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ARCH.2003.39, Rendition: 806772
This image displays a single page from a press clipping file or scrapbook, mounted on a tan, two-hole-punched archival sheet. The page contains two distinct black-and-white newspaper clippings from the Harvard Gazette, both dated October 22, 1976.
The two clippings are arranged vertically. The top clipping (Ahura Mazda) is narrower and positioned on the right side of the page. The bottom clipping (Colorado River watercolor) is wider and spans across the lower portion. The overall page has a historical and archival feel, documenting art-related news from the Fogg Museum’s collections and exhibitions, curated for documentation or research.
The image is a scanned copy of a page from the Harvard Gazette dated October 22, 1976. The content of the page includes three distinct elements:
Top Right: A photograph of a bas-relief of Ahura Mazda, the supreme god of the Persians, from the Achaemenid Period. This artifact is part of the Fogg Museum's permanent collection. The bas-relief is credited to Michael A. Nedzwecki and is a bequest of Grenville L. Winthrop.
Bottom Left: A photograph of the Shafer Gooseneck on the Colorado River, which is a watercolor on paper by Susan Shatter. This artwork is featured in the exhibition "America 1976" at the Fogg Museum and the Institute of Contemporary Art, running through December 7. The photograph is credited to Eric Pollitzer.
Center Left: A plain, blank space that does not contain any text or images.
The page has a vintage appearance, with faded colors and slightly creased edges, reflecting its age.
This image appears to be a scrapbook page or a collection of clippings from the Harvard Gazette dated October 22, 1976. The page includes two distinct items:
Top Right Section: A black and white photograph of a bas-relief. The text accompanying this image identifies it as a bas-relief of Ahura Mazda, the supreme god of the Persians from the Achaemenid Period. It is from the Fogg Museum permanent collection and is attributed to Michael A. Nedzweski, with a bequest from Grenville L. Winthrop. The bas-relief depicts a figure with a crown, robe, and a circular disc with rays, possibly representing the sun or a divine emblem.
Bottom Section: A black and white photograph of a landscape, specifically the Shafer Gooseneck of the Colorado River. The text indicates that this is a watercolor on paper by Susan Shatter, from an exhibition titled "America 1976" at the Fogg Museum and the Institute of Contemporary Art, running through December 7. The photograph is credited to Eric Pollitzer.
The page itself is beige and has two holes on the left side, suggesting it is part of a binder or notebook. The items are neatly arranged and glued onto the page.
The image shows a page with a brown background that appears to be a part of a scrapbook or a collection of clippings. On the left side of the page, there is a blank piece of paper with a hole punch on the top left corner, indicating that it may have been used for organizing or binding purposes. On the right side of the page, there are two photographs attached. The top photograph shows a statue of a man holding a bow and arrow, while the bottom photograph depicts a landscape of a river flowing through a canyon. Both photographs have labels or captions that provide information about their origins or subjects.
A collage of three images is displayed on a beige-colored folder. The first image is a black-and-white image of a person sitting on a chair and holding a cup in his right hand. The second image is a black-and-white photograph of a landscape with mountains and a river. The third image is a black-and-white image of a person sitting on a chair and holding a cup in his right hand.
The image depicts a newspaper clipping from the Harvard Gazette, dated October 22, 1976. The clipping is mounted on a light brown cardboard backing, likely for archival or display purposes. The layout includes two distinct sections:
The layout and presentation suggest this clipping was preserved for its historical, cultural, or artistic significance, likely as part of an archive or exhibition documentation. The inclusion of photographer and artist credits indicates an emphasis on attribution and credit for the visual content.
The image presents a page from the Harvard Gazette, dated October 22, 1976, featuring two distinct images.
Image 1: A Watercolor Painting
The top-right section of the page showcases a watercolor painting by Susan Shatter, titled "America 1976." The painting depicts a serene landscape with rolling hills and a body of water in the distance. The artist's use of soft colors and gentle brushstrokes creates a sense of tranquility.
Image 2: A Carved Stone Relief
The bottom section of the page features a carved stone relief from the Fogg Museum's permanent collection. The relief is a depiction of Ahura Mazda, the supreme god of the Persians, and is attributed to the Achaemenid Period. The intricate details and textures of the carving are evident, showcasing the skill of the ancient artisans who created it.
Additional Text
In addition to the images, the page includes several lines of text that provide context and information about the artwork. These lines of text are written in a clear and concise manner, making it easy for readers to understand the significance and history behind each piece.
Overall
The image presents a unique and fascinating collection of artwork, showcasing the diversity and richness of human creativity. From the serene landscape of Susan Shatter's watercolor painting to the intricate details of the carved stone relief, each piece offers a glimpse into the artistic expression of different cultures and time periods.
The image depicts a page from a scrapbook or binder, featuring two newspaper clippings. The top clipping is from the Harvard Gazette, dated October 22, 1976, and showcases a relief of Ahura Mazda, the supreme god of the Persian Achaemenid Period. The relief is from the Fogg Museum's permanent collection.
The bottom clipping is a black-and-white photograph of a landscape, with a caption that reads: "Shiraz Godeeneck, Colorado River (watercolor on paper) by Susan Shatter - from 'America 1976' at the Fogg Museum and the Institute of Contemporary Art through December 7." This clipping also includes a photo credit to Edie Pollitzer.
The background of the page is a light brown color, with a hole punched in the left side, indicating that it is part of a binder or scrapbook. Overall, the image suggests that the page is a collection of newspaper clippings related to art and culture, specifically featuring works from the Fogg Museum and the Institute of Contemporary Art.
The image depicts a brown folder with two newspaper clippings attached to it. The folder is positioned upright, with the clippings visible on the right side.
The background of the image is a plain gray color.
The image presents a scanned or photographed page from a binder, featuring two newspaper clippings and a blank section. The page is divided into three main sections: a large blank area on the left, a top-right section with a newspaper clipping, and a bottom section with another newspaper clipping.
The image appears to be a collection of newspaper clippings from the Harvard Gazette, dated October 22, 1976, showcasing various artworks and exhibits.