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The image shows a newspaper clipping titled "Vermeule, a scholarly 'clown'" placed inside a cardboard folder. The article is from Page 19 and appears to be from the 1970s or 1980s, given the context of the content. The text discusses Cornelius Vermeule, a curator at the Museum of Fine Arts (MFA) in Boston, who is described as a "therapeutic clown" among the museum sculptures. The article highlights his recent visit to the museum to inspect a small bronze statue affected by corrosion.

Key points from the article include:

• Vermeule's visit to the museum to inspect a corroded bronze statue.
• His interactions with colleagues and friends, including Klaus Berger, Mary Comstock, and Kleanthi Suffas.
• His scholarly yet humorous demeanor, as illustrated by his interactions with a group of museum curators at a cocktail party.
• Vermeule's background as a curator at the MFA, his academic career at Harvard, and his military service during World War II.
• His passion for interpreting art and his unique approach to museum curation.

The article paints a vivid picture of Vermeule's character, blending his scholarly pursuits with a light-hearted and engaging personality.

The image shows a newspaper article titled "Vermeule, a scholarly 'clown'" displayed on a wooden clipboard. The article discusses the unique approach of an individual named Vermeule, who is described as a curator at the Museum of Fine Arts (MFA). The text highlights his unorthodox methods, such as using a flip-top soda can to demonstrate a point and his energetic, engaging style, which includes dancing to illustrate ancient rituals. Vermeule is portrayed as someone who brings a dynamic and lively atmosphere to the museum, contrasting with the traditional seriousness often associated with such institutions. The article also mentions his background, including his work on the partial renovation of the MFA's galleries and his future plans for a complete overhaul, which he hopes will make the museum more accessible and engaging for visitors. Additionally, the article touches on his personal life, noting his love for the sea and his collection of sea-related items. Overall, the piece presents Vermeule as an enthusiastic and innovative figure who strives to make the arts more relatable to the public.

The image depicts a newspaper clipping from a 1967 article titled "Vermeule, a scholarly 'clown'" that appears to be part of a series or continuation from another page. Here is a detailed summary of the content:

Title: Vermeule, a scholarly 'clown'

Main Points:

1. Introduction to Vermeule:

   • The article discusses John Vermeule, a scholar and museum curator known for his scholarly approach.
   • It mentions a visit to a museum sculpture garden where he was advised on purchasing Classical art.

2. Vermeule's Role and Contributions:

   • Vermeule is described as a Greek-American who works as a curator at the Metropolitan Museum of Art (MMA).
   • He is noted for his meticulous and scholarly approach to art and archaeology.
   • The article highlights his interest in the preservation of art and his involvement in various exhibitions and publications.

3. Kleanthi's Role and Dance:

   • Kleanthi, a dancer, is described in the article as a talented belly dancer who performs in the MMA galleries.
   • Kleanthi’s dance style is characterized by a mix of traditional belly dance with a modern twist.
   • The article humorously notes her performances, including a dance where she was seen eating a slice of pizza.

4. Discussion on Exhibitions:

   • Vermeule is criticized for his serious approach to art, contrasting with Kleanthi’s lively performances.
   • He is said to be highly critical of the museum's interpretation of art and its presentation, suggesting that the museum should be more engaging and less rigid in its presentation.

5. Personal Anecdotes:

   • The article includes a personal anecdote about Vermeule's quirky and scholarly humor, such as his fondness for a specific type of food (pizza) during a performance.
   • It mentions his extensive knowledge and background in Classical Archaeology and his involvement in various academic institutions.

6. Miscellaneous:

   • The piece touches on Vermeule's impact on the museum environment, both in terms of scholarly rigor and his engagement with art and public exhibitions.

General Context:
The article seems to blend humor with a serious academic tone, presenting Vermeule as both a meticulous scholar and someone with a playful side. It captures the essence of his role in the museum and his engagement with the art and public, highlighting his unique blend of seriousness and light-heartedness.

The image shows a newspaper clipping titled "Vermeule, a scholarly 'clown'" that is clipped and placed in a cardboard folder. The article discusses Cornelius Vermeule, a curator at the Museum of Fine Arts (MFA) in Boston.

The article highlights Vermeule's approach to his work, which involves a mix of scholarly rigor and humor. It mentions his visits to the museum's sculpture garden and his interest in the condition of statues, such as retrieving a bronze statue from a climate-controlled gallery. Vermeule also collaborates with his daughter, Blakey, on various projects, including a book on Etruscan art.

The article delves into Vermeule's background, mentioning his Greek-American heritage and his varied career path, which includes stints as a belly dancer and a translator of classical texts. It also describes his approach to curating and his belief in the importance of interpreting art and making it accessible to the public.

The text includes specific anecdotes about Vermeule's interactions with the artworks and his personal life, such as his humorous and scholarly approach to museum duties, and his belief that the museum should be a place where people can enjoy art without feeling overwhelmed or intimidated.

Additionally, the article touches on Vermeule's personal life and his academic background, including his studies in Classical Archaeology at Harvard and his interest in the cultural artifacts of ancient civilizations like Greece and Rome.

The image shows a newspaper article titled "Vermeule, a scholarly 'clown'" mounted on a wooden board. The article is a continuation from page DJ, and it appears to discuss the life and work of George M.A. Hanfmann, known as "Vermeule," who was a museum curator.

Here are some key points from the visible sections of the article:

1. Introduction to Vermeule:

   • The article introduces Vermeule as a "scholarly clown" and describes him as a curator at the Museum of Fine Arts (MFA) in Boston.

