Archives Scrapbooks

This image displays a page from a newspaper clipping scrapbook, likely from The Crimson, the Harvard University student newspaper, dated Friday, December 12, 1975. The page is mounted on a tan paper or cardboard backing and features three distinct articles and photographs, all related to the Fogg Art Museum at Harvard.

Main Headline & Article: “Lions Crushing Serpents”

On the right side, a prominent art review by Kathy Garrett discusses an exhibition titled “Lions Crushing Serpents: Metamorphoses in 19th-Century Sculpture” at the Fogg Museum. The exhibition ran from January 7, 1976, and featured numerous identical-looking sculptures—18 statues of Diana, 8 busts of Benjamin Franklin, and 23 plaques of Robert Louis Stevenson—arranged to appear redundant but subtly varied. The article notes that these variations are intentional and relate to the direction Franklin is gazing. The review is signed by Seymour Slive, then Gleason Professor of Fine Arts and Director of the Fogg Art Museum. A small black-and-white photo below the headline shows silhouetted bronze sculptures of archers.

Left Column: “Harvard Honors Lafayette”

On the upper left, a large, high-contrast photograph features a bust of the Marquis de Lafayette, carved in marble by Houdon (1903). The bust is labeled “LAFAYETTE” on its base. Below the photo, a caption explains that this is part of the Fogg’s second of three Bicentennial exhibitions titled “Harvard Honors Lafayette,” curated by Agnes Mongan, then former Director of the Fogg. The exhibition, running through March 12, included portraits, documents, and Lafayette memorabilia drawn from Harvard Collections and other New England sources.

Bottom Section: “Fogg Museum’s Annual Christmas Card Sale”

Beneath the Lafayette article is a smaller announcement detailing the Fogg Museum’s annual Christmas card sale, which continued through December 22 in the Fogg Courtyard. It featured more than 20 different cards—11 new ones—priced from 25¢ and up, with subjects ranging from medieval to modern, all from the Fogg’s permanent collection. The announcement is accompanied by a grid of nine thumbnail black-and-white images of the cards for sale, depicting various artworks: an elephant, a woman in profile, floral still lifes, and other decorative prints.

Annotation & Provenance

Handwritten in red pencil, the date “Dec 12 1975” appears at the top of both the Lafayette photo and the Christmas card section. On the top right of the newspaper clipping, “Crimson Friday Dec 12 1975” is written in blue pen. These annotations confirm the clipping’s origin and date.

This scrapbook page is a well-organized historical document capturing the cultural life of Harvard’s Fogg Art Museum in December 1975, highlighting major exhibitions, curatorial notes, and community events.

This image appears to be a scanned page from a newspaper or magazine, dated Friday, December 12, 1975. The page contains a variety of content, including:

1. A large photograph of a bust labeled "LAFAYETTE." The bust is dressed in formal attire and is part of an exhibition titled "Harvard Honors Lafayette," which is described as a bicentennial exhibition at the Fogg Museum. The caption mentions that the show features portraits, documents, and Lafayette memorabilia and includes a photograph of the bust in porcelain after the marble by Houdon from 1903.

2. A small image of various cards, likely part of the Fogg Museum's annual Christmas card sale. The sale continues through December 22 in the Fogg Courtyard, with prices ranging from 25¢ to $1.

3. A headline on the right side of the page titled "Lions Crushing Serpents: Metamorphoses in 19th-Century Sculpture at the Fogg," with a subheading indicating the exhibition runs from December 7, 1975, to January 7, 1976. The article discusses the curatorial efforts of Jeanne Wasserman and the staff of the Fogg Museum to explore the variations in the works, emphasizing that these variations are not due to whimsical changes.

4. A small image within the article, showing several statues of women engaged in archery, possibly part of the "Lions Crushing Serpents" exhibition.

The layout and content suggest that this page is from a university or art-related publication, possibly focusing on the Fogg Art Museum and its exhibitions. The page also includes handwritten annotations, such as "Gazette Dec 12, 1975," indicating it might be part of a scrapbook or a collection of articles.

