Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2003.39, Rendition: 806809
The image shows a newspaper clipping attached to a brown folder. The article is titled "A curator celebrates the 'art' of living" and is written by Robert Garrett. The article discusses Cornelius C. Vermeule III, a curator of Classical Art at the Museum of Fine Arts in Boston.
Key points from the article include:
The article paints a picture of a man who balances his professional duties with a vibrant personal life, enjoying both the intellectual pursuits of his career and the social pleasures of life.
The image displays a newspaper article titled "A curator celebrates the 'art' of living," featuring Cornelius C. Vermeule, who is being celebrated for his work in Classical art at the Museum of Fine Arts. The article, written by Robert Garrett, highlights Vermeule's deep knowledge, wit, and his approachable demeanor, which endears him to both colleagues and the public. It mentions his significant contributions to the museum, his encounters with notable figures like Jacqueline Kennedy, and his role in authenticating and recovering stolen artifacts. The article also touches on Vermeule's background, including his upbringing in a family of art historians, his education at Harvard, and his military service. His personal life, including his marriage to Angela, is briefly mentioned. The piece is an appreciation of Vermeule's dedication to the field of Classical art and his unique ability to engage with the public.
The image displays a newspaper article titled "A Curator Celebrates the 'Art' of Living" by Robert Garrett, from the 1970s, featuring Cornelius C. Vermeule. The article is divided into several sections:
Main Article:
Additional Sections:
Photographic Inclusion:
Other Details:
The article reflects Vermeule's dedication to both the academic and practical aspects of curating, providing insights into his approach to museum work and his extensive scholarly background.
The image shows a newspaper article titled "A curator celebrates the 'art' of living" by Robert Garrett, with a subheading "Lives in the Arts." The article discusses Cornelius C. Vermeule, a curator at the Museum of Fine Arts, Boston, who specializes in Classical art, particularly from the Western Hellenistic period.
The article describes Vermeule's responsibilities and his approach to his work, including the care and exhibition of ancient artifacts. It highlights Vermeule's role in organizing a series of lectures and performances, such as a performance by the Greek dance troupe Kleanthi, which align with his belief that the arts should be accessible and enjoyed by the public.
The article also touches on Vermeule's personal life, mentioning his career path, his education, and his involvement in various international projects. He studied at Harvard, earned a PhD in Classical Archaeology, and has worked extensively in museums and universities, including a stint as a curator at the Metropolitan Museum of Art in New York.
The photograph accompanying the article shows Vermeule in a museum gallery filled with ancient sculptures and busts, emphasizing the classical themes of his work. The article portrays Vermeule as a passionate and dedicated professional who strives to make classical art accessible and engaging to a wide audience. The second part of the article, which is cut off in the image, likely continues with more details about his work and personal life.
The image shows a newspaper clipping featuring an article titled "A curator celebrates the 'art' of living" by Robert Garrett and Staff Writers. The article is about Cornelius C. Vermeule, a curator at the Museum of Fine Arts in Boston.
The article discusses Vermeule's passion for Classical art and his role in curating an exhibit featuring Hellenistic art. The exhibit is noted for its emphasis on the human form and the celebration of life and beauty, which aligns with Vermeule's own enthusiasm for the subject.
The article mentions Vermeule's background, including his studies at Harvard and his career as a curator and professor. It highlights his deep knowledge and love for ancient artifacts, particularly those from ancient Greece and Rome, and his ability to make the ancient world relatable to modern audiences.
The article also includes a sidebar titled "Lives in the Arts," which discusses Vermeule's personal life and his interests outside of work, such as his involvement in archaeological digs and his enthusiasm for the Hellenistic period.
There is a photograph accompanying the article showing a bust in the style of Hellenistic art, emphasizing the grandeur and realism of the period.
The clipping also includes a smaller article about a dance performance by Kleanthi, which is connected to Vermeule's exhibit through the themes of movement and artistry in ancient Greece. This smaller article mentions how Kleanthi's performance brings to life the ancient Greek ideals of beauty and movement depicted in the sculptures.
The image is a newspaper clipping featuring an article titled "A curator celebrates the 'art' of living," written by Robert Garrett for the "Staff Writers" section. The article profiles Cornelius C. Vermeule, a curator at the Museum of Fine Arts in Boston, who is celebrated for his passion for Hellenistic art and numismatics (the study of coins and currency).
