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ARCH.2003.39, Rendition: 806763
This image displays a newspaper clipping mounted on a light brown file folder, likely for archival purposes. The collection of clippings details a high-profile theft of artworks from the residence of Harvard University President Derek Bok in July 1976.
Main Article (Harvard Crimson, July 13, 1976):
The dominant article, authored by Peter Frawley, is titled:
“Paintings Stolen From Bok Residence Were Not Covered by Insurance Firm But ‘Self-Insured,’ According to Slive”
It reports that five paintings, valued at $370,000, were stolen from President Bok’s home. The paintings, which were on loan from the Fogg Art Museum, were “self-insured” — meaning Harvard assumed the risk internally rather than purchasing insurance from an outside company.
The article features a composite image of the five stolen paintings, arranged in a 2x3 grid:
The article quotes Seymour Slive, director of the Fogg Art Museum, explaining “self-insurance” and noting that another painting, owned by President Bok and valued at $10,000, was also stolen. A Harvard official, Robert S. Mullen, acknowledged the office had previously arranged insurance for other loans.
New York Times Article (July 17, 1976):
A smaller clipping from the New York Times on the left side features the headline:
“Harvard Offers Reward in Theft”
It reports that Harvard offered a $5,000 reward for information leading to the recovery of the six stolen paintings. The article confirms the paintings were valued at $380,000, with five on loan from the Fogg Museum and one belonging to the Bok family. It notes the paintings were stolen on the night of July 8, and specifies that two were by the French Impressionist Eugène Boudin, each valued at $100,000.
Additional Clipping:
A third, partially obscured article headline reads “HARVARD DIVIDED” and discusses the Fogg Art Museum’s upcoming Bicentennial exhibition on political and social upheaval during the American Revolution. It mentions Linda Ayres assembling materials from the Fogg, Harvard College, the Museum of Fine Arts, Boston, and other institutions.
Annotation:
There is a handwritten note on the folder beneath the clipping that reads:
“CANNONSBURG, Sept. 1976”
Overall:
The image captures a documented media response to a significant art theft from a university president’s residence, highlighting institutional risk management (“self-insurance”), the value and origin of the stolen works (mostly by Boudin and Twachtman), and the university’s public effort to recover them with a reward offer. The clipping is preserved as a historical record, potentially filed under an annotation referencing “Cannonsburg” in September 1976.
The image appears to be a collection of newspaper clippings and a typed note, all of which seem to be related to a theft incident involving paintings from the Bok Residence at Harvard University. Here is a breakdown of the content:
Headline: "Paintings Stolen From Bok Residence Were Not Covered by Insurance Firm But 'Self-Insured,' According to Slive"
Images: Four small photographs depict different paintings that were stolen, with captions identifying the artists: Boudin, Beckheyde, another Boudin, Gifford, and Twachtman.
The overall context of these clippings suggests that the image is part of a collection documenting the aftermath of the theft of paintings from Harvard University and the subsequent efforts by the university to recover them.
This image shows a collection of newspaper clippings and a handwritten note, all related to the theft of paintings from the Bok residence at Harvard University. The clippings are pasted on a brown sheet of paper.
Top Clipping (Harvard Crimson, July 13, 1976):
Bottom Left Clipping (New York Times, July 17, 1976):
Bottom Middle Clipping:
Handwritten Note:
The overall theme of the image is the theft of valuable paintings from the Bok residence and the subsequent investigation and reward offer by Harvard University.
The image is a document that appears to be a newspaper clipping. It is mounted on a piece of cardboard with a beige background. The clipping is from the "Harvard Crimson" dated July 13, 1976, and features an article titled "Paintings Stolen From Bok Residence Were Not Covered by Insurance Firm But 'Self-Insured,' According to Slive." The article discusses the theft of five Harvard-owned paintings from President Bok's residence and the fact that they were not covered by an insurance firm but were "self-insured."
