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Fogg Art Museum Scrapbook, May 1973-March 1978

ARCH.2003.39, Rendition: 806698

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This image displays a vintage newspaper clipping or museum press kit, mounted on a beige, three-hole-punched folder, likely from December 1975. The folder contains three distinct clippings, all dated around December 12-17, 1975, relating to exhibitions at the Fogg Museum (part of Harvard University).


1. Top Left Clipping: “Harvard Honors Lafayette”

  • Image: A black-and-white photograph of a bust of the Marquis de Lafayette. He is depicted in an 18th-century military uniform, with a powdered wig, epaulettes, and hands clasped over his chest. The base of the bust is clearly inscribed “LAFAYETTE.”
  • Headline & Caption:
    • Headline: “‘Harvard Honors Lafayette,’ the Fogg’s second of three Bicentennial exhibitions...”
    • Caption: Describes an exhibition assembled by Agnes Mongan, featuring portraits, documents, and Lafayette memorabilia primarily from Harvard collections and other New England sources. The bust shown is “Giverny porcelain, after the marble by Houdon (1903).”
  • Handwritten Note: “Gazette Dec 12, 1975” and “1” are written in red ink at the top.

2. Top Right Clipping: “Lions Crushing Serpents” (Art Review)

  • Headline: “ART” (section header), followed by “Lions Crushing Serpents” as the article title.
  • Subtitle: “Metamorphoses in 19th-Century Sculpture at the Fogg now through Jan. 7, 1976.”
  • Content: A scholarly art review discussing an exhibition focused on the variations and casting histories of 19th-century sculptures. It notes that seemingly identical pieces (such as busts of Franklin or lions crushing serpents) are often actually different due to changes in the casting process, materials (plaster, bronze, clay), and posthumous reproductions. It emphasizes that this is an exhibition “for scholars,” requiring expert eye or catalogue to discern subtle differences.
  • Image: A small black-and-white photo inset showing a series of small, dark sculpted figures on a white surface — likely the “Lion Crushing Serpents” pieces being discussed.
  • Handwritten Note: “Crimson Friday Dec 12 1975” in pencil at the top — likely referring to The Harvard Crimson newspaper.

3. Bottom Left Clipping: Fogg Museum Christmas Card Sale

  • Headline / Caption: “The Fogg Museum’s annual Christmas card sale continues through December 22 in the Fogg Courtyard.”
  • Content: Describes a sale of more than 20 different cards, including 11 new ones, priced at 25¢ each or $2.50 for a set of ten. Cards feature subjects ranging from medieval to modern, all drawn from the Fogg’s permanent collection.
  • Images: A grid of nine small, square black-and-white reproductions of artworks — likely the designs available on the cards. These include figurative and floral scenes, some with decorative borders.
  • Handwritten Note: “GAZETTE DEC 17, 1975” written in red ink at the top.

Overall Context:

This folder represents a curated collection of press materials promoting three concurrent or overlapping exhibitions and events at the Fogg Museum in late 1975. The items show the museum’s efforts to publicize:

  • A Bicentennial exhibition honoring Lafayette.
  • A scholarly exhibition on 19th-century sculpture reproduction.
  • A seasonal retail initiative (Christmas card sale) to engage the public and raise funds.

The handwritten dates and newspaper names (Gazette, Crimson) suggest these clippings were saved and possibly organized by a staff member, researcher, or press officer for archival or planning purposes.

The folder itself has a simple, utilitarian appearance, with its three-hole punches indicating it was likely stored in a binder, common in institutional offices of that era.

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This image appears to be a page from a newspaper or magazine, dated Friday, December 12, 1975. The page features several elements including:

  1. A photograph of a bust: The bust is labeled "Lafayette" and is from the "Harvard Honors Lafayette" exhibition. The text below the photograph mentions that this is the second of three Bicentennial exhibitions at the Fogg Museum, which will continue through March 12. The exhibition is curated by Agnes Mongan and features portraits, documents, and Lafayette memorabilia.

  2. A news article titled "Lions Crushing Serpents": This article discusses an art exhibit at the Fogg Museum, which focuses on metamorphoses in 19th-century sculpture. The exhibit is described as exploring how variations in sculptures can be subtle and noticeable only with a well-trained eye. The article mentions that the exhibit is through January 7, 1976, and that it includes 20 lions crushing 20 serpents, among other sculptures.

