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Fogg Art Museum Scrapbook, May 1973-March 1978

ARCH.2003.39, Rendition: 806745

Mistral, us.mistral.pixtral-large-2502-v1:0

The image is a page from the "Harvard Gazette" dated April 9, 1976. The page contains two black-and-white photographs.

  1. The top photograph is from John Dugdale's "Isolation Series" (1974) and is featured in the Fogg's "Contemporary Photographs" exhibition. The image appears to be an abstract, possibly a close-up of an object or a scene with strong contrast and geometric patterns.

  2. The bottom photograph is titled "Cotton Picker, Pulaski County, Arkansas, October 1935" by Ben Shahn. This image is from the Fogg photo collection and was on view on Tuesdays and Thursdays from 2-5 pm. The photograph depicts two individuals, likely cotton pickers, working in a field. The figures are dressed in light-colored clothing, and the image has a somewhat grainy texture, typical of photographs from that era.

The page is mounted on a brown cardboard backing with two holes punched on the right side, suggesting it might have been part of a binder or portfolio.

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The image shows two clippings from a publication, specifically the "Harvard Gazette," featuring photographs related to ice hockey.

  1. The top clipping is dated April 9, 1976. It features a black-and-white action shot from an ice hockey game. The photograph captures a dynamic moment, with players in mid-motion. The caption notes that the photo is from the John D. Dozier Foundation Series (1974) and is part of the "Contemporary Photography" exhibit at the Fogg Museum.

  2. The bottom clipping is dated December 1975 and credited to Cotton Pierson. This photo also depicts an intense moment in an ice hockey game, with players engaged closely around the puck. The caption mentions that this image is part of the Fogg photo collection and is on view on Tuesdays and Thursdays.

Both images are framed together in a single cardboard mount, indicating they might be part of a collection or exhibit. The photos highlight the energy and action typical of ice hockey.

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The image appears to be a page from the Harvard Gazette, dated April 9, 1976. It features two black-and-white photographs:

  1. The top photograph is titled "From John Divola's 'Fundation' Series (1974) at the Fogg in 'Contemporary Photographs.'"

    • The photograph depicts an abstract scene with a prominent diagonal line cutting across the image, creating a strong visual impact. The composition includes geometric shapes and a sense of depth and perspective.
  2. The bottom photograph is titled "Cutting Picket, Pabst Blue Ribbon Circus, Akron, Ohio, October 1935 by Ben Shahn - from the Fogg photo collection, on view Tuesdays and Thursdays, 2-5 p.m."

    • This photograph shows a more detailed and realistic scene. It captures a person cutting through a picket fence with a large pair of scissors or shears. The person is wearing a coat and hat, and the image has a documentary feel, capturing a moment in time from a historical event.

The page is framed by a brownish cardboard border. The text at the bottom of the second photo indicates that the photograph by Ben Shahn is part of the Fogg Museum photo collection and was on view during specific days and times.

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The image shows a page from the Harvard Gazette, dated April 9, 1976. This page contains two distinct photographs:

  1. The top photograph is labeled as being from John Divota's "Foundation Series" (1974) and is titled "at the Fogg in 'Contemporary Photographs.'"

    • The image appears to be an abstract or surreal photograph showing a pair of legs in a distorted perspective, creating an illusion of a split or layered view of the legs.
  2. The bottom photograph is labeled "Cutwork Pickers, Puducherry, India, October 1935 by Ben Shahn – from the Fogg photo collection, on view Tuesdays and Thursdays, 2-5."

    • This black-and-white image captures a group of people, possibly working on intricate cutwork or embroidery. The background shows a natural setting, likely outdoors, with some foliage visible.

The page itself is bordered by a light brown cardstock, and it appears to be preserved or framed. The layout suggests that the images are meant to be viewed and appreciated as part of an exhibition or collection from the Fogg Museum at Harvard University.

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The image shows a page from the Harvard Gazette dated April 9, 1976. The page contains two distinct black-and-white photographs.

  1. The top photograph appears to be from the "John Divota's Foundation Series (1974)" and is titled as being part of the exhibit "Contemporary Photography" at the Fogg Museum. The image shows a close-up, abstract view of a hand holding a piece of cloth or fabric with some detailed texture and creases.

  2. The bottom photograph is titled "Cotton Pickers" by Pablo Picasso, dated October 1935. This photo is from the Fogg photo collection and is noted for being available on view on Tuesdays and Thursdays, from 2:5 to 6:5. The image depicts a group of people, likely cotton pickers, working in an agricultural setting, with a focus on their posture and surroundings.

Both photographs are framed within the margins of the page, which is bordered by a light brown, slightly worn cardboard cover.

