Archives Scrapbooks

This image displays a vintage, beige-colored archival scrapbook page, likely from the early 1960s, containing three distinct newspaper clippings related to the Fogg Art Museum (now part of the Harvard Art Museums). The page is bound with two visible metal binder holes on the left margin and shows signs of age, such as slight yellowing and creases.

Here is a detailed description of each clipping:

1. Top Left Clipping: "Harvard Honors Lafayette"

   • Visual: This is the largest clipping, featuring a prominent black-and-white photograph of a bust titled "Bust of Lafayette (Stevens porcelain, after the marble by Houdon; 1903)." The bust depicts a man in 18th-century military attire with powdered hair, looking off to the left. The word "LAFAYETTE" is inscribed on the base of the bust.
   • Text: Below the photo, a caption identifies the exhibition: “'Harvard Honors Lafayette,' the Fogg’s second of three Bicentennial exhibitions, continues at the Museum through March 12.” It notes the exhibition was assembled by Agnes Mongan, former Director of the Fogg and Curator of Drawings. It features portraits, documents, and memorabilia from the Harvard Collections and other New England sources.
   • Annotation: Handwritten in red ink at the top is "Gazette Dec 19, 1975". (Note: The text of the article itself refers to an exhibition ending March 12, which suggests a date discrepancy with the handwritten note; the article content likely predates 1975).

2. Top Right Clipping: "News Shop"

   • Visual: A smaller clipping with the bold, stylized headline "News Shop", accompanied by a small graphic of a torch or lamp. The text is arranged in narrow columns.
   • Text: The article discusses administrative matters related to the Kennedy School of Government and other university affairs. Key points include:
     • "Kearns Ties the Knot" – about a marriage involving Kenneth and Elizabeth Cooke.
     • A mention of Albert M. Sacks, dean of the Law School, discussing law school admissions and faculty appointments.
     • A note that "About 62 per cent of the Law School" mail was being delivered to the wrong place.
   • Annotation: None visible.

3. Bottom Half: Two Articles Side-by-Side

   • Left Article: Christmas Card Sale
     • Visual: This clipping features a grid of nine small, black-and-white images depicting various artistic scenes, likely designs from the Christmas cards being sold.
     • Text: A headline in red pen reads "Gazette Dec 17, 1975". The article announces that "The Fogg Museum’s annual Christmas card sale continues through December 22 in the Fogg Courtyard." It mentions over 20 different cards, including 11 new ones, are available for 25¢ each, featuring subjects from medieval to modern art, all from the museum's permanent collection.
   • Right Article: "Inflation Beater" Letter to the Editor
     • Visual: A text-heavy column with no illustrations.
     • Text: Headlined "Crimson Dec. 13 INFLATION BEATER," this is a letter to the editors of The Crimson (Harvard's student newspaper) from Seymour Slive, Gleason Professor of Fine Arts and Director of the Fogg Art Museum. He responds to a review of the exhibition "Metamorphoses in 19th Century Sculpture," praising the catalog but correcting a factual error: the catalog was edited by Jeanne L. Wasserman, Honoraty Curator of 19th and 20th Century Sculpture at the Fogg, not Kathy Garrett. He then laments that production costs forced the museum to price the catalog at $5, higher than the original $1.50, and expresses regret that visitors were not informed of this price increase before the exhibition opened.

Overall, the scrapbook page serves as a historical record, documenting public relations, administrative news, and cultural events related to the Fogg Art Museum, curated for internal reference or archival purposes. The handwritten dates suggest it may have been compiled to track press coverage over time, though the dates sometimes contradict the content of the articles.

This image appears to be a collection of newspaper clippings and scans, likely from a personal scrapbook or a collection of historical memorabilia. Here's a breakdown of the contents:

1. Top Left: A black-and-white photograph of a bust of a man, identified as "Lafayette" at the bottom right. The text below the image mentions that "Harvard Honors Lafayette" is part of a Bicentennial exhibition at the Fogg Museum, which continues until March 12, 1975. The bust is described as a copy in Sevres porcelain after the marble by Houdon (1903).

2. Top Right: A section of a newspaper article with the headline "Kearns Ties the Knot" and "News Show," but the rest of the text is not fully visible. It seems to be discussing a wedding or some event related to a person named Kearns.

3. Bottom Left: Another section of a newspaper article with the headline "GAZETTE DEC 17 1975." This section contains images of various drawings and artworks, possibly from an exhibition or collection. The article discusses the Fogg Museum's annual Christmas card sale, mentioning that over 20 different cards, including new ones, are available for 25 cents each.

