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This image is a scanned clipping from the Harvard Gazette, dated April 30, 1976. It announces the acquisition and public display of a major 17th-century artwork at the Fogg Art Museum (part of Harvard University).

Key Details:

Headline:

“17th-Century Masterpiece Is Given To Fogg Art Museum, Goes on Display”

Artwork Featured:

• Title: Madonna with the Sleeping Christ Child
• Artist: Orazio Gentileschi (1563–1639), an early 17th-century Italian painter.
• Date: 1610
• Medium: Oil on canvas
• Provenance: A recent gift from William A. Coolidge to the Fogg Art Museum.
• Photographer: Barry Donahue (credited beneath the image)

Main Content Summary:

• The painting, a “major masterpiece of early seventeenth-century Italian painting,” is now on view on the second floor of the Fogg Art Museum.
• It was previously exhibited in the U.S. in the 1939–1940 exhibition “Master Works of Five Centuries” in San Francisco and Chicago.
• The artwork comes from the Florence collection of the late Count Sandro Contini-Bonacossi.
• It was painted in 1610, when Gentileschi — strongly influenced by Michelangelo da Caravaggio — had developed his own powerful style, characterized by intense realism and dramatic light.

Significance & Context:

• According to Professor Sydney J. Freedberg (Fine Arts), this is “one of the most important gifts of a single work of art that has come to the Fogg Museum in recent memory.”
• The gift was made by William A. Coolidge (Class of 1924) in memory of his wife, Marion Lady Bateman.
• Mr. Coolidge (1906–1990) was a noted art collector and former University Overseer (1967–73) and Trustee of the Boston Museum of Fine Arts (since 1961), serving as its Vice President from 1968 to 1975.
• The painting joins two other important Caravaggio follower works already at the Fogg: Joseph and Potiphar’s Wife by Orazio Gentileschi’s daughter Artemisia Gentileschi, and Joseph and Potiphar’s Wife by Giovanni Baglione.

Quote from Prof. Freedberg:

“Until the arrival of the Madonna with the Sleeping Christ Child, these pictures were the only ones the Fogg held in this important field. We hope that these three works may become the nucleus around which the Fogg may build in this area…”

Visual Description of the Artwork (in the photo):

The black-and-white image shows a tender, intimate scene:

• A serene, haloed Madonna (Mary) gazes down at the Sleeping Christ Child cradled in her lap.
• She gently holds his foot, her gaze full of maternal affection.
• The composition is soft, with flowing fabric and gentle lighting, typical of early Baroque religious painting.
• The dark background focuses the viewer’s attention on the figures, emphasizing their emotional and spiritual connection.

Historical Value:

This gift significantly enhanced the Fogg’s collection of early Italian Baroque art and underscored the museum’s growing strength in this area. The article also reflects the importance of private philanthropy in enriching academic art collections during the mid-20th century.

In summary: This newspaper clipping documents the donation of a major early 17th-century religious painting by Orazio Gentileschi to the Fogg Art Museum, highlighting its artistic significance, donor’s legacy, and its role in building the museum’s Baroque collection.

The image is a newspaper clipping from the "Harvard Gazette" dated April 30, 1976. The article discusses the acquisition of a 17th-century masterpiece titled "Madonna with the Sleeping Christ Child" by Orazio Gentileschi, which was recently gifted to the Fogg Art Museum. The clipping includes a photograph of the painting, which depicts a serene scene with a seated woman (likely the Madonna) holding a sleeping young child (Christ Child). The woman is adorned with sheer, flowing drapery, and the overall composition is dark and moody, characteristic of the Baroque period.

The article provides context about the painting's significance, noting that it is one of the most important gifts to the Fogg Museum in recent memory. It also mentions that the painting was last exhibited in the United States in 1939-1940 and was previously in the collection of the late Count Sandro Contini-Bonacossi. The article is accompanied by text that elaborates on the painting's historical and artistic importance, referencing the influence of Michelangelo da Caravaggio and discussing the revolutionary use of light and shadow in Baroque painting.

This image appears to be a page from the Harvard Gazette dated April 30, 1976. The page features an article about a 17th-century masterpiece being given to the Fogg Art Museum and going on display. The article discusses Orazio Gentileschi's "Madonna with the Sleeping Christ Child," a painting that was a recent gift to the museum. The painting is described as a major masterpiece of early 17th-century Italian painting and is considered one of the most important gifts of a single work of art that has come to the Fogg Museum in recent memory.

