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The image is a page from a magazine or newsletter titled "correspondents" dated March 1977. The main article is titled "Boston: Resource center begun; museum activities grow."

The article discusses the establishment of a photography resource center in Boston, which aims to serve as a hub for the photographic community. The center will house a photography research library and offer various services to the public. The article mentions that the center is a non-profit membership organization and will act as a catalyst for the photographic community, providing a place for artists to show their work and for the public to learn about photography.

The article also highlights several exhibitions and events happening in Boston, including:

• "Adventure in the Wilderness" by Lotus Doherty Jacobs at the Museum of Science.
• "Vision Gallery of Photographs" at the Boston Public Library.
• "Forgotten Photographs" exhibit at MIT.
• A show of Polaroid's retrospective at the Institute of Contemporary Art.
• A show of beach and city views at Enly Gallery.
• A show of photographs by Eugenia Janis at the Boston Public Library.

The article also mentions the acquisition policies of various museums and the challenges they face in collecting and displaying photographs. It notes that museums are increasingly interested in photography but face difficulties in acquiring and exhibiting it due to its unique nature and the need for specialized curation.

Additionally, the article discusses the role of photography in museums and the growing interest in collecting and exhibiting photographs. It mentions specific curators and their approaches to photography, such as Peter Bunnell at the Museum of Modern Art and Davis Pratt at the Fogg Art Museum.

The page includes two black-and-white photographs, one of a landscape and one of a person walking with a horse, which are likely examples of the type of photography discussed in the article.

The image is a newspaper clipping from March 1977, titled "Boston: Resource Center begun; museum activities grow." The article discusses the growing activities and expansion of the photographic community in Boston.

Key points mentioned in the article include:

1. Photographic Exhibits: Several noteworthy exhibits were highlighted:

   • "Adventure in the Slid Landscapes" by Lotte Jacobi at the Framingham Museum.
   • "György Kepes' March Show" at the Massachusetts Museum of Contemporary Art.
   • "Forgotten Photographs" at the MIT Creative Photography Gallery.
   • "Manipulated Polaroid Prints" at Wheelock College.
   • Harry Callahan's works at the Enjay Gallery.
   • "Manipulated Polaroid Prints" retrospective at Polaroid’s research center.

2. Photographic Resource Center: Boston is noted for its efforts to establish a resource center for photographers. The center aims to connect various parts of the photographic community through workshops, slide reference services, and a library.

3. Institutional Involvement:

   • The Fogg Museum's curator, David Pratt, emphasizes the museum’s interest in lesser-known works, encouraging photographers to submit their work for exhibitions.
   • The Museum of Fine Arts (MFA) Boston, under the direction of Cliff Ackley, is also noted for its extensive collection of photography.

4. Educational Initiatives:

   • The Massachusetts College of Art and Design's photography program and its efforts to acquire significant contemporary works.
   • The contributions of the Wellesley College Art Center, particularly Eugene Richards' work and his efforts in the photographic community.

5. Community Engagement:

   • The article mentions the broader community's interest and involvement in photography, including the establishment of educational and resource centers.

Overall, the article captures Boston’s vibrant and expanding photographic scene, emphasizing community engagement, educational initiatives, and the efforts to preserve and showcase photographic works.

The document is a news article from the March 1977 issue of 'Correspondents,' focusing on the photography scene in Boston. It highlights several key points: the establishment of a resource center and growth in museum activities; notable exhibits and collections, including those at the Bostonathenaeum, Danforth Museum, and MIT; and the work of photographers like Lotte Jacobi and Harry Callahan. The article also discusses the Photographic Resource Center, a non-profit organization aimed at strengthening the local photography community. It mentions the Fogg Museum's interest in acquiring color photography and its current collection, which includes works by Edward Steichen and others. Additionally, it notes the Wellesley College Art Center's educational efforts in photography, led by Eugenia Parry, and the MFA's collection, which, despite its strengths, lacks a dedicated curator. The article concludes by mentioning an upcoming exhibition of Todd Lincoln's work at the MFA.

The image is a page from a 1977 issue of "correspondents" magazine, specifically the March edition. The article is titled "Boston: Resource center begun; museum activities grow." Here's a detailed summary of the content:

Main Article:

Boston: Resource Center Begun; Museum Activities Grow

The article discusses the growth and activities of the photographic community in Boston. Despite the cold winter, various exhibitions and events have kept the community engaged.

