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This image displays a yellowed, two-page spread from the Boston Sunday Globe, dated May 15, 1977, identified as page A10. The pages are bound together with two metal binder rings visible on the left edge, suggesting they have been preserved in a folder or scrapbook.

The spread contains two distinct art reviews:

Left Page: “Women’s Eyes” a stimulating exhibit

• Headline: The main headline reads “‘Women’s Eyes’ a stimulating exhibit.”
• Byline: The article is written by Robert Taylor.
• Context: It reviews an exhibition at the Brandeis University Rose Art Museum titled “From Women’s Eyes,” which ran through June 12, 1977. The exhibit focused on women artists and addressed issues of feminism in the art world.
• Sub-headline & Photo: A small photo captioned “This 1973 mixed media work of Gregory Gillespie is ‘Still Life: Studio.’” appears above the headline. The photo shows a man in what looks like an artist’s studio.
• Content Summary:
  • Mentions curated by Joseph Sauter.
  • Features artists such as Jean Sutherland Boggs, Agnes Mongan, Eleanor Sayre, and others.
  • Highlights Gregory Gillespie’s exploration of representation and illusion.
  • Discusses the work of photographer Lynton Wells and the “serial imagery” of Jan Groover.
  • Quotes Susan Ginsburg, a doctoral candidate at City University of New York and former curator at the New York Cultural Center.
  • Notes the curatorial team’s conscious effort to feature women artists and their choice of “provocative” works.

Right Page: “Craftsman and genius”

• Headline: “Craftsman and genius,” under the section “AT LARGE / ROBERT TAYLOR.”
• Handwritten Note: At the top right, someone has handwritten: “Boston Globe - 22 March 1977,” which may indicate when the article was clipped or filed, though it contradicts the printed date of May 15.
• Photo: Features a black-and-white image of Edgar Degas’s sculpture “Little Dancer of Fourteen Years” — a bronze figure of a young ballerina in pose.
• Content Summary:
  • Discusses Degas’s unusual sculpture of a 14-year-old ballerina, one of his few publicly exhibited works during his lifetime.
  • Notes that the sculpture features original elements like real fabric and hair, and that Degas created a set of 73 bronze casts before his death in 1917.
  • Mentions the set was recently discovered in Paris and purchased by American millionaire Norton Simon.
  • Explains the technical challenges in casting the sculpture, including shrinkage and the need for master founder Albino Palazzolo.
  • Quotes Simon’s conservator, Arthur Beale, and reflects on how Degas’s work challenged perceptions of sculpture and anticipated modern assemblage art.

Overall:
This is a well-preserved newspaper clipping from 1977 that offers insightful reviews of two contrasting art subjects: a feminist-curated exhibition at a university museum and a historical analysis of Edgar Degas’s groundbreaking sculpture. The handwritten note suggests personal archiving, possibly by a collector or researcher interested in art criticism. The paper’s yellowing and binding indicate age and intentional preservation.

The image shows two separate articles from the Boston Sunday Globe, dated May 15, 1977, and March 22, 1977, respectively. The articles are bound together and appear to be a scrapbook or collection of剪报.

1. Left Article:

   • Title: "Women’s Eyes: a stimulating exhibit"
   • This article discusses an art exhibition titled "Women’s Eyes," held at the Rose Art Museum at Brandeis University. The exhibition featured paintings, sculpture, and photography and ran from June 12–June 19.
   • The text delves into the content of the exhibition, the artists involved, and the themes explored in the art. It mentions several curators and artists, including Bruce Boice, Jan Groover, and Jacob Berthot.
   • The article also highlights the collaborative efforts of four curators to curate the exhibition and the diverse range of artistic styles and mediums presented.

2. Right Article:

   • Title: "Craftsman and genius: Edgar Degas’s Little Dancer of Fourteen Years"
   • This article focuses on the bronze sculpture "Little Dancer of Fourteen Years" by Edgar Degas. The piece is described in detail, with emphasis on its craftsmanship and the artist's genius.
   • The article mentions the creation of the sculpture and its limited edition, noting that only 23 copies of the full set exist. It discusses the significance of the sculpture as part of a larger art event and its unique characteristics, including the original wax models used in its creation.
   • The writer, Robert Taylor, provides insights into the art historical context and the craftsmanship involved in creating the sculpture.

Both articles are written in a journalistic style, with black-and-white photographs accompanying the text. The photographs are likely related to the artworks discussed in each article.

This image shows a page from the Boston Sunday Globe from May 15, 1977, and a clipping from an earlier issue dated March 22, 1977. The main page is from the "Review / Art" section and features an article titled "Women's Eyes: a stimulating exhibit," written by Robert Taylor. The article discusses an exhibition titled "Women's Eyes," which showcases paintings, sculpture, and photographs at the Rose Art Museum, Brandeis University. The article includes a photograph of a 1973 mixed media work by Gregory Gillespie titled "Still Life: Studio."

