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The image shows a page from the Boston Sunday Globe dated May 18, 1977. The page is divided into two main sections, each containing an article and a photograph.

1. Left Section: "Women's Eyes" Exhibit Review

   • Headline: "Women's Eyes" a stimulating exhibit
   • Byline: By Robert Taylor, Globe Staff
   • Content: The article discusses the "Women's Eyes" exhibit at the Boston University Art Museum, which features paintings, sculpture, and photographs by 18 artists. The exhibit addresses aspects of feminism in art and includes works by artists such as Gregory Gillespie, Lois Tarlow, and others. The article mentions the curatorial process and the inclusion of both male and female artists, highlighting the exhibit's exploration of femininity and gender roles.
   • Photograph: The image shows a mixed media work titled "Still Life Studio" by Gregory Gillespie, featuring a cluttered studio setup.

2. Right Section: Edgar Degas' Sculpture

   • Headline: Craftsman and genius
   • Byline: By Robert Taylor, Globe Staff
   • Content: The article discusses Edgar Degas' bronze sculpture "Little Dancer of Fourteen Years," which is on display at the Fogg Museum. The article delves into the history and craftsmanship of the sculpture, mentioning its unique casting process and the artist's innovative techniques. It also touches on the sculpture's significance and the rarity of its public display.
   • Photograph: The image shows the bronze sculpture "Little Dancer of Fourteen Years" by Edgar Degas, depicting a young ballerina.

The page also includes a handwritten note at the top right corner, stating "Boston Globe - 22 March 1977," which seems to be a mistake as the printed date on the page is May 18, 1977.

The image shows an open newspaper, the Boston Sunday Globe, dated May 15, 1977. The left page (A10) features an article titled “’Women’s Eyes’ a stimulating exhibit” by Robert Taylor. The article discusses an exhibition at the Rose Art Museum, focusing on works by women artists, and includes a black-and-white photograph of an art installation. The right page features another article by Robert Taylor titled “Craftsman and genius,” which discusses the works of Edgar Degas, particularly his bronze sculptures. This article also includes an image of one of Degas’ sculptures. Annotations in pen on the right page indicate the date “22 March 1977” and underline certain sections of the text.

The image shows two newspaper articles from the Boston Globe, dated May 15, 1977, and March 22, 1977, respectively.

May 15, 1977 Article:
The article titled "Women's Eyes" is a review of an exhibit titled "From Women's Eyes: Paintings, Sculpture, and Photographs." This exhibit, curated by Robert Taylor, is held at the Rose Art Museum at Brandeis University from June 12 through August 15. The exhibit explores various artistic approaches by female artists and photographers, focusing on themes of femininity, power, and perception. It features a diverse array of works, including paintings, sculptures, and photographs. The review highlights the prominent role of contemporary women artists and the unique perspectives they bring to their art.

Key points include:

• The exhibition includes works by renowned artists like Susan Ginzburg, Bruce Boice, and others.
• The show aims to re-evaluate the traditional gender roles in art.
• It features a mix of traditional and avant-garde art forms, showcasing the dynamic and varied artistic expressions of women.

March 22, 1977 Article:
The article titled "Craftsman and Genius" discusses Edgar Degas' sculptures, specifically his "Little Dancer of Fourteen Years." The review is by Robert Taylor and is published in the Boston Globe.

Key points include:

• The article focuses on the sculpture "Little Dancer" and its significance as a landmark in the history of sculpture.
• It mentions that the piece, now in the Musée d'Orsay in Paris, is a testament to Degas' innovative techniques in sculpture.
• The piece is detailed in its craftsmanship, highlighting the artist's ability to capture the essence of movement and form.
• The review discusses the contrast between the piece’s intricate detailing and the artist's early life as a painter.
• It notes the impact of the sculpture on subsequent generations of sculptors and the influence it had on the art world.

The articles collectively highlight the contributions of women artists and the artistic legacy of Edgar Degas, showcasing both historical and contemporary perspectives.

