Archives Scrapbooks

The image is a clipping from the Cambridge Chronicle, dated Thursday, November 27, 1975. The article is titled "Busch-Reisinger featuring works of surrealist Max Ernst."

The article discusses an exhibition at the Busch-Reisinger Museum featuring the works of surrealist artist Max Ernst. The author, Ann Phillips, describes Ernst's work as intense, evocative, and often disturbing. The exhibition includes a variety of Ernst's pieces, such as paintings, collages, and sculptures, created over a forty-year period. The article highlights Ernst's innovative techniques, including frottage, grattage, and decalcomania, which he used to create unique textures and imagery.

Two images accompany the article:

1. The top right image shows a painting titled "Marlene," an oil on canvas by Max Ernst, which is part of the exhibition.
2. The bottom image is a photograph of a sculpture titled "The Capricorn," created in 1948 by Dorothea Tanning, which is part of the Fogg Museum's photography collection.

The article also mentions that the exhibition will be on display from Monday to Friday, 10 a.m. to 5 p.m., and on weekends and holidays from 1 to 5 p.m.

The image shows a newspaper page from the Cambridge Chronicle dated Thursday, November 27, 1975. The main article on the page is titled "Busch-Reisinger featuring works of surrealist Max Ernst," written by Ann Phillips. The article discusses an exhibition at the Busch-Reisinger Museum featuring the work of Max Ernst, highlighting his unique and imaginative approach to art, which often blurs the line between reality and fantasy. The article mentions several specific techniques and styles Ernst used, such as frottage and grattage, and describes some of his famous works like "The Hat Makes the Man" and "Marlene."

Next to the article, there is a smaller photograph with a caption that reads, "This Scrambler Racer, Indiana, 1963 by Danny Lyon is only one of some 4,000 items in the Fogg Museum's photograph collection, which traces the history of the medium. The collection is on view in the Print Room on Mondays, Wednesdays, and Fridays from 2 to 5 p.m." The photograph depicts a man on a motorcycle.

Additionally, there is a smaller article or caption in the upper right corner about the painting "Marlene," an oil on canvas by Max Ernst, which is also on display at the Busch-Reisinger Museum. The museum's address at 29 Kirkland Street is provided, along with the exhibition dates from November 5 through December 2, with open hours from 9 a.m. to 4:45 p.m. daily.

The image is a page from the Cambridge Chronicle newspaper dated Thursday, November 27, 1975. It features an article titled "Busch-Reisinger featuring works of surrealist Max Ernst."

The article discusses Max Ernst, a prominent surrealist artist, and his works on display at the Busch-Reisinger Museum. Here are some key points from the text:

1. Artistic Style: Ernst's work is noted for its evocative and intense nature, often blending dreamlike imagery with realistic elements.
2. Technique: The article describes his techniques, mentioning that Ernst's paintings often combine photography with collage and painting, giving his work a unique texture and depth.
3. Influence and Inspiration: The work is described as stimulating and free from the constraints of context, often exploring the surreal and the fantastical.

The article includes a caption and a photograph of a painting titled "MARLENE," showing a surrealistic figure. Additionally, there is a smaller inset photo of a person, likely Max Ernst, which is captioned "This Scrambler Racer, Indiana, 1963 by Daisy Lyon."

The bottom right corner mentions that the Scrambler Racer photograph is part of the Frick Museum's collection and is on view on Mondays, Wednesdays, and Fridays from 2 to 5 p.m.

The newspaper page is bordered with a simple beige background, and the layout includes a mix of text and photographs to illustrate the article.

The image is a newspaper clipping from the Cambridge Chronicle, dated Thursday, November 27, 1975. It features two articles and photographs.

1. The first article, titled "Busch-Reisinger featuring works of surrealist Max Ernst," is written by Ann Phillips. The article discusses an exhibition at the Busch-Reisinger Museum featuring the work of Max Ernst, a prominent surrealist artist. The text describes Ernst's art as intense and evocative, with a variety of techniques including collage and mixed media. The article mentions that his works often explore the subconscious and surreal, blending different elements to create a dreamlike atmosphere. The article also highlights Ernst’s use of different materials and his ability to create a sense of reality from the surreal.

   • The accompanying photograph is a black-and-white image of Ernst's painting "MARLENE," which depicts a surrealistic scene with a woman and various figures and elements.

