Archives Scrapbooks

This image displays a vintage research scrapbook or archive file page, likely belonging to an art historian or museum professional, concerning an exhibition at the Fogg Art Museum (now the Harvard Art Museums) in the mid-1970s.

The page is mounted on a tan folder or folder sheet with two punch holes visible on the left, suggesting it was part of a binder.

It contains three main clippings:

1. Top Clipping — Portrait of Lafayette: A large black-and-white photograph of a bust of the Marquis de Lafayette by the artist Houdon (1903), made of Sévres porcelain. The bust shows Lafayette in 18th-century military attire, looking to the left. The base is inscribed “LAFAYETTE.” This clipping is titled “Harvard Honors Lafayette” and describes the Fogg Museum’s second of three Bicentennial exhibitions, which featured portraits, documents, and Lafayette memorabilia drawn primarily from Harvard collections. The exhibition ran through March 12 and was assembled by Agnes Mongan, former Director of the Fogg and Curator of Drawings. Handwritten in red ink in the upper left corner of this clipping is “Gazette Dec 12, 1975”.

2. Bottom Left Clipping — Christmas Card Sale: A smaller clipping from a newspaper, also dated “Gazette Dec 12, 1975” in red ink, advertising "The Fogg Museum’s annual Christmas card sale." It includes nine small sample images of cards available for sale, ranging from medieval to modern subjects, sourced from the Fogg permanent collection. Prices started at 25¢ each.

3. Right Column — Critical Review: A longer column of text, signed by Kathy Garrett, which provides a critical analysis of the “Metamorphoses in 19th-Century Sculpture” exhibition (which seems to be the same Lafayette show or a related one). The review delves into philosophical questions about the nature of art, mass production, and artistic value, contrasting unique works from the Renaissance with 19th-century casts and reproductions made for bourgeois homes. It mentions that statues in the show were similarly refinished, which "destroyed the mystique of the artist." The review ends with a note from Seymour Slive, the Director of the Fogg Art Museum, regarding a discount on cards available until the exhibition closes. The clipping is dated “FRIDAY, DECEMBER 12, 1975.” The word “Crimson” is handwritten below the date, likely indicating it’s from the Harvard Crimson newspaper.

A small, partially visible newspaper clipping is also tucked into the upper right corner of the folder.

Overall, the page serves as a well-organized archival record, preserving promotional materials, public announcements, and critical responses to a specific art exhibition in December 1975. The handwritten date notations and the careful mounting suggest an academic or professional effort to chronicle and analyze the event.

The image appears to be a scanned page from a newspaper or a similar publication. The layout is divided into sections with text and images. Here's a detailed description:

1. Top Left Section:

   • There is a photograph of a bust labeled "Lafayette." The bust depicts a person wearing formal attire, likely from a historical period. The text below the photograph identifies it as a "Bust of Lafayette (Sevres porcelain, after the marble by Houdon; 1903)." It mentions an exhibition at the Fogg Art Museum, titled "Harvard Honors Lafayette," which is the second of three Bicentennial exhibitions.

2. Bottom Left Section:

   • This section contains a smaller photograph with various smaller images around it. The text below this section mentions the Fogg Museum's annual Christmas card sale, which is still ongoing through December 22 in the Fogg Courtyard. It highlights the availability of over 20 different cards, including 11 new ones, priced at 25¢ each and up.

3. Right Section:

   • This section contains an article with text discussing the exhibition and possibly providing insights into the issues and contexts surrounding the display. The text is signed by Kathy Garrett and dated Friday, December 12, 1975. It references the exhibition's focus on 19th-century sculpture and discusses the value of mass-produced art, the uniqueness of individual artist works, and other related topics.

4. Top Right Section:

   • A piece of paper or clipping is partially visible, suggesting it might be an excerpt from another source or document related to the content. The text is partially cut off, but it seems to be related to the exhibition or the context of the newspaper article.

The overall theme of the page appears to be centered around a historical exhibition at the Fogg Art Museum, focusing on Lafayette and the 19th-century sculptures, along with a mention of a Christmas card sale. The page also includes a mix of photographs and text, providing a narrative and visual context for the exhibition and related events.

This image appears to be a scanned page from a newspaper article and some supplementary materials. The main focus is on a photograph of a bust sculpture of Lafayette, labeled as "LAFAYETTE" on the base. The text below the image provides information about an exhibition titled "Harvard Honors Lafayette," which was part of the Fogg's Bicentennial exhibitions. The exhibition was curated by Agnes Mongan and featured portraits, documents, and Lafayette memorabilia.

