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ARCH.2003.39, Rendition: 806699
This image displays a vintage research scrapbook or archive file page, likely belonging to an art historian or museum professional, concerning an exhibition at the Fogg Art Museum (now the Harvard Art Museums) in the mid-1970s.
The page is mounted on a tan folder or folder sheet with two punch holes visible on the left, suggesting it was part of a binder.
It contains three main clippings:
Top Clipping — Portrait of Lafayette: A large black-and-white photograph of a bust of the Marquis de Lafayette by the artist Houdon (1903), made of Sévres porcelain. The bust shows Lafayette in 18th-century military attire, looking to the left. The base is inscribed “LAFAYETTE.” This clipping is titled “Harvard Honors Lafayette” and describes the Fogg Museum’s second of three Bicentennial exhibitions, which featured portraits, documents, and Lafayette memorabilia drawn primarily from Harvard collections. The exhibition ran through March 12 and was assembled by Agnes Mongan, former Director of the Fogg and Curator of Drawings. Handwritten in red ink in the upper left corner of this clipping is “Gazette Dec 12, 1975”.
Bottom Left Clipping — Christmas Card Sale: A smaller clipping from a newspaper, also dated “Gazette Dec 12, 1975” in red ink, advertising "The Fogg Museum’s annual Christmas card sale." It includes nine small sample images of cards available for sale, ranging from medieval to modern subjects, sourced from the Fogg permanent collection. Prices started at 25¢ each.
Right Column — Critical Review: A longer column of text, signed by Kathy Garrett, which provides a critical analysis of the “Metamorphoses in 19th-Century Sculpture” exhibition (which seems to be the same Lafayette show or a related one). The review delves into philosophical questions about the nature of art, mass production, and artistic value, contrasting unique works from the Renaissance with 19th-century casts and reproductions made for bourgeois homes. It mentions that statues in the show were similarly refinished, which "destroyed the mystique of the artist." The review ends with a note from Seymour Slive, the Director of the Fogg Art Museum, regarding a discount on cards available until the exhibition closes. The clipping is dated “FRIDAY, DECEMBER 12, 1975.” The word “Crimson” is handwritten below the date, likely indicating it’s from the Harvard Crimson newspaper.
A small, partially visible newspaper clipping is also tucked into the upper right corner of the folder.
Overall, the page serves as a well-organized archival record, preserving promotional materials, public announcements, and critical responses to a specific art exhibition in December 1975. The handwritten date notations and the careful mounting suggest an academic or professional effort to chronicle and analyze the event.
The image appears to be a scanned page from a newspaper or a similar publication. The layout is divided into sections with text and images. Here's a detailed description:
Top Left Section:
Bottom Left Section:
Right Section:
Top Right Section:
The overall theme of the page appears to be centered around a historical exhibition at the Fogg Art Museum, focusing on Lafayette and the 19th-century sculptures, along with a mention of a Christmas card sale. The page also includes a mix of photographs and text, providing a narrative and visual context for the exhibition and related events.
This image appears to be a scanned page from a newspaper article and some supplementary materials. The main focus is on a photograph of a bust sculpture of Lafayette, labeled as "LAFAYETTE" on the base. The text below the image provides information about an exhibition titled "Harvard Honors Lafayette," which was part of the Fogg's Bicentennial exhibitions. The exhibition was curated by Agnes Mongan and featured portraits, documents, and Lafayette memorabilia.
To the right of the bust image, there is a column of text discussing the exhibition and broader issues related to art and reproduction in the 19th century. It mentions the rise of bourgeois art and the market for sculpture during that period.
At the bottom left, there is a section with several small images and text about the Fogg Museum's annual Christmas card sale. The cards feature various subjects from the Fogg's permanent collection, ranging from medieval to modern themes.
There are also some handwritten notes and additional clippings at the top right corner, including a headline "Hiring Goals Vis Re Affirmative Action Figures and Goals." The date "FRIDAY, DECEMBER 12, 1975" is visible at the bottom of the text column.
A piece of paper with a hole punch on the top left corner is pinned to a gray surface. The paper has some text written on it, and a few images are attached to it. The images are of a man, a woman, a flower, and a vase. The text is written in black font, and the paper has a few holes on it.
The image shows a collection of documents, photographs, and postcards, likely from an exhibition. The top of the image features a black-and-white photograph of a bust of Lafayette, a French general and statesman. Below the photograph, there is a handwritten note that reads "Gazette Dec 17 1975." The rest of the image contains several postcards, each with a different image and text. The postcards appear to be related to art and culture, with some featuring sculptures, paintings, and historical figures. The bottom of the image includes a document with the title "Friday, December 12, 1975," which may be a press release or announcement related to the exhibition.
