Archives Scrapbooks

This image shows a scanned or photographed clipping from a newspaper, dated February 13, 1976, as handwritten in blue ink at the bottom left. The clipping is mounted on a light tan or beige sheet of paper, which has three punched holes along its left edge, suggesting it was stored in a binder.

The article is from the Gazette (likely a local newspaper) and focuses on art conservation. The main headline, partially visible on the top right, reads “Italian parties”, though this appears to be part of a larger headline or column title.

The article prominently features a large black-and-white photograph of a woman, Miss Jones, working meticulously on a very large, dark painting. She is leaning over the canvas, using a magnifying lamp and a small tool, clearly engaged in fine restoration work. Below this photo, a caption reads:

Raghi Kakabha (painting; Bardi; ca. 1450) — on display through March 7 at the Fogg in “Italian Art from the George P. Bickford Collection.”

(Note: “Raghi Kakabha” is likely a misspelling or misreading; the artist is probably Raffaello di Bindo, and “Bardi” may refer to the Bardi family; the painting is likely “The Annunciation” or a similar work from the mid-15th century.)

The article’s lead paragraph, located to the right of the photo, recounts Miss Jones returning to authorities after a painting she was restoring was damaged—specifically, her drawing on the back of the canvas was torn. It reveals that the damage was caused by a paper towel placed over the painting during the restoration process, which stuck to the paint layers.

The body of the article, running down the right column and under the photo, details Miss Jones’s distinguished 32-year career in art restoration, her work at Harvard’s Fogg Museum, and her current project restoring a 1774 portrait of Mr. and Mrs. Isaac Winslow by John Singleton Copley at the Boston Museum. It describes her use of advanced techniques including binocular microscopes, X-rays, and infrared light. She notes the portrait had been “painted over,” and her work involved removing “half of the original dress” to reveal the original. The article also mentions her previous restoration of a 196-year-old secret (likely a painting), and her 1966 restoration of a damaged Venetian painting.

Miss Jones is quoted expressing her frustration with moisture damaging paintings and her determination to help, stating, “Somebody had to do it,” and “They needed help.”

In the background, partially visible behind the main article, are other newspaper clippings, one with the headline “Medical Dean’s Report” and another with a photo of a man in a white hat at the top of the page.

Overall, the image captures a historical moment in art conservation, highlighting the delicate, scientific, and often invisible work of art restorers like Miss Jones in the 1970s, as documented in a local newspaper.

Summary description:
A newspaper clipping from February 13, 1976, detailing the work of art restorer Miss Jones, who is pictured restoring a 15th-century Italian painting (“Raghi Kakabha”). The article discusses her career, the challenges of conserving old masterpieces, a recent incident where the painting she was working on was damaged during restoration, and her use of scientific methods to preserve art. The clipping is mounted on a binder paper with three holes on the left.

The image you've provided appears to be a scan or photograph of a page from a newspaper or magazine. The page is dated February 13, 1976, as indicated by the handwritten note at the bottom. The content seems to include a mix of articles and images.

1. Top Left: There is a photograph of a person lying down, seemingly asleep, with their head resting on a pillow and their hand near their face. The caption or text related to this photo is not fully visible, but it seems to be discussing a story or event in a different context.

2. Bottom Left: The main image on this page is a painting titled "Ragini Kakubha" by an artist from Bundi (circa 1680). This painting is described as being on display at the Fogg Museum in "Indian Art from the George P. Bickford Collection" until March 7, 1976. The painting depicts a woman in traditional Indian attire, surrounded by a forest setting with a peacock and birds.

3. Right Section: This section contains a lengthy article with the heading "JONES" and continues from page one. The article appears to be about a person named Jones who works in a restoration project, specifically discussing her work with a Rembrandt painting and her experiences as a conservator at Harvard's Fogg Museum. The article mentions her contributions to art restoration and her travels to various art museums and historical sites.

The overall layout suggests this is a page from a news or cultural section of a newspaper, with the inclusion of visual elements like the photograph and the painting to complement the written content.

