Archives Scrapbooks

The image is a collage of newspaper clippings mounted on a cardboard backing. The clippings are from the Harvard Crimson, the student newspaper of Harvard University. Here are the details of each clipping:

1. Top Left Clipping:

   • Title: "Fogg enjoys Degas' lost masters"
   • Author: Robert Garrett
   • Date: May 16, 1972
   • Content: The article discusses an exhibition at the Fogg Art Museum featuring the works of Edgar Degas, particularly his bronze sculptures of dancers. The exhibition includes a series of bronze ballerinas captured in various poses. The article highlights the significance of these sculptures, which were cast posthumously from Degas' original wax models. It also mentions the museum's acquisition of these pieces and their display.

2. Top Right Clipping:

   • Image: A photograph of a bronze sculpture titled "Grande Arabesque" by Edgar Degas. The sculpture depicts a dancer in an arabesque pose.
   • Caption: "Grande Arabesque," grand sculpture on view at the Fogg Museum.
   • Content: The text describes the sculpture and its display at the Fogg Museum. It mentions that the sculpture is part of a larger collection of Degas' works and provides some context about the artist's fascination with dance and movement.

3. Bottom Clipping:

   • Title: "Fogg Museum Celebrates 50th With Fundraising Spectacular"
   • Author: Eleanor Constantine
   • Date: May 16, 1972
   • Content: The article covers a fundraising event held at the Fogg Museum to celebrate its 50th anniversary. The event, described as a "Saturday night spectacular," features a variety of entertainment, including a performance by the Boston Ballet and a multi-age circus. The article highlights the museum's efforts to raise funds for its expansion and renovation, emphasizing the importance of community support.

Overall, the collage captures a moment in the history of the Fogg Art Museum, showcasing its exhibitions and fundraising efforts in the early 1970s.

The image contains two newspaper clippings from the Fogg Art Museum, dated May 16, 1977.

Top Clipping:

Title: "Fogg 'enjoys Degas' lost masters"
By: Robert Garrett
Source: Art Critic

This article discusses an exhibition at the Fogg Art Museum showcasing Edgar Degas's lost bronze sculptures. The article highlights the installation of a group of Degas's bronze ballerinas, which were previously believed to be lost. It notes how the sculptures are presented in a way that brings out their original elegance and modernist qualities. The critic appreciates the thoughtful arrangement and the way it highlights the delicate balance and movement in the works. The text also mentions a bronze sculpture titled "The Dance Critic" by Elizabeth Varely, which complements the exhibition.

Bottom Clipping:

Title: "Fogg Museum Celebrates 50th With Fundraising Spectacular"
By: Eleni M. Constantine

This article reports on the Fogg Art Museum's 50th anniversary celebration. It details a lavish fundraiser that included a ball, where attendees were treated to an impressive display of art and a chance to raise funds for the museum's future. The article mentions that the museum is aiming to raise significant funds to expand its facilities and improve its offerings. It notes that the event was a success, bringing in contributions that will help the museum continue its mission of preserving and showcasing art.

Both clippings highlight the museum's efforts to promote its collections and secure funding for its future endeavors.

The image shows a page from a newspaper with two articles related to the Fogg Museum. The first article, titled "Fogg enjoys Degas' lost masters" by Robert Garrett, discusses an exhibition at the Fogg Museum featuring bronze sculptures by Edgar Degas. The article highlights the rarity and significance of these sculptures, which include both small-scale figures and larger pieces like 'Little Dancer Aged Fourteen.' The author appreciates the display, noting the dramatic presentation and the unique opportunity to view these works, which are usually in storage due to their fragility. The article also mentions a sculpture by Elizabeth Vreeland and the overall impact of the exhibition.

The second article, titled "Fogg Museum Celebrates 50th With Fundraising Spectacular" by Eleni M. Constantine, describes a celebration event marking the 50th anniversary of the Fogg Museum. The event, held at the Alston Burr Hall, included performances by the Boston Symphony and was attended by notable figures like the director of the Fogg, Seymour Slive. The article mentions the museum's plans to expand its facilities and the significant role of the Friends of the Fogg in supporting these efforts. The event raised over $100,000, which will be used for future acquisitions and the construction of a new wing designed by I.M. Pei.

The image is a newspaper clipping from the Harvard Crimson, dated May 20, 1977, featuring articles related to the Fogg Art Museum at Harvard University.

Main Article: "Fogg enjoys Degas' lost masters"

By Robert Garrett

Summary:
The Fogg Art Museum has acquired a unique collection of sculptures by Edgar Degas, a prominent French artist. These sculptures, primarily of dancers and horses, were mostly unknown to the general public. The article explains that Degas created these works in a private, almost secretive manner, often giving them to acquaintances rather than exhibiting them.

The installation at the Fogg Museum showcases these sculptures, including 67 bronze casts made from the original wax and mixed-media models after Degas' death. The article notes the remarkable nature of the collection, which includes a rare mixed-media sculpture, "The Little Fourteen-Year-Old Dancer," and various other figures in different stances and forms.

