Archives Scrapbooks

This image shows a preserved newspaper clipping mounted on a piece of beige, three-hole-punched paper, likely for archival or scrapbook purposes. The clipping appears to be from The Boston Herald American and is dated November 21, 1975, though the date is partially obscured.

Main Article:

• Headline: “A teenage art mecca”
• Author: Robert Garrett, Art Critic
• Subject: The article reviews an exhibition at the Fogg Art Museum at Harvard University, focusing on a youthful, energetic display of Rembrandt’s early works.
• It specifically mentions a self-portrait etching from 1628 — “Rembrandt self-portrait, a 1628 etching, is part of a Fogg exhibit.” — which is pictured in the lower-left corner of the article.
• The review notes that the exhibit is aimed at young audiences, featuring not only Rembrandt’s “Head of Christ” and “Self Portrait,” but also a “Children’s Corner” section.
• The children’s section includes interactive elements like antique toys, musical instruments, and even a maze. It also highlights an adaptation of “The Mouse and the Lion” by Aesop playing at the Charles Playhouse Cabaret (now Cabaret).

Additional Elements:

• In the top right corner, there is a portion of another folded newspaper article partially covering the main piece.
• Below the main article, on the beige backing paper, is a smaller, separate clipping titled “Sparks” (likely a sidebar or follow-up piece). This brief article discusses the financial state of the Fogg Art Museum, noting a loss of money from the prior year, cost-cutting efforts, and future plans. It includes a quote from Marcie L.G. Coburn, the museum’s financial officer, who says the Fogg “has ‘gone through hard times’ but it has ‘turned a corner.’”

Visual Details:

• The newspaper clippings are in black-and-white with typical 1970s typesetting.
• The photo of Rembrandt’s self-portrait is a small grayscale reproduction.
• The entire artifact has a vintage feel, with yellowed paper tones and slightly uneven edges, suggesting age and historical significance.

Overall Impression:
This image captures a piece of art criticism history from 1975, documenting how major institutions like the Fogg Art Museum were making serious art accessible and engaging for children — and it also hints at the museum’s internal financial struggles and plans for recovery.

It is a well-preserved archival item, likely collected or saved for its cultural or personal significance.

The image shows a page from a newspaper or magazine article titled "A teenage art mecca" by Robert Garrett, an art critic. The article discusses the Fogg Art Museum in Boston, highlighting its exhibits and offerings for young audiences. The page includes a photograph of a self-portrait by Rembrandt, a 1629 etching, which is mentioned as part of the museum's collection. The text also mentions other exhibits and activities at the museum, such as the "Toys From Switzerland" exhibit at the Museum of Science and a children's drama production called "The Mouse and the Lion."

The page is mounted on a light brown cardstock, and there are additional pieces of text and a hole punch visible, suggesting that the article is part of a collection or scrapbook. The style of the text and the photographic quality indicate that the article is from a print publication, likely from the mid-20th century.

This image is a scanned page from a scrapbook or archive, featuring an article titled "A teenage art mecca" by Robert Garrett, an art critic. The article is published in "The Boston Herald American" and discusses an exhibit of Rembrandt's works at the Fogg Art Museum, specifically targeted at introducing young teenagers to the artist. The exhibit includes prints, drawings, and paintings, mostly from the museum's collection, and runs through December 6. The article mentions two smaller paintings: a 1629 "Self Portrait" and a "Head of Christ," both of which are described as more human and less idealized than Rembrandt's larger works.

The article also discusses the museum's other exhibits and events, including a "Toys From Switzerland" exhibit at the Museum of Science and a children's theater performance of "The Mouse and the Lion," an adaptation of Aesop's fable.

There is a photograph of Rembrandt's self-portrait, a 1629 etching, which is part of the Fogg exhibit.

Additionally, there are two smaller pieces of paper attached to the page. One is a continuation of the article with the heading "Spirals," discussing the financial situation of the Fogg Art Museum and the efforts to cut costs and generate more income. The other piece of paper contains text about the museum's financial challenges and plans for the future.

A piece of paper with a newspaper clipping attached to it is displayed on a gray wall. The clipping is about an article titled "A teenage art mecca" by Robert Garrett. It is about a teenage artist named Rembrandt, who is one of the most promising young artists. The article also features a black-and-white image of Rembrandt's self-portrait. The clipping is attached to the paper with a white border and has a hole punch on the right side.

The image is a newspaper clipping with a headline that reads "A teenage art mecca" and is accompanied by an illustration of a Rembrandt self-portrait. The clipping is part of a collection of newspaper clippings and other documents related to the Fogg Art Museum, which is located in Cambridge, Massachusetts. The clipping is from The Boston Herald American and is dated November 26, 1973. The article discusses the popularity of Rembrandt's work among teenagers and the museum's efforts to attract young visitors.

