Archives Scrapbooks

The image appears to be a scanned page from a publication, likely an article or catalog, focusing on the Grenville L. Winthrop Collection of Chinese jade at the Fogg Art Museum, Harvard University. The page contains text and several black-and-white photographs of jade artifacts, numbered 1 through 4.

• Title at the top: "The Winthrop Collection of Chinese Jade."
• Text: The text discusses the comprehensive nature of the Winthrop Collection, mentioning its vast array of pieces from the Neolithic period to the Han period. It highlights the variety of examples, spanning over five hundred items. The text also comments on the color and quality of the jade, mentioning peculiarities like the use of gray-blue velvet for some pieces and the abundance of early blades.
• Images:
  • Figure 1: A long rectangular piece of jade with intricate carvings.
  • Figure 2: A vertically oriented jade piece with detailed patterns.
  • Figure 3: A close-up of a jade plaque or decoration.
  • Figure 4: A larger jade artifact, possibly a ritual object or container, with a circular top and a handle.

The page seems to be part of an academic or art historical document, possibly discussing the historical, cultural, and artistic significance of the jade pieces within the context of Chinese art history.

This image is a page from a document or magazine titled "The Winthrop Collection of Chinese Jade," featuring descriptions and photographs of various Chinese jade artifacts. The text discusses the Grenville L. Winthrop collection at the Fogg Art Museum, Harvard University, which is considered one of the most comprehensive collections of archaic Chinese jade in the United States.

The page contains four numbered photographs of different jade artifacts:

1. A long, rectangular piece of jade with intricate carvings.
2. A belt hook with a detailed design, featuring a monster head with a single horn and patterned body, topped with the figure of a deer.
3. A plaque with a figure that combines animal features, showcasing the late Chou carver's repertoire.
4. A circular jade piece with multiple small figures arranged around the top.

The text provides a detailed description of the collection, mentioning the variety of artifacts, their historical periods, and their significance. It also comments on the exhibition setup, lighting, and the choice of background material for the jade pieces. The document is labeled "ORIENTAL ART FALL 1975" at the top left corner, indicating it is from a fall 1975 issue of an art publication.

This image displays a printed article or exhibition catalog page, mounted on a light brown, three-hole punched file folder or mat board. The page is titled “The Winthrop Collection of Chinese Jade” and appears to be from a publication called “ORIENTAL ART” (FALL 1975), as handwritten in pencil at the top.

The article features four black-and-white photographs of Chinese jade artifacts, each numbered 1 through 4, and accompanying descriptive text.

Artifact Descriptions (as detailed in the text and visible in the images):

• Figure 1: A long, vertical jade pendant from the early Eastern Chou period (117 mm long), carved with intricate dragon motifs. The text notes the reverse side has a different pattern of dragons and S-shapes.
• Figure 2: A belt hook from the Late Eastern Chou or Western Han period (83 mm long), fashioned from a single piece of jade with a monster head at one end and a deer in full stride at the other.
• Figure 3: A jade plaque featuring an animal composite creature. The text identifies it as an example of “animal composites” that were common in late Chou carving. The piece is described as measuring 150 mm long.
• Figure 4: Shows a group of small, intricately carved jade figurines and other decorative pieces displayed together on a stand. The text mentions “intricately carved amulets bearing the rhythmic designs we have come to associate with the Late Eastern Chou milieu” and “small beads which formed the necklaces worn in life and after death.”

Text Content:

The article discusses the Grenville L. Winthrop Collection of archaic Chinese jade at the Fogg Art Museum, Harvard University, praising it as one of the most comprehensive in the United States. It touches on the experience of viewing the collection in its original cramped quarters and later in special exhibition galleries cataloged by Max Loehr (assisted by Louisa G. Fitzgerald Huber).

The text provides a tour of the collection’s highlights, including:

• An over-abundance of early blades from the Neolithic to Han periods.
• Rare Shang and Western Chou animal plaques.
• Middle Chou plaques with “characteristic shadow-cutting.”
• Eastern Chou jades that showcase Chinese ingenuity, such as gilt buckles inlaid with jade dragons.
• Intricately carved amulets and small beads.
• Bronzes decorated with jade and glass inlay.