The image shows two pages from the Boston Sunday Globe newspaper, dated May 15, 1977 (left page) and March 22, 1977 (right page).

Left Page (May 15, 1977):

• The article is titled "Women's Eyes" a stimulating exhibit.
• The exhibit, "Women's Eyes," features works by female sculptors and photographers, curated by Susan Ginsburg.
• The exhibit is at the City University of New York, and it includes works by artists such as Agnes Mongan and Lynne Wells.
• The article discusses the themes and issues of feminism in the art world, highlighting the importance of women's perspectives in art.
• A specific piece, "Still Life Studio" by Gregory Gillespie, is illustrated.
• The exhibit is described as a significant effort to highlight the work of women artists and to shed light on their contributions to the art world.

Right Page (March 22, 1977):

• The article is titled "Craftsman and genius" and is written by Robert Taylor.
• It focuses on the work of Edgar Degas, particularly his sculpture "Little Dancer of Fourteen Years."
• The article discusses the significance of Degas' sculptures, noting their craftsmanship and the genius behind them.
• It mentions the master cast of the sculpture, which is larger and made from bronze, and the challenges of casting and preserving the original sculptures.
• The piece explores the life and work of Degas, emphasizing his dedication to capturing movement and the human form.
• The article also mentions other artists like Louise Bourgeois and Lee Newton, whose work is also on display, and it discusses the broader context of Degas' contributions to the art world.

Both articles reflect on the importance of artistic expression, craftsmanship, and the representation of women in the art world.

The image shows two newspaper clippings from the Boston Sunday Globe, dated May 15, 1977, and March 22, 1977.

Left Clipping:

• The headline reads "Women's Eyes: a stimulating exhibit."
• The article is a review of an exhibit titled "Women's Eyes," which features paintings, sculpture, and photography by Rose Art Museum students at Brandeis University, curated by Susan Ginsburg.
• The review discusses the exhibit's exploration of themes such as feminism in art, the role of women in the art world, and the use of unconventional materials and techniques.
• It highlights the work of several artists, including Gregory Gillespie, whose mixed media piece "Still Life: Studio" is prominently mentioned.
• The review is by Robert Taylor Globe Staff and emphasizes the exhibit's relevance and the artists' fresh perspectives.

Right Clipping:

• The headline reads "Craftsman and genius."
• This article focuses on Edgar Degas, particularly his sculpture "Little Dancer of Fourteen Years."
• It discusses the sculpture's unique position in Degas's work, as it was one of the first times he experimented with materials like wax and fabric to create a three-dimensional piece.
• The piece is described as a blend of the traditional and the modern, showcasing Degas's skill in capturing movement and realism.
• The article also touches on the history of the sculpture, its creation, and its significance in the context of Degas's broader oeuvre.
• The review is by Robert Taylor and includes a mention of an exhibit at the Fogg Art Museum, now part of Harvard University's museums.

Both articles are rich in detail and provide insights into the artworks and artists being discussed.

The image shows two pages from a newspaper dated from the late 1970s.

Left Page (May 14, 1977):

1. Section and Article Title:

   • The section is labeled "REVIEW/ART."
   • The main article is titled "'Women's Eyes' a stimulating exhibit."

2. Article Content:

   • The article discusses an art exhibit called "Women's Eyes," featuring works by female artists.
   • It mentions that the exhibit is curated by Gregory Gillespie and Lynne Wolfe and is displayed at the Rose Art Museum.
   • The exhibit highlights various aspects of art that require enlightenment, such as natural affinity, formal power, and emotional content.
   • The author, Robert Taylor, discusses the significance of the exhibit in showcasing women's perspectives in art.
   • The article also lists some of the artists featured in the exhibit, including June Leaf, Louise Nevelson, and others.
   • The curatorial quartet includes Susan Ginsburg, Deborah Rosenthal, Katherine Porter, and Jane Tuckerman.

3. Artwork:

   • There is a photo of one of the mixed media works from 1975 by Gregory Gillespie titled "Still Life Studio."