2. Vermeule's Personality and Work Ethic:

   • Vermeule is described as someone who has a unique ability to attract large crowds and make the fine arts more accessible.
   • He is portrayed as a man with a sense of humor and a relaxed demeanor, often seen in a bow tie and with a subliminal sandwich in hand.

3. Vermeule's Family and Background:

   • The article mentions his family background, including his wife, Mary Conistock, and their children, Adrian and Blakey.

4. Vermeule's Professional Life:

   • Vermeule's work involves overseeing the renovation of galleries and the interpretation of artworks.
   • He is quoted saying that he wants to make the museum a place where people feel comfortable and can enjoy the art without feeling depressed or oppressed.

5. Vermeule's Beliefs on Museum Curating:

   • Vermeule believes that museums should be places where art is interpreted in a lively and engaging manner, rather than a somber, serious atmosphere.
   • He mentions that the museum should have a "sense of style" and should not feel like a place of worship.

6. Vermeule’s Historical and Personal Anecdotes:

   • The article includes an anecdote about Vermeule's reaction to a pair of cymbals used in a performance by a belly dancer named Kleanthi Ruffan.
   • It also describes Vermeule’s extensive travels and his passion for collecting ancient artifacts, which he believes should be presented in a manner that connects with the public.

7. Vermeule's Educational Background:

   • Vermeule is noted to have been educated at Harvard, where he studied classical archaeology and worked under George Hanfmann, another noted scholar.

8. Vermeule's Approach to Art Interpretation:

   • Vermeule is said to believe in making art accessible and fun, ensuring that visitors leave the museum feeling uplifted rather than depressed.

The overall tone of the article suggests a light-hearted yet informative look at Vermeule's approach to museum curation and his engaging personality.

The image shows a newspaper article titled "Vermuele, a scholarly 'clown'." The article appears to be a continuation from a previous page (Continued from Page D1).

The piece profiles an individual named Vermuele, who is described as having a dynamic and somewhat eccentric personality. Here are some key points from the article:

1. Personal Traits and Habits:

   • Vermuele is described as a "theatrical walk-around-the-garret genius."
   • She recently visited a small bronze statue restored after exposure to air in galleries, which lack climate control.
   • She enjoys a casual lunch of a submarine sandwich with close colleagues.

2. Career and Scholarly Work:

   • Vermuele is a scholar specializing in Classical art.
   • She is noted for her scholarly contributions, such as a book on the impact of renovations in Roman galleries.
   • She has had a significant influence on her field, with a total reorganization of the classical galleries at a major museum attributed to her.
   • Vermuele has also written a book on ancient dance and theater masks.

3. Dance and Art:

   • Vermuele is a trained belly dancer and regularly performs with a troupe.
   • She has a particular interest in ancient dance and has integrated this passion into her scholarly work.

4. Interactions and Anecdotes:

   • She collaborates with colleagues, such as Kleanthi Ruffan, a Greek-American who is a recorder at the Museum of Fine Arts (MFA).
   • The article includes anecdotes about Vermuele's unique and sometimes unconventional methods, such as using dance to interpret art.
   • She has a knack for creating humorous and memorable situations, such as an incident involving a pair of tiger cymbals.

5. Future Plans:

   • Vermuele has plans to curate an exhibition on the Etruscans, featuring artifacts from ancient Thrace.

Overall, the article paints a vivid portrait of Vermuele as an engaging, multi-talented, and unconventional scholar who brings a unique perspective to the study of Classical art.

This image shows a newspaper clipping affixed to a brown cardboard folder or archival mount, with the page partially overlapped by a white sheet of paper at the top. The headline of the newspaper article reads "Vermeule, a scholarly 'clown'" with the rest of the article's text continuing below. The text seems to continue from another page ("Continued from Page D") and is in two columns, with a noticeable indent on the left of the first column where the text continues.

The text is too small to read in detail, but it appears to include quotations and describes events or characteristics related to the subject mentioned in the headline, presumably an individual referred to as Vermeule. The exact content of the article is not discernible from this image due to the small size of the font. The article is likely from a printed newspaper or magazine. These kinds of archival presentations are often used for research, reference, or preservation purposes.

The image is of a newspaper clipping titled "Vermeule, a scholarly 'clown'." The article appears to be a continuation from a previous page (Page D1) and describes Vermeule's personality, work, and interests. It mentions Vermeule's visits to the MFA's conservation labs, his interaction with staffers including John Herrmann and Mary Comstock, and his children. It describes Vermeule's character, mentioning that he roars encouragement in Greek and engages in humorous activities like gyrating his hips and shaking his shoulders with finger cymbals. The article discusses his scholarly background and career, including his studies in Japanese, history, and archaeology, and his work at the MFA as a curator and acting director. There is also mention of his efforts to make art more accessible to the public and his views on the museum's future. The article ends with a nostalgic and somewhat humorous note about Vermeule's promise to bring along a pair of zils (finger cymbals) on his next visit. The clipping is attached to a brown backing and is partially covered by a folded white page at the top.

A page from a book or magazine with the title "Vermeule, a scholarly 'clown'" is printed on a white page. The text is written in black font and is divided into two columns. The text reads, "Vermeule, a scholarly 'clown'" in the first column, and "On a recent day, Vermeule visited the small bronze statue mounted on a wall around the museum sculpture garden." The page is placed on a brown cardboard with a hole in the center.