The article mentions that the painting was last seen in the country in the 1939-1940 exhibition "Master Works of Five Centuries," shown in San Francisco and Chicago. It also notes that Gentileschi was strongly influenced by Michelangelo da Caravaggio and had developed his own powerful style by 1610 when he painted the "Madonna with the Sleeping Christ Child."

The painting is from the Florentine collection of the late Count Sandro Contini-Bonacossi and is a gift from William A. Coolidge in memory of Marion Lady Bateman. The article includes a photograph of the painting, which shows the Madonna holding the sleeping Christ Child, with an angel and other figures in the background. The caption under the photograph reads: "Madonna with the Sleeping Christ Child (oil on canvas; 1610) by Orazio Gentileschi, a recent gift of William A. Coolidge to the Fogg, is now on view at the Museum. (Photo: Barry Donahue)."

The image is a page from the Harvard Gazette dated April 30, 1976, featuring an article titled "17th-Century Masterpiece Is Given To Fogg Art Museum, Goes on Display." The page is vertically oriented and includes a black-and-white photograph of a painting by Orazio Gentileschi, titled "Madonna with the Sleeping Christ Child."

The photograph shows a serene and intimate scene of the Madonna holding the sleeping Christ Child. The painting is in a classical style, with soft, detailed lines and a focus on the tender relationship between the figures. The Madonna appears to be gazing down at the sleeping child, who is lying in her lap, wrapped in a blanket. The background is minimal, focusing attention on the central figures.

Below the photograph, there is a caption that reads: "Madonna with the Sleeping Christ Child (oil on canvas: 1610) by Orazio Gentileschi, a recent gift of William A. Coolidge to the Fogg. Is now on view at the Museum. (Photo: Barry Donahue)."

The article text is divided into two columns. The left column begins with the article title and continues with a description of the painting and its significance. It mentions that the painting is a major masterpiece of early seventeenth-century Italian painting, and it is now on display at the Fogg Art Museum. The text highlights the importance of the gift from William A. Coolidge, a former trustee of the museum, and notes the painting's last exhibition in the United States was in the 1939-1940 exhibition "Master Works of Five Centuries" in San Francisco and Chicago.

The right column contains additional information about the artist, Orazio Gentileschi, and his influence on the young Michelangelo da Caravaggio. It also includes a quote from Professor Sydney J. Freedberg, who describes the painting as "one of the most important gifts of a single work of art that has come to the Fogg Museum in recent memory."

The article concludes with details about the painting's historical context, noting that it was revolutionary in its intense realism and dramatic use of light when it was painted in 1610. The text also mentions that the painting joins two other important works by Gentileschi in the museum's collection.

The image is a newspaper clipping from the Harvard Gazette dated April 30, 1976. The clipping features an article about a 17th-century masterpiece, "Madonna with the Sleeping Christ Child" by Orazio Gentileschi, which has been donated to the Fogg Art Museum and is now on display. The article highlights the significance of the painting and its historical importance, as well as the generosity of the donor, William A. Coolidge, who was a former University Overseer and a notable art collector. The article also mentions that the painting was last seen in the country during the 1939-1940 exhibition "Master Works of Five Centuries" in San Francisco and Chicago. The clipping includes a black-and-white photograph of the painting, which shows a reclining figure of a woman holding a sleeping baby.

The image is a black-and-white photograph of a page from the Harvard Gazette dated April 30, 1976. The page features an article titled "17th-Century Masterpiece Is Given To Fogg Art Museum, Goes on Display", which discusses the acquisition of a 17th-century painting by Orazio Gentileschi titled "Madonna with the Sleeping Christ Child" (1610).

Visual Elements:

1. Photograph of the Painting:

   • The central visual element is a detailed black-and-white photograph of the painting.
   • The artwork depicts a Madonna (the Virgin Mary) cradling the Sleeping Christ Child.
   • The Madonna is shown with a serene, contemplative expression, gazing down at the Christ Child, who is resting peacefully in her arms.
   • The composition includes soft, flowing drapery and a gentle, intimate setting, characteristic of Baroque art. The painting is described as being on canvas.

2. Caption:

   • Below the photograph, a caption reads:
     "Madonna with the Sleeping Christ Child (oil on canvas; 1610) by Orazio Gentileschi, a recent gift of William A. Coolidge to the Fogg, is now on view at the Museum. (Photo: Barry Donahue)".