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The image shows a two-page spread from the Harvard Gazette dated April 9, 1976. The top page features a photograph with the caption "From John Divola's 'Vandalism' series (1974) - at the Fogg in 'Contemporary Photographs'." The photograph depicts an interior space with graffiti on the walls.

The bottom page features another black and white photograph with the caption "Cotton Picker, Palo Duro Canyon, Texas, October 1935 by Ben Shahn - from the Fogg photo collection, on view Tuesdays and Thursdays, 2-5 p.m." The photograph shows two individuals, possibly farmers, in a rural setting, carrying a large bundle of crops.

The pages are held in place by a brown paper envelope or sleeve on the right side.

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This image shows a page, possibly from a newspaper or magazine, with text and two black-and-white photographs. The top of the page has the text "Harvard Gazette April 9, 1976."

The upper photograph on the page shows a piece of abstract artwork that includes dark, angular shapes against a lighter background, with a diagonal element running through the middle. Below this photo, there's a caption that credits the work to John Divola's 'Zuma Series' (1977-78), mentioning it as part of an article titled “Contemporary Photographs.”

Below this is another black-and-white photograph depicting two figures who appear to be walking away from the viewer, through what looks like a natural setting. It could be a depiction of a scene from nature or a staged artistic photograph. There is a caption below this photograph as well, indicating the artwork is "Cotton Plant, Arkansas, October 1975" by Ben Shahn, from the Fogg photo collection, and noting that it's on view on certain days of the week.

The clarity of the page indicates that it is well preserved with no obvious signs of wear or damage, other than it being a little tilted in the mount. The page is mounted on a brownish paper or board with four silver rivets, one in each corner, visible on the mount.

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The image shows a document that is probably a newspaper clipping. The newspaper clipping has two photographs, one above the other. The top photograph is a black-and-white image of a spiral structure with a long, thin object in the middle. The bottom photograph is a black-and-white image of a person standing in front of a tree with a white cloth hanging from it. The newspaper clipping has a date of April 9, 1976, and the name "Harvard Gazette" at the top.

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The image depicts a page from the Harvard Gazette dated April 9, 1976. The page features two photographs, each accompanied by descriptive captions.

Top Photograph:

  • Caption: "From John Divola's Conditioning Series (1974) at the Fogg 'Contemporary Photographs.'"
  • Description: The photograph appears to be a black-and-white image with a strong geometric composition. It shows a figure, possibly a person, lying on the ground, partially obscured by a large, dark, angular shape that resembles a beam or structural element. The figure is positioned in a way that creates a sense of tension and contrast, with the dark shape dominating the foreground. The background is blurred, drawing attention to the central subject and the interplay between the figure and the structure.

Bottom Photograph:

  • Caption: "Castro Pickers, Pulaski County, Arkansas, October 1953 by Ben Shahn—from the Fogg photo collection, on view Tuesdays and Thursday, 2:5–4."
  • Description: This photograph depicts two individuals, likely farmworkers, engaged in picking crops. They are dressed in work attire, with one person bending over and the other standing nearby. The setting appears to be an outdoor field, with sparse vegetation and a rugged, earthy terrain. The image conveys a sense of labor and hardship, capturing a moment of manual work in a rural environment. The black-and-white tone adds a historical and documentary feel to the photograph.

Overall Layout:

  • The page is framed with a light brown border, giving it a formal presentation typical of a newspaper or publication. The text is neatly arranged, with the date and source ("Harvard Gazette") at the top, and the captions positioned below each photograph. The layout is clean and organized, emphasizing the visual content while providing context through the accompanying text.

Contextual Notes:

  • The top photograph references John Divola's Conditioning Series, indicating an art exhibition at the Fogg Art Museum (now the Harvard Art Museums). Divola is known for his conceptual and minimalist photography.
  • The bottom photograph is attributed to Ben Shahn, a renowned photographer and social documentarian, and is part of the Fogg photo collection. The scene captures a moment of agricultural labor in Pulaski County, Arkansas, in 1953, reflecting themes of working-class life and rural America.

The page serves as a blend of artistic and documentary photography, showcasing diverse subjects and styles within the context of a university publication.

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The image is a black-and-white photograph of a page from a magazine or newspaper. It features two photographs and some text. The top photograph shows a close-up of a spiral-like structure with a line running through the center, possibly a scientific or artistic representation. Below this, there is a smaller photograph depicting a person standing in a field, wearing a long white dress or robe. The text on the page includes the name "Harvard Gazette" and a date, "April 9, 1976," suggesting the source and publication date of the content. The layout is typical of a magazine spread, with the photographs and text arranged to provide information and visual interest.