The article is accompanied by four small black-and-white photographs of the stolen paintings, which depict various scenes, including a cityscape, a river with boats, and a landscape with a large rock formation. The photographs are arranged in a grid format.
Below the main article, there is a smaller clipping from the "New York Times" dated July 17, 1976, titled "Harvard Offers Reward in Theft." This clipping announces that Harvard University has offered a $5,000 reward for the recovery of the stolen paintings.
Additionally, there is a handwritten note on the cardboard that reads "CANNOT BE SUR." This note is not clearly legible, but it appears to be a comment or annotation related to the document.
The document also includes a smaller clipping with a photograph of a man and a brief caption, but the content of this clipping is not fully visible in the image provided.
The image shows a newspaper clipping with a headline "Paintings Stolen From Bok Residence Were Not Covered by Insurance Firm But 'Self-Insured,' According to Slive" from the Harvard Crimson, dated July 13, 1976. The article discusses the theft of five Harvard-owned paintings worth $10,000, stolen from President Bok's residence by an outside company. Seymour Slive, director of the Fogg Art Museum, declined to cover the losses from a special fund meant for such types of losses. The article also mentions that the paintings were not insured, and the university had handled insurance for several valuable paintings in the past. The article also includes a smaller clipping from the New York Times dated July 17, 1976, which reports that Harvard University had offered a $3,500 reward for the recovery of the stolen paintings.
The image is a collage of three newspaper clippings, each presenting different aspects of a significant art theft incident involving Harvard University and its associated institutions. Here is a detailed description of each section:
The collage highlights a major art theft incident at Harvard University, the university's response (including a reward offer), and a concurrent controversy over an upcoming exhibition at the Fogg Art Museum. The articles collectively illustrate the intersection of crime, institutional response, and academic debate within the university setting.
The image shows a newspaper clipping from the Harvard Crimson, dated July 13, 1976, with the headline "Paintings Stolen From Bok Residence Were Not Covered by Insurance Firm But 'Self-Insured,' According to Slive." The article discusses the theft of five paintings from President Bok's house and the lack of insurance coverage for the artworks.
In summary, the image shows a newspaper clipping from the Harvard Crimson, dated July 13, 1976, with the headline "Paintings Stolen From Bok Residence Were Not Covered by Insurance Firm But 'Self-Insured,' According to Slive." The article discusses the theft of five paintings from President Bok's house and the lack of insurance coverage for the artworks.
The image depicts a newspaper clipping from the Harvard Crimson, dated July 13, 1976, with the headline "Paintings Stolen From Bok Residence Were Not Covered by Insurance Firm But 'Self-Insured,' According to Slive." The article discusses the theft of five paintings from the residence of President Bok's house, which were not insured by an outside company but were "self-insured" by Seymour Slive, director of the Fogg Art Museum.
Key Points:
Additional Information:
Conclusion:
The image provides information about the theft of five paintings from President Bok's house and the subsequent investigation. The article highlights the unique insurance arrangement for the paintings and the university's consideration of selling them to raise funds for the museum.
The image is a photograph of a piece of cardboard with newspaper clippings attached to it, featuring articles about the theft of valuable paintings from Harvard University.
The image presents a collection of newspaper clippings related to the theft of valuable paintings from Harvard University in 1976. The clippings provide information on the theft, the value of the stolen paintings, and the university's response to the incident.
The image presents a collection of newspaper clippings and notes, arranged on a brown paper background. The main clipping is from the Harvard Crimson, dated July 13, 1976, with the headline "Paintings Stolen From Bok Residence Were Not Covered by Insurance Firm But 'Self-Insured,' According to Slive." This article discusses the theft of five Harvard-owned paintings worth $30,000 from President Bok's home.
Below the main clipping are several smaller articles and notes, including:
The overall impression is that these clippings and notes are related to an investigation into the theft of valuable paintings from Harvard University's president's residence. The presence of multiple articles and notes suggests that the theft was a significant event that garnered attention from various sources.