The article concludes with the author’s opinion that the long pendant (Fig. 1) is the outstanding piece in the collection.

The entire presentation—the typed article with figures, mounted on archival paper, and taped to a folder—suggests it is a document prepared for archival, study, or exhibition purposes.

The image shows a page from a book. It has a brown border on the left and right sides. The page has text and three images. The text is about the Winthrop Collection of Chinese Jade. The collection is at the Fogg Museum at Harvard University. The collection includes pieces from the Neolithic period to the Late Chou period. The collection has jade carvings, including race carvings, Middle Chou animal plaques, and Western Chou plaques. The collection also includes wine cups, wine flasks, and wine stoppers. The collection has been studied by experts and is considered one of the most comprehensive collections of Chinese jade.

The image is a page from a book or document featuring a section titled "The Winthrop Collection of Chinese Jade." The page contains both text and images, with the text discussing the Winthrop Collection and its significance. The images include illustrations of various jade artifacts, each labeled with a number for reference.

The text provides background information on the collection, stating that it was donated to Harvard University by Grenville L. Winthrop and is housed at the Fogg Museum. It mentions that the collection was considered the most comprehensive in the United States and was accessible to the public through a special exhibition gallery.

The images show different types of jade artifacts, including a tall, slender piece of jade with intricate carvings (labeled as "1"), a smaller, more compact piece with detailed engravings (labeled as "2"), and a decorative vessel with a lid adorned with intricate designs (labeled as "3"). Each image is accompanied by a brief description, highlighting the craftsmanship and historical context of the artifacts.

The overall layout of the page is organized, with the text providing context and the images serving as visual examples to complement the written content. The page appears to be part of a larger publication that focuses on the study and appreciation of Chinese jade artifacts.

The image shows a page from a catalog or exhibition guide titled "The Winthrop Collection of Chinese Jade", associated with the Fogg Art Museum, Harvard University. The page is numbered 3 and features a combination of textual descriptions and illustrations of jade artifacts. Here's a detailed breakdown:

Layout and Content:

1. Title and Introduction:

   • The top of the page includes the title: "The Winthrop Collection of Chinese Jade".
   • A brief introductory paragraph explains that the Grenville Winthrop collection of archaic Chinese jade is housed at the Fogg Art Museum. It highlights the collection's significance, noting that it was considered one of the most comprehensive in the Western world for many years. The text mentions the challenges of displaying jade in cramped quarters and the special lighting and display methods used to showcase the collection.

2. Illustrations:

   • The page contains three labeled illustrations of jade artifacts, each accompanied by descriptive captions:
     • Illustration 1 (labeled "1"): A long, narrow jade artifact with intricate carvings or patterns along its length. The caption describes it as a Late Chou period piece, noting its dimensions (142 mm long) and mentioning its association with Louisa C. FitzGerald Huber. It is part of the Noothieb period and includes over five hundred pieces for study and comparison.
     • Illustration 2 (labeled "2"): A smaller, more ornate jade artifact with a complex, layered design. The caption refers to it as a Middle Chou plaque with characteristic shadow cutting and a variety of designs, including animal plaques, race carvings, and furniture motifs.
     • Illustration 3 (labeled "4"): A larger, more elaborate jade artifact resembling a wine cup or vessel. It is described as having lacy, worm-flame shaped decorations, with a retiulated flange and a death's head design. The caption notes that it is part of the Late Chou period, measuring 150 mm long, and is attributed to the late Chou carver Reputou.

3. Textual Descriptions:

   • The text provides detailed descriptions of the jade artifacts, emphasizing their periods of origin (e.g., Late Chou, Middle Chou), design elements (e.g., shadow cutting, animal plaques, lacy patterns), and cultural significance. It also discusses the variability in jade carving techniques and the aesthetic qualities of the pieces, such as their natural color and intricate detailing.

