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The image is a collage of newspaper clippings and photographs related to art exhibitions and sculptures. It appears to be a collection of articles and images from various dates, as indicated by the handwritten dates at the top of each section.

1. Top Left Section (Globe Dec 12, 1975):

   • The image shows a bust of a man in military attire, identified as "Harvard Heroes Lafayette." The bust is part of an exhibition at the Fogg Art Museum, Harvard University. The sculpture is a marble bust of the Marquis de Lafayette by Jean-Antoine Houdon, created in 1786.

2. Bottom Left Section (Gazette Dec 17, 1975):

   • This section features a collection of smaller images showcasing various artworks, including sculptures and decorative objects. The text mentions the Fogg Museum's annual Christmas and holiday exhibition, which includes a wide range of subjects from medieval to modern art, all from the museum's permanent collection.

3. Right Section (Crimson Friday Dec 12, 1975):

   • The article is titled "Lions Crushing Serpents: Metamorphosis in 19th-Century Sculpture" and discusses an exhibition at the Fogg Art Museum. The text describes the exhibition's focus on the variations in sculptures, particularly those involving lions and serpents. It highlights the differences in sculptures of similar subjects and the artistic techniques used, such as bronze casting and plaster modeling. The article also mentions specific works like "Lion Crushing a Serpent" and "Roth's Man With a Broken Nose," discussing their artistic and historical significance.

Overall, the image captures a snapshot of art exhibitions and sculptures from the mid-1970s, providing insights into the artistic and cultural context of the time.

The image is a collage of newspaper clippings from the Crimson, dated December 12, 1975, detailing an art exhibition at the Fogg Museum.

1. Main Headline and Article:

   • The headline reads "Lions Crushing Serpents: Metamorphoses in 19th-Century Sculpture at the Fogg."
   • The exhibition runs from January 7 through an unspecified end date in 1976.
   • The article discusses the exhibition, which features 18 busts of Diana and a crossbow, busts of Benjamin Franklin, and plaques of Robert Frost. These pieces are part of a collection of sculptures that appear similar but have subtle differences.
   • The text explains that the sculptures were made using various techniques, including plaster molds and wax or clay originals. The differences between the sculptures are noted, highlighting the variety and quality of the works.
   • The article mentions that the exhibit includes works by six sculptors and ten works, spanning the period from 1778 to 1914.

2. Image of Lafayette Statue:

   • There is a black-and-white photograph of a bust of Marquis de Lafayette.
   • The caption below the photograph reads: "Harvard Honors Lafayette," describing an exhibition at the Fogg Museum that continues through March 12, 1976. This exhibition is the second of three bicentennial exhibitions and is assembled by Agnes Mongan.

3. Christmas Card Sale Clipping:

   • The bottom left corner features a smaller clipping about the Fogg Museum's annual Christmas card sale, continuing through December 22, 1975.
   • It mentions 20 different cards, including 11 new ones, available at prices ranging from 25 cents to $2 each. The cards feature reproductions from the Fogg Museum collection.

Overall, the collage provides a snapshot of two distinct exhibitions at the Fogg Museum, highlighting the rich cultural and historical artworks on display.

The image is a collage of newspaper clippings and articles related to exhibitions at the Fogg Museum (now part of Harvard Art Museums).

1. Top Left Section:

   • This section features a black-and-white photograph of a bust titled "Harvard Honors Lafayette," which is part of the Fogg Museum's collection.
   • The bust is labeled "LAFAYETTE" and depicts a man with a formal, powdered wig and military attire.
   • Below the photograph is a caption and an accompanying text that reads:
     • "Harvard Honors Lafayette," indicating that this is the Fogg's second of three bicentennial exhibitions, continuing through March 12.
     • It mentions that the bust was assembled by Agus Mangan, former Director of the Fogg and Curator of Drawings, Etchings, and Prints.
     • The bust was created by the sculptor Jean-Antoine Houdon after the marble by Houdon (1903).

2. Top Right Section:

   • The article is titled "Lions Crushing Serpents" and is dated December 12, 1975.
   • It discusses an exhibition titled "Metamorphoses in 19th-Century Sculpture" at the Fogg Museum, which ran from January 7, 1976.
   • The article notes that the exhibition includes a variety of sculptures, such as 18th-century statues of Diana, busts of Benjamin Franklin, and plaques of Robert Burns.
   • It mentions the subtle differences in these sculptures and the importance of a trained eye to notice these variations.
   • The text also describes the complexity and methods used in sculpture creation, including the use of plaster molds and measuring devices.
   • The article highlights the intricacies of the casting process and the quality discrepancies among the works.

3. Bottom Section:

   • This section includes a smaller article or note about the Fogg Museum’s annual Christmas card sale, which was available through December 22, 1975.
   • It mentions that there were 20 different cards available, with 11 new ones, priced at $2 each, and proceeds going to museum and other Fogg-related causes.
   • There are several images of the cards depicted, showing various designs and subjects.

Overall, the collage appears to be a collection of articles and information about specific exhibitions and events at the Fogg Museum, showcasing historical and artistic works from the 18th and 19th centuries.