2. The second article, not titled in the clipping but referring to a photograph of "This Scramble Racer, Indiana, 1963 by Danny Lyon," describes a photograph in the Fogg Museum's collection. The caption indicates that this photograph is part of a larger collection of 4,000 images tracing the history of the medium, with the collection viewable in the Fogg Museum’s Print Room on specific days and times (Mondays, Wednesdays, and Fridays from 2 to 5 p.m.).

   • The accompanying photograph is a black-and-white image of a person, presumably Danny Lyon, with a vintage vehicle, likely a Scramble Racer, in an outdoor setting, surrounded by skeletal trees.

The clipping is affixed to a beige paper and has some signs of wear, such as creases and a small circular hole.

The image is a newspaper clipping from the Cambridge Chronicle, dated Thursday, November 27, 1975. The main article is titled "Busch-Reisinger featuring works of surrealist Max Ernst."

The article, written by Ann Phillips, discusses an exhibit at the Busch-Reisinger Museum featuring the works of Max Ernst, a renowned surrealist artist. The article describes Ernst's sculptures and canvases as imaginative and evocative, featuring a variety of materials and techniques. Ernst's work is noted for its dreamlike qualities, blending the comic and the tragic, and often using found objects to create elaborate and thought-provoking pieces.

The text mentions that Ernst was intrigued by the idea of freeing vision from associations of context, leading to his unique style of painting and sculpture. His works often combine different techniques and media, such as collage and sculpture, resulting in pieces that are both imaginative and sophisticated.

The clipping also includes two images:

1. A photograph of a surrealist artwork titled "MARILENE" by Max Ernst, which appears to be a painted canvas featuring a whimsical and complex scene.
2. A photograph of "The Scrambler Racer, Indiana, 1963" by Danny Lyon, part of the Fogg Museum's photograph collection, showing a man in a surreal, possibly humorous or ironic, setting.

The article provides additional information on the exhibit's availability, noting it is open daily from 9 a.m. to 4:45 p.m. through December 3.

The image is a newspaper clipping from the Cambridge Chronicle, dated Thursday, November 25, 1975. The main article is titled "Busch-Reisinger featuring works of surrealist Max Ernst."

Summary of the Article:

The article by Ann Philips discusses an exhibition of works by the surrealist artist Max Ernst at the Busch-Reisinger Museum. Here are the key points:

1. Exhibition Focus:

   • The exhibition includes some of Max Ernst’s most evocative and small-scale work, highlighting both his paintings and sculpture.

2. Sculpture Description:

   • Ernst’s sculpture is described as whimsical and comic, yet it involves serious undertones.
   • One notable piece mentioned is a bronze sculpture called "Capricorn," created in the 1940s. It features two figures, possibly representing Ernst and his wife, and is noted for its complex layers and shapes.

3. Artistic Techniques and Themes:

   • Ernst’s work often involves innovative techniques, such as combining different objects to create surreal and imaginative scenes.
   • The artist is praised for his ability to turn ordinary objects into something magical and mystical, reflecting both humor and a deep connection to the natural world.

4. Artistic Influence:

   • The article mentions that Ernst was a significant figure in the Dada movement and surrealism.
   • His work is noted for its elaborate, fantastical, and sometimes dreamlike qualities, which have inspired many artists.

5. Additional Information:

   • The museum’s display includes a variety of Ernst’s works, emphasizing his innovative contributions to modern art.
   • The exhibition is open to the public and can be viewed from December 3, with visiting hours from 9 a.m. to 5 p.m. daily.

Images in the Clipping:

• There are two photographs accompanying the article:
  1. Top Image: A sculpture by Max Ernst titled "Marileen," described as both erotic and humorous.
  2. Bottom Left Image: A surrealist collage or painting that appears to depict a dreamlike landscape.
  3. Bottom Right Image: A portrait of Max Ernst himself.

Additionally, there is a small notice at the bottom about another exhibition at the Fogg Museum featuring photographs by Danny Lyon, tracing the history of "The Bikeriders" from 1963 to 1967. This exhibition is open for viewing at specific times from Monday to Saturday.

