surrealist photography.
Overall, the image suggests that the newspaper clipping is a review or feature article about Julien Levy's photography, and that it is highlighting his unique style and contribution to the surrealist movement.
The image presents a newspaper clipping mounted on a brown folder, set against a gray background. The clipping is titled "Levy's treasure trove" and features a black-and-white photograph of two hands and a pair of legs, with the feet pointing upwards.
Newspaper Clipping:
Folder:
Overall:
The image presents a newspaper clipping, titled "Levy's treasure trove," which is affixed to a brown paper background. The clipping features a black-and-white photograph of a person's legs and feet, with the title situated below it.
Newspaper Clipping:
Brown Paper Background:
Overall:
The image shows a clipping from a newspaper or magazine that has been pasted onto a piece of cardboard. The clipping is a review of a photography exhibition titled "Levy's treasure trove," written by Jessica Alonso for the Globe Correspondent. The article discusses a collection of surrealist photographs from the Julien Levy Collection, which was exhibited at the Fogg Art Museum in 1998.
The main photograph featured in the article is a surrealist work dated 1929 by Umbo, depicting a pair of disembodied legs wearing slippers, seemingly floating in the air. The article highlights the significance of the collection, which includes works by renowned photographers such as Brassai, Man Ray, and Moholy-Nagy, and notes that these vintage prints are rarely seen and have been meticulously preserved.
The article also mentions the historical context of the photographs, particularly those taken during the interwar period, and how they reflect the surrealist movement's fascination with the subconscious and the unusual. The text emphasizes the rarity and value of these prints, which have been carefully collected and preserved by Julien Levy.
The cardboard backing appears to be part of a scrapbook or archive, with holes punched along the left side, suggesting it was once part of a binder or folder.