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The image is a page from a newspaper or magazine article titled "William Blake: appreciation of his vision came late" by Caron Le Brun Danikian. The article discusses William Blake, an English artist and poet, and his work, particularly his illustrations for Dante's "Divine Comedy."

The article highlights that Blake's vision and work were not fully appreciated during his lifetime. Blake's work, including his watercolors, drawings, and engravings, is now being displayed at Harvard University's Fogg Art Museum as part of a special exhibition coinciding with a larger Blake exhibition at the Tate Gallery in London.

The article mentions the "Divine Comedy" illustrations, which are described as a significant part of the exhibition. It also notes that the illustrations of Dante's work are accompanied by other Blake works, such as his "Job" illustrations and other art pieces.

The article concludes with a quote from Samuel Palmer, who described Blake as "energy itself, and shed around him a kindling influence." This quote emphasizes the impact and influence of Blake's work on others.

This image shows a printed article titled "William Blake: appreciation of his vision came late," authored by Caron Le Brun Danikian. The article discusses the recognition of William Blake's visionary art and poetry, which came long after his time. It mentions an exhibition at Harvard University's Fogg Art Museum, which showcases a collection of Blake's watercolors, drawings, and engravings, as well as illuminated books from Harvard's Houghton Library.

The article highlights how Blake's work was ahead of its time and appreciated only posthumously. It also describes a dual exhibition at the Fogg Art Museum and the Houghton Library, featuring Blake's illustrations for Dante's "Divine Comedy" and other works. The article references the Winthrop gift, a collection of Blake's art given to Harvard with the stipulation that it never leaves the university.

The text is formatted in two columns, with the article's title at the top. The bottom of the page includes the publication source, "The Christian Science Monitor," and the date, February 23, 1978.

This image displays a single page from a newspaper or magazine article, dated February 23, 1978, published in The Christian Science Monitor. The page is printed on off-white paper and appears slightly aged, with a small tear visible at the top left corner.

The article is titled “William Blake: appreciation of his vision came late.” It is written by Caren Le Brun Dankian of Cambridge, Mass.

The text is laid out in three columns and discusses a major exhibition of the works of the visionary English artist and poet William Blake (1757–1827), currently on display at Harvard University’s Fogg Art Museum and Houghton Library. The article emphasizes that Blake’s artistic genius was largely unrecognized during his lifetime and only gained widespread appreciation centuries later.

Key points covered include:

• Blake’s unique synthesis of visual and verbal art, often inspired by mysticism, imagination, and intuition.
• The exhibition showcases Harvard’s extensive Blake collection, including watercolors, drawings, engravings, and illuminated manuscripts.
• A significant portion of the collection was donated by Grenville L. Winthrop in 1943, with a stipulation that the pieces remain at Harvard.
• A special room is devoted to Blake’s illustrations for the Book of Job — four sets of 21 dramatic watercolors, commissioned by artist John Linnell.
• Attention is given to Blake’s final major project: his 23 watercolor illustrations for Dante’s Divine Comedy, begun at age 67. He even learned Italian to read the original text. The article notes the power of these images, such as “Charon with the condemned,” “the Minotaur,” and “Lucia Carrying Dante in Sleep.”
• Blake’s landscape style is compared to Romantic-era painter Samuel Palmer, and his artistic energy is praised.
• The article mentions that the Harvard show coincides with a Blake exhibition at Tate Gallery in London.
• A free public lecture on “Blake as a Landscape Artist” by Andrew Wilton will be held at the Fogg on Friday, February 24, at 4 p.m.

The page number “5.” appears at the top right corner.

Overall, the article presents an appreciative and scholarly account of William Blake’s legacy and the significance of this major exhibition, highlighting his enduring power to inspire imagination and admiration nearly 150 years after his death.

The image is a page from a publication, likely a magazine or journal, featuring an article about William Blake, a renowned English artist and poet. The article is titled "William Blake: Appreciation of His Vision Came Late" and is authored by Caron Le Brun Danklian. The page number "5" is visible in the top right corner.

