Archives Scrapbooks

The image is a page from a newspaper, specifically the Boston Herald-American, dated Sunday, June 5, 1977. The main article on the page is titled "Fogg features fragile watercolors" and is written by Robert Garrett, an art critic.

The article discusses a selection of Turner watercolors from the 19th century on display at the Fogg Art Museum. It highlights the delicate nature of watercolors and the challenges in preserving them, noting that they are protected by glass and must be kept away from direct sunlight. The article mentions that the colors in these watercolors have faded over time.

John Ruskin, the godfather of watercolor painting, is quoted as describing watercolor as a "glorious art" but also noting its fragility. The article mentions that the exhibition includes works by Turner and other artists, showcasing the evolution of watercolor techniques.

There is a black-and-white image of a watercolor painting titled "Caleb Fleeing from the Wrath of God" by William Blake, which is part of the exhibit. The article also discusses the historical context and the techniques used by artists like Turner and Blake.

Additionally, there is a smaller image of an abstract painting titled "Noli Hunting" (1950) by Robert Motherwell, which is part of the "Master Paintings from the Fogg Collection" exhibition. The article provides a brief description of this painting as well.

Overall, the page focuses on the art of watercolor painting, its historical significance, and the challenges of preserving these delicate works.

The image is a clipping from the Boston Herald American, dated Sunday, June 5, 1977. The article is titled "Fogg features fragile watercolors" and was written by Robert Garrett, an art critic.

The article discusses an exhibit at Harvard's Fogg Art Museum, focusing on the fragility and historical significance of watercolors. The text highlights the efforts of John Ruskin, a renowned art critic, to preserve the delicate medium and the challenges faced by the Fogg Museum in protecting these watercolors from deterioration.

The exhibit includes works from various periods and artists, such as William Blake and Turner, showcasing the development of watercolor techniques. The article also mentions the inclusion of a variety of subjects, from landscapes to portraits, and notes the museum's conservation methods.

There are two visuals included in the article:

1. A black-and-white photograph of a watercolor titled "Cain Fleeing from the Wrath of God" by William Blake, part of the current exhibit.
2. A color photograph of an abstract watercolor titled "Wall Hunting" by Robert Motherwell, which is part of the exhibit "Master Paintings from the Fogg Collection" on view through August.

The article also mentions that the watercolors are particularly sensitive to light and humidity, which is why they are protected in special displays.

The exhibit is described as a significant collection, illustrating the evolution of watercolor art from the 18th century to modern times, with a special focus on the delicate handling required to preserve these artworks.

The image is a collage that consists of two main sections:

1. Top Section: Newspaper Clipping

   • This section is a newspaper article from the Boston Herald American dated June 5, 1977, titled "F'ogg features tragic watercolors."
   • The article is written by Robert Garrett, an art critic.
   • The article discusses an exhibit at the Fogg Art Museum showcasing watercolors by John Ruskin, the godfather of watercolor art. Ruskin's watercolors are presented in a display protected from light to preserve their fragile condition.
   • The piece highlights Ruskin's contributions to the medium, his belief that watercolors should be viewed as works of art, and his prediction that watercolors would become more appreciated and respected.
   • The exhibit includes over 80 watercolors, focusing on Ruskin's explorations of pigment materials and techniques.
   • The article also mentions the enduring impact of Turner's watercolors and Turner's influence on Ruskin.

2. Bottom Section: Artwork

   • Below the newspaper clipping is a black-and-white reproduction of a piece of art titled "Wall Fountain" by Robert Motherwell, dated 1950.
   • This artwork is from the exhibition "Master Paintings from the Fogg Collection" and is included in a separate page titled "Henry Moore."
   • The artwork depicted is abstract and features geometric shapes with a textured, almost sculptural quality.

The collage seems to juxtapose a historical and critical look at the art of watercolors with a contemporary piece by another notable artist, Robert Motherwell. The juxtaposition highlights the evolution and significance of different artistic movements and mediums.

The image shows a newspaper article titled "Fogg features fragile watercolors" from The Boston Herald American, dated Sunday, June 5, 1977. The article, written by Robert Garrett, discusses an exhibit at Harvard's Fogg Art Museum that features delicate watercolors. The text explains the fragile nature of watercolors, their vulnerability to light and handling, and their increased popularity.

The article includes a photograph of a watercolor titled "Calm Fleeing from the Wrath of God" by William Blake, part of the current exhibit at the Fogg Art Museum. The exhibit, curated by Marjorie B. Cohn, features over 80 watercolors from the Fogg and other Boston collections, highlighting the evolution of watercolor as a medium.

