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The image shows a page from the Boston Sunday Globe dated May 15, 1977. It features a review of an art exhibition titled "Women's Eyes," which is described as a stimulating exhibit. The review is written by Robert Taylor and includes a black-and-white photograph of a mixed media artwork by Gregory Gillespie titled "Still Life Study."

The article discusses the theme of feminism in the art world, highlighting the contributions of female artists and critics. It mentions the work of Gregory Gillespie and Lynda Weis, who curated the exhibit at the DeCordova Museum in Lincoln, Massachusetts. The review emphasizes the importance of recognizing the feminine perspective in art and the unique insights it brings to the field.

Additionally, there is a continuation of an article on the right side of the page, which seems to discuss drawing techniques, specifically identifying drawing with a humane way of seeing. The text is partially visible and appears to be a detailed exploration of artistic methods and their historical context.

The page is mounted on a brown cardboard backing, and there are handwritten notes on the right side of the article, indicating that it might have been saved or archived for reference.

The image displays an open magazine or journal, with two visible pages. The left page features an article titled "'Women's Eyes' a stimulating exhibit," accompanied by a black-and-white photograph of an art installation. The article discusses an exhibition titled "Women's Eyes," which includes paintings, sculpture, and photographs by various artists such as Helen Frank, Lynton Wells, and Gregory Gillespie. The text mentions that the exhibition addresses issues of feminism and the role of women in art, and it highlights the curatorial choices made by the exhibit's organizers.

The right page is titled "Technique" and delves into the importance of understanding and appreciating the technical aspects of art. The article emphasizes that the impact of an artwork is often tied to the viewer's recognition of the techniques used, which can enhance the emotional and intellectual response. It also notes that many contemporary artists continue to use traditional techniques, and that the choice of technique can be a significant aspect of the artist's statement. The article references specific artists and works, such as those at the Fogg Art Museum, to illustrate these points. Additionally, there is a handwritten note on the right page, which appears to be a reminder or reference note related to the article, dated June 5, 1977.

The image shows a newspaper clipping from the Boston Sunday Globe dated May 15, 1977. The clipping is titled "Women's Eyes: a stimulating exhibit," discussing an art review.

Left Side:
The left part of the clipping is a review article. The main article is titled "Women's Eyes" and features a mixed-media work by Gregory Gillespie titled "Still Life Studio." The article discusses a show of paintings, sculpture, and photography titled "Women's Eyes" that focuses on the themes of femininity and representation.

Key points from the review include:

• The exhibit was curated by a curator named Susan Ginsburg and was part of a larger show that included works by Gregory Gillespie, Lynton Wells, and others.
• It critiques the traditional gender roles in art and highlights the importance of female perspectives in the art world.
• The exhibit challenges conventional artistic techniques and representation, emphasizing the visual and conceptual elements of the artworks.

Right Side:
The right side of the clipping is a smaller article under the heading "Technique." It seems to be discussing contemporary art techniques, particularly focusing on the use of watercolors and their evolution.

Key points from the "Technique" section include:

• It mentions that many contemporary artists are exploring different techniques, such as watercolors, to create new forms of art.
• The text encourages understanding the history and evolution of watercolor techniques, highlighting works by artists like Winslow Homer and John Singer Sargent.
• It suggests that understanding these historical techniques can enrich contemporary works by providing a broader context and appreciation for the mediums and materials used in art.

The clipping is bound between two cardboard pages, and the overall layout suggests it was clipped out for preservation or reference.

The image shows two newspaper clippings related to art and technique.

1. The left clipping is from the Boston Sunday Globe, dated May 15, 1977. It is titled "Women's Eyes" and discusses an art exhibit of the same name. The article highlights the work of various artists, including Gregory Gillespie and Lynette Wall, who explore themes of representation and perception through painting and photography. It mentions an exhibition curated by Bonnie Steinberg at the Quincy Art Center, focusing on artworks that question and depict the world from women's perspectives. The piece emphasizes the innovative use of materials and techniques by the artists, such as the mixed media work by Gillespie.