The image depicts a newspaper clipping from December 1975, featuring a section about an art exhibition at the Fogg Museum.

Top Left Section:

• A black-and-white photograph of a bust labeled "LAFAYETTE."
• Below the photo, there is a caption: "Harvard Honors Lafayette," with a note indicating it is the Fogg's second of three bicentennial exhibitions, continuing through March 12.
• The exhibition is described as including works by Agnes Mongan and curated by the Fogg's director and curator of drawings, Ernestine.

Bottom Left Section:

• An advertisement for the Fogg Museum's annual Christmas card sale, continuing through December 22.
• It mentions 20 different cards, including 11 new ones, available daily at $2.50 each, with some items ranging from $5 to $10.

Right Section:

• A headline: "Lions Crushing Serpents," referring to the exhibition titled "Metamorphoses in 19th-Century Sculpture."
• The exhibition runs from December 12, 1975, through January 7, 1976.
• The accompanying text discusses the exhibition's theme, noting the subtle differences in sculptures from various artists, particularly focusing on the lion and serpent motifs.
• It highlights how sculptures made from different materials and techniques can exhibit variations due to the casting methods, such as plaster or bronze molds.
• Specific sculptures, like "Lion Attacking a Serpent" by Carpeaux and "Man with a Broken Nose" by Rodin, are mentioned to illustrate these points.

Overall, the clipping provides a detailed overview of the art exhibition's purpose, scope, and the significance of the sculptures on display.

The image shows a two-page spread from a publication, likely a newspaper or magazine, dated December 12, 1975. The left page features a prominent photograph of a statue of the Marquis de Lafayette. Below the photograph, there is a caption explaining that this is one of three bicentennial exhibitions at the Fogg, assembled by Agnes Mongan, former Director of the Fogg and Curator of Drawings. The statue is identified as being by Houdon, created in 1781, and made of terracotta. The lower section of the page contains an advertisement for the Fogg Museum’s annual Christmas card sale, which runs through December 22, featuring a selection of cards designed from works of art.

The right page features an article titled "Lions Crushing Serpents: Metamorphoses in 19th-Century Sculpture," also at the Fogg, running through January 7, 1976. The article discusses an exhibition showcasing variations of a popular theme in 19th-century sculpture, where subtle differences in sculptures reveal much about the techniques and artistic choices of the era. The article elaborates on the use of molds and the variations that arise from the casting process, highlighting specific examples like "Lion Crushing a Serpent" by Carpeaux and Rodin’s "Man with a Broken Nose." The text is accompanied by two images of sculptures, one of which appears to be a lion, reinforcing the article's focus.

The image is a page from a newspaper dated Friday, December 12, 1976, focusing on an art exhibition at the Fogg Museum. Here is a detailed description:

Left Side:

Main Image:

• A photograph of a bust sculpture of Lafayette, a prominent historical figure. The caption identifies the work as "Harvard Honors Lafayette," part of the Fogg's second of three Bicentennial exhibitions running through March 12. The sculpture is by Agate Mongeon, former Director of the Fogg and Curator of Drawings, and is on loan from the Harvard University Portrait Collection.

Additional Information:

• Below the main image, there is a section about the Fogg Museum's annual Christmas card sale. This year, the cards feature designs under the theme of "Noel around the World." The sale runs through December 22, with cards available individually or in sets of 25.

Right Side:

Article Title:

• "Lions Crushing Serpents: Metamorphoses in 19th-Century Sculpture at the Fogg through Jan. 7, 1976."

Article Content:

• The article discusses an exhibition of 19th-century sculptures at the Fogg Museum, specifically focusing on sculptures depicting lions crushing serpents. It notes that while the sculptures might initially appear redundant, a closer examination reveals subtle differences in how each lion and serpent is depicted.
• The text elaborates on the creation process of these sculptures, explaining that many were made using molds, which were common in the 19th century. The original model was often created in wax or clay, then plaster molds were made to replicate the sculptures in bronze or other materials.
• The article mentions that the exhibition includes works by six sculptors and ten scholars, highlighting the differences in artistic techniques and the quality of the materials used. Examples include variations in how the serpents and lions were crafted and finished.

Illustrations:

• There are several sketches and photographs of different sculptures showing lions attacking serpents, illustrating the variations in the depiction of the same theme.

Overall, the page provides information about the Lafayette sculpture exhibition and details an intriguing display of 19th-century animal sculptures, explaining the artistry and technical methods behind them.

This image appears to be a photograph of a printed page from a publication. The page includes an article on the left side titled "ART Lions Crushing Serpents" with a date marked as "Friday, Dec 26". The article makes reference to a presentation of neoclassical sculpture at the Foggy Museum from January 7, 1976, through February 1, 1976.

Directly to the right of the article is an image of a statue depicting a person dressed in detailed clothing that includes a jacket with lapels and a ruffled cravat or necktie, adorned with a sash and resting hands on what looks like a ledge. The bottom of the image has the word "LAFAYETTE" written across it, suggesting that the statue may represent a figure historically associated with that name.

