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ARCH.2003.39, Rendition: 806803
The image is a clipping from a newspaper, specifically "The New York Times," dated Friday, June 24, 1977. The main content is a section titled "Calendar," which includes an article and a black-and-white photograph of a painting.
The painting depicted is "Madame de Pompadour" by François Boucher, which is described as one of more than 150 works at the Fogg through August in "Master Paintings from the Fogg Collection." The article discusses the high prices of artworks at auctions, specifically mentioning that a painting by the French artist Jean-Honoré Fragonard sold for a record price of $1.7 million at Sotheby Parke Bernet. This sale broke the previous record set by a Rembrandt painting. The article also notes that the painting was done in 1769 and is known as "The Bolt." It was previously owned by the Duveen Brothers and later by Andrew Mellon, who donated it to the National Gallery of Art in Washington.
The article further discusses the significance of the painting and its depiction of a scene from a play by Pierre de Marivaux, highlighting the intricate details and the artist's skill. The text also mentions the historical context and the painting's journey through various owners, including its exhibition at the National Gallery of Art.
The clipping is mounted on a piece of cardboard, with handwritten notes at the top indicating it is from the Harvard Gazette dated June 3, 1977, and a reference number "1866.47."
The image features a calendar page with a classical artwork. The calendar is titled "Calendar" at the top. The central image is an oval portrait of a woman, identified as "Madame de Pompadour by Francois Boucher," which is one of more than 150 works at the Fogg through August in 'Master Paintings from the Fogg Collection.'
The woman in the portrait is dressed in elaborate, ornate attire, typical of the rococo period, with delicate lace, ribbons, and a bow. She is depicted holding a fan and a flower, with a delicate, soft expression. The background is a muted, dark color, which helps to highlight the subject.
On the left side of the calendar, there is an article from "The New York Times" dated Friday, June 24, 1977. The article discusses an art sale, mentioning record-breaking prices and notable sales, including a work by Charles-André van Loo and Jean-Honoré Fragonard. The text is partially visible and mentions the high prices achieved at an auction, as well as the involvement of prominent art dealers and collectors. The article also references the Fogg Art Museum and its role in verifying the authenticity and provenance of the paintings.
Additionally, there are some handwritten notes at the top right corner of the calendar, which include the numbers "466.47" and "Harvard Gazette," along with a date, possibly indicating a reference to an article or document in the Harvard Gazette from June 3, 1977.
The image is a collage of two clippings from the New York Times and the Harvard Gazette, both dated June 1977.
New York Times Clipping (Bottom Left):
Harvard Gazette Clipping (Top):
The central image is a reproduction of the portrait "Madame de Pompadour" by François Boucher, showcasing a woman in elaborate 18th-century attire, which is likely the subject of the article in the Harvard Gazette. The portrait is framed within a circular cut-out in the calendar page.
The image is a newspaper clipping from "The New York Times" dated Friday, June 24, 1977. The article appears to discuss a calendar featuring a painting titled "Madame de Pompadour" by François Boucher, one of more than 150 works from the Fogg Museum on display.
The calendar itself includes a large, central image of a portrait of Madame de Pompadour, a well-known figure from the 18th century. The text on the clipping provides context and details about the painting and its historical significance.
The left-hand side of the clipping contains an article discussing the art market and auction prices, mentioning the auction of a painting by Jean-Honoré Fragonard, "The Progress of Love," which set a record price. It also mentions the auction house Sotheby's and the sale of various other works, including a painting by Caravaggio and a portrait by Thomas Gainsborough. The text further touches on the historical and artistic background of Madame de Pompadour and the context of the portrait by Boucher.
There is also a note at the top of the clipping indicating it is from the Harvard Gazette, dated June 3, 1977, and a reference to the catalog number "1966.47." The clipping appears to be preserved in a scrapbook or collection, given the yellowed edges and the way it is mounted.
The image is a page from a calendar featuring an article from The New York Times dated Friday, June 24, 1977. The calendar page itself includes a portrait of "Madame de Pompadour" by François Boucher, one of more than 150 works exhibited at the Fog Art Museum through August 1977.
The calendar page also includes a small article from The New York Times, dated June 3, 1977, which discusses the sale prices of various paintings. The article mentions that a Rothchild painting sold for $1.1 million, setting a record price at the time. It also references the high prices fetched by other paintings, including works by artists such as Jean-Honoré Fragonard, Jean-Baptiste Greuze, and others.
The article discusses the sale of a painting by Jean-Baptiste-Siméon Chardin, titled "The Ray," which sold for $350,000, and a painting by Jean-Honoré Fragonard, titled "The Swing," which fetched $1.1 million. The text mentions the auction house Sotheby's and highlights the significant increase in prices for 18th-century French paintings, attributing this to the growing popularity of these works in the art market.
The article also includes a note from an art dealer, Roger van der Weyde, who discusses the factors influencing the high prices, such as the rarity and historical significance of the works. The calendar page also has a date stamp indicating June 3, 1977, and a handwritten note referencing the Harvard Gazette.