The display aims to reveal the experimental and innovative aspects of Degas' work, which were not fully appreciated during his lifetime. The article also mentions how the sculptures were only cast in bronze posthumously and discusses their significance in the context of Degas' broader artistic oeuvre.

Side Article: "The Dance Critic"

This piece provides an excerpt from the paper by Elizabeth Vary, who won a competition to critique the Degas exhibit. She describes a bronze figure of a dancer and the nuances of Degas' work in capturing movement and posture.

Additional Article: "Grande Arabesque,' grand sculpture on view at the Fogg Museum"

This short article highlights the "Grande Arabesque," one of the notable sculptures in the exhibit, which captures the elegance and dynamism of ballet.

Announcement: "Fogg Museum Celebrates 50th With Fundraising Spectacular"

By Eleni M. Constantine

Summary:
The Fogg Museum is celebrating its 50th year in its current building with a fundraising gala. The event, called "Fogg Saturation Night," includes a champagne buffet and a multi-tiered cake. The celebration aims to raise funds to enhance the museum's facilities and support its future growth.

The event features a "Fogg's past" exhibit with teaching materials from the past and a "Fogg's future" section displaying the architectural model of the museum's planned expansion. The museum plans to raise $10,000 to support these improvements.

News Feature: "Cutting the Fogg cake"

The article mentions a multi-tiered cake designed to mimic the Fogg Museum building, which will be cut during the gala event.

The overall theme of the clipping revolves around the celebration of Degas' newly exhibited sculptures and the Fogg Museum's 50th anniversary, highlighting both artistic and institutional milestones.

The image contains two newspaper clippings from the 1970s, both related to the Fogg Art Museum.

1. Top Clipping:

   • Headline: "Fogg 'enjoys Degas' lost masters" by Robert Garrett
   • Date: March 20, 1977
   • Content: This article discusses an exhibition at the Fogg Art Museum featuring lost works by Edgar Degas. The installation showcases Degas' mastery of bronze and his innovative techniques, including the use of multiple casts to create a sense of movement and spontaneity. The article mentions various sculptures and their characteristics, such as the "Little Fourteen-Year-Old Dancer" and the "Dance Critic." The exhibition highlights the artist's exploration of modernist impulses and the dynamic energy of his works.

2. Bottom Clipping:

   • Headline: "Fogg Museum Celebrates 50th With Fundraising Spectacular" by Eleni M. Constantine
   • Date: May 16, 1977
   • Content: This article reports on the Fogg Museum's 50th-anniversary celebration, which included a lavish ball to raise funds for the museum's future. The event was attended by prominent figures and included a champagne toast, a multi-course dinner, and a dance. The funds raised are intended to support the museum's teaching and exhibition programs, as well as a major expansion project. The article mentions that the Fogg plans to move to a new location on Cambridge Street and will include new exhibition and library spaces.

Both clippings are handwritten with annotations, likely for reference or personal notes, by someone named Howard Crinson.

The image contains two newspaper clippings from the Harvard Crimson, dated March 20, 1977, and May 16, 1977.

1. First Clipping (March 20, 1977):

   • Title: "Fogg 'enjoys Degas' lost masters"
   • By: Robert Garrett
   • The article discusses the exhibition of Edgar Degas' works at the Fogg Art Museum. The exhibit features several bronze masterpieces that were lost to the public eye since Degas' time. The text highlights the artistic depth and modernity of Degas' work, emphasizing the museum's ability to present these pieces in a way that is both scholarly and accessible to the public.
   • The article also mentions specific sculptures, such as "The Dance Critic," and describes the emotional and technical impact of the exhibition, noting the "lost" quality of the pieces, which were once part of private collections.

2. Second Clipping (May 16, 1977):

   • Title: "Fogg Museum Celebrates 50th With Fundraising Spectacular"
   • By: Eleni M. Constantine
   • This article reports on the Fogg Art Museum's 50th anniversary celebration, which included a fundraising event. The museum held a lavish ball to raise money for its future endeavors. The event was attended by numerous guests, including those who had contributed generously to the museum.
   • The article mentions that the funds raised would be used to expand the museum's facilities, improve its library, and enhance its teaching capabilities. The Fogg Museum’s director, Seymour Slive, is quoted discussing the significance of the funds for the museum's future.

Overall, these clippings provide a snapshot of the Fogg Art Museum's activities and achievements during the late 1970s, highlighting its exhibitions and fundraising efforts.

The image shows a newspaper clipping pinned onto a tan corkboard. The newspaper article is headlined with "Fogg enjoys Degas' lost masters" and is dated March 30, with the year obscured. The article appears to be from an Arts section and is written by Robert Garick. It features an image of what looks like a statuette of a dancer in mid-pose, which is presumably a work by the artist Edgar Degas.

Underneath the aforementioned article, on the same page, there is a section with a headline that reads "Fogg Museum Celebrates 50th With Fundraising Spectacular" by Eileen M. Constantino. The date of this article is shown as May 16, 1977, and the content below suggests that the Fogg Museum is holding a fundraising event in celebration of its 50th anniversary. There's mention of flowers, champagne, and music to celebrate the occasion and an accompanying article providing details of the event.