The article also mentions specific artists and their techniques, such as J.M.W. Turner and his use of pigments, and the varied approaches to watercolor by different artists. Additionally, the article notes the historical context, including the influence of John Ruskin, an art critic, and the shift in appreciation for watercolors over time. The exhibit aims to showcase watercolor as a significant medium, deserving of the same respect as oil painting. The display will be open through August 1977.

The image is a newspaper clipping from the Boston Herald American, dated Sunday, June 5, 1977. The article, titled "Fogg features fragile watercolors," is written by Robert Garrett and discusses an exhibition of watercolor paintings at Harvard's Fogg Art Museum.

Key Points from the Article:

1. Fragility of Watercolors:

   • Watercolors are described as a fragile medium, sensitive to light, and prone to fading. Due to this, they must be handled carefully and protected from prolonged exposure to light.

2. John Ruskin and J.M.W. Turner:

   • The article mentions John Ruskin, a prominent art critic, who collected watercolors by J.M.W. Turner. Ruskin donated his collection to the University of Oxford, where it deteriorated due to improper display conditions.
   • Unlike Ruskin’s collection, the Fogg Art Museum's Turner watercolors remain in excellent condition because they have been carefully preserved.

3. Current Exhibition:

   • The Fogg Art Museum is currently exhibiting over 50 watercolors from its collection. These watercolors were mostly donated by bequest, including a notable contribution by Louise Haskell Daly.

4. Notable Artists and Works:

   • The exhibit includes works by significant artists like Winslow Homer and John Ruskin himself.
   • One highlighted piece is "Cain Fleeing from the Wrath of God" by William Blake.

5. Historical Context:

   • Watercolor artistry peaked in England during the late 18th and early 19th centuries. The exhibition aims to showcase this period's artistic achievements.
   • The article explains that watercolors gained respectability as an art form, overcoming earlier perceptions of being merely preparatory sketches.

6. Special Exhibits:

   • The exhibition includes a special illumination of a salmon, a work by Ruskin, displayed with controlled lighting to prevent damage.
   • The show also features a selection of German Expressionist watercolors, including works by Ernst Ludwig Kirchner, Emil Nolde, and Max Pechstein.

Visual Elements:

• The clipping includes a photograph of the artwork "Cain Fleeing from the Wrath of God" by William Blake.
• There is also an image of Robert Motherwell's "Wall Hunting" (1950), offering a contrast between historical and modern watercolor techniques.

Conclusion:

The article emphasizes the care required to preserve watercolors and the historical value of the pieces on display, highlighting both the fragility and beauty of the medium. The exhibition at the Fogg Art Museum provides a rare opportunity to view these delicate works of art.

The image features a newspaper clipping from The Boston Herald American, dated Sunday, June 5, 1977. The article is titled "Fogg features tragic watercolors" and is written by Robert Garrett, an art critic.

The article discusses an exhibition of watercolors from the Fogg Art Museum at Harvard University, focusing on works by John Ruskin. Watercolors are described as a fragile medium, especially those from the 19th century, which were often protected by being framed under glass. The exhibition highlights Ruskin's watercolors from the 1830s, which have suffered from exposure to natural light, causing them to fade.

The text mentions that Ruskin's watercolors are remarkable in their directness and immediacy, capturing the essence of the landscape and mood. It also discusses the techniques and materials used by Ruskin, including his use of pigments and the challenges he faced with mixing colors properly.

The article includes references to specific works and artists such as Turner, Homer, and other notable figures in the watercolor tradition. The exhibition is noted for its focus on the tragic fading of these works over time, showcasing both the beauty and the fragility of watercolors.

Additionally, there is a smaller collage image at the bottom, featuring an abstract watercolor painting by Robert Motherwell titled "Wall Funing" from 1950, which is part of an exhibit titled "Master Paintings from the Fogg Collection."

The newspaper clipping itself is framed and appears to be preserved, possibly in an album or scrapbook.

The image displays a collection of presumably newspaper clippings and a card presented on a piece of paper with a light brown folder-like border. The top clipping is an article titled "Fogg features fragile watercolors" from the "BOSTON HERALD AMERICAN, SUNDAY, JUNE 5, 1977," written by Robert Garrett. It discusses an exhibition at the Fogg Art Museum, including works by the artist John Ruskin and others, focusing on the fragility and artistry of watercolors.

Below the article is a clipping of a watercolor painting with the caption "Cain Fleeing from the Wrath of God," a watercolor by William Blake, stated to be part of the current exhibit at the Fogg Art Museum.