The clipping from March 22, 1977, is titled "Craftsman and genius" and discusses Edgar Degas's sculpture "Little Dancer of Fourteen Years." It mentions that this is the only piece Degas exhibited during his lifetime and provides details about the bronze casts of the sculpture. The clipping includes a photograph of the sculpture.

The image is a photograph of two pages from a newspaper, specifically the Boston Sunday Globe, dated May 15, 1977. The pages are part of the "Review/Art" section and feature two distinct articles.

The left page contains an article titled "Women's Eyes a stimulating exhibit" by Robert Taylor. The article discusses an exhibition of art, focusing on the themes of feminism and the representation of women in art. The article mentions artists such as Gregory Gillespie, Louise Bourgeois, and Lee Newton, highlighting their contributions to the exhibition. There is a small photograph of a piece of art by Gregory Gillespie, showing a figure in a cage-like structure, which is described as a mixed media work.

The right page features an article titled "Craftsman and genius" by an unidentified author, which is about Edgar Degas, a renowned artist known for his sculptures and paintings. The article includes a photograph of one of Degas's sculptures, "Little Dancer of Fourteen Years," which is described as a significant work that challenges traditional notions of sculpture and craftsmanship. The article discusses Degas's innovative use of materials and his approach to sculpture, emphasizing his genius and craftsmanship.

Both articles are accompanied by photographs and are printed in a two-column format typical of newspaper layout. The pages are slightly aged, indicating that the newspaper is from the 1970s.

The image is a page from the Boston Sunday Globe, dated May 18, 1977. The page features two main articles. The first article is titled "Women's Eyes" and discusses an exhibition of contemporary art at Brandeis University, showcasing works by Rose Ari, Suzanne Brandt, and Joseph Safdie. The article highlights the themes of feminism and issues affecting women, and mentions the curators of the exhibition, Eleanor Seyre and Gregory Gillespie. The second article is titled "Craftsman and Genius" and discusses the work of Edgar Degas, focusing on his Little Dancer of Fourteen Years. It mentions the sculpture's exhibition at Cambridge's Fogg Museum and its significance in the art world. The article also touches on the challenges of casting bronze sculptures and the collaboration between Degas and the sculptor Albert Carrier-Belleuse.

The image depicts a two-page spread from the Boston Sunday Globe dated May 15, 1977. The left page is titled "REVIEW / ART", while the right page is titled "AT LARGE / ROBERT TAYLOR". Both pages feature articles and illustrations related to art exhibitions and commentary.

Left Page: "REVIEW / ART"

• Headline:
  The main headline reads:
  "Women's Eyes" a stimulating exhibit
  This is a review of an art exhibition titled "Women's Eyes", curated by Louise Bourgeois. The review is attributed to Robert Taylor.

• Subheadings and Content:

  • From Women's Eyes, paintings, sculpture and photographs. Rose Art Museum, Brandeis University, Waltham.
    This indicates the exhibition's location and the types of art included.
  • Exhibition Dates:
    The exhibition is open through June 12, with the catalogue available at the museum from Thursday, May 19 to Sunday, May 15.
  • Curatorial Details:
    The curator is Louise Bourgeois, and the exhibition includes works by artists such as Jane DePauw, Deborah Bertho, Katherine Porter, and Susan Gubar.
  • Exhibition Overview:
    The article discusses the themes of feminism in art, highlighting how the exhibition addresses issues affecting women artists and critics. It also mentions the selection of artists and the curatorial process, noting that the exhibition includes over 40 sculptures and more than 40 paintings.
  • Artistic Focus:
    The review emphasizes the expressive and psychological nature of the works, referencing artists like Gregory Gillespie and Lydon Wells, and the use of photography and imagery to explore themes of identity and perception.

• Visual Element:
  There is a black-and-white photograph of an artwork titled "This 1973 mixed media work of Gregory Gillespie is 'Still Life Studio'". The artwork appears to depict a surreal or symbolic scene, possibly involving abstract or figurative elements.

Right Page: "AT LARGE / ROBERT TAYLOR"

• Headline:
  The main headline reads:
  "Craftsman and genius"
  This article appears to be a profile or commentary on an artist or craftsman, likely Edgar Degas, based on the content.

• Visual Element:
  There is a black-and-white illustration of a bronze sculpture titled "Little Dancer of Fourteen Years" by Edgar Degas. The sculpture depicts a young female dancer in a poised, almost lifelike stance. The figure is detailed, showing the dancer's attire and posture, and is accompanied by a caption or description.