The image shows a newspaper clipping from The Boston Herald American dated June 12, 1965, featuring an article titled "A teenage art mecca" by Robert Garrett, an Art Critic. The article discusses the Fogg Art Museum's Children's Art Gallery, which is described as a space where young people can explore and engage with art.

Key Details from the Article:

1. Exhibit Overview:

   • The article highlights the Children's Art Gallery as a unique space for teenagers to interact with art, offering a collection of drawings, paintings, and other works.
   • It emphasizes the gallery's role in fostering creativity and artistic exploration among young people.

2. Rembrandt's Self-Portrait:

   • The article includes a photograph of a Rembrandt self-portrait, dated 1629, which is part of the Fogg exhibit. The image shows a detailed etching of Rembrandt's face, capturing his intense gaze and expressive features.

3. Content and Themes:

   • The article discusses various artworks on display, including a Roman goddess, a portrait of a young artist named Rembrandt, and other pieces that appeal to a younger audience.
   • It mentions the gallery's interactive nature, where children can stand close to the artworks and even touch some pieces, such as a protective glass covering a landscape painting.

4. Context and Commentary:

   • The article touches on the broader context of children's art education and the Fogg Museum's efforts to engage younger audiences.
   • It includes a quote from Margaret L.G. Coburn, the museum's financial officer, who discusses the financial challenges faced by the Fogg Art Museum, including rising costs and fixed incomes.
   • Coburn also addresses the museum's role as a teaching institution and its commitment to maintaining its educational mission despite financial constraints.

5. Visual Elements:

   • The top portion of the image shows the newspaper headline and the beginning of the article, while the bottom portion includes a photograph of the Rembrandt self-portrait and additional text discussing the exhibit and the museum's financial situation.

Overall Impression:

The image captures a historical moment in art education, showcasing how museums like the Fogg Art Museum were adapting to engage younger audiences in the mid-20th century. The combination of textual and visual elements provides insight into the museum's efforts to make art accessible and meaningful to children and teenagers.

This is an image of a scrapbook or archival page featuring multiple newspaper clippings carefully attached to a brown page. The main clipping headline reads, "A teenage art mecca," written by Robert Garrett, identified as an art critic, and was published in The Boston Herald American. Below it, there is a smaller clipping containing a faint reproduction of an etching titled "Rembrandt self-portrait, a 1629 etching, is part of a Fogg exhibit." The article discusses the Fogg Art Museum and its events.

On the right, there are other small textual clippings, including a continuation of an article discussing museum funding, budgetary constraints, and community engagement. One of the clippings is folded outward, emphasizing it is copy-pasted for clarity.

The page features a punched hole on the right side, suggesting that it might be part of a collection or bound scrapbook. The layout and condition appear neatly preserved, likely for documentation or historical purposes.

This image displays a collection of newspaper clippings and captions mounted on a kraft paper background, presumably for archival or display purposes. At the top of the image is a heading from "The Boston Herald American" which reads "A teenage art mecca." Below this article is a section titled "Children's Corner" from the same paper source. Toward the bottom left, there's a reproduction of a classic artwork captioned as "Rembrandt self-portrait, 1629 etching, is part of a Fogg exhibit," indicating that the image relates to an exhibition at what might be the Fogg Art Museum. There's another small clipping attached with text, possibly related to the art world, though its content is not fully visible. The articles and captions appear to be carefully cut out and arranged on the board, suggesting they were collected for their relevance to art, exhibitions, or cultural events.

The image shows a scrapbook page with several newspaper clippings taped onto it. The largest clipping is a Boston Herald American article titled "A teenage art mecca" by Robert Garrett, an art critic. The article discusses a current exhibit featuring a self-portrait by Rembrandt along with other paintings and drawings from his collection. The article mentions the appeal of these works to teenagers and art students, pointing out an exhibit with 38 illustrations and classes available for children and teens.

Below this article is a grayscale reproduction of Rembrandt's self-portrait, a 1629 etching, which is part of the exhibit described.

There are two smaller clippings on the right side of the page. One of these discusses financial aspects related to the Fogg Art Museum, explaining losses, cost-cutting measures, and efforts to generate income. It includes quotes from Marcie L.G. Coburn, a financial officer of the museum.

The other small clipping discusses the museum’s plans to turn things around despite prior financial challenges, emphasizing its role as a teaching museum and its commitment to staying open for the public. The text is taped in two places and arranged upside-down at the top right section.

The image shows a vintage scrapbook page or display sheet. It’s a light brown backing with three punched holes on the right. Clipped newspaper articles are affixed to it:

• A large clipping at the top left with the headline “A teenage art mecca” from The Boston Herald American, including a small “Children’s Corner” box.
• A small black-and-white image of a Rembrandt self-portrait (1629 etching) toward the bottom left, with a caption.
• A separate smaller clipping at the bottom right with a title like “Spirals” and a column of text.
  Also, a strip of paper is curled up and tucked near the top right, adding a three-dimensional fold to the arrangement.Overall, it has the look of a mid-20th-century museum or gallery clipping layout.