Archives Scrapbooks

The image shows a collection of vintage clippings and excerpts, likely related to art and cultural discussion. On the right side, there is a newspaper clipping from the Boston Globe dated March 22, 1977, with the headline "Craftsman and Genius." This piece discusses the work of Edgar Degas, specifically his sculpture "Little Dancer of Fourteen Years," a bronze figure of a young dancer. The text highlights the intricate details and the craftsmanship involved in the sculpture's creation, as well as its historical significance.

On the left side, there is another clipping, this time from a different publication. The visible part of the text discusses a show titled "From Women's Eyes," which appears to be a significant event in the art world. The piece seems to reflect on the exhibition, mentioning curatorial aspects, personal reflections, and the theme of women's perspectives in art. The tone suggests a critical yet appreciative analysis of the show.

The overall composition of the image suggests a collection of historical documents that might be part of an art history or cultural archive, focusing on the intersection of art, craftsmanship, and the perspective of women in the art world.

The image shows a collection of clippings and notes arranged on a brown surface. Here is a detailed description of its components:

1. Top Left Corner:

   • A partially visible piece of paper or poster that includes text related to "Stereo Sound Equipment," "Technicolor," and "20th Century Fox." This appears to be a promotional piece for a film or event, emphasizing sound and visual technology.

2. Main Section - Right Side:

   • A newspaper clipping from The Boston Globe, dated 22 March 1977.
   • The article is titled "Craftsman and genius" and is written by Robert Taylor.
   • The piece discusses Edgar Degas's sculpture Little Dancer of Fourteen Years.
   • It describes the artwork's characteristics, such as its size and the tradition of displaying it with a fresh hair ribbon.
   • The article explains the historical significance of the sculpture, noting its rarity and the recent discovery of a set of its master casts.
   • A small black-and-white illustration of the sculpture is included within the article.

3. Bottom Section - Left Side:

   • A separate clipping or text excerpt that discusses a different art-related topic.
   • This section mentions an exhibition titled "From Women's Eyes," focusing on women curators and their influence on art.
   • It critiques the art world's emphasis on the consumption of art rather than its production.

4. Surface and Arrangement:

   • The items are laid out on a brown, possibly cardboard or paperboard, surface that has two visible holes on the left edge, suggesting it may be part of a binder or notebook.

The overall arrangement suggests this is a scrapbook or collection of art-related articles and notes, possibly curated for personal study or reference. The juxtaposition of different topics highlights a broad interest in both art history and contemporary curatorial practices.

This image displays a collection of vintage paper items, likely archival material, arranged on a light gray surface. The main components are:

1. A newspaper clipping from the Boston Globe:

   • Dated "22 March 1977," handwritten in black ink above the printed masthead.
   • The article is titled "Craftsman and genius" by Robert Taylor.
   • It features a black-and-white photograph of Edgar Degas's bronze sculpture, Little Dancer of Fourteen Years.
   • The article discusses the sculpture's history, its unique materials (real fabric and hair), its discovery in 1972, and its exhibition at the Fogg Museum in Cambridge, Massachusetts. It also mentions Norman Simon's acquisition of the original master cast from Paul Mellon and the challenges of casting the delicate bronze.

2. A beige, three-hole punched folder or backing sheet:

   • This sheet is placed underneath the newspaper clipping and has two black metal binder rings visible on its left side.
   • The newspaper clipping is affixed to the top right of this folder.
   • A separate, smaller piece of paper or column clipping is visible below, possibly a continuation of the article or a different text.

3. A folded magazine or program cover:

   • Placed overlapping the top left corner of the beige folder.
   • The visible text includes "GEOGRAPHIC TECHNOCOLOR," "Stereo Sound Equipment," and "SPECIALY for this engagement!!" along with a circular logo. This suggests it is likely an advertisement or program from an exhibition or event, possibly at a museum or with a film projector, given the "Technicolor" mention.

Overall Context:
The collection appears to be research material or a personal archive related to the 1977 exhibition of Degas's sculpture. The items are arranged for archival purposes, combining the newspaper review with potentially related ephemera (the program/ad) on a standard folder for organization.

The central focus is the 1977 Boston Globe article, which provides a detailed historical and art-critical perspective on a major 20th-century exhibition of Degas's famous sculpture.

The image shows a collection of paper documents, possibly newspaper clippings or magazine articles, arranged on a flat surface. The papers are of varying sizes and colors, with some having a brownish tint, suggesting they are old or vintage. The text on the papers appears to be in black ink, and the articles are written in a formal, journalistic style. The articles seem to discuss various topics, including art, history, and cultural events. The overall impression is of a curated collection of articles that have been carefully selected and organized for display or reference purposes.

This image is a collage of a newspaper clipping and a magazine clipping. The newspaper clipping is from the Boston Globe, dated March 22, 1977, and it features an article titled "Craftsman and Genius" about Edgar Degas' Little Dancer. The article discusses the sculpture's significance and its exhibition at the Fogg Museum. The magazine clipping is from a publication that discusses the creation of large-scale sculptures and the role of curators in interpreting and presenting the works. The collage also includes a photograph of the Little Dancer sculpture.