Exhibitions and Events:

• Lotte Jacobi’s Exhibit: Held at Harvard's Houghton Library, featuring portraits and recent New Hampshire work.
• György Kepes’ March Show: At the Danforth Museum in Framingham, showcasing his paintings, collages, and photo-drawings.
• MIT Exhibit: Features "Forgotten Photographers" and an upcoming exhibit on manipulated photographs at the Creative Photography Gallery.
• Whiteock College Exhibit: "Kingston's collection: Manipulated Prints."
• Polaris Gallery Exhibits: Showcasing works by Paul Caponigro, Carl Siembab, and Harry Callahan.
• Boston's Photographic Resource Center (PRC): The article highlights the establishment of this new center, noting its potential to be a significant resource for the photographic community. The PRC is in the process of organizing, aiming to provide a variety of services including slide reference, workshops, and lectures.

Photographic Resource Center (PRC) Details:

• Goals and Services: The PRC aims to become a hub for photographers, offering slide reference services, workshops, and a unique collection of images that are not widely accessible.
• Community Involvement: The center is envisioned to stimulate educational and cultural growth within the photographic community. It plans to host exhibitions and events that cater to both budding and established photographers.
• Founders and Contributors: Key individuals mentioned include Elsa Dorfman, Carl Siembab, and Jerry Liebling. The center's advisory board includes well-known names in photography.

Museum Activities:

• Museum of Fine Arts (MFA): The MFA is noted for its involvement in photography, with a growing collection and various educational initiatives.
• DeCordova Museum: Hosting exhibitions and building a collection of contemporary art.
• Eugene Jans' Collection: Mention of a significant private collection that might become a part of public exhibitions.
• Boston Arts Festival: Plans for photography inclusion in the annual festival.

Profiles:

• Barbara Norfleet: Associate curator of photography at the Fogg Art Museum, Harvard University, known for her work in assembling and teaching through collections.
• Leslie Sills: A photographer who has recently had a solo exhibit and is involved in the educational aspects of photography.
• Bruce Davidson, Jerry Uelsmann, and Others: Notable photographers whose works are being displayed and collected by various institutions.

Additional Notes:

• The article mentions a growing interest in photography among the public and museums, indicating a vibrant and expanding field.
• The piece also touches on the historical and educational aspects of photography, emphasizing its increasing recognition as an art form.

The article overall paints a picture of a thriving photographic community in Boston, with new initiatives and expanding museum activities fostering growth and engagement in the field.

The image is a newspaper clipping from the March 1977 issue of "Correspondents" with the subtitle "afterimage." The main article is titled "Boston: Resource center begun; museum activities grow."

Here is a detailed summary of the article:

The article discusses the burgeoning interest and activity in the field of photography in Boston. It highlights several significant photographic exhibitions and events:

1. Exhibitions and Shows:

   • Lotte Jacobi's exhibit "Adventure in Photography" at the University of Massachusetts, featuring her own photographs and portraits.
   • A retrospective of New Hampshire artist and photographer Harry Callahan's work at the Danforth Museum in Framingham.
   • The "Forgotten Photographs" exhibit at MIT's Creative Photography Gallery.
   • Kingston's collection of "Manipulated Polaroid Prints" at Wheellock College.

2. Photographic Resource Center:

   • The establishment of the Photographic Resource Center in Boston, a non-profit membership organization. It aims to strengthen the community's commitment to photography through research, workshops, and slide reference services.

3. Museum Activities:

   • The article mentions the involvement of various museums, including the Institute of Contemporary Art (ICA) and the Museum of Fine Arts (MFA), in acquiring and displaying photographic works.
   • The ICA's acquisition of photographs by artists such as Robert Mapplethorpe and Robert Heinecken.
   • The MFA's extensive collection of photographs, including works by Eugène Atget and Eugène Cuvelier, with a focus on the acquisition of historical photographs.

4. Curatorial Perspectives:

   • The article features insights from several curators:
     • David Travis Pratt of the ICA discusses the museum's strategy of acquiring photographs to complement its collection of contemporary art.
     • Both Ackley from the MFA discusses the museum's historical photographic collection, emphasizing the acquisition of works from the late 19th and early 20th centuries.

5. Historical Context and Growth:

   • The article notes that Boston's involvement with photography has grown significantly, with museums actively collecting and displaying photographic works.
   • The establishment of the Photographic Resource Center is seen as a significant step in connecting various parts of the photographic community.

6. Notable Figures:

   • The article mentions several notable figures in the photography world, including Lotte Jacobi, Harry Callahan, Robert Mapplethorpe, and Eugène Atget, among others.

Overall, the article highlights the dynamic growth and increased recognition of photography as an art form in Boston during the mid-1970s, driven by both institutional support and community initiatives.