The article discusses the delayed recognition of William Blake's artistic and poetic contributions, which were often misunderstood or overlooked during his lifetime. Blake's visionary dream visions, which were out of context in his own age, are now appreciated for their contemporaries. The article highlights an exhibition at Harvard University's Fogg Art Museum, which showcases Blake's watercolors, drawings, engravings, and illuminated books.

The exhibition includes a significant collection of Blake's work, including his "Divine Comedy" illustrations, which are described as a close encounter with Blake's fervent inner world. The article mentions a free public lecture by Andrew Wilton, curator at the Yale Center for British Art, on "Blake as a Landscape Artist" at the Fogg on February 24 at 4 PM.

The article also describes the thematic and stylistic elements of Blake's work, such as his use of rhythmic composition, evocative color, and the interplay of light and dark. It mentions a quote from a pastoral landscape by Samuel Palmer, which captures the essence of Blake's artistic vision.

The publication date of the article is February 23, 1978, as indicated at the bottom of the page. The article is from "The Christian Science Monitor," suggesting that it may have been published in a section related to arts or culture.

The image is a page from a newspaper or magazine with a black-and-white photograph of William Blake's "Divine Comedy" illustrations. The article is titled "William Blake: Appreciation of his vision came late" and discusses the artist's work and the delayed recognition he received during his lifetime. The article mentions that the watercolors, drawings, and engravings of Blake's work are currently on display at Harvard University, and that the exhibition is part of the Winthrop gift. The article also highlights some of the notable works on display, such as "Adam and Eve in Paradise" and "Lucia Carrying Dante in his Sleep." The article concludes with a quote from the pastoral landscape artist Samuel Palmer, who described Blake as a "kindling, in-finite imagination and admiration."

The image shows a page from a publication titled "William Blake: appreciation of his vision came late" by Caron Le Brun Danhiak, published in The Christian Science Monitor on February 23, 1978. The page is numbered 5 and is part of an article discussing the late recognition of the English artist and poet William Blake (1757–1827).

Key Elements in the Image:

1. Title and Byline:

   • The title is prominently displayed at the top: "William Blake: appreciation of his vision came late."
   • The author is identified as Caron Le Brun Danhiak, with her affiliation noted as being from Cambridge, Mass.

2. Content Overview:

   • The article discusses the delayed recognition of Blake’s work, highlighting that his dream visions and artistic contributions were out of step with the rationalism of his time.
   • It mentions Blake’s mastery of visual and verbal imagery, which took about 100 years to be fully appreciated.
   • The article references Harvard University’s spotlight on Blake through an exhibition of his works at the Fogg Art Museum, featuring watercolors, drawings, engravings, and illuminated books.

3. Exhibition Details:

   • The article notes a major Blake exhibition at the Tate Gallery in London, coinciding with the Fogg’s display.
   • It highlights a significant gift of 3,700 Blake works to the Fogg in 1943 by Grenville L. Winthrop, which remains a treasured collection at Harvard.

4. Blake’s Artistic Vision:

   • The text describes Blake’s mystical and imaginative approach, emphasizing his belief in an "inner God" and his exploration of themes such as the "Inward Battle of the Soul."
   • It references Blake’s series of illustrations for the Book of Job and the Illuminated Books, noting their dramatic and symbolic qualities.

5. “Divine Comedy” Illustrations:

   • The article discusses Blake’s illustrations for Dante’s Divine Comedy, describing them as reaching an artistic crescendo in the 23 watercolors he created at the age of 67.
   • It mentions the vibrant colors, intricate details, and emotional depth of these works, including scenes from Inferno, Purgatorio, and Paradiso.

6. Landscape and Romanticism:

   • The article draws parallels between Blake’s landscapes and the work of Samuel Palmer, noting their shared Romantic sensibilities.
   • It quotes Palmer’s admiration for Blake, emphasizing the enduring influence of Blake’s artistic vision.

7. Publication Information:

   • The page is from The Christian Science Monitor, dated February 23, 1978.
   • The layout is typical of a newspaper or magazine article, with clear headings, paragraphs, and a structured discussion of Blake’s life and work.