The image shows a page from a publication or booklet titled "Stereo Sound Equipment", which appears to be a program or catalog related to an art exhibition. The page is divided into two main sections:

Left Section:

• Title and Header: The top of the left section includes the text "Stereo Sound Equipment" and "TECHNIQUE", suggesting this is part of a technical or artistic program.
• Content: The left side contains a dense block of text discussing an art exhibition. It references large-scale sculpture at Newport in 1974, mentioning Gisela von Koenig and Lynton Wells. The text delves into themes of feminist art, craftsmanship, and artistic creation, highlighting the work of women artists and the importance of artistic dialogue and cooperation. Key phrases include:
  • "The feminist aims – recognition of women engaged in craftwork..."
  • "The consumption of our time, with the curator as superior creator and artist, is far less important than the artwork itself."
  • "I need not display the coarse aggressions and swank of careerism..."
• The text also discusses the curator's role in shaping the exhibition and the artists' intentions.

Right Section:

• Headline: The right section is titled "Craftsman and genius" and is dated 22 March 1977, with a subheading "AT LARGE / ROBERT TAYLOR".
• Main Article: The article discusses Edgar Degas, focusing on his Little Dancer of Fourteen Years, a bronze sculpture. It describes the figure as:
  • "She stands 3 feet tall, an acolyte whose arms are draped in the air while she dreamily shifts her weight and, like the frail bird she is, considers the possibilities of flight."
• The article elaborates on Degas's bronze figure, noting its vibrancy and realism, including details such as bronze skin, hair, and satin hair ribbon. It also mentions that the Fogg Museum acquired the sculpture in 1977.
• Exhibition Context: The article references an exhibition at the Fogg Museum in Cambridge, which ran from April 1 to April 30, 1977, and highlights the bronze casting process and the struggles Degas faced in creating the work.
• Visual Element: On the right side of the page, there is a small black-and-white illustration of Degas's Little Dancer, showing the figure in a dynamic pose on a pedestal. The caption beneath the illustration reads:
  • "The master casts. Beale points out, are measurably larger (one-and-a-half times the size of the positive) than subsequent editions because of shrinkage involved in the coding of the metal."

Overall Layout:

• The page is a two-column layout, with the left column dedicated to a detailed discussion of the exhibition and the right column focusing on Degas's work and its significance.
• The header at the top left indicates the publication's theme, "Stereo Sound Equipment", suggesting a broader context of art, technology, and craftsmanship.
• The date (22 March 1977) and the author's name (Robert Taylor) are clearly visible, providing context for the article's publication.

Key Themes:

• Art and Craftsmanship: The article emphasizes the intersection of art and craftsmanship, particularly through Degas's work.
• Feminist Art: The left section highlights feminist themes in contemporary art, discussing the role of women artists and the critique of traditional art institutions.
• Exhibition Context: The page provides insights into an art exhibition, including details about the Fogg Museum, the bronze casting process, and the curator's role.

This page appears to be part of a program or catalog for an art exhibition, blending art criticism, historical context, and technical details about sculpture and craftsmanship.

This is an image of a newspaper clipping from the "Boston Globe" dated March 22, 1977. The article is titled "Craftsman and genius" and appears to be written by someone named Robert Taylor, as indicated at the top of the column under "AT LARGE." The article features a black and white image of a statue, likely a sculpture or artwork, which is referred to in the text.

The newspaper clipping is adhered to a brown clipboard or file folder, and another portion of the newspaper appears rolled up and attached to the clipboard at the top left corner, obscuring a part of the clipping. It seems to be discussing the details and the significance of a specific piece of art or artist's work in the realm of crafts and sculpture. Due to the limited context visible, we can't determine the full content or the scope of the article.

The image shows a piece of paper with two newspaper clippings attached to it. One clipping is at the top right, and the other is positioned below it, covering most of the left part of the paper. The visible clipping on the right is from the Boston Globe, dated 22 March 1977. It features an article titled "Craftsman and genius" by Robert Taylor, discussing Edgar Degas's sculpture "Little Dancer of Fourteen Years." The article highlights the uniqueness of the piece, the use of bronze casting, and the challenges in replicating the work accurately. There is also a small black-and-white photograph of the sculpture included in the clipping.

The clipping on the left side appears to be a review or an essay related to art, mentioning painters Gregory Gillespie and Lynton Wells, feminist art, and the challenges faced by women in the art world. However, the title of this article is not fully visible as the top part of the paper is partially folded. The text discusses themes of modern art, artistic tradition, and contemporary critique.

Additionally, the paper has two punched holes on the left side, suggesting it might be from a binder or archival collection. There is a visible shadow indicating the paper is slightly curled at the top left.

This image shows a page from a scrapbook or archival collection. The page contains a newspaper clipping affixed to a sheet of brown paper. Written in pen above the clipping is "Boston Globe - 22 March 1977," to indicate the source and date of the article.

The clipping features an article titled "Craftsman and Genius" by Robert Taylor. It discusses an exhibit and notable artwork, specifically referencing Edgar Degas' sculpture Little Dancer of Fourteen Years, a bronze statue, with accompanying critical and descriptive reflections on Degas' mastery.

The upper section of the article includes a photograph of the sculpture, showing a small, standing ballerina figure on a square platform. The lower text paragraphs provide an analytical commentary on Degas' art and an exploration of artistic themes.

The scrapbook page also seems to include a folded advertisement or an unrelated partial article in the top left corner, hanging slightly over the primary clippings, though its contents are mostly obscured. The sheet is punched with two holes for placement in a binder or album.

A vintage paper collage laid on a light tan backing. It features three elements:

• In the top-left, a rolled-up newspaper partially hanging over the edge.
• At the bottom-left, a narrow clipping with dense, small-print columns.
• On the right, a larger clipping with the headline “Craftsman and genius,” a small black-and-white photo of a sculpted figure, and handwritten text at the top reading “Boston Globe - 22 March 1977.”

The overall look is grayscale/sepia-toned and appears to be archival or scrapbook touches.