Archives Scrapbooks

This image displays several newspaper clippings and documents, primarily from the Boston Globe, mounted on or arranged with aged, yellowish paper, possibly on a bulletin board or within a scrapbook.

The most prominent item is a clipped article from the Boston Sunday Globe, dated February 17, 1976. The headline reads:

“Indian images” by Robert Taylor

This article reviews an exhibition of Indian art at the Pogg Museum, featuring items from the George P. Bickford Collection. It includes a large, central photograph of a stone sculpture titled:

“Head of a Brahmanical Deity done in first half of 11th Century, part of Bickford collection.”

The article discusses the significance of the collection and the art, mentioning other pieces like a “Buddha’s face, circa 100 B.C.” and “a lovely small Bodhisattva of Mercy from 9th-Century Java.”

Partially visible above and to the left are other clippings:

• A headline fragment from the same date reads: “...ionist, William Morris Hunt” — likely referring to an article on the 19th-century American painter William Morris Hunt, whose work was featured in the same newspaper on that day.

• Below that, and to the left, another article continues the theme of Hunt, discussing his life, methods, and influence as an artist, mentioning his time in Magnolia, Massachusetts, and his interest in light and Impressionism.

The clippings appear to be part of a personal or institutional archive, as they are mounted on yellowed paper with three-ring binder holes visible on the right-hand side. The overall impression is that of historical research or documentation regarding American art (William Morris Hunt) and South Asian art (the Bickford collection).

The image has a scholarly or archival tone, suggesting it might have been compiled by a researcher, curator, or art historian.

The image shows a collection of newspaper clippings and some text excerpts displayed on a light brown background. The clippings are from the Boston Sunday Globe, dated February 8, 1976, and February 17, 1976. The articles are titled "Indian Images," and the author mentioned is Robert Taylor. The clippings discuss the art collection of George P. Bickford at the Fogg Art Museum in Cambridge, which includes works from India and other regions.

On the right side of the image, there is a black-and-white photograph of a sculpture, specifically a head of a Brahmanical deity from the first half of the 11th century, which is part of the Bickford Collection. The text below the photo provides additional information about the collection and its significance.

The left side of the image has a printed excerpt discussing an artist, likely William Morris Hunt, with a focus on his work and its connection to the Bickford Collection. The text mentions Hunt's interest in atmosphere and light, his transition from portraiture to landscape painting, and his use of light in his paintings. It also describes his students, their methods, and his influence on them.

The overall content of the image is related to Indian art and its representation in the Bickford Collection, with a particular emphasis on the artistic techniques and themes associated with William Morris Hunt.

This image shows a collection of newspaper clippings and articles, primarily from the Boston Sunday Globe, dated February 8, 1976, and February 17, 1976. The clippings are arranged on a light brown background, possibly a folder or a scrapbook page.

1. Top Right Clipping:

   • Dated February 8, 1976.
   • The headline reads "William Morris Hunt."
   • The article discusses the artist William Morris Hunt, mentioning his interest in atmosphere and light, and how it influenced his transition from portraiture to landscape painting in the late 1850s and 1860s. It also mentions his painting trips to the North Shore and Cape Ann, and his studio at Magnolia.

2. Bottom Right Clipping:

   • Dated February 17, 1976.
   • The headline reads "Indian images" by Robert Taylor.
   • The article discusses the George P. Bickford Collection at the Fogg Museum, focusing on Indian art. It mentions a head of a Brahmanical deity from the first half of the 11th century and other highlights from the collection.
   • There is a photograph of a stone sculpture of a head, which is part of the Bickford collection.

3. Left Clipping:

   • This clipping is partially obscured but appears to be from the same date as the top right clipping.
   • The visible text discusses the development of themes in art, mentioning the 1850s as a rare and important transition period, the development of modern scientific theories of optics, and the Barbizon artists' return to the study of nature.

The clippings are neatly arranged, with some text and images partially overlapping. The overall theme of the clippings appears to be art, focusing on both Western and Indian art history and artists.

The image shows a newspaper clipping that is attached to a piece of paper. The clipping is from the Boston Sunday Globe, dated February 8, 1976. The article is titled "Indian images" and is written by Robert Taylor. The article is about a collection of Indian art, which includes sculptures and paintings. The article highlights the importance of the collection and its significance to the understanding of Indian art and culture. The article also mentions the curator of the collection, who is described as a knowledgeable and passionate individual. The article is accompanied by a photograph of a sculpture, which is described as a "head of a Brahmanical deity done in the first half of the 11th century." The photograph is in black and white and shows a close-up of the sculpture's face. The article is written in a formal and informative tone, and it provides a detailed description of the collection and its significance.

The image is a collage of newspaper clippings and handwritten notes. The top left corner features a handwritten note that reads "William Morris Hunt." Below it is a clipping from the Boston Sunday Globe, dated February 17, 1976, with the headline "Indian Images." The clipping includes a photograph of a Buddhist sculpture and text discussing the sculpture's significance and the exhibition it is part of. The bottom right corner of the image has another clipping from the same newspaper, featuring an article about the life and work of William Morris Hunt, an American painter.

