Archives Scrapbooks

This image displays a vintage newspaper clipping or museum press kit, mounted on a beige, three-hole-punched folder, likely from December 1975. The folder contains three distinct clippings, all dated around December 12-17, 1975, relating to exhibitions at the Fogg Museum (part of Harvard University).

1. Top Left Clipping: “Harvard Honors Lafayette”

• Image: A black-and-white photograph of a bust of the Marquis de Lafayette. He is depicted in an 18th-century military uniform, with a powdered wig, epaulettes, and hands clasped over his chest. The base of the bust is clearly inscribed “LAFAYETTE.”
• Headline & Caption:
  • Headline: “‘Harvard Honors Lafayette,’ the Fogg’s second of three Bicentennial exhibitions...”
  • Caption: Describes an exhibition assembled by Agnes Mongan, featuring portraits, documents, and Lafayette memorabilia primarily from Harvard collections and other New England sources. The bust shown is “Giverny porcelain, after the marble by Houdon (1903).”
• Handwritten Note: “Gazette Dec 12, 1975” and “1” are written in red ink at the top.

2. Top Right Clipping: “Lions Crushing Serpents” (Art Review)

• Headline: “ART” (section header), followed by “Lions Crushing Serpents” as the article title.
• Subtitle: “Metamorphoses in 19th-Century Sculpture at the Fogg now through Jan. 7, 1976.”
• Content: A scholarly art review discussing an exhibition focused on the variations and casting histories of 19th-century sculptures. It notes that seemingly identical pieces (such as busts of Franklin or lions crushing serpents) are often actually different due to changes in the casting process, materials (plaster, bronze, clay), and posthumous reproductions. It emphasizes that this is an exhibition “for scholars,” requiring expert eye or catalogue to discern subtle differences.
• Image: A small black-and-white photo inset showing a series of small, dark sculpted figures on a white surface — likely the “Lion Crushing Serpents” pieces being discussed.
• Handwritten Note: “Crimson Friday Dec 12 1975” in pencil at the top — likely referring to The Harvard Crimson newspaper.

3. Bottom Left Clipping: Fogg Museum Christmas Card Sale

• Headline / Caption: “The Fogg Museum’s annual Christmas card sale continues through December 22 in the Fogg Courtyard.”
• Content: Describes a sale of more than 20 different cards, including 11 new ones, priced at 25¢ each or $2.50 for a set of ten. Cards feature subjects ranging from medieval to modern, all drawn from the Fogg’s permanent collection.
• Images: A grid of nine small, square black-and-white reproductions of artworks — likely the designs available on the cards. These include figurative and floral scenes, some with decorative borders.
• Handwritten Note: “GAZETTE DEC 17, 1975” written in red ink at the top.

Overall Context:

This folder represents a curated collection of press materials promoting three concurrent or overlapping exhibitions and events at the Fogg Museum in late 1975. The items show the museum’s efforts to publicize:

• A Bicentennial exhibition honoring Lafayette.
• A scholarly exhibition on 19th-century sculpture reproduction.
• A seasonal retail initiative (Christmas card sale) to engage the public and raise funds.

The handwritten dates and newspaper names (Gazette, Crimson) suggest these clippings were saved and possibly organized by a staff member, researcher, or press officer for archival or planning purposes.

The folder itself has a simple, utilitarian appearance, with its three-hole punches indicating it was likely stored in a binder, common in institutional offices of that era.

This image appears to be a page from a newspaper or magazine, dated Friday, December 12, 1975. The page features several elements including:

1. A photograph of a bust: The bust is labeled "Lafayette" and is from the "Harvard Honors Lafayette" exhibition. The text below the photograph mentions that this is the second of three Bicentennial exhibitions at the Fogg Museum, which will continue through March 12. The exhibition is curated by Agnes Mongan and features portraits, documents, and Lafayette memorabilia.

2. A news article titled "Lions Crushing Serpents": This article discusses an art exhibit at the Fogg Museum, which focuses on metamorphoses in 19th-century sculpture. The exhibit is described as exploring how variations in sculptures can be subtle and noticeable only with a well-trained eye. The article mentions that the exhibit is through January 7, 1976, and that it includes 20 lions crushing 20 serpents, among other sculptures.

3. An image of sculptures: Below the article, there is a photograph of several sculptures displayed in a row, showcasing the variety and detail in the 19th-century sculptures.

4. A smaller image of illustrations: At the bottom of the page, there is a smaller image of various illustrations, possibly related to the art exhibit or previous exhibitions at the museum.

The page also notes that the Fogg Museum's annual Christmas card sale is continuing through December 22, with more than 20 different cards available at prices starting at 25¢ each, including 11 new ones. The subjects range from medieval to modern, all from the Fogg permanent collection.

This image is a scanned document or a clipping from a publication, likely a newspaper or magazine, dated December 1975. The document appears to be about an art exhibition titled "Lions Crushing Serpents: Metamorphoses in 19th-Century Sculpture" at the Fogg Museum, which ran from December 12, 1975, to January 7, 1976.

