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The image shows a newspaper clipping from "The New York Times" mounted on a piece of brown cardboard. The article is titled "Art Collector Finds Lore in Fragments" and is written by Grace Glueck. The article discusses the collection of ancient art fragments by Norbert Schimmel, an art collector from Manhattan.

The article mentions that Schimmel's collection, which includes fragments from various ancient cultures such as Greek, Roman, and Etruscan, is on display at the Metropolitan Museum of Art. The fragments are described as being rescued from various sites and purchased from dealers. The collection includes pieces like a Greek bronze mirror from the 4th century B.C. and a Roman glass mosaic from the 4th century A.D.

The article also highlights Schimmel's passion for collecting and his belief in the historical and artistic value of these fragments. It notes that Schimmel's collection is unique because it focuses on fragments rather than complete pieces, and that these fragments can provide valuable insights into ancient cultures.

Accompanying the article is a photograph of a fragment from Schimmel's collection, specifically a piece described as "Hermaphrodite, 1st/2nd century B.C." The fragment appears to be a sculpted relief showing intricate details of human figures and other elements.

Overall, the article emphasizes the importance of Schimmel's collection in preserving and showcasing the art and history of ancient civilizations through their fragmented remains.

The image shows a newspaper clipping from "The New York Times" titled "Art Collector Finds Lore in Fragments" by Grace Glueck. The article discusses how Norbert Schimmel, an art collector, acquired a glass inlay work from the 14th-13th century B.C. that he initially thought was a masterpiece but later realized it was a fragment from the collection of the Metropolitan Museum of Art. The article also highlights other significant pieces in Schimmel's collection, including a Hittite silver cup, a Greek head of a bearded man, and a Roman marble head of a woman. Schimmel expresses his concern about the increasing number of looted antiquities being sold on the market and his decision to stop buying unprovenanced pieces. He emphasizes the importance of context and the need for collectors to be more responsible, noting that many beautiful objects are being destroyed due to looting. The article also mentions that Schimmel is considering leaving his collection to a museum.

The image shows a newspaper clipping from The New York Times, dated March 1, 1973. The headline of the article is "Art Collector Finds Lore in Fragments." The article by Grace Gleuck discusses an art collector who found fragments of ancient objects of significant historical value.

Key points from the article include:

1. Norbert Schimmel Collection: Norbert Schimmel, an art collector, has a significant collection of ancient artifacts, including fragments from the Metropolitan Museum of Art.
2. Fragment Discovery: One of the artifacts discovered is a fragment of a glass inlay work from the 14th century B.C., originating from Hermopolis, Egypt. It is a part of a larger piece that once depicted a scene of a ritual, possibly involving a pharaoh.
3. Context and Importance: The fragment is described as a significant piece due to its historical and cultural value, and it is believed to be part of a larger artwork that has been lost or fragmented over time.
4. Collection Development: Schimmel’s collection spans from ancient Greek, Roman, and Egyptian artifacts, emphasizing his dedication to acquiring pieces that tell stories of the past.
5. Acquisition and Conservation: The article touches on the challenges of conserving and protecting such fragments, noting the importance of proper care to preserve these pieces.

The article provides insights into the art collector’s passion for ancient artifacts and the efforts made to restore and study these cultural treasures. The visual includes a photograph of a fragment from the collection, illustrating the described artwork.

The image is a newspaper clipping from The New York Times, dated October 17, 1965. The headline reads "Art Collector Finds Lore in Fragments" by Grace Glueck.

The article discusses the collection of ancient art by Norbert Schimmel, a noted collector. Schimmel, who is described as a masterpiece collector, has amassed a large collection of ancient artifacts, including items from the Metropolitan Museum of Art. The article highlights a specific piece, a fragment from Hermopolis in Egypt, dating back to the 14th-18th century B.C.

The fragment is part of a larger collection that includes various ancient artifacts from different cultures and periods, such as Egyptian, Greek, Roman, and Etruscan. The article mentions that Schimmel has a keen eye for details and is known for his meticulous selection process.

Mr. Schimmel's collection is noted for its variety and the quality of the artifacts, some of which are described as being in pristine condition. The article also touches on Schimmel's process of acquiring pieces, including his dealings with dealers and the meticulous care he takes to ensure the authenticity and provenance of each piece.

The clipping includes a photograph of one of the fragments, showcasing its intricate details and ancient craftsmanship. The article reflects on the importance of preserving and studying such artifacts to understand historical and cultural contexts.

The image is a newspaper clipping from The New York Times dated March 17, 1974. The article, titled "Art Collector Finds Lore in Fragments," is written by Grace Glueck.

The article discusses Norbert Schimmel, a prominent art collector, and his discovery of an ancient glass fragment in his collection. This fragment is part of a larger, ancient glass panel that was recently acquired by the Metropolitan Museum of Art in New York.

Schimmel's glass fragment is described as part of a larger piece that once depicted a hunting scene from the 1st century B.C. It shows a fragment of a horse and a rider, suggesting that it was part of a larger, more intricate artwork. The article mentions that Schimmel had acquired this piece from an auction in 1963 and had kept it in his private collection.