The bottom clipping features a black-and-white abstract artwork with the caption "Nail Painting (1950) by Robert Motherwell—on view through August in 'Master Paintings from the Fogg Collection.'" It shows a piece with dark brushstrokes forming abstract shapes against a lighter background.

Additionally, on the right side, there is a small beige card which appears to be part of the paper or backing onto which the clippings are mounted, but it does not have any text or distinguishing marks visible in the image. The overall presentation suggests a personal collection or a scrapbook page relating to art and exhibitions.

This image is a scrapbook page featuring two pieces of artwork and two newspaper clippings.

• At the top left is a black-and-white newspaper clipping with the headline "Fogg features fragile watercolors" by Robert Garrett, Art Critic, from the Boston Herald American, dated Sunday, June 5, 1977. The article discusses the delicate nature of watercolor paintings and mentions an exhibit at the Fogg Art Museum. Under this clipping is a black-and-white photo of a watercolor titled "Cain Fleeing from the Wrath of God" by William Bliss, noting it is part of the current exhibit at the Fogg Art Museum. This photo shows a dramatic figure seemingly fleeing from a menacing figure to the left.

• To the right of this first clipping is a longer newspaper excerpt detailing more about the watercolor exhibit, mentioning artists like Turner, Marjorie Cohn, and others. It discusses the qualities of watercolor and the significance of the exhibit.

• Below these clippings is an abstract black-and-white artwork with bold, geometric shapes. The caption identifies it as "Wall Painting (1950) by Robert Motherwell—on view through August in 'Master Paintings from the Fogg Collection.'" There is also a handwritten note with the date "6-10-77" and the name "Harvard Gazette" underneath.

The scrapbook page is mounted on a piece of brown paper with three punched holes on the left side, indicating it was part of a larger collection or album.

A newspaper clipping titled "Fogg features tragic watercolors" features an article by Robert Garrett about watercolors at the Fogg Art Museum. The clipping includes a picture of a watercolor painting by William Blake titled "Cain Fleeing from the Wrath of God." The article discusses the fragility of watercolors and how they are protected from exposure to light and air. The article also mentions the use of watercolors by artists such as Turner, Turner's influence on the development of watercolors, and the watercolors of Homer and Ruskin.

The image is a newspaper clipping from The Boston Herald American, dated Sunday, June 5, 1977. The article is titled "Fogg features tragic watercolors" and is authored by Robert Garrett, identified as an Art Critic.

Content Overview:

The article discusses the fragility and challenges associated with watercolor as an art medium. It highlights the historical and technical aspects of watercolor, emphasizing its delicate nature and the difficulties artists face in preserving their work. The piece also references the Fogg Art Museum, noting its role in showcasing and preserving watercolor collections.

Key Visual Elements:

1. Headline and Subheading:

   • The headline, "Fogg features tragic watercolors," sets the tone for the article, suggesting a focus on the vulnerabilities of watercolor art.
   • The byline identifies the author and their role as an art critic.

2. Main Text:

   • The article explores the history of watercolor, mentioning notable figures like John Ruskin and Turner, who were early advocates of the medium.
   • It discusses the chemical instability of watercolor pigments, which can degrade over time, especially when exposed to light, air, or improper storage conditions.
   • The article also touches on the evolution of watercolor techniques and materials, noting how artists have adapted to the medium's challenges.

3. Photographs:

   • Top Image: A watercolor painting titled "Cain Fleeing from the Wrath of God," by William Blake. The caption identifies it as part of the current exhibit at the Fogg Art Museum.
   • Bottom Image: A black-and-white photograph of an abstract or modern artwork, possibly a painting or sculpture, with bold geometric shapes. The caption identifies it as "Bull Painting (1950)" by Robert Motherwell, viewed through an exhibit titled "Master Paintings from the Fogg Collection" at the Harvard Gazette.

4. Layout:

   • The article is formatted in a typical newspaper style, with a mix of text and images.
   • The text is dense and informative, providing context about watercolor as an art form and its display at the Fogg Art Museum.
   • The images are placed strategically to illustrate key points in the article.

Contextual Notes:

• The article reflects the challenges of preserving watercolor art, a medium that is inherently fragile and susceptible to deterioration.
• It highlights the Fogg Art Museum's efforts in exhibiting and studying watercolor works, underscoring the museum's role in art conservation and education.
• The inclusion of both historical (Blake) and modern (Motherwell) artworks suggests a broad exploration of watercolor's evolution and significance.

Overall, the image captures a thoughtful critique of watercolor as an art form, emphasizing its beauty and fragility, while also showcasing notable works from the Fogg Art Museum's collection.