The document includes several sections:

1. Top Left Section: Features a photograph of a bust of Lafayette, a French military officer who fought in the American Revolutionary War. The text below the image mentions "Harvard Honors Lafayette," indicating that this is part of a bicentennial exhibition.

2. Top Right Section: Contains the main article about the exhibition. The article discusses the variations in seemingly redundant sculptures, such as statues of Diana, busts of Benjamin Franklin, and lions crushing serpents. It explains how each sculpture differs subtly from its counterparts and how these variations are not due to the whims of the sculptor but to the techniques used in the foundry.

3. Bottom Left Section: Shows a collection of black-and-white images, likely from the Fogg Museum's annual Christmas card sale. The images depict various subjects, including people, flowers, and animals.

4. Bottom Right Section: Continues the article from the top right section, discussing the techniques used in making the sculptures and the importance of recognizing the differences in quality between the original and subsequent versions.

The document is placed on a light gray background, and the text is printed in black ink on a light beige or off-white paper. There are handwritten notes at the top right corner that say "Crimson Friday Dec 12 1975," indicating the source and date of the clipping.

A page from a scrapbook or a newspaper clipping is pinned to a brown background. The clipping is from the newspaper "The Crimson," dated Friday, December 12, 1975. The clipping features an article titled "Lions Crushing Serpents" about an exhibition of sculptures at the Fogg Art Museum. The article includes a black-and-white photograph of a bust of Lafayette and a smaller photograph of sculptures of lions crushing serpents. There is also a photograph of a drawing and a photograph of a sculpture.

The image appears to be a page from a magazine or exhibition catalog featuring an article about a sculpture exhibition called "Lions Crushing Serpents: Metamorphoses in 19th-Century Sculpture." The page contains several images and text.

The main image on the page is a black and white photograph of a bust sculpture of a man, likely Lafayette, with a lion crushing a serpent on his neck. The caption mentions that this is the second of three Bicentennial exhibitions at the Fogg Museum, which runs until January 7, 1976.

Below the main image, there are several smaller black and white images of sculptures and other artworks, likely related to the exhibition. These images are accompanied by text discussing the techniques used in creating these sculptures, such as casting and molding, and how the quality of the sculptures can vary.

The page also includes a section with text discussing the exhibition's focus on the differences between sculptures created in different periods, specifically between 1778 and 1914. It mentions that the exhibition features a highly specialized sample of sculptures and works that highlight the differences between these periods.

Overall, the image appears to be a page from a magazine or catalog promoting an exhibition of 19th-century sculptures, specifically focusing on the theme of lions crushing serpents. The page includes images of the sculptures, text discussing the techniques used in their creation, and information about the exhibition's focus on the differences between sculptures from different periods.

The image depicts a page from a museum publication or exhibition catalog, likely from the Fogg Art Museum, dated December 14, 1975. The page is divided into three main sections, each featuring different visual and textual content.

Left Section:

• Image: A black-and-white photograph of a bust labeled "Lafayette." The bust is detailed, showing the figure in period clothing with a cravat and ornate details. The name "LAFAYETTE" is inscribed at the base of the bust.
• Caption: Below the image, there is a caption that reads:
  "Harvard Honors Lafayette... the Fogg's second of three Bicentennial exhibitions continues at the Museum through March 12... Assembled by Agnes Mongan, former Director of the Fogg and Curator of Drawings, Etching, and Prints. The show includes new source documents and Lafayette portraits, from Harvard Collections and other New England sources. Above: Bust of Lafayette (Sèvres porcelain, after the marble by Houdon; 1901)."

Center Section:

• Title: "Gazette Dec. 14, 1975" is handwritten at the top, indicating the date of the publication.
• Content: This section includes several smaller photographs and illustrations, likely showcasing various artworks or museum-related items. The images appear to depict:
  • A group of people in formal attire, possibly at an event or exhibition.
  • A close-up of an artwork or object, possibly a painting or sculpture.
  • A drawing or sketch, potentially of a figure or architectural element.
  • A floral arrangement, possibly an exhibit or decorative display.
  • A group of people in a gallery or museum setting, suggesting a public event or viewing.

Right Section:

• Title: "ART Lions Crushing Serpents" is prominently displayed at the top.
• Subtitle: "Metamorphoses in 19th-Century Sculpture" is written below, indicating the theme of the exhibition.
• Exhibition Details: The text states that the exhibition is at the Fogg through January 7, 1976.
• Description: The main body of text discusses an exhibition featuring eighteen statues of Diana standing on a lion toe, holding a crossbow, eight busts of Benjamin Franklin, 23 plaster casts of Benjamin Franklin, and 20 plaster casts of Lafayette. The text explores the variations in these works, noting differences in style and technique, such as the use of bronze, marble, or plaster, and the processes involved in creating reproductions. It also mentions that some works were created posthumously and discusses the quality and historical significance of the pieces.
• Illustration: Below the text, there is a small black-and-white illustration showing several sculptural figures, possibly depicting the "Lions Crushing Serpents" theme mentioned in the title. The figures appear to be dynamic, with one possibly interacting with another in a dramatic pose.