The image shows a page from a publication, with a brownish-tan background. On the top of the page, there's a headline from the Cambridge Chronicle that reads "Busch-Reisinger featuring works of surrealist Max Ernst." Accompanying this headline is a black and white reproduction of a surrealist artwork on the right side, which is presumably by Max Ernst. Below this, on the same page, there's another black and white image of what appears to be an outdoor scene with a figure lying on the ground surrounded by bare trees. Text underneath this photograph indicates that it is titled 'The Surrender from Ardennes, 1945' by Davey Lynn. It goes on to further describe that the image is part of a larger photographic collection on display at a specified location, on certain days and times. The overall impression is that of editorial content, possibly from a newspaper or magazine, detailing art exhibitions and specific pieces within them.

The image shows a newspaper clipping with an article about a surrealist Max Ernst exhibit at the Busch-Reisinger Museum. The article is dated November 7, 1973, and is from the Cambridge Chronicle. The exhibit features a variety of Ernst's works, including sculptures, paintings, and collages, that challenge traditional notions of art and reality. The article describes Ernst's use of mixed techniques and found objects to create complex layers of meaning and to evoke both obscure and intense feelings. The exhibit is open daily from 9 a.m. to 4:45 p.m. until December 3.

The image is a newspaper clipping from the Cambridge Chronicle, dated Thursday, November 27, 1975. The headline reads "Busch-Reisinger featuring works of surrealist Max Ernst", indicating a feature or exhibition review. The article, authored by Ann Philips, discusses the works of the surrealist artist Max Ernst, highlighting his unique style and techniques.

Key Elements in the Image:

1. Headline and Subheading:

   • The main headline emphasizes the exhibition at the Busch-Reisinger Museum, focusing on Max Ernst's surrealist works.
   • The subheading introduces Ernst as a surrealist who aims to free viewers from associations of context, suggesting his work is evocative and intense.

2. Article Content:

   • The article describes Ernst's artistic approach, noting his use of found objects, collage, and painting techniques.
   • It mentions that his works are displayed at the Busch-Reisinger Museum and includes details about the exhibition's timing (December 2–6, open daily from 9 a.m. to 4:30 p.m.).
   • The text discusses Ernst's methods, such as using rubbings, photographs, and combining different materials, and emphasizes his departure from traditional techniques.

3. Photographs:

   • Top Right Image: A painting titled "Marlene" by Max Ernst, described as an oil on canvas. The caption notes that it is among Ernst's works on display at the Busch-Reisinger Museum.
   • Bottom Center Image: A photograph titled "This Scrambled Racer, Indiana, 1965 by Danny Lyon". The caption explains that this is one of approximately 4,000 items in the Fogg Museum's photograph collection, which traces the history of the medium. The collection is on view in the Print Room on Mondays, Wednesdays, and Fridays from 2 to 6 p.m.

4. Layout and Design:

   • The clipping has a classic newspaper layout with a clean, organized structure.
   • The text is typed in a serif font, typical of newspaper printing from the 1970s.
   • The images are placed strategically to complement the article, with captions providing context for each visual element.

Overall Impression:

The image captures a historical moment in art journalism, showcasing a review of Max Ernst's surrealist works and a glimpse into the Fogg Museum's photographic collection. The combination of text and visuals provides a comprehensive overview of the exhibition and the broader artistic context of the time. The clipping serves as a snapshot of cultural and artistic discourse from November 1975.

The image is a newspaper clipping featuring an article about surrealist artist Max Ernst. The clipping is from the Cambridge Chronicle, dated Thursday, November 27, 1975. The headline reads, "Busch-Reisinger featuring works of surrealist Max Ernst." The article is written by Ann Phillips.

The text discusses an exhibition of Max Ernst's works at the Busch-Reisinger Museum. It highlights the surreal and mystical nature of Ernst's art, which often blends natural and unnatural elements. The article describes Ernst's technique of combining found objects with traditional painting methods to create complex layers and textures. It mentions the exhibition's duration, from November 19 to December 3, and the museum's hours of operation.

Accompanying the article are two photographs. The first is a black-and-white image of a painting titled "MARLENE," featuring a surreal, dreamlike scene with a figure in a flowing dress and a tree-like structure in the background. The second photograph shows a man in a military uniform, seemingly in a surreal or staged setting, possibly related to Ernst's work.

The clipping also includes a caption for the second photograph, identifying it as "Scramblers Racer, Indiana, 1965 by Danny Lyons," which is part of a larger collection of 4,000 items at the Fogg Museum. The collection is on view in the Print Room on specific days and times.