4. Bottom Right: A letter titled "INFLATION BEATER" from Seymour Slive, Gleason Professor of Fine Arts and Director of the Fogg Art Museum, to the editors of The Crimson. The letter expresses dissatisfaction with the price of the "Metamorphoses in 19th Century Sculpture" catalogue and mentions that catalogues will be available at a reduced price until the exhibition closes.

The image overall seems to be a collection of historical documents and news articles, possibly related to art exhibitions and events at the Fogg Art Museum in 1975.

This image is a page from a scrapbook or archive, featuring various newspaper clippings and printed materials. Here's a detailed description of the items present:

1. Top Section:

   • There is a photograph of a bust of a man, identified as "Lafayette," which is a Sévres porcelain bust after the marble by Houdon, created in 1903. The text describes an exhibition at the Fogg Museum called "Harvard Honors Lafayette," which was part of the museum's Bicentennial exhibitions and continued through March 12.

2. Middle Section:

   • Below the photograph of the bust, there is a clipping titled "GAZETTE DEC 17, 1975," which appears to be an advertisement for the Fogg Museum's annual Christmas card sale. The sale includes more than 20 different cards, with prices starting at 25¢ each, and the cards feature subjects ranging from medieval to modern, all from the Fogg's permanent collection.

3. Right Section:

   • There is a clipping from a newspaper column titled "News Show," which discusses the Law School's plans to increase the number of students, among other topics.
   • Below this, there is a letter dated "Crimson Dec. 13" titled "INFLATION BEATER," written by Seymour Slive, Gleason Professor of Fine Arts and Director of the Fogg Art Museum. The letter discusses the price of the catalogue for the exhibition "Metamorphoses in 19th Century Sculpture" and the efforts to make it more affordable for students and visitors.

The materials are arranged on a brown, possibly archival-quality, page, suggesting that they are part of a collection or scrapbook. The overall theme of the clippings appears to be related to events and exhibitions at the Fogg Museum in 1975.

A brown folder contains several documents and photographs. The top photograph shows a bust of a man with a laurel wreath on the base. The photograph has a caption that reads "Harvard Honors Lafayette." There is a newspaper clipping with a headline that reads "NEWSPAPER." Below it is a page that reads "GAZZETTE DEC. 17 1975" with several photographs and a text that reads "The Fogg Museum's annual Christmas card sale continues through Dec 12 in the Fogg Courtyard." There is also a handwritten note on the right side of the folder.

A collage of different documents is attached to a white wall. The first document is a black-and-white image of a bust of a man with the text "Lafayette" on the bottom. The second document is a letter to the editors of "The Crimson" with the text "Inflation Beater" on the top. The third document is a collage of different pictures, including a drawing of a woman, a flower, and a vase.

The image shows a collection of documents and photographs arranged on a display board, likely part of an exhibit or archival presentation. Here is a detailed description:

Top Left Section:

• Photograph of a Bust:
  The central image is a black-and-white photograph of a bust labeled "LAFAYETTE." The bust depicts a man in formal attire, with a powdered hairstyle and a cravat. The photograph is mounted on a card or display board, and there is text beneath it that reads:
  "Harvard Honors Lafayette," the Fogg's second of three Bicentennial exhibitions, continues at the Museum through March 12. Assembled by Agnes Mongan, former Director of the Fogg and Curator of Drawings, the show features portraits, documents, and Lafayette memorabilia drawn primarily from Harvard Collections and other New England sources. A bronze bust of Lafayette (Seventeen portraits after the marble by Houdon) is now on view.

Top Right Section:

• Newspaper Clipping:
  To the right of the photograph, there is a page from a newspaper titled "Newsday." The visible text includes headlines and articles, though the content is partially obscured. The visible portion mentions "Kathy Garrett" and appears to discuss an exhibition or event related to Lafayette. The layout includes columns of text and some illustrations or diagrams, though they are not clearly discernible.

Bottom Left Section:

• Gazette Article:
  Below the photograph, there is a section titled "Gazette Dec 17, 1975," which appears to be an article or announcement from a publication called The Gazette. The content includes several small photographs or illustrations, likely depicting scenes or objects related to the article. The text at the bottom of this section states:
  "The Fogg Museum's annual Christmas card sale continues through December 23 in the Fogg Courtyard. More than 20 different cards—including 11 new ones—are available daily at prices of $3 each and up. Subjects range from medieval to modern—all from the Fogg permanent collection."

Bottom Right Section:

• Letter or Editorial:
  In the bottom right corner, there is a handwritten or typed letter dated "Crimson Dec. 13" and titled "INFLATION BEATER." The letter is addressed "To the Editors of The Crimson" and discusses an exhibition or event involving "Kathy Garrett." The author expresses opinions about pricing and availability of items, mentioning a "Metamorphosis" exhibition and referencing "Janet Cox" and "Jeanne L. Wasserman." The letter is signed by "Seymour Silve," who is identified as the "Director, Fogg Art Museum."

