Archives Scrapbooks

This image displays a vintage newspaper clipping from the Harvard Gazette, dated April 9, 1976, mounted on a light brown, aged paper or folder with two punched holes visible on the right side.

The clipping features two distinct black-and-white photographs, each with a caption describing its origin and context:

Top Photograph:

• Content: An abstract, high-contrast image resembling a skeletal structure or an X-ray, with diagonal linear elements crossing it. The composition has a graphic, almost architectural quality.
• Caption: “From John Divola’s Vandalism Series (1974)– at the Fogg in ‘Contemporary Photographs.’”
• Context: This is a work by artist John Divola, part of his 1974 “Vandalism Series,” exhibited at the Fogg Museum as part of a show titled “Contemporary Photographs.”

Bottom Photograph:

• Content: A documentary-style photograph showing several figures, likely cotton pickers, bent over in a field covered in white cotton blossoms. Their backs are turned to the camera; they wear long, light-colored dresses or garments, typical of early 20th-century rural laborers. The scene is evocative of agricultural labor and historical hardship.
• Caption: “Cotton Pickers, Polaski County, Arkansas, October 1925 by Ben Shahn – from the Fogg photo collection, on view Tuesdays and Thursdays, 2-5 p.m.”
• Context: This historic photograph was taken by renowned photographer and artist Ben Shahn in 1925. It is part of the Fogg Museum’s photo collection and was on public view during specific hours.

Overall Description:
The page is a museum or gallery announcement from 1976, highlighting two photographic works on display at the Fogg Museum — one contemporary (Divola’s conceptual abstraction) and one historical (Shahn’s social documentary image). The juxtaposition suggests a thematic exhibition exploring the evolution or diversity of photographic art.

The paper shows signs of aging — slight discoloration, creases, and possible fading — indicating its historical nature. The presentation on the manila folder suggests it may have been part of an archival collection or educational material.

This image appears to be a page from a publication, specifically the Harvard Gazette dated April 9, 1976. The page contains two black-and-white photographs.

1. The top photograph is labeled "From John Divola's Vandalism Series (1974)—at the Fogg in ‘Contemporary Photographs.’" This image features an abstract, fragmented composition with geometric lines and shapes. The style of the photograph suggests a focus on modern art and possibly social commentary, given the "Vandalism Series" title.

2. The bottom photograph is titled "Cotton Pickers, Pulaski County, Arkansas: October 1935" by Ben Shahn. This image depicts two individuals standing in a field of cotton bolls. The photograph captures the historical context of the Great Depression and the agricultural workers who were a part of that era. The somber and reflective tone of the image aligns with Shahn's documentary style of photography, which often aimed to document social and economic conditions.

Both images are framed and bordered by the publication, and the photographs are placed against a light-colored background, suggesting a layout typical of newspaper or magazine articles.

The image is a page from the Harvard Gazette dated April 9, 1976. It features two photographs:

1. The top photograph is from John Divola's Vandalism Series (1974). It shows a close-up of a piece of paper with visible tears and creases, suggesting some form of damage or vandalism.

2. The bottom photograph is titled "Cotton Pickers, Pulaski County, Arkansas, October 1935" by Ben Shahn. It depicts two individuals in long, white, flowing garments, possibly women, standing amidst a field of cotton. They appear to be picking cotton.

The page is placed on a beige or light brown background, possibly a folder or a display board, with two holes punched on the right side for binding or filing. The text on the page provides information about the photographs, including the artist, the title of the series, the date, and the location of the exhibition.

The image is a black-and-white photograph of a page from a magazine or newspaper. It features two photographs and some text. The top photograph shows a close-up of a spiral-like structure with a line running through the center, possibly a scientific or artistic representation. Below this, there is a smaller photograph depicting a person standing in a field, wearing a long white dress or robe. The text on the page includes the name "Harvard Gazette" and a date, "April 9, 1976," suggesting the source and publication date of the content. The layout is typical of a magazine spread, with the photographs and text arranged to provide information and visual interest.

The image shows a document that is probably a newspaper clipping. The newspaper clipping has two photographs, one above the other. The top photograph is a black-and-white image of a spiral structure with a long, thin object in the middle. The bottom photograph is a black-and-white image of a person standing in front of a tree with a white cloth hanging from it. The newspaper clipping has a date of April 9, 1976, and the name "Harvard Gazette" at the top.

The image depicts a page from the Harvard Gazette dated April 9, 1976. The page features two photographs, each accompanied by descriptive captions.

Top Photograph:

• Caption: "From John Divola's Conditioning Series (1974) at the Fogg 'Contemporary Photographs.'"
• Description: The photograph appears to be a black-and-white image with a strong geometric composition. It shows a figure, possibly a person, lying on the ground, partially obscured by a large, dark, angular shape that resembles a beam or structural element. The figure is positioned in a way that creates a sense of tension and contrast, with the dark shape dominating the foreground. The background is blurred, drawing attention to the central subject and the interplay between the figure and the structure.