  3. An image of sculptures: Below the article, there is a photograph of several sculptures displayed in a row, showcasing the variety and detail in the 19th-century sculptures.

  4. A smaller image of illustrations: At the bottom of the page, there is a smaller image of various illustrations, possibly related to the art exhibit or previous exhibitions at the museum.

The page also notes that the Fogg Museum's annual Christmas card sale is continuing through December 22, with more than 20 different cards available at prices starting at 25¢ each, including 11 new ones. The subjects range from medieval to modern, all from the Fogg permanent collection.

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This image is a scanned document or a clipping from a publication, likely a newspaper or magazine, dated December 1975. The document appears to be about an art exhibition titled "Lions Crushing Serpents: Metamorphoses in 19th-Century Sculpture" at the Fogg Museum, which ran from December 12, 1975, to January 7, 1976.

The document includes several sections:

  1. Top Left Section: Features a photograph of a bust of Lafayette, a French military officer who fought in the American Revolutionary War. The text below the image mentions "Harvard Honors Lafayette," indicating that this is part of a bicentennial exhibition.

  2. Top Right Section: Contains the main article about the exhibition. The article discusses the variations in seemingly redundant sculptures, such as statues of Diana, busts of Benjamin Franklin, and lions crushing serpents. It explains how each sculpture differs subtly from its counterparts and how these variations are not due to the whims of the sculptor but to the techniques used in the foundry.

  3. Bottom Left Section: Shows a collection of black-and-white images, likely from the Fogg Museum's annual Christmas card sale. The images depict various subjects, including people, flowers, and animals.

  4. Bottom Right Section: Continues the article from the top right section, discussing the techniques used in making the sculptures and the importance of recognizing the differences in quality between the original and subsequent versions.

The document is placed on a light gray background, and the text is printed in black ink on a light beige or off-white paper. There are handwritten notes at the top right corner that say "Crimson Friday Dec 12 1975," indicating the source and date of the clipping.

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A page from a scrapbook or a newspaper clipping is pinned to a brown background. The clipping is from the newspaper "The Crimson," dated Friday, December 12, 1975. The clipping features an article titled "Lions Crushing Serpents" about an exhibition of sculptures at the Fogg Art Museum. The article includes a black-and-white photograph of a bust of Lafayette and a smaller photograph of sculptures of lions crushing serpents. There is also a photograph of a drawing and a photograph of a sculpture.

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The image appears to be a page from a magazine or exhibition catalog featuring an article about a sculpture exhibition called "Lions Crushing Serpents: Metamorphoses in 19th-Century Sculpture." The page contains several images and text.

The main image on the page is a black and white photograph of a bust sculpture of a man, likely Lafayette, with a lion crushing a serpent on his neck. The caption mentions that this is the second of three Bicentennial exhibitions at the Fogg Museum, which runs until January 7, 1976.

Below the main image, there are several smaller black and white images of sculptures and other artworks, likely related to the exhibition. These images are accompanied by text discussing the techniques used in creating these sculptures, such as casting and molding, and how the quality of the sculptures can vary.

The page also includes a section with text discussing the exhibition's focus on the differences between sculptures created in different periods, specifically between 1778 and 1914. It mentions that the exhibition features a highly specialized sample of sculptures and works that highlight the differences between these periods.

Overall, the image appears to be a page from a magazine or catalog promoting an exhibition of 19th-century sculptures, specifically focusing on the theme of lions crushing serpents. The page includes images of the sculptures, text discussing the techniques used in their creation, and information about the exhibition's focus on the differences between sculptures from different periods.

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The image depicts a page from a museum publication or exhibition catalog, likely from the Fogg Art Museum, dated December 14, 1975. The page is divided into three main sections, each featuring different visual and textual content.

Left Section:

  • Image: A black-and-white photograph of a bust labeled "Lafayette." The bust is detailed, showing the figure in period clothing with a cravat and ornate details. The name "LAFAYETTE" is inscribed at the base of the bust.
  • Caption: Below the image, there is a caption that reads:
    "Harvard Honors Lafayette... the Fogg's second of three Bicentennial exhibitions continues at the Museum through March 12... Assembled by Agnes Mongan, former Director of the Fogg and Curator of Drawings, Etching, and Prints. The show includes new source documents and Lafayette portraits, from Harvard Collections and other New England sources. Above: Bust of Lafayette (Sèvres porcelain, after the marble by Houdon; 1901)."