To the right of the bust image, there is a column of text discussing the exhibition and broader issues related to art and reproduction in the 19th century. It mentions the rise of bourgeois art and the market for sculpture during that period.

At the bottom left, there is a section with several small images and text about the Fogg Museum's annual Christmas card sale. The cards feature various subjects from the Fogg's permanent collection, ranging from medieval to modern themes.

There are also some handwritten notes and additional clippings at the top right corner, including a headline "Hiring Goals Vis Re Affirmative Action Figures and Goals." The date "FRIDAY, DECEMBER 12, 1975" is visible at the bottom of the text column.

A piece of paper with a hole punch on the top left corner is pinned to a gray surface. The paper has some text written on it, and a few images are attached to it. The images are of a man, a woman, a flower, and a vase. The text is written in black font, and the paper has a few holes on it.

The image shows a collection of documents, photographs, and postcards, likely from an exhibition. The top of the image features a black-and-white photograph of a bust of Lafayette, a French general and statesman. Below the photograph, there is a handwritten note that reads "Gazette Dec 17 1975." The rest of the image contains several postcards, each with a different image and text. The postcards appear to be related to art and culture, with some featuring sculptures, paintings, and historical figures. The bottom of the image includes a document with the title "Friday, December 12, 1975," which may be a press release or announcement related to the exhibition.

The image depicts a vintage exhibition poster or program from the Fogg Art Museum, dated December 12, 1975. The poster features a central black-and-white photograph of a bust titled "Lafayette", which is prominently displayed at the top. The bust is labeled with the name "LAFAYETTE" at the base, indicating it is a portrait of the historical figure Marquis de Lafayette.

Key Elements of the Poster:

1. Central Image:

   • The bust of Lafayette is the focal point of the poster. It is dressed in period-appropriate attire, including a cravat and a jacket with epaulettes, reflecting the 18th-century style associated with Lafayette.

2. Textual Content:

   • Headline: At the top, there is a bold, stylized text that reads:
     "Harvard Honors Lafayette, the Fog's Bicentennial Exhibition, continues at the Museum through March 12."
   • Exhibition Details: Below the headline, a paragraph provides context about the exhibition:
     • The exhibition is organized by Agès Morgan, the former Director of the Fogg and Curator of Drawings at the museum.
     • It features original portraits, documents, and Lafayette memorabilia drawn primarily from the Harvard Collection.
     • The show includes New England portraits, documents, and Lafayette memorabilia, as well as drawings, etchings, and other works of art.
     • The exhibition focuses on Lafayette's role as an American hero, with artifacts from the marble by Houdon (the sculptor).

3. Gazette Section:

   • Below the main text, there is a section titled "GAZETTE DEC 12, 1975", which appears to be a news or announcement column. It includes smaller images and captions, likely summarizing additional events or highlights related to the museum or the exhibition. The images appear to depict various artworks or museum-related activities.

4. Essay or Commentary:

   • On the right side of the poster, there is a typed essay or commentary discussing the 19th-century sculpture and its context. The text explores themes such as:
     • The rise of sculpture in the 19th century and its shift from patronage by the elite to broader public appreciation.
     • The role of technology in mass-producing sculptures and the impact on artistic merit.
     • The debate over the value of mass-produced art versus unique, original works.
     • The artist David Smith, who is mentioned as having refined and altered sculptures for display.
   • The essay is signed by Kathy Garrett, dated Friday, December 12, 1975, and includes a note about the Crimson (likely a student newspaper) being available at less than half its published price until the exhibition closes.

5. Additional Information:

   • At the bottom of the poster, there is a note about the Fogg Museum's annual Christmas card sale, which continues through December 22. It mentions that more than 20 different cards are available, ranging in price from 25¢ to $2.54, and that subjects range from medieval to modern art from the Fogg's permanent collection.

6. Design and Layout:

   • The poster has a clean, structured layout with a mix of typography, photographs, and textual content.
   • The top section features bold, decorative lettering, while the central image and accompanying text are presented in a more formal, informational style.
   • The right-hand column contains a dense block of typed text, suggesting an academic or critical discussion.

Overall Impression:

The poster serves as both an announcement for an exhibition and a commentary on the artistic and historical significance of Lafayette and 19th-century sculpture. It combines visual art (the bust of Lafayette) with textual analysis and contextual information, making it a rich piece of museum ephemera from the mid-1970s. The inclusion of a newspaper clipping ("The Crimson") and details about a Christmas card sale adds a layer of institutional and community engagement to the poster.

The image presents a collage of newspaper clippings, featuring a prominent photograph of a bust of Lafayette, accompanied by several smaller images and text. The overall composition is arranged on a gray background, with the clippings appearing to be attached to a piece of cardboard or paper.