The image depicts a vintage exhibition poster or program from the Fogg Art Museum, dated December 12, 1975. The poster features a central black-and-white photograph of a bust titled "Lafayette", which is prominently displayed at the top. The bust is labeled with the name "LAFAYETTE" at the base, indicating it is a portrait of the historical figure Marquis de Lafayette.
Central Image:
Textual Content:
Gazette Section:
Essay or Commentary:
Additional Information:
Design and Layout:
The poster serves as both an announcement for an exhibition and a commentary on the artistic and historical significance of Lafayette and 19th-century sculpture. It combines visual art (the bust of Lafayette) with textual analysis and contextual information, making it a rich piece of museum ephemera from the mid-1970s. The inclusion of a newspaper clipping ("The Crimson") and details about a Christmas card sale adds a layer of institutional and community engagement to the poster.
This image appears to be a scrapbook-style page featuring various clippings from newspapers or magazines. It is secured on a brown page with a hole punched in the left for placement in a binder.
Upper Left: The top section has a black-and-white photograph of a bust labeled "LAFAYETTE." It is surrounded by a text description discussing Harvard honoring Lafayette through an exhibit. Details about the bust are described, including its origin and collection history.
Middle Left: Below the bust, there is a set of small images showing a variety of art pieces. The heading indicates these are Christmas cards available for sale at a museum shop. Each image represents original art designs, offering different subjects and styles.
Right Section: On the right side of the page, there is a detailed article discussing an exhibit and topics surrounding sculpture and questions of artistic originality and replication. The text touches on cultural attitudes around art, its reproduction, and the importance of authenticity. At the bottom, there's a mention of the exhibit's availability until a specific date.
Additional Notes: A small snippet of a folded newspaper is pinned at the top right-hand corner, possibly serving as reference material or extra information. The handwritten text on this page includes dates, such as "Gazette Dec 17, 1975," indicating the sources' publication dates.
This is an image of a scrapbook page featuring a central newspaper clipping pasted vertically on a greyish-brown paper surface. The clipping depicts a classical bust statue on a pedestal with the word "LAFAYETTE" inscribed below it. There is accompanying text beneath the image of the statue providing what seems to be historical context or commentary. To the left of the primary clipping, there is a smaller clipping with a date stamp reading "DEC 11 1975," consisting of thumbnail images likely representing various artworks or historical items. These smaller images appear to be a mixture of floral prints, figurative sketches, and classical paintings.
On the right side of the scrapbook page, part of another newspaper article is visible. It contains text with references to an exhibit, addressing concepts of quality, timing, and major questions in art. While the specific details are not fully visible, it suggests a critical analysis or review related to an art exhibit or historical reflection.
The overall impression is that of an art historian or enthusiast compiling clippings related to art history, exhibitions, or critical reviews for personal study or archival purposes.
The image shows a scrapbook page with three main items attached to it and a small newspaper clipping folded at the top right corner. The scrapbook page appears to be made of thick craft paper and has two punched holes on the left side, indicating it might be part of a binder.
The top left of the page features a black-and-white photograph of a bust sculpture titled "Lafayette." The bust depicts a man, identified as "Harvard Honora Lafayette," dressed in historical clothing with prominent shoulder epaulettes. The bust is made of marble by Houdon in 1903. There is a caption below the image explaining that this sculpture was part of the Fogg's second of three Bicentennial exhibitions. Handwritten in red ink at the top of the paper above the image is "GAZETTE DEC. 12, 1975."
Below the bust photograph, there is a block of images showing various Christmas cards. The caption states that these are from the Fogg Museum's annual Christmas card sale, featuring more than 20 different cards priced at 25¢ and up. The cards have diverse designs ranging from medieval to modern art. This section also has a handwritten red text above it: "GAZETTE DEC. 12, 1975."
On the right side of the scrapbook page, there is a lengthy newspaper clipping containing a detailed article. The article discusses issues related to art exhibits, sculpture, and the value of art and craftsmanship, referencing an exhibit featuring coins, postage stamps, and Rodin's "The Kiss," as well as a recent acquisition involving sculptor David Smith. The article is credited to Kathy Garrett and dated Friday, December 12, 1975. Below the main text, there is an additional note or signature on the clipping in blue ink that reads "Crimson." The clipping also has the name Seymour Slive, Gleason Professor of Fine Arts and Director of the Fogg Art Museum.
The newspaper clipping folded at the top right corner shows a partial headline and some text upside down but is mostly obscured.
The page appears to document historical and art-related events and exhibits from December 1975, combining visual elements and written reflections on art and exhibitions.