Center Section:

  • Title: "Gazette Dec. 14, 1975" is handwritten at the top, indicating the date of the publication.
  • Content: This section includes several smaller photographs and illustrations, likely showcasing various artworks or museum-related items. The images appear to depict:
    • A group of people in formal attire, possibly at an event or exhibition.
    • A close-up of an artwork or object, possibly a painting or sculpture.
    • A drawing or sketch, potentially of a figure or architectural element.
    • A floral arrangement, possibly an exhibit or decorative display.
    • A group of people in a gallery or museum setting, suggesting a public event or viewing.

Right Section:

  • Title: "ART Lions Crushing Serpents" is prominently displayed at the top.
  • Subtitle: "Metamorphoses in 19th-Century Sculpture" is written below, indicating the theme of the exhibition.
  • Exhibition Details: The text states that the exhibition is at the Fogg through January 7, 1976.
  • Description: The main body of text discusses an exhibition featuring eighteen statues of Diana standing on a lion toe, holding a crossbow, eight busts of Benjamin Franklin, 23 plaster casts of Benjamin Franklin, and 20 plaster casts of Lafayette. The text explores the variations in these works, noting differences in style and technique, such as the use of bronze, marble, or plaster, and the processes involved in creating reproductions. It also mentions that some works were created posthumously and discusses the quality and historical significance of the pieces.
  • Illustration: Below the text, there is a small black-and-white illustration showing several sculptural figures, possibly depicting the "Lions Crushing Serpents" theme mentioned in the title. The figures appear to be dynamic, with one possibly interacting with another in a dramatic pose.

Overall Context:

The page appears to be part of a museum newsletter or exhibition catalog, providing information about current or upcoming exhibitions, notable artworks, and related events. It combines textual descriptions with visual elements to inform readers about the museum's activities, collections, and special displays. The inclusion of dates, captions, and detailed descriptions suggests it is intended for museum-goers, scholars, or art enthusiasts.

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This image presents a newspaper clipping featuring a prominent black-and-white photograph of a bust of Lafayette, accompanied by a detailed article about an art exhibition titled "Lions Crushing Serpents." The article provides information on the exhibition's duration, from January 7, 1976, to an unspecified date. It also includes a smaller photograph showcasing various sculptures within the exhibition.

The clipping is attached to a piece of cardboard with two holes punched along its left side, suggesting that it was once part of a binder or folder. The cardboard features handwritten notes in red ink, including "Gazette Dec 17, 1975" and "Crimson Friday Dec 12 1975," which likely indicate the publication dates of the articles. Additionally, there are other handwritten notes in pencil, such as "ART" and "Lions Crushing Serpents," which may have been added for organizational purposes.

Overall, this image appears to be a collection of newspaper clippings related to art exhibitions, carefully preserved and organized on a piece of cardboard.

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The image presents a newspaper clipping featuring an article about the Fogg Museum's annual Christmas card sale, accompanied by a photograph of a bust of Lafayette and a section titled "Lions Crushing Serpents." The clipping is pasted onto a gray background, with the following details:

  • Article Title: "Lions Crushing Serpents"
  • Photograph: A bust of Lafayette, with the caption "Harvard Honors Lafayette," the Fogg's second of three Bicentennial exhibitions, continues at the Museum through March 12. Assembled by Agnes Morgan, former Director of the Fogg and Curator of Drawing, the show features portraits, documents, and Lafayette memorabilia drawn primarily from Harvard Collections and other New England sources.
  • Section Description: The article discusses the Fogg Museum's annual Christmas card sale, which will take place from December 22 to 23. It highlights the sale's unique feature, where 20 different cards are available at prices of 25 cents each, with an additional 11 cards available at prices of 50 cents each.
  • Additional Information: The clipping also includes a section titled "Lions Crushing Serpents," which features a photograph of a sculpture and a description of the piece. The article notes that the sculpture is one of six sculptors and ten works, a highly specialized sample of the art of sculpture between 1778 and 1914. The differences between works are minute, and either in ex pert's eye or the $35 catalogue is needed in order to recognize the differences between one "Lion Attacking a Serpent" made from a plaster mold, and another made from a gelatin mold. Each mold makes a particular kind of scratch on the surface of the piece, which an uninitiated viewer can easily overlook.