2. The right clipping is from The Boston Phoenix, dated June 5, 1975. The article is titled "Technique" and discusses the appreciation of art techniques. It argues that the essence of art is not just the technical skill but also the artist's vision and understanding of the medium. The author mentions a show at the Fogg Museum celebrating contemporary artworks and the importance of understanding the materials and methods used by artists. The text also references specific artists and their works, including those using watercolors and water-based pigments, and discusses the historical development and appreciation of different artistic techniques.

Overall, the clippings highlight the significance of artistic technique and the unique perspectives brought to art by contemporary artists.

The image shows two pages of an article from the Boston Sunday Globe, dated May 15, 1977, along with a handwritten note on the right page.

Left Page:

• The headline reads: "Women's Eyes: a stimulating exhibit."
• The article discusses an exhibition titled "Women's Eyes," which features paintings, sculpture, and photographs by 16 women artists.
• The exhibit is curated by Susan Glimberg and is open at the Boston University Art Gallery from May 12 to June 12, 1977.
• The article highlights the works of several artists, including Gregory Gillespie, Lynton Wells, and Jan Groover, among others.
• The text mentions the diversity of the mediums used and the thematic focus on feminist issues within art.
• A photograph of Gregory Gillespie's mixed media work titled "Still Life Studio" from 1972 is shown.

Right Page:

• The article on this page is titled "Technique."
• It discusses the appreciation of technical aspects in contemporary art.
• The text argues that many modern artists shun technical mastery, which is seen as a traditional concern.
• The article references a show at the Fogg Art Museum titled "Wash and Goauch," which celebrates the technical skills of various artists.
• It highlights the works of artists like Winslow Homer, John Singer Sargent, and others who demonstrate technical prowess.
• The author notes that an understanding of techniques can enhance the appreciation of contemporary art.
• The page also contains handwritten notes, including a date (May 5, 1974) and a name, "The Boston Phoenix."

The overall focus of the articles is on the appreciation of art, both in terms of feminist themes and technical skill, providing insight into the artistic trends and critiques of the late 1970s.

The image shows a two-page spread from a 1977 edition of the "Boston Sunday Globe," specifically from the Review/Art section dated May 15, 1977.

Left Page:

Article Title: "Women's Eyes" a stimulating exhibit

Content Summary:
The article discusses an art exhibition titled "Women's Eyes," curated by Susan Ginsburg, which showcases the works of contemporary female artists. The exhibition aims to highlight various aspects of women's art and features mixed media works from 1973 by artists like Georgia Gillispa.

The curatorial approach focuses on the diversity and richness of women's artistic expressions, moving beyond the traditional roles and expectations. The exhibition includes artists such as Dottie Attie, Cynthia Bickley, Sharon Gilbert, Agnes Martin, and Lynton Wells, among others. The curator has selected pieces that incorporate photography, imagery, and conceptual art, emphasizing the varied and innovative approaches these artists take.

The article also mentions a historical context, drawing parallels to an earlier exhibition in 1913 that similarly sought to redefine women's roles in art.

Right Page:

Article Title: Technique

Content Summary:
This article delves into the concept of "technique" in contemporary art. It argues that the traditional understanding of technique, which often focuses on specific manual skills, is outdated. The modern definition embraces a broader, more humanistic approach to art-making.

The author, Carter Ratcliff, references a study by Marjorie B. Cohn on the watercolors of Winslow Homer to illustrate the evolution of technique. Ratcliff discusses how contemporary artists like Jasper Johns and Jackson Pollock have expanded the notion of technique to include a wide array of methods and conceptual processes.

The article also critiques the traditional separation of technique from the broader essence of art. It suggests that modern artists integrate various materials and methods into their work, reflecting a more holistic and innovative approach to creating art.

The text emphasizes that contemporary art often blurs the lines between traditional skills and conceptual innovation, leading to a richer, more diverse understanding of what technique can encompass.

This image shows a collection of two newspaper clippings mounted on a board with a tan border.

