Archives Scrapbooks

This image displays a clipping from the Harvard Gazette, dated June 10, 1977, mounted on a beige, three-hole punched paper sleeve, likely from a binder or archive file.

The page features two distinct black-and-white reproductions of paintings, each accompanied by a caption, promoting exhibitions at the Fogg Museum (now part of the Harvard Art Museums).

Top Image:

• Artwork: Cliffs at Étretat (oil on canvas; ca. 1868) by Claude Monet.
• Description: This is a dramatic, monochromatic reproduction of Monet’s famous seascape, showing the iconic natural rock arch of the Falaise d'Aval at Étretat, France. The image is rendered with a strong sense of texture and light, emphasizing the layered structure of the cliff face and the water rushing through the arch.
• Caption Text: "Cliffs at Étretat (oil on canvas; ca. 1868) by Claude Monet—at the Fogg Museum through August in 'Master Paintings from the Fogg Collection.'"

Bottom Image:

• Artwork: Highland Light, North Truro (1930) by Edward Hopper.
• Description: This is a watercolor painting depicting a lighthouse complex on a stark, windswept coastal landscape. The composition includes the tall, cylindrical white lighthouse tower, a two-story keeper’s house with multiple gables and chimneys, and smaller outbuildings. The scene is rendered with a sense of quiet solitude and expansive space, characteristic of Hopper’s style.
• Caption Text: "‘Wash and Gouache: Watercolors at Harvard’ continues at the Fogg Museum through June 22. The show includes more than 60 of the Fogg’s finest watercolors, along with works on loan from other Harvard collections. The exhibition spans six centuries and includes many works never before shown. Above, Highland Light, 1930, North Truro by Edward Hopper. (Purchase: Louise E. Bettens Fund)"

Overall Context:

The clipping serves as an announcement for two concurrent exhibitions at the Fogg Museum. The top section promotes a major show of master paintings from the museum’s collection, featuring Monet. The bottom section promotes a watercolor exhibition, highlighting Hopper’s work and noting the show’s breadth and inclusion of rarely seen pieces. The date stamp "Harvard Gazette June 10, 1977" is visible at the top right of the page and again, handwritten, at the bottom right of the Hopper reproduction. The entire clipping is preserved in what appears to be a library or archival storage system.

The image appears to be a scanned copy of a page from the Harvard Gazette dated June 10, 1977. It features two black-and-white illustrations of artwork, along with accompanying text about an art exhibition.

The top section of the page shows an illustration of "Cliffs at Etretat" by Claude Monet, dated approximately 1868. The image depicts a rocky coastline with a prominent arch carved into the cliffs, and it is noted that this artwork is part of the "Master Paintings from the Fogg Collection" at the Fogg Museum.

The bottom section of the page features an illustration of "Highland Night, 1930" by Edward Hopper. The image portrays a lighthouse and a small cluster of buildings, likely representing a coastal town at night. This artwork is part of the "Wash and Gouache: Watercolor at Harvard" exhibition, which is held at the Fogg Museum through June 22. The text also mentions that the exhibition includes over 60 of the Fogg's finest watercolors and works loaned from other Harvard collections, spanning six centuries.

This image is a scanned page from the Harvard Gazette dated June 10, 1977. The page features two separate images, each with a caption.

1. The top image is a black-and-white reproduction of a painting titled "Cliffs at Etretat" by Claude Monet, dated around 1868. The painting depicts a dramatic coastal scene with towering cliffs and a natural archway. The caption indicates that the painting is part of an exhibition at the Fogg Museum through August, featuring "Master Paintings from the Fogg Collection."

2. The bottom image is another black-and-white reproduction of a painting titled "Highland Night, 1930; North Truro" by Edward Hopper. This painting shows a lighthouse and several buildings on a sandy landscape. The caption mentions that the painting is part of an exhibition called "Wash and Gouache: Watercolor at Harvard" which continues at the Fogg Museum through June 22. The exhibition includes more than 60 of the Fogg's finest watercolors, along with works on loan from other Harvard collections.

The page has two holes punched on the left side, suggesting it was part of a binder or notebook. The page itself appears to be aged, with a yellowed tint.

The image shows a page from a magazine with two photographs of paintings. The first painting depicts a rocky cliff by the sea, while the second painting shows a lighthouse with a house in front of it. The paintings are displayed in a museum. The magazine page also includes text and a date, indicating that it is an article about the paintings and the museum exhibition. The photographs are in black and white, and the magazine page has a vintage look.

The image is a collage of two different images. The first image is a black-and-white photograph of a lighthouse. The lighthouse is located on a cliff, and it appears to be surrounded by a rocky shore. The second image is a painting of a cliff with a hole in the middle, and it is titled "Cliff at Etretat." The painting is by Monet and is displayed at the Fogg Museum through August. The collage also includes some text that reads "Harvard Gazette June 10, 1977" and "Harvard Gazette June 16, 1977."

The image shows two framed artworks displayed side by side, each accompanied by descriptive text from the Harvard Gazette dated June 10, 1977.