This image is a scanned page from a publication, likely a newspaper or magazine, dated December 12, 1975. The page is divided into two main sections:

Left Side:

• A large photograph of a bust of Lafayette, a historical figure, is prominently displayed. The bust is made of Sèvres porcelain and is after the marble by Houdon from 1903. The caption below the image provides information about the exhibition "Harvard Honors Lafayette" at the Fogg Museum, which continues through March 12. It mentions that the exhibition features portraits, documents, and Lafayette memorabilia drawn primarily from Harvard Collections and other New England sources.
• Below the photograph is a section with several smaller images of Christmas cards. The text explains that the Fogg Museum's annual Christmas card sale continues through December 22 in the Fogg Courtyard. More than 20 different cards, including 11 new ones, are available daily at prices of 25¢ each and up. The subjects of the cards range from medieval to modern, all from the Fogg permanent collection.

Right Side:

• The title "Lions Crushing Serpents" is at the top, with a subtitle "Metamorphoses in 19th-Century Sculpture at the Fogg now through Jan. 7, 1976." The article discusses an exhibition featuring various sculptures of lions crushing serpents, highlighting the subtle differences between each sculpture. The text is signed by Kathy Garrett and dated Friday, December 12, 1975.
• Below the article is a photograph of several small sculptures on display, showing the lions crushing serpents mentioned in the article.
• At the bottom right, there is a note about the availability of the exhibition materials at less than half their published price until the exhibition closes. It is signed by Seymour Slive, Gleason Professor of Fine Arts and Director of the Fogg Art Museum.

The page appears to be a clipping from the "Crimson," as indicated by the handwritten note at the top right corner. The page is slightly yellowed and has some creases, suggesting it is an older document.

The image is a collage of several newspaper clippings, possibly from a scrapbook, featuring articles and images related to art exhibitions. The clippings are arranged on a beige background with a hole-punched corner, suggesting it was once part of a binder or scrapbook.

1. Top Left Clipping:

   • This clipping shows a bust of a man with a caption that reads "LA FAYETTE." The bust is displayed on a pedestal, and the man appears to be wearing a military uniform with a sash and a medal. The text below the image mentions "Harvard Honors Lafayette," indicating an exhibition or recognition event.

2. Top Right Clipping:

   • This clipping is titled "Lions Crushing Serpents" and features a photograph of several sculptures of lions attacking serpents. The text describes an exhibition of 19th-century sculpture at the Fogg Museum, highlighting the theme of lions and serpents.

3. Middle Left Clipping:

   • This clipping is titled "Gazette" and includes a smaller photograph of a person or group. The text is not fully visible, but it seems to be an announcement or article related to an event or exhibition.

4. Middle Right Clipping:

   • This clipping includes a photograph of sculptures with a caption that reads "Art." The text below discusses the variations in sculptures and the artist's intent, mentioning that the variations are not due to the artist's whims but to the inherent differences in each sculpture.

5. Bottom Left Clipping:

   • This clipping features several small images, possibly illustrations or photographs, with captions that are not fully legible. The text mentions "The Fogg Museum's annual Christmas card sale," indicating a holiday-themed event at the museum.

6. Bottom Right Clipping:

   • This clipping includes a photograph of a person and text that reads "Seymour Slive, Gleason Professor of Fine Arts, Director, Fogg Art Museum." The text discusses the director's views on the sculptures and the exhibition, highlighting the importance of observing the sculptures without preconceived notions.

Analysis:
The collage presents a collection of articles and images from various art-related events and exhibitions, primarily focused on sculpture. The articles discuss different themes, such as military honors, mythological themes (lions and serpents), and the annual Christmas card sale at the Fogg Museum. The presence of Seymour Slive, the director of the Fogg Art Museum, suggests that these events are significant and are under the guidance of a prominent figure in the art world. The clippings provide a snapshot of the museum's activities and the public's interest in art exhibitions during the time these articles were published.

The image is a newspaper clipping with two sections. The top section features an article titled "Lions Crushing Serpents" with a black-and-white photograph of a statue of Lafayette. The article discusses the Fogg Museum's exhibition of 19th-century sculptures, focusing on the variations in the depiction of lions crushing serpents. The bottom section contains a collage of images, including a drawing of a man with a hat and a woman with a flower arrangement, as well as a photograph of a group of people.