Overall, the clipping provides information about the Fogg Museum's annual Christmas card sale and highlights the unique feature of the sale, where 20 different cards are available at prices of 25 cents each, with an additional 11 cards available at prices of 50 cents each. The clipping also features a photograph of a bust of Lafayette and a section titled "Lions Crushing Serpents," which discusses a sculpture and its differences between works.

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The image presents a scanned page from a scrapbook or album, featuring a collection of newspaper clippings and photographs related to art exhibitions. The page is divided into three main sections: a large photograph, a newspaper clipping with an article, and another newspaper clipping with a smaller article.

  • Large Photograph
    • The photograph is in black and white and depicts a bust of a man.
    • The bust is labeled "LAFAYETTE" at the base.
    • The caption below the photograph reads: "'Harvard Honors Lafayette,' the Fogg's second of three Bicentennial exhibitions, continues at the Museum through March 12. Assembled by Agnes Mongan, former Director of the Fogg and Curator of Drawings, the show features portraits, documents, and Lafayette memorabilia drawn primarily from Harvard Collections and other New England sources. Above, Bust of Lafayette (sculptor, after the marble by Houdon; 1903)."
  • Newspaper Clipping with Article
    • The article is titled "Lions Crushing Serpents" and discusses an exhibition at the Fogg Museum.
    • The exhibition features 19th-century sculpture, including works by Robert Louis Stevenson and Benjamin Franklin.
    • The article highlights the unique aspects of the exhibition, such as the use of plaster casts and the reproduction process.
    • The article also mentions that the exhibition is open through January 7, 1976.
  • Newspaper Clipping with Smaller Article
    • The article is about the Fogg Museum's annual Christmas card sale.
    • The sale features over 20 different cards, including new ones, available daily at prices of 25 cents each.
    • The subjects range from medieval to modern, all from the Fogg permanent collection.

In summary, the image showcases a page from a scrapbook or album that highlights various art exhibitions and events at the Fogg Museum, including a Bicentennial exhibition featuring a bust of Lafayette and an exhibition on 19th-century sculpture. The page also includes information about the museum's annual Christmas card sale.

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The image presents a vintage newspaper clipping, likely from the Harvard Crimson, featuring an article about an art exhibition titled "Lions Crushing Serpents: Metamorphoses in 19th-Century Sculpture" at the Fogg Museum. The clipping is attached to a piece of cardboard with two holes punched on the left side.

Newspaper Clipping:

  • Title: "Lions Crushing Serpents"
  • Subtitle: "Metamorphoses in 19th-Century Sculpture at the Fogg now through Jan. 7, 1976"
  • Content: The article discusses the exhibition, which features 18 statues of Diana and 20 lions crushing serpents, all seemingly redundant but actually differing in subtle ways.
  • Image: A black-and-white photograph of a sculpture of a man with a mustache and a military-style jacket.

Additional Images:

  • Bust of Lafayette: A black-and-white photograph of a bust of Lafayette, accompanied by a caption that reads, "'Harvard Honors Lafayette,' the Fogg's accord of three Bicentennial exhibitions, continues at the Museum through March 12. Assembled by Agnes Morgan, former Director of the Fogg and Curator of Drawings/Eprints, the show features portraits, documents, and Lafayette memorabilia drawn primarily from Harvard Collections and other New England sources. Above, Bust of Lafayette (Stevens-porcelain, after the marble by Houdon; 1903)."
  • Christmas Cards: A collection of small images showcasing various Christmas cards, including one featuring a festive scene with holly and another with a snowman.

Handwritten Notes:

  • Date: "Crimson Friday Dec 12 1975" handwritten in pencil at the top right corner of the clipping.
  • Gazette: "GAZETTE DEC 12/1975" handwritten in red ink at the bottom left corner of the clipping.

Overall, the image provides a glimpse into a specific art exhibition and its accompanying media coverage, as well as some additional visual elements that add context and interest to the clipping.