The image is a newspaper clipping from The Boston Phoenix, dated March 1977. The article, titled "Boston: Resource center begun; museum activities grow," discusses the growth and activities within the Boston photography community.

Key points from the article include:

1. Photography Activities and Exhibitions:

   • Various photography-related activities and exhibitions are highlighted, such as those by Lotte Jacobi, Harry Callahan, and others.
   • Notable exhibitions mentioned include "Adventure in the Arts," "Photographs of the 1930s," "Manipulated Polaroid Prints," and "Forgotten Photographs."

2. Photographic Resource Center:

   • The establishment of a non-profit membership organization called the Photographic Resource Center is announced. This center aims to connect various parts of the photographic community and provide a resource for research, workshops, and exhibitions.
   • The center is in the process of setting up a slide reference service and workshops.

3. Institutional Support:

   • Several Boston institutions are noted for their involvement in photography, including the Museum of Fine Arts (MFA), the Institute of Contemporary Art (ICA), and Wheelock College.
   • The MFA has been buying photographs for the past five years, and its collection is growing.

4. Curatorial Insights:

   • David Pratt, associate curator of photography at the Fogg Museum, discusses the importance of color photography, acknowledging its growth and the museum's acquisition of significant works.

5. Educational Initiatives:

   • Wellesley College's art department has been enriching its collection with photography, including a significant number of prints from the nineteenth century.
   • The MFA's acquisition of photography has been driven by curators like Cliff Ackley, who has been active in acquiring significant pieces.

6. Community Involvement:

   • The article highlights the community's interest in photography, with ongoing and future events, exhibitions, and initiatives aimed at supporting and growing the field.

7. Future Plans:

   • The article mentions plans for more exhibitions, including a survey of black photographers and an exhibition of 3M color work.

8. Author Note:

   • The article is written by Ann Parson, who frequently writes about photography for The Boston Phoenix and The New Boston Review.

The overall tone of the article is positive, showcasing the vibrant and growing interest in photography within Boston's cultural and educational institutions.

This image shows a page from a printed publication titled "correspondents," dated March 1977 (handwritten at the top). The main headline reads: "Boston: Resource center begun; museum activities grow."

The article discusses photography activities and resources in Boston, mentioning a variety of institutions and people involved in the photographic community. It highlights the challenges of the winter season for photography activities, the gradual acceptance of photography in the wider community, and the emergence of new resource centers and exhibitions.

Two black and white photographs are included:

• The top photograph shows a snow-covered scene with some footprints or tracks.
• The bottom photograph features two people and a dog in a park-like setting with bare trees and shadows on the ground.

Key topics covered in the text include photo exhibitions, educational programs, resource and research centers, loans of photographs, and the historical and contemporary significance of photography in Boston and the surrounding areas. There are references to specific events, locations, and figures involved in the photography scene.

The page layout includes columns of text, captions under the photos, and some smaller sections or quotes near the bottom. There is a punched hole on the right side, indicating the page was likely part of a binder or file.

This image displays a newspaper clipping from a publication called "correspondents," dated "Spring - March 1977." The headline at the top reads "Boston: Resource center begun; museum activities grow." The page appears to be yellowed with age and has a worn appearance, suggesting it's an archival document or a historic record.

The article text is fairly dense and talks about various updates and activities happening in Boston related to art, photography, and museum exhibitions. Among the topics covered are photography shows and resource centers, including mentions of specific museums and galleries, and various photographic exhibitions. The content seems aimed at those interested in arts and culture, providing updates about resource centers, museum growth, and cultural activities in the art scene of Boston at that time.

In the center of the article, there's a black-and-white photograph breaking up the columns of text. The image features a scenic view, possibly of a park or natural setting, with several bare trees and what appears to be either a river or lake, across which a bridge is faintly visible. The exposure of the photo emphasizes the light and shadows, giving it a sense of depth and tranquility.

The paper is mounted on a support with visible push pins at each of the four corners, securing it to a background that has a blue-gray border around the edges, hinting that this clipping may be displayed on a bulletin board or part of a collection.

The image is a scanned page from a publication titled "Correspondence", dated March 1974. The page features an article titled "Boston: Resource center begun; museum activities grow", which discusses developments in photography and related activities in Boston during that time.

Key Details from the Image:

Header and Title:

• The top of the page prominently displays the title "Boston: Resource center begun; museum activities grow", indicating the focus of the article on growth in Boston's photography and museum scene.