The image depicts a vintage exhibition poster or program from the Fogg Art Museum, dated December 12, 1975. The poster is divided into several sections, each showcasing different aspects of the museum's offerings and events.

Left Section:

• Central Image: A black-and-white photograph of a bust labeled "LAFAYETTE." The bust is described as part of the Fogg's second Bicentennial exhibition, assembled by Agnes Mongan, former Director and Curator of Drawings at the Fogg. The text notes that the exhibition continues through March 12 and includes drawings, portraits, and other New England sources. The bust is made of marble by Houdon (1901).
• Additional Text: The caption below the image provides context about the exhibition, emphasizing its historical significance and the role of the Fogg Museum in preserving and displaying these artifacts.

Top Right Section:

• Title: "ART Lions Crushing Serpents"
• Subtitle: "Metamorphoses in 19th-Century Sculpture at the Fogg now through Jan. 7, 1976"
• Description: The text discusses an exhibition featuring sculptures by Robert Louis Stevenson, including a notable piece titled "Lions Crushing Serpents." It highlights the unique characteristics of the sculptures, noting that while they may appear similar at first glance, each piece exhibits subtle differences in form and detail. The text also mentions that these variations are not random but reflect deliberate artistic choices.
• Visual Element: Below the description, there is a small illustration or sketch of multiple sculptural figures, likely representing the "Lions Crushing Serpents" theme.

Bottom Right Section:

• Exhibition Details: The section includes a brief description of the exhibition, noting that it is curated by Kathy Garrett and is available at less than half the published price until the exhibition closes. It also mentions Seymour Slive, Gleason Professor of Fine Arts and Director of the Fogg Art Museum.
• Date: The exhibition is scheduled for Friday, December 12, 1975.

Bottom Left Section:

• Christmas Card Sale: This section advertises the Fogg Museum's annual Christmas-card sale, which continues through December 22. It highlights that more than 20 different cards are available, including 11 new ones, priced at 25¢ each and up. The cards feature subjects ranging from medieval to modern, drawn from the Fogg's permanent collection.
• Visual Elements: Small thumbnail images of various card designs are displayed, showcasing a variety of artistic styles and themes.

Overall Design:

• The poster has a structured layout with clear headings and organized sections, typical of museum exhibition programs from the mid-20th century.
• The use of black-and-white imagery and text gives it a classic, archival feel, consistent with the era.

This poster serves as a promotional piece for multiple events and exhibitions at the Fogg Art Museum, combining historical art displays, contemporary exhibitions, and seasonal holiday offerings.

The image features a page from a scrapbook or newspaper, showcasing a collection of articles and images related to art and history.

Left Column:

• A black-and-white photograph of a bust of Lafayette, with the name "LAFAYETTE" inscribed on the base.
• A caption below the photo reads: "Harvard Honors Lafayette." The Fogg's second of three Bicentennial exhibitions, continues at the Museum through March 12. Assembled by Agnes Mongan, former Director of the Fogg and Curator of Davidson Prints, the show features portraits, documents, and Lafayette memorabilia drawn primarily from Harvard Collections and other New England sources. Above, bust of Lafayette (Sevres porcelain, after the marble by Houdon 1793).

Right Column:

• A headline reads: "Lions Crushing Serpents" in bold font, with the subtitle: "Metamorphoses in 19th-Century Sculpture at the Fogg now through Jan. 7, 1976."
• A paragraph of text describes an exhibition featuring 18 statues of Diana standing on one toe and holding a crossbow, eight busts of Benjamin Franklin, 23 plaques of Robert Louis Stevenson, 20 lions crushing 20 serpents, and other sculptures.
• A smaller article below features a photo of a sculpture of a woman with a bow and arrow, accompanied by a caption that reads: "The variations in these works aren't due to the whims of the artists, but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the individual artist but the notes on the display cases at the

The image presents a scrapbook page featuring a collection of newspaper clippings and photographs related to art exhibitions at the Fogg Art Museum. The page is divided into three main sections, each containing distinct content.