• Bust of Lafayette
  • The central image is a black-and-white photograph of a bust of Lafayette, showcasing his likeness in a dignified pose.
  • The bust is adorned with a ribbon tied around the neck, adding a touch of elegance to the overall design.
• Newspaper Clippings
  • The surrounding clippings are arranged in a collage-style format, creating a visually appealing display.
  • The text within the clippings appears to be related to art and history, with mentions of exhibitions and collections.
  • The clippings are cut from various newspapers, each with its own unique layout and typography.
• Gray Background
  • The background of the image is a solid gray color, providing a neutral backdrop for the collage.
  • The gray tone helps to emphasize the textures and colors of the clippings, creating a sense of depth and dimensionality.

In summary, the image is a thoughtfully arranged collage of newspaper clippings, centered around a striking photograph of a bust of Lafayette. The combination of textures, colors, and typography creates a visually engaging display that invites the viewer to explore the details of each clipping.

The image is a scanned document featuring a newspaper clipping from the Fogg Art Museum, dated December 12, 1975.

Key Features:

• The clipping is attached to a beige folder with two holes punched on the left side.
• The clipping includes:
  • A black-and-white photograph of a bust of Lafayette.
  • A caption describing the exhibit and the bust.
  • A section of text discussing the exhibit and its significance.
  • A smaller article about the Fogg Museum's annual Christmas card sale.
• The text is written in a formal tone, suggesting an academic or art-related publication.
• The overall design and layout of the clipping are typical of a newspaper or art magazine from the 1970s.

Additional Context:

• The clipping appears to be a review or announcement of an exhibit at the Fogg Art Museum.
• The exhibit likely featured sculptures and other artworks related to the theme of "Metamorphoses in 19th-century Sculpture."
• The clipping provides insight into the art world and cultural events of the time, highlighting the museum's efforts to showcase and interpret artworks.

The image presents a vintage newspaper clipping, likely from 1975, featuring an article about the Fogg Museum's exhibition of 19th-century sculpture. The clipping is attached to a piece of cardboard with two holes punched on the left side.

Newspaper Clipping:

• Image: A black-and-white photograph of a bust of Lafayette, accompanied by a caption that reads: "Harvard Honors Lafayette," the Fogg's second of three bicentennial exhibitions, continues at the Museum through March 12. Assembled by Agnes Mongan, former Director of the Fogg and Curator of Drawings/Prints, the show features portraits, documents, and Lafayette memorabilia drawn primarily from Harvard Collections and other New England sources. Above, Bust of Lafayette (Sevres porcelain, after the marble by Houdon; 1903).
• Article: The article discusses the exhibition, highlighting the universal nature of art and the role of the artist. It also mentions that the show features works by various artists, including Ben Franklin, and that the pieces are available for purchase at a discounted price until the exhibition closes.
• Caption: The article is signed by Seymour Slive, Gleason Professor of Fine Arts and Director of the Fogg Art Museum.

Cardboard Background:

• Holes: Two holes are punched on the left side of the cardboard, suggesting that it may have been stored in a binder or folder.
• Color: The cardboard has a light brown color, which provides a neutral background for the newspaper clipping.

Overall:

• The image appears to be a vintage newspaper clipping from 1975, featuring an article about the Fogg Museum's exhibition of 19th-century sculpture.
• The clipping is attached to a piece of cardboard with two holes punched on the left side, suggesting that it may have been stored in a binder or folder.

The image features a newspaper clipping with a black-and-white photograph of a bust of Lafayette, accompanied by an article about the Fogg Museum's annual Christmas card sale. The clipping is placed on a brown paper background, with a hole punched in the left side and a red handwritten date "Dec 17, 1975" at the top.

Key Elements:

• Bust of Lafayette: A black-and-white photograph of a bust of Lafayette, likely from the 18th century.
• Article: An article about the Fogg Museum's annual Christmas card sale, featuring a selection of cards available for purchase.
• Background: A brown paper background with a hole punched in the left side.
• Handwritten Date: A red handwritten date "Dec 17, 1975" at the top of the clipping.

Context:

• The image appears to be a scanned or photographed version of a newspaper clipping from December 1975.
• The clipping is likely related to an exhibition or event at the Fogg Museum, which is now known as the Harvard Art Museums.
• The article provides information about the museum's annual Christmas card sale, including the types of cards available and their prices.

Conclusion:

The image is a historical document that provides insight into the Fogg Museum's activities and events in the 1970s. The clipping showcases the museum's efforts to engage with the public through its annual Christmas card sale, and the article provides valuable information about the types of cards available and their prices.