4. Design and Presentation:

   • The page is presented on a light-colored background, likely part of a bound catalog or exhibition guide. The text is typeset in a formal, academic style, with clear headings and numbered illustrations for easy reference.
   • The illustrations are black-and-white photographs or line drawings, providing a clear view of the jade artifacts' shapes, patterns, and details.

Overall Context:

The page serves as an educational and descriptive resource, aimed at museum visitors, scholars, or collectors interested in Chinese jade artifacts. It highlights the historical and artistic value of the Winthrop Collection, showcasing the diversity and craftsmanship of archaic Chinese jade carving. The detailed descriptions and visual representations allow readers to appreciate the complexity and beauty of these ancient objects.

The image depicts a page from a historical document or a collection catalog, titled "The Winthrop Collection of Chinese Jade." It appears to be related to an exhibit, focusing on Chinese jade artifacts. The page includes text describing the collection, its significance, and some artifacts, alongside black-and-white images of jade items.

• In the upper right corner, there is an image of a carved jade artifact resembling an animal or serpent-like figure with intricate details.
• On the left side, a tall, vertical jade piece with delicate carvings is pictured.
• Below are two rectangular images: one showing a smaller sculpted jade object resembling a figurative or abstract design, and the other depicting a jade vessel or cup-like artifact with ornaments.

The handwritten note at the top mentions "Oriental Art Fall 1975," potentially referencing the academic context or purpose of the document. It is mounted on brown cardstock, possibly for preservation or presentation purposes.

The image shows a printed page mounted on a brown background sheet with two holes punched on the left side, suggesting it may be part of a binder or collection. The title on the page reads "The Winthrop Collection of Chinese Jade." The text below the title introduces the collection, mentioning its relevance and the role of Max Loehr in cataloging and assembling it.

Four black-and-white images of Chinese jade artifacts are displayed on the page:

1. Center-left: A vertically oriented rectangular jade plaque with intricate carvings.
2. Bottom-left: A smaller, vertically aligned jade carving that appears to be a figure or totem.
3. Top-right: A horizontally oriented jade carving with detailed patterns, possibly depicting animals or mythical creatures.
4. Bottom-right: A round vessel or container with ornamental figures and decorations on the lid.

The text provides a detailed description and historical context of the collection, discussing the craftsmanship and significance of the jade pieces, spanning periods from Neolithic to Han era and including various artistic motifs and uses.

The image shows a vintage catalog page mounted on a light brown backing with three binder holes along the left edge. The page is titled “The Winthrop Collection of Chinese Jade,” and contains a block of descriptive text about the collection (from Harvard’s Fogg Art Museum, etc.). Surrounding the text are four black-and-white photographs of jade artifacts:

• Top right: a rectangular plaque with a stylized dragon or serpent motif.
• Center left: a tall, vertical piece made of a column of small, connected carved elements.
• Bottom left: a small carved pendant or figurine.
• Bottom right: a round, lidded vessel or incense burner with handles.

Overall, it’s a scholarly page from a museum or catalog describing Chinese jade artifacts, presented in a two-column layout with image numbers near each photo.

The image shows a single page that appears to be from a publication, possibly a book or magazine, affixed to a larger sheet of tan-colored paper, possibly for archival or presentation purposes. The page features an article titled "The Winthrop Collection of Chinese Jade." There are four holes punched in the left margin of the tan sheet, suggesting it may be part of a binder or collection.

The article page itself contains text and images. At the top, in handwritten letters, the text reads "Oriental Art," which seems to have been added later as a category or section heading. Below this, there is a headline in a serif font, followed by a body of text, which is likely the beginning of an essay or description related to the Winthrop Collection.

Three black and white images illustrate the subject matter. The first image (numbered "1") shows a long, thin jade carving with animalistic and geometric shapes. The second image (numbered "2") depicts a smaller, intricately carved object, which may also be made of jade. The third image (numbered "4") presents a more complex piece, featuring a circular container with ornate designs and a figure beside it.

The body of the text provides context and information about the collection, but it's too small to read in this image. The paper's edges and corners show signs of mild wear and age. Overall, the presentation implies an educational or scholarly context, aimed at documenting or discussing the collection's items.