Overall Context:

The page appears to be part of a museum newsletter or exhibition catalog, providing information about current or upcoming exhibitions, notable artworks, and related events. It combines textual descriptions with visual elements to inform readers about the museum's activities, collections, and special displays. The inclusion of dates, captions, and detailed descriptions suggests it is intended for museum-goers, scholars, or art enthusiasts.

The image is of a scrapbook-style page featuring a collection of cut-outs related to art and sculpture.

1. Left Upper Section:

   • A black-and-white photograph of a bust sculpture labeled "LAFAYETTE" at the base.
   • The subject of the bust is wearing 18th-century-style clothing, with notable details like a cravat and a formal jacket.
   • A portion of the photograph appears slightly edited or retouched where the subject's face is located.

2. Right Column:

   • An article with the headline "Lions Crushing Serpents" and the subheadline "Metamorphoses in 19th-Century Sculpture."
   • It provides an analysis and description of an exhibit focused on sculptures, specifically those depicting lions and serpents, likely at an art museum or gallery.
   • The article includes commentary about techniques, themes, and scholarly aspects of these sculptures.
   • A handwritten note at the top right of this column reads "Crimson Friday Dec 12, 1975."

3. Lower Left Section:

   • A series of small, square illustrations, likely related to holiday or Christmas-themed artwork, such as cards.
   • They include various artistic designs, from floral subjects to more abstract or classic artwork.
   • A handwritten note above this section reads "GAZETTE DEC 17, 1975," indicating its source or date.

The overall tone of the image is archival, documenting and preserving historical and art-related excerpts from the past. Handwritten notes, newsprint-style formatting, and the inclusion of sculpture and art pieces suggest a focus on cultural or academic interests.

The image is a photograph of a newspaper or magazine page, featuring an article under the "ART" section titled "Lions Crushing Serpents" with a subtitle "Metamorphoses in 19th-Century Sculpture at the Fogg now through Jan. 7, 1976." The article discusses an art exhibition displaying sculptures including eighteen statues of Diana, busts of Benjamin Franklin, and twenty plaques by Robert Louis Stevenson depicting lions crushing serpents.

The page has two main images:

1. On the left side, a large black-and-white image shows a bust statue labeled "LAFAYETTE," which appears to be crafted from marble or porcelain. The caption reads: "'Harvard Honors Lafayette,' the Fogg's second of three Bicentennial exhibitions, continues at the Museum through March 12. Assembled by Agnes Morgan, former Director of the Fogg and Curator of Drawings Emerita, the show features portraits, documents, and Lafayette memorabilia drawn primarily from Harvard Collections and other New England sources. Above, Bust of Lafayette (Sèvres porcelain, after the marble by Houdon, 1903)."

2. At the bottom left, a smaller image shows a collection of different cards or prints that are part of The Fogg Museum's annual Christmas card sale.

On the right side, in the text of the article, is a smaller black-and-white photo showing several small sculptures displayed on a platform. The article goes on to explain the artistic details and variations between the sculptures, techniques used, materials, and differences between them, highlighting the challenges in distinguishing original works from reproductions or moldings.

There is handwritten text above the page: "Gazette Dec 17, 1975" and "Crimson Friday Dec 12 1975." The page itself appears to be mounted on a brown sheet with two punched holes on the left, possibly part of a scrapbook or collection folder.

This image appears to be a photograph of a printed page from a publication. The page includes an article on the left side titled "ART Lions Crushing Serpents" with a date marked as "Friday, Dec 26". The article makes reference to a presentation of neoclassical sculpture at the Foggy Museum from January 7, 1976, through February 1, 1976.

Directly to the right of the article is an image of a statue depicting a person dressed in detailed clothing that includes a jacket with lapels and a ruffled cravat or necktie, adorned with a sash and resting hands on what looks like a ledge. The bottom of the image has the word "LAFAYETTE" written across it, suggesting that the statue may represent a figure historically associated with that name.

Below the statue image, there's a compilation of eight smaller thumbnail images, each depicting varying subjects, including what seem to be other sculptures or artworks. The thumbnails are labeled with captions like "GOTHIC DE TAILS" and other comments. The thumbnails are part of an article or feature highlighting diverse works, as indicated by the caption that states, "The Fogg Museum's annual Christmas..."

The presence of handwritten notes like "GATCH 60 DEL 11/9/75" on a label indicates that this page may be cataloged or archived in a collection or library. The entire page is adhered to a larger sheet of paper or card, as evidenced by a hole punched on the top left corner, commonly used for filing purposes.