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ARCH.2003.39, Rendition: 806671
This image shows a single, aged, yellowed page from a newspaper or magazine, specifically “The Home Forum” section of “The Christian Science Monitor,” dated Thursday, June 12, 1975.
The page is mounted on a slightly larger, tan-colored folder or backing sheet, which has two visible punch holes on the left edge, suggesting it was stored in a binder. The overall appearance is that of an archival clipping.
The central focus of the page is a large, high-quality black-and-white reproduction of a traditional Chinese ink painting. The painting, identified in the caption as Emperor Hsuan Tsung’s “Two Saluki Hounds” (dated 1427), depicts two slender, elegant dogs—resembling Salukis or imperial hunting hounds—standing gracefully in a sparse garden setting. One dog is in the foreground, looking towards the left, while the other is slightly behind and to the right, looking forward. To their right is a cluster of orchids or similar delicate flowers with long leaves. The background is minimally rendered, characteristic of Chinese ink wash painting. The artwork is adorned with numerous red and black chops (seals), including a large and prominent seal near the top center that appears to read “御覽之寶” (Yù Lǎn Zhī Bǎo), meaning "Seal of the Imperial Perusal," indicating it was once part of an imperial collection.
Below the painting, a caption provides attribution:
“Emperor Hsuan Tsung’s “Two Saluki Hounds” dated 1427, artist unknown, from the Ming Dynasty (A.D. 1368-1644) China. Courtesy of the Fogg Art Museum, Harvard University, Cambridge, Mass.”
Directly beneath this is a headline for an accompanying article:
“On Emperor Hsuan Tsung’s ‘Two Saluki Hounds’”
The article's text is a short, four-line poem or poetic commentary by David Andres Bershtein:
A thousand merchants dream of audience.
Ambassadors cross continents without hope.
The Son of Heaven remains in the garden,
With his two favorite courtiers,
Immortalizing their interest in spring flowers.
The overall presentation is simple and informative, designed to showcase the historical artwork and provide cultural context for the newspaper’s readers. The yellowing and slight stains on the clipping suggest its age and history.
The image appears to be a page from "The Home Forum," a section of "The Christian Science Monitor," dated Thursday, June 12, 1975. The page features an illustration of a traditional Chinese artwork titled "Two Saluki Hounds," dated 1427. The artwork is attributed to Emperor Hsuan Tsung and is from the Ming Dynasty (A.D. 1368-1644) in China. The illustration depicts two Saluki dogs, a breed of greyhound, in an elegant and serene setting with plants and some ink seals in the background, which are common in Chinese art. The page also includes a poem or quote by David Andres Bershtein, which seems to be a commentary or reflection on the artwork. The style of the illustration, the seals, and the overall composition are typical of traditional Chinese ink paintings.
This image is a page from "The Home Forum," a section of The Christian Science Monitor, dated Thursday, June 12, 1975. The page features a black-and-white illustration titled "Two Saluki Hounds," attributed to Emperor Hsuan Tsung and dated 1427. The artwork is from the Ming Dynasty (A.D. 1368-1644) in China and is courtesy of the Fogg Art Museum at Harvard University in Cambridge, Massachusetts.
The illustration shows two Saluki hounds, one standing and the other lying down, surrounded by some plants and flowers. The background includes various Chinese seals or stamps, which are traditional elements in Chinese art used to authenticate and add value to the artwork. Below the illustration, there is a poem titled "On Emperor Hsuan Tsung's 'Two Saluki Hounds'" by David Andres Bershtein. The poem reads:
"A thousand merchants dream of audience.
Ambassadors cross continents without hope.
The Son of Heaven remains in the garden,
With his two favorite courtiers,
Immortalizing their interest in spring flowers."
The poem seems to reflect on the emperor's detachment from worldly affairs and his focus on the beauty of nature, as depicted in the artwork. The overall design of the page is simple, with the illustration and poem being the main focus. The paper has two punch holes on the left side, suggesting it was part of a binder or folder.
The image shows a page from a magazine called "The Home Forum" that was published on June 12, 1975. The page features an article about Emperor Hsuan Tsung's painting titled "Two Saluki Hounds," which is dated 1427. The painting is from the Ming Dynasty, and the artist is unknown. It is currently housed at the Fogg Art Museum in Harvard University, Cambridge, Massachusetts. The painting depicts two Saluki hounds, and the article provides information about the painting and its historical context.
A page from a magazine or newspaper is shown, featuring an image of a drawing of two dogs, likely a pair of salukis, in black and white. The drawing is titled "Two Saluki Hounds" and is dated 1427, from the Ming Dynasty in China. The image is accompanied by a caption that reads "On Emperor Hsuan Tsung's 'Two Saluki Hounds'" and provides some context about the drawing. The page also includes the date "Thursday, June 12, 1975" and the name of the publication, "The Christian Science Monitor."