Visual Description:

• The page has a clean, typed layout with standard serif typography.
• The text is organized into paragraphs, with subheadings such as "Part of Winthrop gift" and “Divine Comedy’ Illustrations” to guide the reader.
• The background is plain, focusing attention solely on the printed content.

This page serves as a scholarly and appreciative examination of Blake’s artistic legacy, emphasizing his unique vision and the delayed but profound impact of his work.

The image shows a clipped newspaper article titled, "William Blake: appreciation of his vision came late."

The article is by Caren Le Brun Danikian from Cambridge, Mass., and originates from The Christian Science Monitor, dated February 23, 1978.

The article discusses the delayed recognition of the visionary English artist and poet William Blake (1757-1827), highlighting that his mastery of visual and verbal images was unappreciated by his contemporaries and that it took about 100 years for his work to be recognized.

It mentions a Cambridge university exhibition at the Fogg Museum spotlighting Blake’s eccentric mystic tradition and his illuminated manuscripts, paintings, drawings, and engravings. The article also discusses a major Blake exhibition at the Tate Gallery in London.

The article references Blake’s unique style, his contributions to literature and art, and specific works like the "Inward Battle of the Soul" and his illustrations for the Book of Job. It also mentions wall cases at the Fogg displaying black-and-white engravings and original watercolors, including an exhibition of Blake’s "Divine Comedy" illustrations, which began when Blake was 67 years old.

Furthermore, it notes a lecture at the Yale Center for British Art by Andrew Wilton, curator of prints and drawings, and concludes by expressing the lasting impact of Blake’s imagination and artistry, 150 years after his time.

The image shows a scanned newspaper article from "The Christian Science Monitor" dated February 23, 1978. The headline reads "William Blake: appreciation of his vision came late," with the article written by Caron Le Brun Dunham in Cambridge, Massachusetts. The article describes recognition in the arts as often bittersweet and delayed, stating that this was the case for William Blake (1757-1827), an artist and poet. It mentions an exhibition that coincides with a major Blake exhibit at the Tate Gallery in London.

The text delves into various aspects of Blake's work, including engravings, watercolors, drawings, and illuminated books, and touches on his depictions of mythological and biblical scenes. The article references Blake's illustrations for Dante's "Divine Comedy" and connects his work with that of artist Samuel Palmer. The essence of the article celebrates Blake's legacy and mentions his continued influence and admiration, 150 years after his time.

Significant amounts of the text are visible and legible, although the quality of the scan does slightly affect the readability. Some parts of the text at the edges are cut off due to the page layout, but the main body of the article is intact and legible. The text also mentions an upcoming lecture on Blake at the Fogg Art Museum.

• The image shows a vintage newspaper clipping mounted on a gray background.
• It’s a two-column article with a bold headline at the top left: “William Blake: appreciation of his vision came late.”
• The byline appears under the headline, likely naming the author and origin (something like “By … Cambridge, Mass.”).
• The text discusses the late recognition of the English artist and poet William Blake, mentioning his engravings and works such as the “Divine Comedy” illustrations.
• The bottom of the clipping includes a source line: “The Christian Science Monitor” and the date “February 23, 1978.”
• The paper appears aged and slightly torn at the edges, with some faint creases and a small missing section near the top edge.
• Overall, it’s a factual article clipping about William Blake from a 1978 issue of The Christian Science Monitor.

This is an article from The Christian Science Monitor dated February 23, 1978. The heading of the article reads, "William Blake: appreciation of his vision came late." The content reviews the impact and historical delay in recognizing the significance of William Blake's artistic and literary works, including illustrations and engravings.

The article details some events and exhibitions showcasing Blake's works, such as illustrated pieces related to Dante's Divine Comedy. It explores his themes of imagination, spirituality, and artistic depth, mentioning locations like Harvard University's Houghton Library and exhibitions at the Fogg Museum (aligned with a series featuring artwork from Blake's illuminated books).

In addition to highlighting Blake's artistry, it also addresses the recognition of his vision in the arts and traces his unique creative interpretation of themes and forms that were not fully appreciated during his lifetime. The typography and style suggest this is a printed newspaper or clipping on matte paper.