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ARCH.2003.39, Rendition: 806805
This image displays a vintage scrapbook page, likely created by someone named "Harvard Gazebo," as indicated by handwritten annotations dated June 10 and June 16, 1977. The page contains three black-and-white newspaper clippings, each accompanied by a caption, mounted on aged, beige paper that appears to be part of a binder, as evidenced by two punched holes on the right side.
Here is a detailed description of each clipping:
Top Left Clipping: Portrait of a Young Man
Bottom Left Clipping: Promenade (ink drawing)
Right Clipping: Color Barrier
Overall Context:
The page serves as a personal archive or memento from June 1977, documenting local art exhibitions at Harvard's Fogg Museum and Busch-Reisinger Museum. The collector, “Harvard Gazebo,” has compiled clippings of artworks spanning different eras and styles—from the 19th-century Romanticism of Géricault to the early 20th-century German Expressionism of Feininger, to the mid-20th-century Color Field painting of Morris Louis. The handwritten dates suggest the collector was actively following these shows, perhaps visiting them or reading about them in the Harvard Gazette. The entire artifact offers a snapshot of cultural life and art appreciation in Cambridge, Massachusetts, during that period.
The image appears to be a collage of three separate newspaper clippings or articles, each featuring a different artwork. The background is a light brown sheet of paper, which may be part of a portfolio or scrapbook.
Top Left: This clipping features a black-and-white portrait of a young man. The text below the image mentions it is a "Portrait of a Young Man" by Théodore Géricault and is part of an exhibition titled "Master Paintings from the Fogg Collection," which is on view at the Fogg Museum through August. The exhibition also celebrates the Fogg's 50th anniversary on Quincy Street and includes more than 150 works by American and European artists.
Bottom Left: This clipping showcases an ink drawing titled "Promenade." The artist is identified as Lyonel Feininger, and the work is described as one of 65 in the "The D. Thomas Bergen Collection of German Expressionist Drawings," which is on display at the Busch-Reisinger Museum through July 15.
Top Right: This section of the collage includes a black-and-white painting or abstract artwork titled "Color Barrier." The artwork is by Morris Louis, and the text indicates it is an acrylic resin paint on canvas from 1961. It is also part of the "Master Paintings from the Fogg Collection" exhibition at the Fogg Museum.
The image seems to be documenting various artworks and exhibitions, with annotations and dates indicating the source of the information as "Harvard Gazette," with specific dates of June 10, 1977, and June 16, 1977.
This image appears to be a page from a scrapbook or a collection of newspaper clippings, specifically from the Harvard Gazette dated June 10, 1977, and June 16, 1977. The page features three distinct images and accompanying text:
Top Left Image: A black-and-white portrait of a young man, identified as "Portrait of a Young Man" by Théodore Géricault. The text mentions that this painting is on display at the Fogg Museum through August as part of the exhibition "Master Paintings from the Fogg Collection," which includes more than 150 works.
Bottom Left Image: An ink drawing titled "Promenade" by Lyonel Feininger, dated 1914. The text indicates that this piece is part of the exhibition "The D. Thomas Bergen Collection of German Expressionist Drawings" at the Busch-Reisinger Museum, running through July 15, 1977.
Right Image: A black-and-white photograph of a tall, thin structure, possibly a tower or a column. The text explains that this is "Color Barrier" by Morris Louis, an acrylic resin painting on canvas from 1961. The text also provides information about the "Master Paintings from the Fogg Collection" exhibition, which celebrates the Fogg's 50th anniversary and features works by American and European artists.
The images and text are arranged on a beige or light brown background, and the text is written in a typewriter font. The overall layout suggests a curated collection of art-related news and information from the specified dates.
The image is a composite of several photographs and drawings, arranged on a beige background. In the top left corner, there is a black-and-white photograph of a young man with a serious expression, wearing a high-collared shirt. Below this image, there is a handwritten note that reads "Portrait of a Young Man by Theodore Gericault at the Fogg Museum through August in 'Master Paintings from the Fogg Collection.' More than 150 works are included in the show."
To the right of this image, there is another photograph of a tall, slender object that appears to be a candle or a similar cylindrical object, with a handwritten note that reads "Master Paintings from the Fogg Collection" remains on view at the Museum through August. The show celebrates Fogg's 50th anniversary, Quincy Street and features more than 150 works by American and European artists. Selections for the show, many on view for the first time, have been chosen by Fogg Director Slive and Professor Sydney Freedberg (Fine Arts). Above: Color Barrier (acrylic resin paint on canvas, 1951) by Morris Louis.
In the bottom left corner, there is a black-and-white drawing of a man in a top hat and a woman in a dress, with a handwritten note that reads "Promenade (1914) by Lyonel Feininger-one of 65 works at the Busch-Reisinger Museum through July 15 in 'The D. Thomas Bergan Collection of German Expressionist Drawings.'"
Overall, the image appears to be a collection of promotional materials for an art exhibition, featuring works by various artists and curated by the Fogg Museum.