The image shows a page from a newspaper or magazine, specifically from the Boston Sunday Globe, dated February 17, 1976. The page features two distinct articles side by side, each accompanied by accompanying illustrations.

Left Article:

• Title: "Indian Images"
• Author: Robert Taylor
• Content: The article discusses the work of George Arthur Plimpton, an art collector and trustee of the Cleveland Museum of Art. It highlights Plimpton's contributions to Indian art, particularly his acquisition of a significant collection of Indian art, including works from the 19th century. The text mentions Plimpton's enthusiasm for Indian art and his efforts to expand the collection, referencing notable pieces such as the "Siege of Lanka," which depicts a dramatic scene from Indian mythology.
• Illustration: The left side of the page includes a black-and-white photograph of a sculptural head, identified as a "Head of a Brahmapala Deity done in the first half of 11th Century, part of Kotah." The sculpture is described as being small in scale, intricately detailed, and featuring stylized gestures and decorative elements.

Right Article:

• Title: "Ionist, William Morris Hunt"
• Content: This article appears to be about the artist William Morris Hunt, referred to as an "Ionist." The text discusses Hunt's artistic career, his interest in atmospheric effects, and his contributions to the development of Impressionism. It mentions his early work, including landscapes and portraits, and notes his travels and exhibitions. The article also touches on Hunt's influence on other artists and his unique approach to painting.
• Illustration: The right side of the page features a photograph of a sculptural head, similar in style to the one on the left, though the specific details or identification are not provided in the visible text.

General Observations:

• The page layout is typical of a newspaper or magazine, with clear headings, subheadings, and accompanying images that support the textual content.
• The articles focus on art and artists, with an emphasis on both historical and contemporary figures.
• The visual elements (sculptural heads) are central to the discussion, illustrating key points in the articles about art collections and artistic techniques.

This page provides a glimpse into art criticism and historical analysis, highlighting the importance of both Indian art and American artists in the context of the time.

The image shows a page from a scrapbook or collection containing newspaper clippings including text and photographs. The primary clipping is from the Boston Sunday Globe, dated February 17, 1976, with an article titled "Indian Images" by Robert Taylor. It appears to feature a photo of a sculpted object or artifact, which has been intentionally blurred in this depiction. The text discusses Indian art and sculptures, museums, collectors, exhibitions, and notable figures related to art history. The page itself is mounted, possibly on paper or cardboard, and has holes punched on the right side, suggesting it may have been placed in a binder or folder.

Another article and printed text are partially visible and layered beneath the primary clipping, as well as a piece of paper folded over part of the page. The overall aesthetic suggests a curated collection of materials related to art and history.

The image displays a collection of newspaper clippings and articles pinned to a brown corkboard. There are two prominent articles: one from the "Boston Sunday Globe," dated February 8, 1976, featuring an article about William Morris Hunt, and another article dated February 17, 1976. The second article is labeled "ROBERT TAYLOR" at the top and appears to discuss Indian images, although the specific details are obscured due to the angle and resolution of the image.

Additionally, there is a white, folded paper on the left, partially covering the board and other articles. It seems like the corkboard might be part of a scrapbook, a research compilation, or an archive for someone interested in the subject matter mentioned. The articles, given their age, may be of historical significance or of personal interest to the collector.

This image shows a scrapbook or portfolio page featuring three newspaper clippings, including text and a black-and-white photo of an ancient pottery artifact.

1. The largest clipping, occupying the bottom and center area, has a heading "ROBERT TAYLOR - Indian images" and discusses the work and influence of Aranda K. Coomaraswamy, a Research Fellow in Oriental Art at the Boston Museum of Fine Arts from 1917 until his death in 1947. It talks about the collection and study of Indian art in the West and mentions various related themes such as the exploration of Indian painting styles, exhibitions, and specific collectors and artworks.

2. To the upper right, there is a clipping with a black-and-white photo of a pottery head described as "Head of a Brahmanical Diety done in first half of 11th Century, part of Bickford collection." The clipping provides some context on the sculpture’s symbolic significance and notes that it is part of the Indian Art from the Forging Collection at the Museum of Fine Arts in Cambridge, Massachusetts.

3. The third clipping at the top partially obscured by another paper, mentions the name "William Morris Hunt" and a date of February 17, 1976, possibly referencing an article or obituary related to the artist or a figure connected with the Boston Globe.

Overall, the page appears to be a curated collection of articles focusing on Indian art history, notable collectors, and museum exhibits, emphasizing scholarly and artistic appreciation of Indian cultural artifacts.

A mixed-media collage mounted on brown paper. There are torn newspaper clippings arranged in a cluster around the center-right. The top clipping shows a partial headline about William Morris Hunt, with other pieces beneath it. To the left is a tall, pale piece of paper overlapping the others. On the right, one clipping features a grayscale image of a sculpted head (blurred), and another shows a photo of a vessel or pot with the title “Indian images.” The overall look is vintage and archival, with beige/brown tones and rough, torn edges.