Content Overview:

The article provides an in-depth look at the burgeoning photography community in Boston, highlighting several key initiatives and events:

1. Photography Resource Center (PRC):

   • The PRC is described as a new venture aimed at aiding photographers, particularly in the Boston area. It serves as a community resource, offering workshops, slide reference services, and a venue for networking.
   • The center is noted as a significant step in organizing the photographic community, which is described as large and active but previously unstructured.

2. Exhibitions and Galleries:

   • The article mentions several notable exhibitions and gallery activities:
     • Jacobi’s Exhibit: "Adventure in the City" at Jacobi’s, featuring photographs by New Hampshire photographers.
     • Gyorgy Kepes’ March Show: At the Danforth Museum in Framingham.
     • "Forgotten Photos" Exhibit: At MIT, featuring photographs drawn from the MIT Creative Photography Gallery.
     • Kinston Collection: "Manipulated Photos" at Polaroid’s Wholesome Inn.
     • Towle Prints: At the Rookwood College of Art.
     • Enay Gallery: Harry Callahan’s recent work.
     • Enos Gallery: Harry Enay’s recent work in April.
   • These exhibitions showcase a diverse range of photographic styles and themes, reflecting the vibrancy of the Boston photography scene.

3. Museum Activities:

   • The article discusses the growing activities at the Museum of Fine Arts (MFA) in Boston:
     • The MFA is acquiring a significant collection of photographs, including works by American landscape photographers like Bruce Davidson, Jerry Uelman, and NASA Area Photographers.
     • The museum has recently acquired over 300 prints, including close to 50 prints acquired last year, indicating a strong commitment to expanding its photography collection.
     • The MFA’s photography department is noted for its focus on acquiring historical views and contemporary works, with a particular emphasis on American art.

4. Other Institutions:

   • Wellesley College’s Jewett Art Center: Hosts an enriching educational program in photography, with an associate professor, Janet Janis, leading the initiative.
   • Friends of Art: At the MFA, this group supports the museum’s photography department and has recently acquired prints for the museum.
   • Addison Gallery of American Art: Also noted for its growing photography collection, with acquisitions of contemporary works.

5. Photography Resource Center (PRC) Details:

   • The PRC is described as a non-profit membership organization aimed at aiding photographers in Boston. It offers various services, including workshops, slide reference, and networking opportunities.
   • The center is noted for its commitment to strengthening the photographic community, which is described as large but previously unstructured.

Visual Elements:

• The page includes a small, faint image or logo in the top right corner, which appears to be part of the publication’s design or branding.
• The text is formatted in a traditional newspaper or magazine style, with columns of text and clear headings.

Additional Notes:

• The article is signed by Ann Parson, who is noted as a frequent writer about photography for The Boston Phoenix and The New Boston Review.
• The page also includes a small, handwritten note at the top right corner that reads "afterimage - March 1974", indicating the source and date of the publication.

Overall Impression:

The image captures a snapshot of the thriving photography scene in Boston in 1974, highlighting the establishment of community resources, the growth of museum collections, and the increasing visibility of photographic exhibitions. The article reflects a period of expansion and recognition for photography as an art form and a vital part of the cultural landscape.

The image appears to be a newspaper clipping or article from March 1977 discussing photography activities and exhibitions in Boston. The article highlights the growing interest in photography in the city, with many new and ongoing exhibitions taking place. It mentions specific exhibitions and events, such as:

• "Adventure in the World of Light" at the Jacob's Pillow Dance Festival
• "Gyorgy Kepes' March from Vienna" at the Danforth Museum
• "Forgotten Photographs" at MIT
• "Creative Photography Gallery" at the Museum of Fine Arts
• "Manipulated Prints" at Wheelock College
• "In Just Seconds" at Polaroid's retrospective gallery at the Kennedy Gallery
• "City and City Views" at Enjay Gallery in April

The article also discusses the role of the new photography resource center in Boston, which aims to connect various parts of the photography community, act as a research center, and serve as a communicator. It mentions the center's slide reference service, workshops, and educational guide.

Additionally, the article highlights the Institute of Contemporary Art's (ICA) efforts to acquire and display more photographs, despite legal restrictions on collecting photographs. It notes that the ICA has been actively buying prints and drawings, and unofficial curator Wendy MacNaughton has been curating photography displays.

The article also touches on the Wellesley College Jewel Art Center's acquisition of contemporary work, including prints by John Dean, and the Museum of Fine Arts' collection of vintage photographs by Edward Steichen.

Overall, the image presents an overview of the growing interest in photography in Boston during March 1977, with a focus on exhibitions, the new photography resource center, and the efforts of various institutions to acquire and display photography.