Right Page (March 22, 1977):

1. Section and Article Title:

   • The section is labeled "AT LARGE / ROBERT TAYLOR."
   • The article title is "Craftsman and genius."

2. Article Content:

   • The article is a review or feature on Edgar Degas, focusing on his work and legacy as a sculptor.
   • It notes that Degas is primarily known as a painter but had a significant impact on sculpture.
   • The text mentions that only a small number of Degas’ sculptures were cast in bronze during his lifetime, with most being discovered after his death.
   • The article describes a museum exhibit featuring 73 of Degas' sculptures, which were cast posthumously.
   • It provides details about the materials and techniques Degas used, including his innovative use of wax and other materials.
   • The article discusses the historical context of Degas’ work and his approach to capturing movement and form.
   • The exhibit is noted for its significance in showing Degas' mastery and innovation in sculpture, alongside his more famous paintings.

3. Artwork:

   • There is an image of a sculpture by Edgar Degas, specifically "Little Dancer of Fourteen Years."

Overall, both pages highlight significant art exhibits and provide insightful commentary on the artists and their works.

This image displays a newspaper clipping from the "Boston Sunday Globe," dated May 15, 1977. The page includes two columns, and is headlined by two separate articles with their respective titles and content.

On the left side, the headline reads "Women’s Eyes" above the subtitle "a stimulating exhibit." Below the title, there is a credit line that indicates the content is from a section or series called "Women's Eyes," focusing on art. The article contains multiple paragraphs, with a mix of larger and smaller text, making up the body of the article. The text is too small to read in detail from the image provided. Accompanying the article is a faded image of an artwork that appears to be a mixed media work by Gregory Gillespie titled "Still Life Studio," dated 1973.

To the right, the article is titled "Craftsman and genius" by Robert Taylor. It's part of a series or column labeled "AT LARGE / ROBERT TAYLOR." There is a distinct piece of black handwriting on the paper above the printed title, which reads "Boston Globe" followed by the date "22 March 1977." This article discusses the subjects of craftsmanship and artistic genius, and includes an accompanying grayscale image of a statue or sculpted figure on a pedestal.

The paper itself shows signs of aging, with a warm-toned, somewhat discolored background that suggests it might be from an archive, seen against a greyish-blue background that is presumably a surface on which it's been placed for photographing. There are also holes punched in the left margin as if it was stored in a binder or folder, with the top hole partially tearing through the paper.

The image is a page from the Boston Sunday Globe, dated May 18, 1977. The page features two main articles. The first article is titled "Women's Eyes" and discusses an exhibition of contemporary art at Brandeis University, showcasing works by Rose Ari, Suzanne Brandt, and Joseph Safdie. The article highlights the themes of feminism and issues affecting women, and mentions the curators of the exhibition, Eleanor Seyre and Gregory Gillespie. The second article is titled "Craftsman and Genius" and discusses the work of Edgar Degas, focusing on his Little Dancer of Fourteen Years. It mentions the sculpture's exhibition at Cambridge's Fogg Museum and its significance in the art world. The article also touches on the challenges of casting bronze sculptures and the collaboration between Degas and the sculptor Albert Carrier-Belleuse.

The image depicts a two-page spread from the Boston Sunday Globe dated May 15, 1977. The left page is titled "REVIEW / ART", while the right page is titled "AT LARGE / ROBERT TAYLOR". Both pages feature articles and illustrations related to art exhibitions and commentary.

Left Page: "REVIEW / ART"

• Headline:
  The main headline reads:
  "Women's Eyes" a stimulating exhibit
  This is a review of an art exhibition titled "Women's Eyes", curated by Louise Bourgeois. The review is attributed to Robert Taylor.