This image is a scanned page from a scrapbook or collection, dated February 13, 1976. The page contains several newspaper clippings with text and images.

1. Top Left Section: This section includes a clipping titled "Medical Dean's Report." The text appears to discuss health-related topics, possibly focusing on medical education or health issues. There is a small photograph of a person, but the face is not clearly visible.

2. Middle Section: This section contains a clipping titled "Italian Parties." The text discusses various events or activities, possibly related to Italian culture or parties. There is a photograph of a person, but the face is not clearly visible.

3. Bottom Section: This section includes a clipping titled "Jones." The text appears to be an article about Miss Jones, who is involved in art restoration. The article discusses her work on various paintings, including a Rembrandt and a Copley portrait. The clipping mentions her techniques and tools used in restoration, such as binocular microscopes, X-rays, and ultraviolet light.

4. Bottom Center Image: This is a black-and-white image of a painting titled "Ragini Kakubha," from the Bundi school, dating back to around 1680. The painting depicts a woman in traditional attire, standing in a garden with peacocks and other birds. The text below the image indicates that it was on display at the Fogg Museum as part of the "Indian Art from the George P. Bickford Collection."

The page appears to be a collection of articles and images related to medical education, cultural events, and art restoration, with a focus on the work of Miss Jones and the display of historical Indian art.

The image shows a collage of newspaper clippings and photographs, possibly from a scrapbook. The clippings are arranged on a brown paper background, with some articles and images overlapping. The top left corner features a clipping with a photograph of a person, possibly a portrait, and text in a foreign language. Below this, there is a clipping with a photograph of a woman in traditional attire, surrounded by peacocks and swans. The text accompanying this image is in English. The right side of the collage contains several newspaper clippings with text, some of which are in a foreign language. The clippings appear to be from different sources and cover various topics, including art restoration and exhibitions.

The image appears to be a collage of newspaper clippings and articles. The clippings are printed on yellowed, aged paper and have been cut and pasted together in an irregular layout. The articles cover a range of topics, including:

• An article about a painting by Miss Jones that was damaged and restored at the Fogg Art Museum in Boston. The painting was x-rayed and cleaned, and the restoration took two months.

• An article about Miss Jones's work as a photographer and her expertise in using synthetic resins for restoration. She returned to Harvard in 1952 to study art conservation and began learning the techniques of restoration.

• An article about Miss Jones's restoration project at Independence Hall in Philadelphia, where she directed the restoration of a 1776 portrait of Mr. and Mrs. John Singleton Copley.

• An article about Miss Jones's work in Venice, where she helped rescue a damaged painting and analyze it using x-rays and a synthetic resin.

• An article about Miss Jones's photography and her use of a wide-angle lens for portraits.

The collage also includes a black-and-white image of a woman in a dress, possibly Miss Jones herself, along with a peacock and other birds in a garden setting. The image is labeled "Gazette February 13, 1976."

The image depicts a page from a newspaper or magazine, dated February 13, 1976, as indicated by the handwritten notation at the bottom. The page features a combination of text and an illustration.

Text Content:

• The text appears to be in Greek, with a dense block of text on the left side and a smaller section on the right. The language and layout suggest it is a historical or cultural article, possibly discussing art, history, or a notable event.
• The right side of the page contains an article titled "The Fogg Restores a Portrait", which discusses the restoration of a painting. The article mentions:
  • The painting is attributed to Regine Kaltner and is dated circa 1680.
  • It was on display at The Fogg "Indian Art" exhibition during March 7 at the George Arthur Plimpton Collection.
  • The article details the restoration process, mentioning the involvement of Miss Jones, who discovered the painting and worked on its restoration. It also references historical context, including the painting's connection to the Rembrandt school and its condition before restoration.

Illustration:

• Below the Greek text on the left side, there is an illustration of a woman in historical attire, likely from the 17th century. She is depicted in a flowing dress, standing in a natural setting with swans and willows in the background. The style of the illustration suggests it is an artistic rendering, possibly a reproduction or interpretation of the painting being discussed in the article.