• Top-left section:
  • A black-and-white photograph of a bust sculpture is displayed.
  • The sculpture depicts a man with short hair, wearing a collared shirt and a jacket or coat.
  • The base of the sculpture bears the inscription "LAFAYETTE."
  • A caption below the photograph reads, "'Harvard Honors Lafayette,' the Fogg's second of three Bicentennial exhibitions, continues at the Museum through March 12."
  • The caption also mentions that the exhibition features portraits, documents, and Lafayette memorabilia drawn primarily from Harvard Collections and other New England sources.
• Bottom-left section:
  • A newspaper clipping is shown, featuring an advertisement for the Fogg Museum's annual Christmas card sale.
  • The advertisement includes a grid of nine small images showcasing various Christmas cards available for purchase.
  • The text accompanying the images states that more than 20 different cards are available daily at a price of 25 cents each.
  • The subjects of the cards range from medieval to modern, and all are from the Fogg permanent collection.
• Right section:
  • A newspaper article titled "Lions Crushing Serpents" is displayed.
  • The article discusses an exhibition at the Fogg Art Museum featuring 19th-century sculpture.
  • The exhibition includes eight busts of Robert Louis Stevenson and 20 lions crushing serpents.
  • The article highlights the unique aspects of the exhibition, including the subtle differences between the sculptures.
  • The author, Kathy Garrett, notes that the variations in the works are not due to the whims of the individual artist but rather to the notes on the display cases.
  • The article concludes by stating that the exhibition is available until January 7, 1976.

In summary, the scrapbook page provides a glimpse into the Fogg Art Museum's exhibitions and events in December 1975. The page features a mix of photographs, advertisements, and articles that showcase the museum's diverse offerings, including sculpture exhibitions and Christmas card sales.

The image presents a vintage newspaper clipping, likely from the Harvard Crimson, featuring an article about an art exhibition at the Fogg Museum. The clipping is mounted on a piece of cardboard with two holes punched in it.

• Newspaper Clipping
  • The clipping is divided into sections, including:
    • A large black-and-white photograph of a bust of Lafayette
    • An article titled "Lions Crushing Serpents" with a subheading "Metamorphoses in 19th-Century Sculpture at the Fogg now through Jan. 7, 1976"
    • A smaller article about the Fogg Museum's annual Christmas card sale
  • The article discusses an exhibition of 18th-century sculpture at the Fogg Museum, featuring 18 statues of Diana and 20 lions crushing 20 serpents
  • The article also mentions that the exhibition is strange and that each sculpture is in some way different from its partner
• Bust of Lafayette
  • The bust is a black-and-white photograph of a marble bust of Lafayette
  • The bust is dressed in 18th-century attire and has a powdered wig
  • The base of the bust reads "LAFAYETTE"
• Christmas Card Sale
  • The article mentions that the Fogg Museum's annual Christmas card sale continues through December 22 in the Fogg Courtyard
  • More than 20 different cards - including 11 new ones - are available daily at prices of 25¢ each and up
  • Subjects range from medieval to modern - all from the Fogg's permanent collection

The image provides information about an art exhibition at the Fogg Museum, featuring a collection of 18th-century sculptures, as well as details about the museum's annual Christmas card sale.

The image depicts a page from a scrapbook or binder, featuring a collection of newspaper clippings and photographs. The top-left clipping showcases a black-and-white photograph of a bust of Lafayette, accompanied by a caption that reads "Lafayette" and provides information about the exhibit.

Adjacent to this is another clipping with the title "Lions Crushing Serpents," which appears to be an article about an art exhibition. The bottom section of the page features a collage of small black-and-white photographs, each depicting a different piece of artwork. These images are likely related to the exhibitions mentioned in the clippings above.

The overall design of the page suggests that it was created by someone who is interested in art and history, and who wanted to preserve these newspaper clippings and photographs as a record of their interests. The use of a scrapbook or binder format allows the creator to easily add or remove pages, making it a convenient way to organize and display their collection.