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ARCH.2003.39, Rendition: 806834
The image shows a page from The New York Times dated Sunday, January 29, 1978. The layout is divided into sections with a central focus on an article titled "Stuart Davis—Modernist And Thinker" by Hilton Kramer. The article discusses Stuart Davis, an American painter known for his modernist style and theoretical interests.
At the top of the page, there is a quote attributed to Hilton Kramer: "The extent of Stuart Davis’s interest in ideas and their exact relation to his art were largely unknown to us during his lifetime." Below the quote, there is an illustration of a geometric abstract composition with the title "Stuart Davis’s ‘Unfinished Business’ (1962), at the Brooklyn Museum." The illustration features bold geometric shapes and patterns, reflecting Davis's modernist approach.
The article itself is a detailed exploration of Davis's work, his influence on the art world, and his unique contributions as a painter and thinker. It highlights his exploration of color-space and his focus on formalism in art. The text also mentions his role in the development of abstract art in the United States.
The page appears to be part of a collection or clipping, as indicated by the holes on the left side, suggesting it was once part of a binder or scrapbook.
This image is a scanned page from The New York Times, dated Sunday, January 29, 1978. The page is part of the newspaper's "Art" section, as indicated by the decorative heading in the top left corner. The article is titled "Stuart Davis—Modernist And Thinker" and is written by Hilton Kramer, as noted under the subheading "ART VIEW."
At the top of the page, there is a quote in italics: "The extent of Stuart Davis's interest in ideas and their exact relation to his art were largely unknown to us during his lifetime." (Hilton Kramer).
Below the headline, there is an image of Stuart Davis's artwork titled "Unfinished Business," created in 1962. The artwork is abstract, featuring geometric shapes and the word "PADORA" written in a stylized, fragmented manner. The artwork is described as being on display at the Brooklyn Museum.
The article discusses Stuart Davis's contributions as a modernist painter and thinker. It mentions his training in the realist conventions of the Ashcan School and his later embrace of Cubism. The text also highlights his interest in various subjects such as jazz, politics, psychology, and Pop art, and notes that his art focused on the dynamics of what he called "color-space." The article references a collection called "Stuart Davis: A Documentary Monograph" and an exhibition titled "Stuart Davis: Art and Art Theory" at the Brooklyn Museum.
The page is slightly aged, with a yellowish tint, and it appears to be taped to a brown folder or envelope. There are two holes on the left side, suggesting it might have been placed in a binder.
The image is a clipping from "The New York Times," dated Sunday, January 29, 1978. The clipping features an article titled "Stuart Davis—Modernist And Thinker" by Hilton Kramer. The article is part of the "Art View" section.
The top of the clipping contains a small illustration labeled "Stuart Davis's 'Unfinished Business' (1962)," which is displayed at the Brooklyn Museum. The illustration is a geometric abstract composition, characteristic of Davis's style, featuring a mix of shapes, lines, and text fragments.
Below the illustration, the main body of the article discusses Stuart Davis, an American painter known for his contributions to modernist art, particularly in the 1920s and 1930s. The article highlights Davis's interest in ideas and their exact relation to his art, which were largely unknown during his lifetime.
Hilton Kramer describes Davis's art as being regarded as informal to formalist aspirations. He notes that Davis's work was a significant influence on the public mural-producing for all places, the men's room of Radio City Music Hall being a notable example. Kramer also mentions Davis's role in the collection of the Museum of Modern Art.
The article goes on to discuss Davis's life and career, emphasizing his remarkable painterly talent and his intellectual interests. Kramer describes Davis as a painter with a remarkable mind, someone who was never lost in his vivid interest in the peculiar American look of his time and country.
The article concludes with a mention of Diane Kelder's exhibition of Davis's work, which was organized a few years prior to the publication of the article. The exhibition is described as a largely unpublished theoretical writings, journals, and sketchbooks, which provide insight into Davis's artistic process and intellectual pursuits.