The article also highlights Schimmel's extensive collection of ancient artifacts and his meticulous care in preserving and researching them. It notes that Schimmel's collection includes many objects from various cultures and historical periods, which he has carefully documented and displayed in his home.

The clipping includes a photograph of the glass fragment in question, showing a detailed section of the artwork. The article emphasizes the historical and artistic significance of the discovery and the collector's dedication to ancient art.

The image is a newspaper clipping from The New York Times featuring an article titled "Art Collector Finds Lore in Fragments." The article, written by Grace Glueck, details the experiences and insights of Norbert Schimmel, a renowned collector of ancient art.

Here's a detailed summary:

Main Story:

• Norbert Schimmel is highlighted as one of the first collectors of ancient art whose collection has been showcased in a major museum, specifically the Metropolitan Museum of Art.
• Schimmel’s journey into collecting began with a trip to the Middle East, where he saw a display of ancient art at the Brooklyn Museum. He was particularly intrigued by a small, wide-ranging collection of ancient art from the Metropolitan Museum.
• Initially, he sought advice from John D. Cooney, then curator of ancient art at the Brooklyn Museum, who encouraged him to focus on acquiring smaller, high-quality pieces rather than large, more expensive artifacts.

Schimmel’s Collection:

• The article mentions a recent exhibition at the Metropolitan Museum of Art featuring Schimmel’s collection, which spans from the late fourth millennium B.C. to the late Roman era.
• The exhibition showcased 300 items, including pieces like a silver-gilt head of a Greek goddess, a bronze and bone horse, and a Roman marble head.

Schimmel’s Collecting Philosophy:

• Schimmel values the aesthetic quality and the historical narrative of each piece. He prefers items that have a unique story or cultural significance.
• He acknowledges the rarity and difficulty of finding pristine ancient artifacts, noting that even fragments can hold significant value and beauty.

Personal Anecdotes:

• Schimmel shares a story about his first significant purchase, a Roman head bought for $100 in the 1940s, which turned out to be a notable piece.
• He also recounts an experience in Greece where he acquired a Cycladic figure, illustrating the sometimes adventurous and serendipitous nature of collecting.

Exhibition and Recognition:

• The article describes the positive reception of Schimmel’s collection at the Met, with one critic even hailing it as "haunting" due to the quality and rarity of the pieces.
• Schimmel’s collection is noted for its meticulous curation and the depth of historical insight it provides.

The article concludes by emphasizing the passion and dedication Schimmel brings to his collection, which has significantly contributed to the field of ancient art.

This image shows a newspaper clipping from The New York Times mounted on a brownish-orange paper board with a single hole punched in its left margin, suggesting it may have been part of a scrapbook or binder. The article is titled "Art Collector Finds Lore in Fragments" and authored by Grace Glueck.

The article features a photograph as well, depicting what appears to be an ancient relief or frieze showing two figures, possibly from Greek or Roman mythology, given the style of the art. The figures are in dynamic poses and there are patterns and details indicative of the classical art style of antiquity.

The text of the article is dense and in a small font, covering the column layout typical of a newspaper. Unfortunately, the text is too small to read in detail within this image. However, given the title and the nature of the attached photograph, the content likely discusses an art collector who specializes in collecting fragments of ancient artifacts and the historical or cultural significance of these pieces.

The image is a clipping from The New York Times titled "Art Collector Finds Lore in Fragments" by Grace Glueck. It discusses an ancient art collector named Norbert Schimmel, focusing on his acquisition and collection of various artifacts, including a glass inlay work initially thought to be a masterpiece. The article mentions his interactions with museum curators and his involvement in collecting ancient art from different cultures such as Egyptian, Greek, Roman, Etruscan, and Near Eastern.

There is a black-and-white image within the article showing a fragment with figures that appear to be part of an ancient artwork. The caption describes it as part of a fragment from Schimmel's collection on display at the Metropolitan Museum of Art, originating from Hermopolis, dating back to the 14th-18th century B.C.

The article also touches on issues related to art forgery, the repatriation of stolen artifacts, and the challenges faced by collectors and museums in acquiring and preserving ancient art. It describes Schimmel's views on the ethics of collecting and the responsibilities of owning ancient objects.

A newspaper clipping from The New York Times is placed on a beige background. The clipping features a black-and-white image of a fragment of a piece of ancient art. The article is titled "Art Collector Finds Lore in Fragments." The article discusses Norbert Schimmel, a collector of ancient artifacts, and his collection of ancient art pieces. Schimmel bought the fragments of ancient art from a Brooklyn Museum collection.

The image shows a newspaper clipping from The New York Times. The clipping is mounted on a brown cardboard sheet. The clipping is titled "Art Collector Finds Lore in Fragments" by Grace Glueck. The clipping features an article about Norbert Schimmel, an art collector who purchased ancient art fragments. The clipping includes a photograph of a fragment from Schimmel's collection, which is described as a part of a relief depicting a Nubian head. The article discusses Schimmel's interest in ancient art and his collection of fragments from various civilizations, including Greek, Roman, Etruscan, and Egyptian. The clipping also includes quotes from Schimmel and other experts in the field of ancient art.