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ARCH.2003.39, Rendition: 806714
This image displays a clipping from a newspaper, mounted on a piece of light brown paper, likely for archival or scrapbook purposes. The clipping is from The Boston Gazette, dated February 6, 1976, and appears on a page titled “Third Page”.
The main feature is a large, black-and-white photograph of a 13th-century South Indian (late Chola Period) bronze sculpture. The sculpture depicts three figures seated on a shared pedestal:
The photograph is credited to Enertia, and the accompanying caption identifies the sculpture and provides context for its display.
Below the photograph, the caption reads:
“Now through March 7, the Fogg is presenting a selection of paintings, sculpture, and other artifacts from the George P. Bickford Collection of Indian and Southeast Asian Art. First seen last year at the Cleveland Museum of Art, the show spans 5000 years of India's artistic heritage, from the third millennium B.C. to our own century. Organized by Stanislaw Czuma, Curator of Indian Art at the Cleveland Museum, the exhibit has been brought to the Fogg with the assistance of John Kenneth Galbraith, Paul M. Warburg Professor of Economics Enertia. Above, Shiva, Parvati, and Their Child Stands (copper; South India; late Chola Period, 13th century).”
The surrounding text on the clipping includes several short articles or listings about Boston-area art events, galleries, and exhibitions, such as the Boston Artists Market, the Fogg Art Museum’s Jacques Villon retrospective, the Institute of Contemporary Art, and the Museum of Afro-American History.
Handwritten in black ink on the clipping, near the bottom left, is the note “Crimson Jan.”, possibly indicating the source or date the clipping was noted. The mounted paper has two holes punched on the left edge, suggesting it was kept in a binder.
In summary, this image is an archival newspaper clipping highlighting an exhibition of Indian and Southeast Asian art at the Fogg Art Museum in February 1976, centered around a photograph of a 13th-century bronze sculpture of the Hindu deities Shiva, Parvati, and their child.
The image appears to be a scanned copy of a page from a publication called "The Third Page," dated February 6, 1976, as indicated in the top right corner. The page has a light brown background and includes a headline in a dotted font that reads "The Third Page." Below the headline, there is a large text block on the left side with various articles and notices about art exhibits and events. These include mentions of galleries, museums, and art-related exhibitions in Boston and other locations.
On the right side of the page, there is a photograph of two statues, labeled as "Shiva, Parvati, and Their Child Skanda" from the exhibition at the Fogg Art Museum. The text below the photo provides details about the exhibit, stating that it showcases a selection of paintings, sculptures, and artifacts from the George P. Bickford Collection of Indian and Southeast Asian Art. The exhibit spans 5000 years of India's artistic heritage, from the third millennium B.C. to the present, and is organized by Stanislaw Czuma, Curator of Indian Art at the Cleveland Museum. The specific statues in the photo are identified as being from South India and the late Chola Period, dating back to the 13th century.
The page also includes a note in the bottom left corner that says "Crimson Jan."
This image appears to be a scanned page from a publication titled "The Third Page," dated February 6, 1976. The page is divided into two main sections: a text column on the left and an image with a caption on the right.
Overall, this page seems to be a news or informational piece about art exhibitions, with a focus on Indian and Southeast Asian art.
The image shows a page from a newspaper or magazine. The top portion of the page has a heading that reads "Third Page." Below the heading, there is a photograph of a statue of a deity, possibly from a museum or an exhibition. The statue is made of stone and depicts a seated figure with a child on its lap. The statue is surrounded by other statues and artifacts, possibly from the same collection. Below the photograph, there is a caption that reads "Gazette February 6, 1976." The rest of the page is filled with text, possibly an article or a news report. The text is written in a small font and is difficult to read, but it appears to be related to the statue or the exhibition.
A page from a newspaper or magazine, titled "The Third Page," features a black-and-white photograph of two statues, likely from India, with a watermark of "Gazette February 6, 1976." The page includes a list of Boston artists' markets, galleries, and museums, along with descriptions of their exhibits and events. The article also mentions the Fogg Art Museum's exhibit of the George P. Bickford Collection of Indian and Southeast Asian Art, which spans 5,000 years of India's artistic heritage.
The image depicts a page from a publication titled "The Third Page", dated February 6, 1976. The page features a combination of text and a central illustration.
Central Illustration:
Text Content:
Layout and Design:
The image conveys a blend of artistic and cultural commentary, highlighting both contemporary art exhibitions in Boston and historical artifacts from the Indian subcontinent. The central illustration serves as a visual anchor, drawing attention to the exhibition of Indian art, while the surrounding text provides context and additional information about various art events and artists. The design is professional and informative, typical of a cultural or art-focused publication.
This image showcases a scrapbook page with clippings from a newspaper or magazine. At the top of the page is a title, "The Third Page," with a collection of text articles. There's a focus on arts and culture with notices about galleries and exhibitions. Below the text is a large black-and-white photograph of two seated statues flanking a smaller central statue. The statues appear to be depictions of Indian or South Asian deities, styled in traditional sculptural forms, representative of religious and artistic heritage.
The clippings reference a gazette entry from February 6, 1976, discussing the presentation of art, sculpture, and artifacts from Indian and Southeast Asian collections. The page is stained slightly with age and has hole-punches on the left. Handwritten text at the bottom reads “Crimson Ink,” likely referencing the source or a contributor.
This image is of a newspaper clipping mounted on a tan board. At the top, the paper heading reads "Third Page" in a large, bold font. Below the heading, there is text that appears to be part of an article or listing related to art exhibitions, galleries, and events, although the specifics are not clearly visible. Dominating the middle of the clipping is a black-and-white photograph depicting two statues. The statues resemble deities or figures from Hindu mythology, given their ornate crowns, jewelry, and traditional postures. They are sitting back-to-back on a platform with what looks like an artifact between them. The exact details from the text surrounding the photo are not legible due to the image resolution. At the bottom right corner, there's a date stating "February 6, 1976," which might indicate the date of the newspaper edition. Toward the bottom left corner of the tan mounting board, there appears to be handwritten text, possibly a signature or note.
The image shows a scrapbook page with two newspaper clippings attached. The page itself is light brown and has two holes punched on the left side, indicating it is from a binder or scrapbook.
The top left clipping is titled "The Third Page" and contains several short paragraphs of text discussing various art exhibitions, galleries, and events in Boston. It mentions artists, museums, and exhibitions, focusing on modern and traditional art forms.
The larger clipping on the right side is from the Gazette, dated February 6, 1976. It features a photograph of three ancient Indian sculptures:
Each sculpture has a blurred face, obscuring details. Below the photograph, a caption explains that the exhibit is a collection of Indian and Southeast Asian art, shown at the Fogg Museum. It provides context about the artworks, including their historical and cultural significance. Specifically mentioned are sculptures titled "Shiva," "Parvati," and "Their Child Skanda," made of copper from South India, late Chola Period (13th century).
The scrapbook page reflects an interest in art history and museum exhibitions, documenting both contemporary art events and historical artifacts.
An old scrapbook page or collage laid on brown paper. On the left, a narrow newspaper clipping with a large header cutout that says “the Third Page,” and another small block of text beneath it. To the right, a larger clipping from a Gazette (February 6, 1976) showing two seated, multi-armed bronze or dark sculptures, with a smaller figure between them. The left edge has three punched holes, suggesting it was in a binder. The overall look is vintage, with beige-brown tones and a mix of text and a black-and-white photo.