The image is of a vintage calendar page from The New York Times, dated Friday, June 24, 1977. The calendar features a detailed article alongside an artwork reproduction.
Artwork Description:
The artwork is "Madame de Pompadour" by François Boucher. This painting is one of more than 150 works displayed at the Fogg Art Museum through August as part of an exhibition titled "Master Paintings from the Fogg Collection."
The portrait depicts Madame de Pompadour, a well-known mistress and influential advisor to King Louis XV of France. She is shown in an elegant, luxurious dress with lace and ribbons, holding what appears to be sheet music or a book, suggesting her interests in the arts and culture.
Article Summary:
The article discusses the historical and artistic significance of the painting. It notes several interesting points:
The article also mentions that the exhibition at the Fogg Art Museum offers an opportunity to see many masterpieces, including this one, in person. The date and publication details at the bottom confirm it is from The New York Times, Friday, June 24, 1977.
The image appears to be a scanned or photographed clipping from the New York Times, dating to Friday, June 3, 1977. Featured prominently is the "Calendar" section with a large oval picture of an artwork. Because the face within the artwork is obscured, focus shifts to the rest of the image that portrays a lavish scene with a reclining figure adorned in fine clothing and surrounded by rich fabrics and a plume, possibly suggesting a depiction of opulence or a historical persona of significance. The text below the artwork references François Boucher, an 18th-century French painter known for his rococo style, which often included light-hearted depictions of pastoral and mythological scenes. The text notes that this particular piece by Boucher comes from the J. Paul Getty Collection. To the left of the artwork, there is a narrow column of text, most likely an article or information related to the artwork or events during that time. The entire page appears to be mounted on a grey backing board, and there's a visible hole punch in the upper corner, indicating that the page may have been stored in a binder or folder.
The image is a vintage newspaper clipping featuring a calendar page from the New York Times, dated June 3, 1977. The calendar page has a circular portrait of a woman wearing a dress with a lace collar, holding a book and a pen. The portrait is surrounded by a black border and is titled "Calendar." The clipping also includes a small article about an auction at the Rothschild Palace in London, which was sold for a record price.
The image depicts a vintage-style calendar page with a central oval portrait of a woman dressed in elaborate, 18th-century attire. The woman is elegantly posed, wearing a luxurious gown with intricate details, a high collar, and a decorative bow at her chest. She holds a small object in her hand, possibly a fan or a delicate item, and her expression is serene and composed. The background is dark, which contrasts sharply with her bright, detailed clothing, drawing focus to her as the central figure.
Below the portrait, there is a caption that reads:
"Madame de Pompadour by François Boucher—one of more than 150 works at the Fogg through August in 'Master Paintings from the Fogg Collection.'"
This indicates that the portrait is attributed to the renowned French painter François Boucher and is part of an exhibition at the Fogg Art Museum.
To the left of the portrait, there is a column of text that appears to be an article or commentary, likely from a newspaper. The text discusses the painting's historical significance, its attribution, and its place in the art world. The article mentions details about the painting's provenance, its sale history, and its importance in the context of the Fogg Collection exhibition.
At the bottom of the page, there is a header that reads "Calendar", and beneath it, a smaller text identifies the source as "THE NEW YORK TIMES, FRIDAY JUNE 24, 1977." This suggests that the image is a reproduction or scan of a historical newspaper clipping, likely from June 24, 1977, featuring the calendar page and accompanying article.
The overall design and layout suggest a historical or archival context, with the calendar serving as a thematic or decorative element for the article about the artwork. The combination of the elegant portrait and the detailed commentary creates a rich visual and textual narrative about the painting and its significance.
The image is a photograph of a piece of paper that appears to be a clipping from a newspaper. The paper is old, with visible signs of wear and age, including creases and slight discoloration. The clipping is pinned to a larger piece of paper, possibly for preservation or display purposes.
The clipping features a prominent headline at the top that reads "Calendar," suggesting that the article is related to a calendar or an event schedule. Below the headline, there is a black-and-white oval portrait of a woman. She is depicted wearing a gown and holding a flower, with an elegant and historical style that suggests she is from a past era, possibly the 18th or 19th century.
The portrait is accompanied by text that provides context or information about the woman in the portrait. The text is dense and appears to be a news article or feature, discussing various topics, including art, auctions, and historical figures.
The clipping also includes a smaller piece of text on the left side, which seems to be a continuation of the article or an additional note. This text is less prominent but still legible and provides further information or commentary related to the main article.
The overall layout of the clipping suggests it was carefully selected and preserved, possibly for its historical or cultural significance. The portrait and accompanying text indicate that the article might be about a notable historical figure or an event of cultural importance.
In summary, the image depicts an old newspaper clipping featuring a headline "Calendar," a portrait of a historical woman, and accompanying text discussing various topics, pinned to a larger piece of paper for preservation.