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ARCH.2003.39, Rendition: 806708
The image shows a page from "The New York Times" dated December 14, 1975. The headline reads, "Art Collector Finds Lore in Fragments" and is by Grace Glueck. The article discusses the art collection and the experiences of Norbert Schimmel, who is a collector of ancient art. The article includes a photograph of a fragment from the collection, which is described as originating from Hermopolis, 14th-18th century B.C. The text provides insights into Schimmel's collection, its historical significance, and the challenges he faces as an art collector.
This image is a black-and-white newspaper clipping from The New York Times, dated December 27, 1975. The article is titled "Art Collector Finds Lore in Fragments" and is written by Grace Glueck. It discusses the story of Norbert Schimmel, an art collector whose collection of ancient art, some of which turned out to be forgeries, is now part of a forgery collection at the Brooklyn Museum.
The article mentions that Schimmel's collection, which includes about 300 antiquities, is on view at the Metropolitan Museum of Art. It describes his experiences with various artifacts, including a glass inlay work he initially thought was a masterpiece but later learned was a forgery.
There is a photograph in the article showing a fragment from Schimmel's collection on display at the Metropolitan Museum of Art. The fragment is described as originating from Hermopolis and dating from the 14th-18th century B.C.
The article also discusses the challenges and ethical considerations faced by collectors of ancient art, including the prevalence of forgeries and the difficulty of obtaining authentic pieces due to rising demand and export sanctions. It mentions Mr. Schimmel's role in the collecting business and his interactions with scholars and other collectors.
The clipping is mounted on an orange-brown sheet of paper with two punched holes on the left side, suggesting it was part of a binder or folder. There is a handwritten note at the top of the clipping, likely indicating the date and possibly the name of the publication.
The image shows a newspaper clipping from The New York Times. The clipping is mounted on a brown cardboard sheet. The clipping is titled "Art Collector Finds Lore in Fragments" by Grace Glueck. The clipping features an article about Norbert Schimmel, an art collector who purchased ancient art fragments. The clipping includes a photograph of a fragment from Schimmel's collection, which is described as a part of a relief depicting a Nubian head. The article discusses Schimmel's interest in ancient art and his collection of fragments from various civilizations, including Greek, Roman, Etruscan, and Egyptian. The clipping also includes quotes from Schimmel and other experts in the field of ancient art.
A newspaper clipping from The New York Times is placed on a beige background. The clipping features a black-and-white image of a fragment of a piece of ancient art. The article is titled "Art Collector Finds Lore in Fragments." The article discusses Norbert Schimmel, a collector of ancient artifacts, and his collection of ancient art pieces. Schimmel bought the fragments of ancient art from a Brooklyn Museum collection.
The image shows a newspaper clipping from The New York Times, dated December 7, 1975, titled "Art Collector Finds Lorein Fragments". The article is authored by Grace Glueck and discusses the discovery and acquisition of ancient artifacts by an art collector named Norbert Schimmel.
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"A part of a fragment from the collection of Norbert Schimmel on display at the Metropolitan Museum of Art. Its origin is described as Hermopolis, 14th-13th century B.C."
This provides context about the artifact's origin and historical significance.
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The image depicts a newspaper clipping from The New York Times reporting on Norbert Schimmel’s discovery and collection of ancient fragments, specifically from Hermopolis, dating to the 14th–13th century B.C. The article includes a photograph of one of the fragments and discusses the collector’s contributions to museums and the broader context of ancient art collecting. The clipping is well-preserved and presented in a formal, archival manner.
The image depicts a newspaper clipping from The New York Times, dated December 11, 1975, titled "Art Collector Finds Lore in Fragments" by Grace Glueck. The article features a black-and-white photograph of a fragment from the collection of Norbert Schimmel on display at the Metropolitan Museum of Art, described as Hermopolis, 14th-18th century B.C.
The clipping is attached to a brown paper folder with two holes punched along the left side, suggesting it may be part of an archival or research collection. The overall appearance of the image suggests that it is a scanned or photographed version of the original newspaper clipping, possibly for preservation or educational purposes.
The image shows a page from The New York Times, dated October 17, 1975, featuring an article about an art collector's discovery of a fragment from the collection of Norbert Schimmel on display at the Metropolitan Museum of Art.
Overall, the image provides a glimpse into the world of art collecting and the discovery of a significant piece of history.
The image depicts a newspaper clipping from The New York Times, titled "Art Collector Finds Lore in Fragments" by Grace Glueck.
The image depicts a newspaper clipping from The New York Times, titled "Art Collector Finds Lore in Fragments" by Grace Glueck. The article discusses the collection of Norbert Schimmel, a renowned art collector who has amassed an impressive array of artifacts.
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The image shows a newspaper clipping from "The New York Times" mounted on a piece of brown cardboard. The article is titled "Art Collector Finds Lore in Fragments" and is written by Grace Glueck. The article discusses the collection of ancient art fragments by Norbert Schimmel, an art collector from Manhattan.
The article mentions that Schimmel's collection, which includes fragments from various ancient cultures such as Greek, Roman, and Etruscan, is on display at the Metropolitan Museum of Art. The fragments are described as being rescued from various sites and purchased from dealers. The collection includes pieces like a Greek bronze mirror from the 4th century B.C. and a Roman glass mosaic from the 4th century A.D.
The article also highlights Schimmel's passion for collecting and his belief in the historical and artistic value of these fragments. It notes that Schimmel's collection is unique because it focuses on fragments rather than complete pieces, and that these fragments can provide valuable insights into ancient cultures.
Accompanying the article is a photograph of a fragment from Schimmel's collection, specifically a piece described as "Hermaphrodite, 1st/2nd century B.C." The fragment appears to be a sculpted relief showing intricate details of human figures and other elements.
Overall, the article emphasizes the importance of Schimmel's collection in preserving and showcasing the art and history of ancient civilizations through their fragmented remains.