Below the statue image, there's a compilation of eight smaller thumbnail images, each depicting varying subjects, including what seem to be other sculptures or artworks. The thumbnails are labeled with captions like "GOTHIC DE TAILS" and other comments. The thumbnails are part of an article or feature highlighting diverse works, as indicated by the caption that states, "The Fogg Museum's annual Christmas..."

The presence of handwritten notes like "GATCH 60 DEL 11/9/75" on a label indicates that this page may be cataloged or archived in a collection or library. The entire page is adhered to a larger sheet of paper or card, as evidenced by a hole punched on the top left corner, commonly used for filing purposes.

The image appears to be a page from a magazine or exhibition catalog featuring an article about a sculpture exhibition called "Lions Crushing Serpents: Metamorphoses in 19th-Century Sculpture." The page contains several images and text.

The main image on the page is a black and white photograph of a bust sculpture of a man, likely Lafayette, with a lion crushing a serpent on his neck. The caption mentions that this is the second of three Bicentennial exhibitions at the Fogg Museum, which runs until January 7, 1976.

Below the main image, there are several smaller black and white images of sculptures and other artworks, likely related to the exhibition. These images are accompanied by text discussing the techniques used in creating these sculptures, such as casting and molding, and how the quality of the sculptures can vary.

The page also includes a section with text discussing the exhibition's focus on the differences between sculptures created in different periods, specifically between 1778 and 1914. It mentions that the exhibition features a highly specialized sample of sculptures and works that highlight the differences between these periods.

Overall, the image appears to be a page from a magazine or catalog promoting an exhibition of 19th-century sculptures, specifically focusing on the theme of lions crushing serpents. The page includes images of the sculptures, text discussing the techniques used in their creation, and information about the exhibition's focus on the differences between sculptures from different periods.

A page from a scrapbook or a newspaper clipping is pinned to a brown background. The clipping is from the newspaper "The Crimson," dated Friday, December 12, 1975. The clipping features an article titled "Lions Crushing Serpents" about an exhibition of sculptures at the Fogg Art Museum. The article includes a black-and-white photograph of a bust of Lafayette and a smaller photograph of sculptures of lions crushing serpents. There is also a photograph of a drawing and a photograph of a sculpture.

The image depicts a page from a museum publication or exhibition catalog, likely from the Fogg Art Museum, dated December 14, 1975. The page is divided into three main sections, each featuring different visual and textual content.

Left Section:

• Image: A black-and-white photograph of a bust labeled "Lafayette." The bust is detailed, showing the figure in period clothing with a cravat and ornate details. The name "LAFAYETTE" is inscribed at the base of the bust.
• Caption: Below the image, there is a caption that reads:
  "Harvard Honors Lafayette... the Fogg's second of three Bicentennial exhibitions continues at the Museum through March 12... Assembled by Agnes Mongan, former Director of the Fogg and Curator of Drawings, Etching, and Prints. The show includes new source documents and Lafayette portraits, from Harvard Collections and other New England sources. Above: Bust of Lafayette (Sèvres porcelain, after the marble by Houdon; 1901)."

Center Section:

• Title: "Gazette Dec. 14, 1975" is handwritten at the top, indicating the date of the publication.
• Content: This section includes several smaller photographs and illustrations, likely showcasing various artworks or museum-related items. The images appear to depict:
  • A group of people in formal attire, possibly at an event or exhibition.
  • A close-up of an artwork or object, possibly a painting or sculpture.
  • A drawing or sketch, potentially of a figure or architectural element.
  • A floral arrangement, possibly an exhibit or decorative display.
  • A group of people in a gallery or museum setting, suggesting a public event or viewing.

Right Section:

• Title: "ART Lions Crushing Serpents" is prominently displayed at the top.
• Subtitle: "Metamorphoses in 19th-Century Sculpture" is written below, indicating the theme of the exhibition.
• Exhibition Details: The text states that the exhibition is at the Fogg through January 7, 1976.
• Description: The main body of text discusses an exhibition featuring eighteen statues of Diana standing on a lion toe, holding a crossbow, eight busts of Benjamin Franklin, 23 plaster casts of Benjamin Franklin, and 20 plaster casts of Lafayette. The text explores the variations in these works, noting differences in style and technique, such as the use of bronze, marble, or plaster, and the processes involved in creating reproductions. It also mentions that some works were created posthumously and discusses the quality and historical significance of the pieces.
• Illustration: Below the text, there is a small black-and-white illustration showing several sculptural figures, possibly depicting the "Lions Crushing Serpents" theme mentioned in the title. The figures appear to be dynamic, with one possibly interacting with another in a dramatic pose.

Overall Context:

The page appears to be part of a museum newsletter or exhibition catalog, providing information about current or upcoming exhibitions, notable artworks, and related events. It combines textual descriptions with visual elements to inform readers about the museum's activities, collections, and special displays. The inclusion of dates, captions, and detailed descriptions suggests it is intended for museum-goers, scholars, or art enthusiasts.