Top Frame:

• Artwork: A black-and-white painting depicting a dramatic coastal scene. The focal point is a large, rugged cliff formation with a natural archway cutting through it. The cliff is textured and imposing, with visible layers of rock and erosion patterns. In the foreground, there is a body of water, likely the ocean, with waves gently crashing against the rocks. The scene conveys a sense of natural grandeur and isolation.
• Caption: The caption reads:
  "Cliff at Etretat (oil on canvas, ca. 1868) by Claude Monet—at the Fogg Museum through August in 'Master Paintings from the Fogg Collection.'"
  This indicates that the artwork is an oil painting by the famous French Impressionist artist Claude Monet, dated around 1868, and is part of an exhibition at the Fogg Museum.

Bottom Frame:

• Artwork: Another black-and-white painting showing a serene coastal landscape featuring a lighthouse. The lighthouse is tall and slender, with a classic design, and is situated near a cluster of small, modest buildings, likely a keeper's house or related structures. The scene is calm, with a flat, open landscape extending into the distance, suggesting a remote or tranquil location. The overall mood is peaceful and reflective.
• Caption: The caption reads:
  "Wash and Gouache: Watercolor at Harvard" continues at the Fogg Museum through June 22. The show includes more than 60 of the Fogg's finest watercolors, along with works from loan on other Harvard collections. The exhibition spans six centuries and includes many works never before shown. Above: Highland Night, 1930, North Truro by Edward Hopper. (Purchase: Louise E. Bettman Fund.)"
  This indicates that the artwork is part of an exhibition titled "Wash and Gouache: Watercolor at Harvard," which features over 60 watercolors from the Fogg Museum's collection and loans from other Harvard collections. The painting shown is identified as "Highland Night," created in 1930 by the American artist Edward Hopper, and was purchased using the Louise E. Bettman Fund.

Overall Context:

• Both artworks are displayed as part of exhibitions at the Fogg Museum, highlighting significant pieces from the museum's collection and related loans.
• The top artwork is an oil painting by Monet, showcasing a dramatic coastal scene, while the bottom artwork is a watercolor by Hopper, depicting a tranquil lighthouse setting.
• The captions provide historical and contextual information, emphasizing the importance of these works in the exhibitions and their artistic significance.

The image effectively combines visual art with informative text, offering insight into the exhibitions and the artists featured.

This is an image of a page from the Harvard Gazette, dated June 10, 1977. On this page, there are reproductions of two artworks presented as part of an exhibition. The top artwork is titled "Cliffs at Etretat" (oil on canvas, c. 1868) by Claude Monet, which is on display at the Fogg Museum through August in the "Master Paintings from the Fogg Collection."

The bottom artwork is a depiction of a lighthouse with a few houses adjacent to it. There's descriptive text accompanying the image indicating an additional exhibition titled "Wash and Gouache. Watercolor at Harvard" at the Fogg Museum through June 22. This exhibition includes more than 60 of the Fogg's finest watercolors, with works on loan from other Harvard collections. The artwork on the bottom appears to be from this exhibition.

Both images show a distinctly fine art approach, likely indicative of the artistic richness of the exhibitions mentioned. The page is held together in a binder, as indicated by the punched hole on the left edge, suggesting that this collection of pages is part of an archival set or a personal collector's compilation.

This image shows a scrapbook-style page with two cuttings from the Harvard Gazette, dated June 10, 1977 (top clipping) and June 16, 1977 (bottom clipping).

1. Top Image: A monochromatic reproduction of Claude Monet's painting, "Cliffs at Etretat" (oil on canvas, circa 1866). The artwork depicts natural rock formations with an arch overlooking the sea, with a sense of depth and texture created by rugged cliff faces.

2. Bottom Image: Another monochromatic reproduction, this time of Edward Hopper's "Highland Light" (1927, watercolor). It features a lighthouse and associated buildings with a surrounding landscape. The scene has a serene and isolated quality, with sweeping lines and soft contrasts.

Both images are accompanied by descriptions emphasizing their display at the Fogg Museum and details about the respective exhibitions.

• A brown scrapbook page with two black-and-white clipped photographs glued to it, arranged one above the other.
• The clips are from Harvard Gazette pages (dates appear to be in the 1970s).
• Top image: a rugged coastal cliff with a natural arch or opening, likely a Monet scene of Etretat as noted in the caption.
• Bottom image: a small lighthouse and a cluster of houses on a snowy coastline, with a curving path in front.
• The page is bordered with simple lines and has binder holes punched on the left, giving it the look of a loose-leaf scrapbook.
• Overall tone is aged sepia/black-and-white, with captions describing art exhibitions at the Fogg Museum.

The image shows a page from a scrapbook or binder with two newspaper clippings attached to it. The page has two punched holes on the left side.

1. The top clipping is from the "Harvard Gazette" dated June 10, 1977. It features a reproduction of a painting titled "Cliffs at Etretat (oil on canvas; ca. 1886)" by Claude Monet. The painting depicts layered cliffs with natural arches and a body of water beneath them. The artwork shows a serene coastal scene with reflections on the water.

2. The bottom clipping is also from the "Harvard Gazette" dated June 16, 1977. It shows a black-and-white image of a lighthouse and surrounding buildings. The caption mentions the exhibition "Watercolor at Harvard," continuing at the Fogg Museum through June 22, showcasing more than 60 of the Fogg's finest watercolors and some works on loan from other Harvard collections. The specific artwork shown is called "Highland Light, 1930: North Truro" by Edward Hopper.

Both clippings relate to exhibitions at the Fogg Museum and emphasize important artworks from their collections, dated back to the late 19th century and early 20th century.