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ARCH.2003.39, Rendition: 806804
The image appears to be a scanned copy of a page from the Harvard Gazette dated June 10, 1977. It features two black-and-white illustrations of artwork, along with accompanying text about an art exhibition.
The top section of the page shows an illustration of "Cliffs at Etretat" by Claude Monet, dated approximately 1868. The image depicts a rocky coastline with a prominent arch carved into the cliffs, and it is noted that this artwork is part of the "Master Paintings from the Fogg Collection" at the Fogg Museum.
The bottom section of the page features an illustration of "Highland Night, 1930" by Edward Hopper. The image portrays a lighthouse and a small cluster of buildings, likely representing a coastal town at night. This artwork is part of the "Wash and Gouache: Watercolor at Harvard" exhibition, which is held at the Fogg Museum through June 22. The text also mentions that the exhibition includes over 60 of the Fogg's finest watercolors and works loaned from other Harvard collections, spanning six centuries.
This image is a scanned page from the Harvard Gazette dated June 10, 1977. The page features two separate images, each with a caption.
The top image is a black-and-white reproduction of a painting titled "Cliffs at Etretat" by Claude Monet, dated around 1868. The painting depicts a dramatic coastal scene with towering cliffs and a natural archway. The caption indicates that the painting is part of an exhibition at the Fogg Museum through August, featuring "Master Paintings from the Fogg Collection."
The bottom image is another black-and-white reproduction of a painting titled "Highland Night, 1930; North Truro" by Edward Hopper. This painting shows a lighthouse and several buildings on a sandy landscape. The caption mentions that the painting is part of an exhibition called "Wash and Gouache: Watercolor at Harvard" which continues at the Fogg Museum through June 22. The exhibition includes more than 60 of the Fogg's finest watercolors, along with works on loan from other Harvard collections.
The page has two holes punched on the left side, suggesting it was part of a binder or notebook. The page itself appears to be aged, with a yellowed tint.
The image shows a page from a magazine with two photographs of paintings. The first painting depicts a rocky cliff by the sea, while the second painting shows a lighthouse with a house in front of it. The paintings are displayed in a museum. The magazine page also includes text and a date, indicating that it is an article about the paintings and the museum exhibition. The photographs are in black and white, and the magazine page has a vintage look.
The image is a collage of two different images. The first image is a black-and-white photograph of a lighthouse. The lighthouse is located on a cliff, and it appears to be surrounded by a rocky shore. The second image is a painting of a cliff with a hole in the middle, and it is titled "Cliff at Etretat." The painting is by Monet and is displayed at the Fogg Museum through August. The collage also includes some text that reads "Harvard Gazette June 10, 1977" and "Harvard Gazette June 16, 1977."
The image shows two framed artworks displayed side by side, each accompanied by descriptive text from the Harvard Gazette dated June 10, 1977.
The image effectively combines visual art with informative text, offering insight into the exhibitions and the artists featured.
The image presents a scanned page from the Harvard Gazette, dated June 10, 1977, featuring two black-and-white photographs of artworks.
The top photograph showcases a painting by Claude Monet, titled "Cliffs at Etretat (oil on canvas; ca. 1868)," which is part of the "Master Paintings from the Fogg Collection." The bottom photograph depicts a painting by Edward Hopper, titled "North Truro," which is part of the "Wash and Gouache: Watercolors at Harvard" exhibition. The exhibition spans all centuries and includes many works never before shown. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June 23. The show includes more than 60 of the Fogg's finest watercolors along with works on loan from other Harvard collections. The exhibition opens at 4:30 p.m. on June
The image presents a scanned page from the Harvard Gazette, dated June 10, 1977. The page features two newspaper clippings showcasing black-and-white images of artworks.
Top Clipping:
The top clipping displays an image of a painting titled "Cliffs at Etretat" by Claude Monet, created in 1868. The painting is part of the Fogg Collection and was exhibited at the Fogg Museum through August 1977.
Bottom Clipping:
The bottom clipping features an image of a lighthouse, accompanied by a caption that reads: "Wash and Gouache: Watercolors at Harvard" continues at the Fogg Museum through June 22. The show includes more than 60 of the Fogg's finest watercolors, along with works on loan from other Harvard collections. The exhibition spans six centuries and includes many works never before shown. Above, Highland Night, 1930, North Point by Edward Hopper. (Purchase: Louise E. Bettens Fund).
Page Details:
The page has a tan color with a hole punched on the left side, indicating that it was originally part of a binder or folder. The background of the image is a solid gray color.
Overall, the image provides a glimpse into the artistic offerings of the Harvard Gazette in 1977, highlighting the works of renowned artists like Claude Monet and Edward Hopper.
The image is a scanned page from a scrapbook or photo album, featuring two newspaper clippings with images of artwork. The page is bound on the left side with three holes.
The page appears to be a collection of art-related news clippings from the Harvard Gazette in 1977, highlighting exhibitions at the Fogg Museum.
The image presents a scanned or photographed page from a binder, featuring two newspaper clippings of black and white artworks. The page is composed of brown paper with two holes punched on the left side.
Newspaper Clippings:
Handwritten Notes:
Background:
The image appears to be a page from the Harvard Gazette, dated June 10, 1977. It features two artworks:
The top image is a painting titled "Cliffs at Étretat" by Claude Monet, created in 1886. This painting is part of an exhibition at the Fogg Museum, which runs through August, showcasing master paintings from the Fogg Collection. The painting depicts a rocky coastal scene with dramatic cliffs and a natural arch formation, capturing the rugged beauty of the landscape.
The bottom image is a watercolor titled "Weth and Gatchel: Watercolors at Harvard," which is part of an exhibition at the Fogg Museum running through June 22. This exhibition includes over 60 works, with 40 being shown for the first time. The watercolor depicts a serene scene featuring a lighthouse and several buildings, likely representing a coastal or rural setting.
The page also includes a brief description of the exhibitions and the dates they are running. The Harvard Gazette logo is visible at the top of the page.