Key points in the article include:
Introduction to Vermeule: Cornelius C. Vermeule is introduced as a curator who enjoys both his professional life and personal hobbies with great enthusiasm. He is an expert in Classical art from the Western Hemisphere.
Professional Life: Vermeule is the curator of classical art at the Museum of Fine Arts in Boston. He has a notable ability to identify and date art pieces quickly and accurately. He is known for his work in producing a "Concise Catalogue" of the museum's classical art collection.
Personal Life: Beyond his professional achievements, Vermeule is portrayed as someone who savors life, engaging in activities such as boating, reading, and enjoying good food and drink.
Views on Museum Practices: Vermeule shares his opinions on museum operations, including his preference for keeping certain items in the galleries rather than storage. He is also critical of some modern museum practices that he believes cater too much to the lowest common denominator.
Historical Contributions: The article mentions Vermeule's significant contributions to the study and understanding of classical art and coins, noting his expertise in numismatics.
Anecdotes: Several anecdotes highlight Vermeule's personality, including his love for martinis, his engaging teaching style, and his regular presence in the museum's galleries.
Personal Background: Vermeule is a widower who lives in a house in Brookline filled with classical artifacts. He is noted for his extensive knowledge and passion for sharing it with others.
Additional Recognition: The article also references Vermeule's recognition outside the museum, including a mention in a "New Yorker" cartoon.
The article is accompanied by several photos of Vermeule and images related to his work and interests, including a photograph of him and some of the classical art pieces he manages. The piece provides a comprehensive look at both his professional accomplishments and his vibrant personal life.
This image shows a newspaper clipping mounted on what appears to be a bulletin board or scrapbook. The article is titled "A curator celebrates the 'art' of living" and is written by Robert Garrett. Below the title, there is a subtitle reading "LIVES IN THE ARTS".
The article includes two columns of text and a photograph situated in the upper part of the clipping. The photograph shows ancient pottery, specifically what seems to be classical Greek or Roman artefacts. The caption under the photo reads "Cornelius C. Vermeule basks in the glory that was Hellenistic art, in the Classical galleries of the Museum of Fine Arts."
The article itself seems to discuss the responsibilities and experiences of a curator, who is likely Cornelius C. Vermeule, given the caption under the photo. He appears to have been affiliated with the Museum of Fine Arts, as indicated in the caption.
The font of the article text is small and might be challenging to read without zooming in or having a physical copy. There are other pieces of unrelated text visible on the edges of the clipping, suggesting it was taken from a larger page or publication.
In the bottom left corner of the board or paper to which the article is affixed, there is a partial label or piece of text, but it's cut off and not fully legible in the image provided.
The image is a page from a newspaper or magazine featuring an article titled "A Curator Celebrates the 'Art' of Living." The article is about Cornelius C. Vermeule, a curator at the Museum of Fine Arts in Boston, who is known for his passion for classical art and his ability to engage visitors with his enthusiasm. The article includes a photograph of Vermeule standing in front of a classical art exhibit, with captions that provide context for the image. The article also discusses Vermeule's approach to curating and his efforts to make art accessible to a wider audience.
The image shows a newspaper clipping or article page from a publication titled "LIVES IN THE ARTS", dated September 7, 1973. The article is titled "A curator celebrates the 'art' of living" and is authored by Robert Garrett, identified as a Staff Writer.
Headline and Subheading:
Photograph:
Article Content:
Layout and Design:
Contextual Details:
The image depicts a newspaper article that profiles Cornelius C. Vermeule, a curator at the Museum of Fine Arts, highlighting his dedication to classical art and his philosophy of the "art of living." The accompanying photograph showcases a classical sculpture, reinforcing the article's focus on Hellenistic and classical art. The layout and design are typical of a newspaper publication from the early 1970s.
The image shows a newspaper clipping, probably from the 1970s, featuring an article about Cornelius C. Vermeule, a curator at the Museum of Fine Arts. The article is titled "A curator celebrates the 'art' of living" and is written by Robert Garrett. The article is divided into two columns, with a picture of Vermeule and his son in the top right corner. The article discusses Vermeule's passion for ancient art and his belief in the importance of preserving it for future generations. The article also highlights Vermeule's role in organizing an exhibition of ancient art at the museum, which showcases his expertise and dedication to his field. The article is accompanied by a photo of Vermeule and his son, which adds a personal touch to the piece. Overall, the article is a tribute to Vermeule's contributions to the field of art history and his commitment to preserving ancient art for future generations.