The clipping is mounted on a piece of cardboard, indicating that it may have been preserved for reference or display purposes.
The image is a clipping from "The New York Times" dated Sunday, January 29, 1978. The clipping features an article titled "Stuart Davis—Modernist And Thinker" by Hilton Kramer. The article discusses the life and work of Stuart Davis, an American painter known for his modernist approach and significant contributions to the art world. The clipping includes a reproduction of one of Davis's paintings, "Unfinished Business" (1962), which is displayed at the Brooklyn Museum. The article highlights Davis's role in the development of American modernism and his influence on the New York School Pop Art movement. It also mentions the exhibition of Davis's work at the Brooklyn Museum, which was curated by John L. Lane.
The image depicts a newspaper clipping from The New York Times, dated Sunday, January 29, 1978. The article is titled "Stuart Davis—Modernist And Thinker" and is written by Hilton Kramer, identified as the Art Viewer for the newspaper.
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The image showcases a 1978 New York Times article about the artist Stuart Davis, emphasizing his role as a modernist painter and thinker. The article is visually enhanced with an abstract, modernist graphic overlay, reflecting the themes of the piece. The clipping is presented on a matboard, indicating its preservation as a historical or archival item. The content highlights Davis's artistic legacy and his influence on American modern art.
The image presents a newspaper clipping from The New York Times, dated Sunday, January 29, 1978. The clipping features an article about Stuart Davis's "Unfinished Business" (1962) at the Brooklyn Museum.
Overall, the image provides a snapshot of the art world in 1978, highlighting the work of Stuart Davis and his contributions to modern art.
The image depicts a newspaper clipping from The New York Times, dated Sunday, January 29, 1978. The clipping features an article titled "Stuart Davis - Modernist And Thinker" by Hilton Kramer, accompanied by a black-and-white illustration of one of Stuart Davis's artworks.
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Overall, the image presents a valuable resource for understanding Stuart Davis's artistic contributions and his place within the broader context of modern art history.
The image depicts a newspaper clipping from The New York Times, dated Sunday, January 29, 1978. The clipping is titled "Art View" and features an article about Stuart Davis, an American modernist painter.
Key Features:
Overall Impression:
The image presents a well-structured and informative article about Stuart Davis, highlighting his contributions to modern art. The inclusion of his artwork adds a visual element to the clipping, providing a tangible representation of his style and technique.
The image presents a vintage newspaper clipping from The New York Times, dated Sunday, January 29, 1978. The clipping is titled "Art" and features an article about Stuart Davis, a modernist artist.
In summary, the image showcases a newspaper clipping from The New York Times, featuring an article about Stuart Davis' artwork and exhibition at the Brooklyn Museum. The clipping includes a geometric abstract artwork titled "Unfinished Business" and provides information about Davis' style and contributions to modern art.
The image is a clipping from The New York Times dated Sunday, January 29, 1978. It features an article titled "Stuart Davis—Modernist And Thinker" written by Hilton Kramer. The article discusses the work and legacy of American painter Stuart Davis, focusing on his modernist style and intellectual approach to art.
The article mentions that Davis was a significant figure in American art, particularly in the 1920s and 1930s, and was known for his abstract and modernist paintings. It highlights Davis's interest in ideas and his exacting relationship to his art, which were not fully understood during his lifetime. The article also references a documentary film called "Stuart Davis: A Documentary Monument," which was shown at the Whitney Museum of American Art in December 1977.
The article includes a photograph of one of Davis's works titled "Unfinished Business" (1962), which is displayed at the Brooklyn Museum. The painting features bold, geometric shapes and letters, characteristic of Davis's style.
The text discusses Davis's unique approach to modernism, his admiration for European modernists like Giorgio de Chirico, and his influence on American art. It also mentions an upcoming exhibition of Davis's work at the Brooklyn Museum, organized by John R. Lane, which includes paintings, drawings, and unpublished theoretical writings.
Overall, the article provides a comprehensive overview of Stuart Davis's contributions to modern art and his enduring legacy.