The image is a collage of different clippings from the Harvard Gazette. The first clipping features a black and white portrait of a young man, with the caption "Portrait of a Young Man by Theodore Gericault--at the Fogg Museum through August in 'Master Paintings from the Fogg Collection'." The second clipping is a drawing of a man and a woman in a street scene, with the caption "Promenade grise (drawing 1914) by Lyonel Feininger--one of 65 works at the Busch-Reisinger Museum through July 15 in 'The D. Thomas Bergen Collection of German Expressionist Drawings'." The third clipping is a black and white image of a tall object, with the caption "Master Paintings from the Fogg Collection" remains at the Museum through August. The show celebrates the Fogg's 50th anniversary and features more than 150 works by American and European artists. Selections for the show, many on view for the first time, have been made by Director Seymour and Professor Sydney Freedberg (Fine Arts). Above, color border: acrylic resin paint on canvas, 1961 by Morris Louis.
The image shows a page from a scrapbook or album, dated June 10, 1977, with handwritten notes and typed text. The page includes several elements:
Photograph:
Handwritten Notes:
Sketch:
Additional Text:
Layout and Design:
Overall, the image captures a curated record of art exhibitions and personal observations, blending visual art, written commentary, and dated annotations. The content reflects an interest in art history, particularly focusing on works by Theodore Gericault, Lyonel Feininger, and Morris Louis, among others.
The image displays a page or a spread from what appears to be a scrapbook or collection of newspaper clippings. On the left side, there is a caption indicating the date "June 10, 1977," along with labels "Harvard Gazette," suggesting that the material may have originated from a publication by this name.
Below the date and publication title, there is an illustration depicting a rough sketch of one or more figures. Text accompanying the sketch refers to it as "phenomenal in range, exhibit of 150 works at the Busch-Reisinger," mentioning "Phenomena of 'Graphic Nineteen-Sixties' at Lyric Poetry." It also specifies that the exhibition runs through July 15 at "the Dr. William Busch Collection of German Expressionist Drawings."
On the right side of the spread, there is an image of a tall building, seemingly a skyscraper, shown in a black and white photograph. The accompanying text seems to relate to an exhibition titled "Master Paintings from the Eg Collection," which may be on view at the Museum through August. The text further discusses a selection by Slive and mentions the involvement of various people and entities, including "Beth Archer's color story" and "Peggy Beck's silver story."
Overall, the image suggests a historical context with references to art exhibitions and pieces that were likely covered in the Harvard Gazette during the time mentioned. The visible dates "June 10, 1977" and "June 16, 1977," are repeatedly marked on the page, possibly to indicate when the clippings were published or collected. The overall appearance of the spread suggests an interest in art exhibitions, particularly those related to German Expressionism and fine arts in a museum context.
This image appears to be a scrapbook page with three clipped segments, likely from old publications. It contains text and illustrations accompanied by handwritten annotations referring to the "Harvard Gazette" and two dates, June 10, 1977, and June 16, 1977. Here are the details:
Top Left:
Bottom Left:
Right Side:
These segments seem to be related to an exhibition or publication highlighting art displayed at the Fogg Museum, with notes about famous collections or works. The scrapbook layout presents the pieces in an organized manner for reference or preservation.
This is a vintage scrapbook/collection page mounted on light brown paper. It contains three black-and-white clipped images with typed captions and some handwritten notes, all arranged in a rough grid.
There are handwritten labels along the left margin and bottom, including “Harvard Gazette” and date notes (around 1977). The page has two punched holes on the right edge, suggesting it came from a binder. Overall, it looks like a vintage collage of art-clipping reproductions from a newspaper or museum press release.
The image shows a scrapbook page with three clippings attached.
The top left clipping is a black-and-white portrait of a young man in formal attire with a turned-up collar. Below the portrait is a typed caption identifying the artwork as "Portrait of a Young Man by Théodore Géricault" and mentioning the Fogg Museum and a collection titled "Master Paintings from the Fogg Collection." The date "Harvard Gazette June 10, 1977" is handwritten along the left edge of the clipping.
The bottom left clipping is a black-and-white sketch or drawing titled "Promenade" (ink drawing, 1910) by Lyonel Feininger. It depicts several abstract, angular human figures walking in a cityscape. A handwritten note below the image mentions an exhibition at the Busch-Reisinger Museum and the Thomas Bergesen Collection of German Expressionist Drawings. The date "Harvard Gazette June 10, 1977" is written above the clipping.
The clipping on the right is faded and shows a dark vertical form that resembles a tall candle or tower. Below, a typed caption mentions the "Master Paintings from the Fogg Collection" exhibit at the Fogg Museum, emphasizing the display of over 150 works and mentioning American and European artists. It also credits the image to artist Morris Louis circa 1963. "Harvard Gazette June 16, 1977" is handwritten below.
The scrapbook page has a light brown or tan background with two punched holes on the right side.