• Content:
  The article discusses Degas's work, particularly focusing on the "Little Dancer of Fourteen Years", which is noted as a significant piece in the history of art. It mentions:

  • The sculpture's creation in 1881 and its debut at the Pogg Museum in England.
  • The fact that it was the first time Americans had the chance to view the original bronze casts.
  • The master casts of the sculpture, which are larger than the subsequent editions.
  • The craftsmanship involved in creating the bronze, including the study of shrinkage and the use of wax models.
  • The artistic significance of the work, noting its influence on later artists and its role in bridging the gap between the craftsman and the genius.

• Additional Notes:
  The article also touches on the preservation and study of Degas's work, mentioning the American millionaire who purchased the master casts and the Virginia wax models used in the creation process. It highlights the technical challenges and artistic innovation behind the sculpture.

Overall Impression:

The two-page spread provides a comprehensive look at art and craftsmanship in 1977. The left page focuses on a contemporary exhibition exploring feminist themes in art, while the right page delves into the historical and technical aspects of Degas's iconic sculpture. Both articles are written by Robert Taylor, offering insights into the art world of the time, from modern exhibitions to classic masterpieces. The visual elements—photographs and illustrations—enhance the articles by providing tangible representations of the discussed artworks.

This image shows two newspaper clippings mounted on a light brown scrapbook page.

Left Clipping:

• The page is titled "Boston Sunday Globe" and dated May 15, 1977.
• It features an arts review titled "Women's Eyes: a stimulating exhibit."
• Below the headline is an image titled "Still Life Studio" from 1973, attributed to Gregory Gillespie. The image depicts a room with a table and objects, conveying a still-life scene.
• The text discusses an art exhibit titled "Women’s Eyes", showcasing works by artists such as Gregory Gillespie and Lynton Wells, and highlighting themes of feminism in art.

Right Clipping:

• This page is titled "Boston Globe – 22 March 1977".
• The headline reads "Craftsman and Genius."
• A black-and-white photograph of a sculpture, Edgar Degas’ “Little Dancer of Fourteen Years”, is featured.
• The article discusses Edgar Degas’ work, focusing on its artistic merit, historical context, craftsmanship, and influence on art.

The scrapbook page has holes punched on the side for mounting.

The image shows a scrapbook page with two newspaper clippings from the Boston Sunday Globe, both from 1977. The clippings are attached to a piece of cardboard with two holes punched on the left side.

The left clipping is dated May 15, 1977, from page A10 of the Boston Sunday Globe and falls under the "REVIEW / ART" section. It features an article titled "'Women's Eyes' a stimulating exhibit" written by Robert Taylor from the Globe Staff. The article discusses an art exhibit titled “Women’s Eyes,” which includes paintings, sculpture, and photography at the Rose Art Museum in Waltham, Massachusetts. There is a black and white photo above the article of a 1973 mixed media work by Gregory Gillespie titled "Still Life Studio," showing an interior scene with a table, a bowl, and a framed image on the wall.

The right clipping is dated March 22, 1977, and titled "Craftsman and genius," written by Robert Taylor under "AT LARGE." It discusses the art of Edgar Degas, specifically highlighting "Little Dancer of Fourteen Years," a well-known sculpture. There is a small black and white image of the sculpture, showing a young ballerina figure. The article emphasizes Degas’ craftsmanship, his use of materials, and the legacy of this sculpture, which was cast posthumously in bronze. The handwritten date and "Boston Globe" are noted at the top of this clipping.

Both clippings focus on art and notable artists or exhibitions from the 1970s.

This image displays a newspaper clipping from the "Boston Sunday Globe," dated May 15, 1977. The page includes two columns, and is headlined by two separate articles with their respective titles and content.

On the left side, the headline reads "Women’s Eyes" above the subtitle "a stimulating exhibit." Below the title, there is a credit line that indicates the content is from a section or series called "Women's Eyes," focusing on art. The article contains multiple paragraphs, with a mix of larger and smaller text, making up the body of the article. The text is too small to read in detail from the image provided. Accompanying the article is a faded image of an artwork that appears to be a mixed media work by Gregory Gillespie titled "Still Life Studio," dated 1973.

To the right, the article is titled "Craftsman and genius" by Robert Taylor. It's part of a series or column labeled "AT LARGE / ROBERT TAYLOR." There is a distinct piece of black handwriting on the paper above the printed title, which reads "Boston Globe" followed by the date "22 March 1977." This article discusses the subjects of craftsmanship and artistic genius, and includes an accompanying grayscale image of a statue or sculpted figure on a pedestal.

The paper itself shows signs of aging, with a warm-toned, somewhat discolored background that suggests it might be from an archive, seen against a greyish-blue background that is presumably a surface on which it's been placed for photographing. There are also holes punched in the left margin as if it was stored in a binder or folder, with the top hole partially tearing through the paper.