Overall Layout and Context:

• The display board appears to be part of an exhibit or archival display, likely at a museum or academic institution. It combines visual elements (photographs, illustrations) with textual content (articles, letters, and exhibition details) to provide context about an exhibition honoring Lafayette, as well as related events or discussions, such as a Christmas card sale and critiques of pricing for exhibition items.

The arrangement suggests a curated presentation, possibly for educational or historical purposes, highlighting the bicentennial celebrations of Lafayette and related museum activities.

The image features a scrapbook-style arrangement of newspaper clippings and a photograph, likely related to art or historical topics. Here's a description:

1. Top Section:

   • A grayscale photo of a bust sculpture titled "Lafayette," which is labeled below the image. The bust depicts a man wearing an 18th-century-style outfit, including a jacket, cravat, and epaulets.
   • Above the photo is text noting the publication name and date ("Gazette Dec. 12, 1975").
   • The article mentions an exhibition called "Harvard Honors Lafayette" at the Fogg Museum, curated by Agnes Mongan.

2. Middle Section:

   • Below, there is a grid featuring small black-and-white images of artwork labeled "Gazette Dec. 17, 1975." These images showcase sketches, paintings, and other art pieces, including portraits and stylized illustrations.
   • The accompanying text describes the Fogg Museum's annual Christmas card sale, presenting cards with art from the museum's permanent collection.

3. Right Section:

   • A clipping labeled "Crimson Dec. 13" includes a reader's feedback about an exhibition titled "Metamorphoses in 19th Century Sculpture" at the Fogg Museum. The note addresses inflation issues and the affordability of museum catalogs.

The material conveys information about historical art exhibitions, sales, and commentary, compiled in a scrapbook format for preservation or reference purposes.

The image shows a collection of what appears to be newspaper clippings or excerpts mounted on a brown paper board, which is itself attached to a gray metal clipboard or binder at the top. The left side features a large clipping with a historic photograph of an individual dressed in a period outfit with decorative elements and text printed below. Below this large image are several smaller images organized in a grid, depicting various art-related subjects and editorial text alongside.

To the right is a narrow piece of paper showing printed text, which looks like a column from a newspaper. It contains an article or opinion piece titled "NEWSWEEK" with other text that discusses art-related content. There is a small hole at the top of this narrow piece, suggesting it might have been taken from a publication and fixed to the board.

Overall, the layout and content indicate these materials might be related to art history, a specific exhibition, or a discussion about a cultural subject. The materials have been curated for reference or presentation purposes.

The image shows a scrapbook page with several clippings attached.

• In the top left, there is a black-and-white photograph of a bust labeled "LAFAYETTE." The bust is a detailed sculpture of a man wearing a military-style jacket with epaulets and a cravat. The caption below the photograph mentions "Harvard Honors Lafayette," referring to the Fogg's record of three Bicentennial exhibitions and notes the involvement of Agnes Morgan, former Director of the Fogg and Curator of Drawings. It also states that the bust is from the Harvard Collection and that it is after the work by Houdon from 1903.

• Below that, there is an image showing a grid of different Christmas card designs available at the Fogg Museum’s annual Christmas card sale, which continues through December 22. The cards include various styles featuring subjects from medieval to modern, with more than 20 designs, including one by a 17-year-old. Prices begin at 25 cents and up.

• To the right, there is a newspaper clipping titled "INFLATION BEATER" by Seymour Slive, Gleason Professor of Fine Arts and Director of the Fogg Art Museum. The text addresses an editorial from "The Crimson" regarding the pricing of the catalogue "Metamorphoses in 19th Century Sculpture," explaining the high production costs and apologizing for the price, which is $12.

• Above the "INFLATION BEATER" clipping, there is a folded or partially cut newspaper clipping headed "News Shot" with some text visible but upside down. The content appears related to various announcements or news items, but the specific details are not fully readable due to the orientation and cropping.

• A scrapbook/page mounted on brown cardstock with two binder holes on the left.
• The central image is a black-and-white photograph of a bust of a man in a military-style uniform. The base of the bust reads “LAFAYETTE.” The face in the photo has been covered with a square blur.
• Above the bust there are handwritten red notes in pen.
• To the right, a folded newspaper clipping is attached, with the text printed upside down in places (the visible heading looks like “News”).
• Below the bust is a strip or collage of small image thumbnails (a grid of tiny pictures).
• On the lower right is a small clipping titled “Inflation Beater,” with a short block of text and a signature from a museum official (Gleason Professor of Art / Director, Fogg Art Museum).
• The overall look is vintage, with sepia-toned and black-and-white prints on a plain tan board, arranged like an archival display.