• Subheadings and Content:

  • From Women's Eyes, paintings, sculpture and photographs. Rose Art Museum, Brandeis University, Waltham.
    This indicates the exhibition's location and the types of art included.
  • Exhibition Dates:
    The exhibition is open through June 12, with the catalogue available at the museum from Thursday, May 19 to Sunday, May 15.
  • Curatorial Details:
    The curator is Louise Bourgeois, and the exhibition includes works by artists such as Jane DePauw, Deborah Bertho, Katherine Porter, and Susan Gubar.
  • Exhibition Overview:
    The article discusses the themes of feminism in art, highlighting how the exhibition addresses issues affecting women artists and critics. It also mentions the selection of artists and the curatorial process, noting that the exhibition includes over 40 sculptures and more than 40 paintings.
  • Artistic Focus:
    The review emphasizes the expressive and psychological nature of the works, referencing artists like Gregory Gillespie and Lydon Wells, and the use of photography and imagery to explore themes of identity and perception.

• Visual Element:
  There is a black-and-white photograph of an artwork titled "This 1973 mixed media work of Gregory Gillespie is 'Still Life Studio'". The artwork appears to depict a surreal or symbolic scene, possibly involving abstract or figurative elements.

Right Page: "AT LARGE / ROBERT TAYLOR"

• Headline:
  The main headline reads:
  "Craftsman and genius"
  This article appears to be a profile or commentary on an artist or craftsman, likely Edgar Degas, based on the content.

• Visual Element:
  There is a black-and-white illustration of a bronze sculpture titled "Little Dancer of Fourteen Years" by Edgar Degas. The sculpture depicts a young female dancer in a poised, almost lifelike stance. The figure is detailed, showing the dancer's attire and posture, and is accompanied by a caption or description.

• Content:
  The article discusses Degas's work, particularly focusing on the "Little Dancer of Fourteen Years", which is noted as a significant piece in the history of art. It mentions:

  • The sculpture's creation in 1881 and its debut at the Pogg Museum in England.
  • The fact that it was the first time Americans had the chance to view the original bronze casts.
  • The master casts of the sculpture, which are larger than the subsequent editions.
  • The craftsmanship involved in creating the bronze, including the study of shrinkage and the use of wax models.
  • The artistic significance of the work, noting its influence on later artists and its role in bridging the gap between the craftsman and the genius.

• Additional Notes:
  The article also touches on the preservation and study of Degas's work, mentioning the American millionaire who purchased the master casts and the Virginia wax models used in the creation process. It highlights the technical challenges and artistic innovation behind the sculpture.

Overall Impression:

The two-page spread provides a comprehensive look at art and craftsmanship in 1977. The left page focuses on a contemporary exhibition exploring feminist themes in art, while the right page delves into the historical and technical aspects of Degas's iconic sculpture. Both articles are written by Robert Taylor, offering insights into the art world of the time, from modern exhibitions to classic masterpieces. The visual elements—photographs and illustrations—enhance the articles by providing tangible representations of the discussed artworks.

The image is a photograph of two pages from a newspaper, specifically the Boston Sunday Globe, dated May 15, 1977. The pages are part of the "Review/Art" section and feature two distinct articles.

The left page contains an article titled "Women's Eyes a stimulating exhibit" by Robert Taylor. The article discusses an exhibition of art, focusing on the themes of feminism and the representation of women in art. The article mentions artists such as Gregory Gillespie, Louise Bourgeois, and Lee Newton, highlighting their contributions to the exhibition. There is a small photograph of a piece of art by Gregory Gillespie, showing a figure in a cage-like structure, which is described as a mixed media work.

The right page features an article titled "Craftsman and genius" by an unidentified author, which is about Edgar Degas, a renowned artist known for his sculptures and paintings. The article includes a photograph of one of Degas's sculptures, "Little Dancer of Fourteen Years," which is described as a significant work that challenges traditional notions of sculpture and craftsmanship. The article discusses Degas's innovative use of materials and his approach to sculpture, emphasizing his genius and craftsmanship.

Both articles are accompanied by photographs and are printed in a two-column format typical of newspaper layout. The pages are slightly aged, indicating that the newspaper is from the 1970s.