3. Headline:

   • The bold headline at the top of the article reads: "17th-Century Masterpiece Is Given To Fogg Art Museum, Goes on Display".

4. Article Content:

   • The article provides context about the painting, noting it is a significant work of early 17th-century Italian painting and is described as one of the most important gifts to the Fogg Museum in recent memory.
   • It mentions that the painting was last seen in the United States during the 1939-1940 exhibition titled "Master Works of Five Centuries" and was part of the late Count Sandro Contini-Bonacossi collection from Florence.
   • The article highlights Orazio Gentileschi’s influence by Caravaggio and Michelangelo da Caravaggio, emphasizing the painting’s revolutionary style in contrast to most Italian painting of the late 16th century.
   • The donor, William A. Coolidge, is identified as a former University Overseer and a collector of Italian art, and the painting is noted as a gift in memory of Marion Lady Bateman.

5. Design and Layout:

   • The page has a clean, newspaper-style layout with clear typography.
   • The photograph is prominently placed above the article text, drawing immediate attention to the artwork.
   • The date and publication name ("Harvard Gazette") are displayed at the top of the page.

Overall Impression:

The image conveys a sense of scholarly and artistic importance, emphasizing the significance of the painting as a recent acquisition for the Fogg Art Museum. The combination of the detailed photograph and the informative article underscores the historical and cultural value of the artwork.

The image is an April 30, 1976, Harvard Gazette article featuring a black-and-white reproduction of a 17th-century painting, Madonna with the Sleeping Christ Child by Orazio Gentileschi. The image shows the Madonna holding the sleeping Christ Child in an intimate and serene pose. The accompanying text announces the painting's donation to Harvard's Fogg Art Museum, its historical significance, and its inclusion among key 17th-century Italian paintings. It explains that this work is one of the most important pieces donated to the museum recently and discusses Gentileschi's artistic influence and style. The article credits William A. Coolidge for donating the painting.

The image is a grayscale photograph of a newspaper clipping mounted on a gray mat. At the top it reads “Harvard Gazette April 30, 1976.” In the middle-left is a small black‑and‑white reproduction of a painting showing a Madonna holding the Sleeping Christ Child, titled Madonna with the Sleeping Christ Child (oil on canvas, 1610) by Orazio Gentileschi. Below the image is a bold headline: “17th-Century Masterpiece Is Given To Fogg Art Museum, Goes on Display,” followed by a caption and several columns of text describing the gift to the Fogg Art Museum and details about the painting and the artist. The page has yellowed edges and appears to be an old clipping.

This image shows a newspaper or newsletter clipping from the "Harvard Gazette April 30, 1976." The main focus of the article is a piece of art that has been given to the Fogg Art Museum and has gone on display. The title of the piece is "Madonna with the Sleeping Christ Child," an oil on canvas work by Orazio Gentileschi. This is considered a 17th-century masterpiece and, as described in the clipping, is a recent gift to the museum, now viewable on the second floor of the museum.

The paper also briefly discusses the significance of the painting, noting it as "one of the most important recent major Italian Baroque paintings" to join the museum's collection. It offers some historical context regarding its last viewing and ties to other works and artists.

The article includes a black and white photo of the painting, which depicts the Madonna with a serene expression, looking downward at the sleeping Christ Child, who is resting on her lap. The photo credit goes to Barry Donahue.

This image shows a page from the Harvard Gazette dated April 30, 1976. The page features a monochromatic artwork titled "Madonna with the Sleeping Christ Child" (oil on canvas; 1610) by Orazio Gentileschi, which is a recent gift to the Fogg Art Museum.

The headline reads: "17th-Century Masterpiece Is Given To Fogg Art Museum, Goes on Display."

The text below provides details about the painting and its significance. It mentions the gift from William A. Coolidge and notes the painting's influence by Michelangelo da Caravaggio. The article highlights that the painting was last seen in the US during the 1939-1940 exhibition "Master Works of Five Centuries" and has now come to the Fogg from the Florence collection of the late Count Sandro Contini-Bonacossi.

It also points out two other important works by followers of Caravaggio that join the painting: Joseph and Potiphar's Wife by Orazio Gentileschi's daughter Artemisia Gentileschi and Potiphar's Wife by Giovanni Baglione.

Overall, the page announces the acquisition and display of a significant early seventeenth-century Italian painting at the Fogg Art Museum.