Layout and Design:

• The page has a classic newspaper or magazine layout, with dense columns of text and a central illustration.
• The top of the page includes a header with additional text in Greek, which seems to be a title or subtitle related to the content.
• The handwritten date at the bottom ("GAZETTE FEBRUARY 13, 1976") indicates when the page was printed or archived.

Overall Context:

The image combines historical text in Greek with an English article about art restoration, suggesting a bilingual or multicultural publication. The illustration and article together highlight the cultural and artistic significance of the painting, emphasizing its restoration and historical value. The page serves as a snapshot of art history and conservation efforts from the mid-1970s.

The image depicts a newspaper clipping or a page from a magazine, dated February 13, 1976. There are multiple sections with columns of text, suggesting various articles or news stories being presented. There is a large photograph towards the top of the page, featuring an upside-down image of a man in a dark suit with his hand on his chin, seemingly in deep thought or posing for the photograph.

Below this photograph is another image with a dated appearance, featuring an artwork. It looks like a classical Indian painting, with a figure standing amidst nature with animals around; specifically, there are two peacocks—one with an open tail—and a few ducks or swans near a pond at the foot of the figure. The caption of the artwork references that it is a painting by Raja Ravi Varma and that it was on display at the time.

The remainder of the page is filled with text, which suggests detailed articles or news reports, and the paper appears to be mounted on a brown board or mat with visible holes possibly for filing or display purposes.

This image shows a scanned scrapbook-style page with various text and images, including newspaper clippings, arranged on light brown paper.

1. Content Description:

   • Near the top, there is text and part of a figure in an upside-down orientation, possibly part of a newspaper article or a photo clipping featuring someone.
   • The bottom half features a black and white reproduction of a painting, showing a traditional scene with trees, peacocks, swans, water lilies, and a woman standing gracefully wearing traditional attire. The artwork is labeled as "Rajasthani Kishangarh (painting)." The caption notes that the painting is part of an art display, connected to Indian Art.

2. Additional Details:

   • Handwriting in capital letters is seen at the bottom of the page reading “GAZETTE FEBRUARY 13, 1976.”
   • Some of the text appears to discuss art restoration and the history of the displayed items.

This image highlights historical art archive material combined with newspaper documentation, presented in a scrapbook format.

This is a collage/scrapbook page made from clipped newspaper articles about art. It’s mounted on brown paper with binder holes along the left edge.

• The page contains several cuttings, including a tall column of text about art topics and a smaller black‑and‑white photo piece.
• In the lower left is a color reproduction of a Bundi-style Indian miniature painting (17th century) showing a woman in a garden with peacocks; the caption mentions Bundi c. 1680 and an exhibition (with “George P. Beckford Collection” named in the caption).
• A handwritten note at the bottom reads something like “GAZETTE February 13, 1976.”
• Overall, the pieces appear to be from a mid-1970s newspaper or magazine, arranged as a montage with some items rotated or upside down.

The image shows a scrapbook page with various newspaper clippings and one printed painting. The clippings include articles related to art restoration and a detailed story about a person named Miss Jones, who works at a museum's Fogg Museum and has expertise in art restoration, specifically dealing with a painting that is being carefully restored. The articles describe the processes and challenges faced in art restoration, including infrared ultraviolet and infrared light methods and historical research.

The painting depicted in the bottom left of the page is titled "Ragini Kachhiba (painting: Bundi, ca. 1680)" and is on display until March 7 at the Fogg Museum, from the George P. Bickford Collection. It shows an elegant figure, likely a woman, standing on a stylized landscape with trees, flowers, peacocks, and swan-like birds.

Handwritten text at the bottom of the scrapbook page reads: "GAZETTE - FEBRARY 13, 1976." The overall presentation indicates this is a collection of clippings focused on an art restoration project and historical information related to art at the Fogg Museum.