Notably, the edges of the newspaper show signs of wear and age, with a small tear near the top left corner. A blue pushpin holds the clipping at the top right corner. The faded print and coloration of the paper, along with the style of the articles, suggest that it is a vintage document.

The image shows a page from a newspaper featuring two articles. The first article is titled "Fogg Enjoys Degas' Lost Masters" by Robert Garrett. It discusses the exhibition of Edgar Degas' works at the Fogg Art Museum, highlighting the artist's lesser-known pieces and their significance. The article also mentions the museum's efforts to acquire more funds for expansion and renovation. The second article is titled "Fogg Museum Celebrates 50th With Fundraising Spectacular" by Eleanor M. Constantine. It reports on the museum's 50th-anniversary celebration, which includes a fundraising event and a discussion about the museum's future plans. Both articles are accompanied by images of Degas' sculptures and a dancer, emphasizing the artistic focus of the museum.

The image is a scanned newspaper clipping from the Herald American, dated March 30, 1977, featuring two distinct articles about the Fogg Art Museum at Harvard University. The layout includes text and a central illustration.

Left Section:

• Headline: "Fogg enjoys Degas' lost masters"
• Byline: By Robert Garrett, Art Critic.
• Content Overview:
  • The article discusses a recent exhibition at the Fogg Art Museum featuring previously unseen works by the famous artist Edgar Degas.
  • It highlights a bronze sculpture titled "Grande Arabesque" and describes it as a stunning and impressive addition to the museum's collection.
  • The article emphasizes the depth and breadth of Degas' artistic legacy, noting that the Fogg has acquired a large group of his monotypes and simplified forms, which were previously unknown or overlooked.
  • It also mentions a second-floor gallery showcasing Degas' works, including a "Bronze Ballerina" sculpture, which is described as a perfect model of movement, energy, and vitality.
  • The article provides context about Degas' artistic style, his fascination with dance, and his innovative approach to capturing motion and form.

Right Section:

• Headline: "Fogg Museum Celebrates 50th With Fundraising Spectacular"
• Byline: By Elen M. Constantine.
• Content Overview:
  • This article announces the Fogg Art Museum's 50th anniversary celebration, which includes a fundraising event.
  • It details the museum's current state, noting that only two of the original buildings remain, and the museum is raising funds to expand and modernize its facilities.
  • The article mentions a fundraising gala held on Saturday night, featuring a cutting of a multi-layered cake in the center of the courtyard.
  • It highlights the museum's efforts to gather support from donors, including the Allston Burr Hall and Cambridge Two houses, which are part of the university's expansion plans.
  • The article notes that the museum has raised $100,000 toward its goal, with contributions from the Friends of the Fogg and other supporters.

Central Illustration:

• Image Description:
  • A black-and-white photograph of a bronze sculpture titled "Grande Arabesque" by Edgar Degas.
  • The sculpture depicts a dancer in a dynamic, flowing pose, capturing the essence of motion and grace. The dancer is captured mid-movement, with one leg extended and the body arched gracefully.
  • The sculpture is displayed against a plain background, emphasizing its form and detail.

Additional Details:

• The article is accompanied by a caption beneath the illustration: "Grande Arabesque's grand sculpture on view at the Fogg Museum."
• The Fogg Museum's hours are listed at the bottom right of the image: Mon-Fri, 9-5; Sat, 10-5; Sun, 1-5, and it is located on Quincy St. east of Harvard Yard.
• The article also mentions that the Fogg is loaned by the Norton Simon Foundation through April 1.

Overall Context:

The image captures a moment in the history of the Fogg Art Museum, showcasing both its artistic treasures (Degas' lost masters) and its institutional milestones (the 50th-anniversary celebration and fundraising efforts). The combination of text and visual elements provides a comprehensive view of the museum's role in preserving art and engaging with its community.

The image is a page from a newspaper or magazine featuring an article about the Fogg Art Museum's exhibition of Degas' sculptures. The article is titled "Fogg enjoys Degas' lost masters" and is authored by Robert Garrett. The headline is in bold, capital letters, and the author's name is in smaller text below it. The article is divided into three sections, each with a different title and content.

The first section, titled "ART," discusses the exhibition of Degas' sculptures, highlighting their importance and the museum's efforts to showcase them. The second section, titled "MAY 1977," provides information about the Fogg Museum's 50th anniversary celebration and fundraising efforts. The third section, titled "NEWS FEATURE," offers a brief overview of the museum's activities and achievements.

The article includes several photographs of Degas' sculptures, including a detailed image of a dancer in a dynamic pose. The photographs are in black and white, and the article is written in a formal and informative tone. The layout of the page is clean and organized, with the article's title and author's name prominently displayed at the top. The article's content is divided into clear sections, making it easy to read and understand.

Overall, the image provides a glimpse into the Fogg Art Museum's exhibition of Degas' sculptures and the museum's efforts to promote and preserve the artist's work. The article's informative tone and clear layout make it an engaging and informative read for anyone interested in art and culture.