The left clipping has a headline which reads "Women’s Eyes," followed by the subtitle "a stimulating exhibit" and the mention "FROM WOMEN’S EYES PUBLISHER". It also features a black and white photograph related to the event or exhibit described. The article below provides details about the exhibit, but the text is too small to read in full detail. This section appears to be from the "ROSTON SUNDAY GLOBE", dated "May 8, 1977." There is a note written in pen in the lower section of the clipping which cannot be completely deciphered due to the resolution.

The right-hand clipping contains a continuation of an article from another page, as indicated by the tagline "Continuing from page 5" at the top. This article includes a column of text and is headed by the word "Technique." There is a hand-drawn symbol (perhaps a checkmark) and a handwritten annotation along the right edge which mentions "Jones Street." This piece of the article discusses art and technique but again, the specific content of the text cannot be clearly read from this image.

Both clippings feature aged paper, typical of newspaper print, and the left clipping has a visible fold in the center. The board to which they are attached has three holes punched on the left side, suggesting it is part of a collection or a binder. This mounting appears to serve the purpose of archiving or presenting the articles for review or study.

The image shows a clipping from a newspaper, specifically the Boston Sunday Globe, dated May 15, 1977. The clipping features an article review titled "Women's Eyes" a stimulating exhibit" and includes an image of a mixed media artwork by Gregory Gillespie titled "Still Life: Studio." The review discusses the themes of feminism and the role of women artists in the context of the 1970s art scene. The clipping is part of a larger document, possibly a scrapbook or archive, as indicated by the brown folder and the presence of other clippings.

The image shows a page from a newspaper or magazine, specifically the Boston Sunday Globe, dated May 13, 1977. The page features two distinct sections:

Left Side:

• Headline: "Women's Eyes' a stimulating exhibit"
• Content: This section is a review or article discussing an art exhibition titled "Women's Eyes."
  • The article highlights the exhibition's focus on women's issues in art, mentioning artists such as Rose Taylor, Jan Groover, and Gregory Gillespie.
  • It describes the exhibition as a stimulating new public art display, curated by Susan Ginsburg, a doctoral candidate at the Graduate Center, CUNY.
  • The exhibition is noted for showcasing works by female artists, emphasizing themes of feminism, representation, and the exploration of female identity in art.
  • The article includes a photograph of a mixed-media artwork by Gregory Gillespie titled "Still Life Studio," which is part of the exhibition.

Right Side:

• Headline: "Technique"
• Content: This section appears to be an article or column discussing art techniques, likely focusing on watercolor painting.
  • The text begins with the phrase "Continued from page 5" and discusses the concept of technique in art, emphasizing that technique is an essential aspect of contemporary art.
  • It critiques a conservative perspective on technique, suggesting that it is often judged by traditional standards rather than by the artist's own creative vision.
  • The article references the Fogg Museum and its exhibitions, mentioning artists such as Marjorie B. Cohn and Jozef Israëls.
  • There is a discussion of the evolution of watercolor techniques, citing historical artists like John Singer Sargent and John Singer Sargent, and exploring how modern artists have adapted these techniques.

Additional Details:

• The page includes a stamp or label in the top-right corner that reads "The Boston Sunday Globe, May 13, 1977."
• There is a handwritten note or annotation in the top-right corner of the page, which appears to be a personal note or reference, though its content is not entirely clear.
• The layout is typical of a newspaper or magazine, with columns of text and accompanying images or photographs.

Overall Context:

The page combines a review of a contemporary art exhibition focused on women's issues in art with an article on art techniques, likely aimed at art enthusiasts, critics, or students. The juxtaposition of these two topics suggests a broader exploration of art's role in society and its technical and conceptual dimensions.

A newspaper clipping is attached to a brown cardboard sheet with a hole punch on the left side. The clipping is divided into two parts. The left side is an article titled "Women's Eyes" and a stimulating exhibit. The right side is titled "Technique." The newspaper clipping is attached to the cardboard with a staple on the top right corner.