Bottom Photograph:

• Caption: "Castro Pickers, Pulaski County, Arkansas, October 1953 by Ben Shahn—from the Fogg photo collection, on view Tuesdays and Thursday, 2:5–4."
• Description: This photograph depicts two individuals, likely farmworkers, engaged in picking crops. They are dressed in work attire, with one person bending over and the other standing nearby. The setting appears to be an outdoor field, with sparse vegetation and a rugged, earthy terrain. The image conveys a sense of labor and hardship, capturing a moment of manual work in a rural environment. The black-and-white tone adds a historical and documentary feel to the photograph.

Overall Layout:

• The page is framed with a light brown border, giving it a formal presentation typical of a newspaper or publication. The text is neatly arranged, with the date and source ("Harvard Gazette") at the top, and the captions positioned below each photograph. The layout is clean and organized, emphasizing the visual content while providing context through the accompanying text.

Contextual Notes:

• The top photograph references John Divola's Conditioning Series, indicating an art exhibition at the Fogg Art Museum (now the Harvard Art Museums). Divola is known for his conceptual and minimalist photography.
• The bottom photograph is attributed to Ben Shahn, a renowned photographer and social documentarian, and is part of the Fogg photo collection. The scene captures a moment of agricultural labor in Pulaski County, Arkansas, in 1953, reflecting themes of working-class life and rural America.

The page serves as a blend of artistic and documentary photography, showcasing diverse subjects and styles within the context of a university publication.

The image shows a page from a publication titled "Harvard Gazette" dated April 9, 1976. It features two black-and-white photographic reproductions:

1. Top Image: An abstract composition with lines and patterns resembling a ladder and organic shapes. The description underneath reads: "From John Divola's Londalinas Series (1974) – at the Fogg in 'Contemporary Photographs.'"

2. Bottom Image: A photograph showing figures picking cotton in a field. The caption beneath it says: "Cotton Pickers, Pulaski County, Arkansas: October 1935 by Ben Shahn – from the Fogg photo collection, on view Tuesdays and Thursdays, 2-5."

The page is mounted on a tan background, with two punched holes on the right side, likely for binding. The overall presentation has a vintage and archival aesthetic.

The image shows a page from the Harvard Gazette dated April 9, 1976, mounted on a brown board with two punched holes on the right side. The page contains two black-and-white photographs:

1. The top photograph is an abstract or closely cropped image that includes a ladder and some form of pattern or light projections resembling ribs or a skeletal form. Captioned: "From John Divola's Vandalism Series (1974)—at the Fogg in 'Contemporary Photographs.'"

2. The bottom photograph depicts two figures standing or walking in a natural setting, possibly a field, with long white cloths or dresses. The scene is somewhat abstracted by the grainy photographic quality. Captioned: "Cotton Pickers, Picher County, Arkansas: October 1933 by Ben Shahn—from the Fogg photo collection, on view Tuesdays and Thursdays, 2-5."

The overall presentation suggests the page features information on photographic exhibitions or collections at the Fogg Museum.

This image shows a page, possibly from a newspaper or magazine, with text and two black-and-white photographs. The top of the page has the text "Harvard Gazette April 9, 1976."

The upper photograph on the page shows a piece of abstract artwork that includes dark, angular shapes against a lighter background, with a diagonal element running through the middle. Below this photo, there's a caption that credits the work to John Divola's 'Zuma Series' (1977-78), mentioning it as part of an article titled “Contemporary Photographs.”

Below this is another black-and-white photograph depicting two figures who appear to be walking away from the viewer, through what looks like a natural setting. It could be a depiction of a scene from nature or a staged artistic photograph. There is a caption below this photograph as well, indicating the artwork is "Cotton Plant, Arkansas, October 1975" by Ben Shahn, from the Fogg photo collection, and noting that it's on view on certain days of the week.

The clarity of the page indicates that it is well preserved with no obvious signs of wear or damage, other than it being a little tilted in the mount. The page is mounted on a brownish paper or board with four silver rivets, one in each corner, visible on the mount.

The image shows an archival page mounted on a light brown manila folder with two punched holes on the right edge. The white sheet contains two small black-and-white photographs arranged vertically.

• Top photo: an abstract close-up with curved, white shapes and diagonal lines; there is very small caption text above/below mentioning Harvard Gazette and the date April 9, 1976.
• Bottom photo: a rocky outdoor scene with two pale, draped forms or cloth-like shapes on the ground; a small caption beneath references a photographer (Ben Shahn) and a collection (Fogg photo collection).

Overall, it looks like a vintage newspaper clipping or catalog page retained in a binder.