The image depicts a page from The Home Forum, a section of The Christian Science Monitor, dated Thursday, June 12, 1975. The page features an article titled "On Emperor Hsuan Tsung’s ‘Two Saluki Hounds’", which discusses a historical artwork.
Header and Layout:
Artwork Illustration:
Caption and Description:
"A thousand merchants dream of audience.
Ambassadors cross continents without hope.
The Son of Heaven remains in the garden.
With his two favorite courtiers:
Immortalizing their interest in spring flowers."
This excerpt is attributed to David Andreas Rosenberg.
Design and Aesthetic:
The image is a page from The Home Forum that highlights a historical Chinese painting titled "Two Saluki Hounds" by Emperor Hsuan Tsung from the Ming Dynasty. The article combines an artistic illustration with a poetic reflection, emphasizing the cultural and historical importance of the artwork. The layout and design reflect a thoughtful presentation typical of a newspaper or magazine feature.
This image appears to be a page from a magazine or newspaper titled "The Home Forum" from The Christian Science Monitor and dated Thursday, June 12, 1975. The content primarily features a historical Chinese artwork titled "Two Saluki Hounds" attributed to Emperor Hsuan Tsung from the Ming Dynasty (A.D. 1368–1644) and dated 1427. The artist is unknown.
In the center of the image is a grayscale reproduction of the painting, which depicts two elegant saluki dogs drawn with fine, flowing lines, set in a serene landscape filled with plants. Surrounding the animals are intricate seals and artistic calligraphy, typical of traditional Chinese art.
Below the artwork is contextual information about the piece, along with a poem written by David Andres Bernstein titled "On Emperor Hsuan Tsung's 'Two Saluki Hounds'." The poem reflects on cultural and artistic elements, engaging with themes of nature, favor, and immortality.
The page is mounted on a brownish backing with hole punches, giving the impression it is preserved or archived.
This image shows a paper document, specifically a page from "The Home Forum," dated Thursday, June 12, 1975. It is part of "The Christian Science Monitor," as indicated by the text at the top right corner.
The central part of the page features a traditional Asian artwork. The title provided on the page, "On Emperor Hsuan Tsung’s 'Two Saluki Hounds'," indicates that the image is related to a piece of art concerning saluki hounds that dates back to 1427. The text tells us that the artwork is attributed to Emperor Hsuan Tsung and is from the Ming Dynasty (A.D. 1368-1644) of China. Below the artwork, there's an accompanying poem by David Andres Beinerhen, which seems to be reflecting on the theme of the artwork or perhaps the melancholy and hope related to historical elements and nature.
The document has been preserved inside what appears to be a plastic sleeve with holes for filing, and it is attached to a brown clipboard or similar surface for support. The page has a weathered appearance with some discoloration indicative of age. There are Chinese characters and traditional East Asian seals or stamps within the image of the artwork which are elements common in classical Chinese paintings. The artwork depicts two saluki hounds, which are a breed of dog that is often slender and leggy, shown here in a somewhat brushy and impressionistic style typical for the time period mentioned.
This image depicts a newspaper clipping from "The Home Forum" section of The Christian Science Monitor dated Thursday, June 12, 1975. The clipping features an artwork titled "Two Saluki Hounds" attributed to Emperor Hsuan Tsung, dated 1427, from the Ming Dynasty period (A.D. 1368-1644) of China. The artist is unknown. The artwork shows two Saluki hounds, one standing and one with its head lowered, next to a plant with thin leaves and small flowers.
Below the artwork, there is a poem or description titled "On Emperor Hsuan Tsung's 'Two Saluki Hounds'" by David Andres Bershtein. The poem reads:
"A thousand merchants dream of audience.
Ambassadors cross continents without hope.
The Son of Heaven remains in the garden,
With his two favorite courtiers,
Immortalizing their interest in spring flowers."
The clipping appears to be mounted on a larger brown paper with two hole punches on the left side, likely for storage in a binder.
The image shows a vintage clipping mounted on a tan folder. It’s from The Home Forum section of The Christian Science Monitor, dated Thursday, June 12, 1975. The main feature is a reproduction of Emperor Hsuan Tsung’s painting “Two Saluki Hounds” (dated 1427, Ming Dynasty, China). The painting depicts two slender dogs running through a sparse landscape with grasses and a few plants, surrounded by many small Chinese seals or stamps along the edges. A caption underneath reads “On Emperor Hsuan Tsung’s ‘Two Saluki Hounds’” and includes a short poem about ambassadors and the Son of Heaven, credited to David Andreas Bernstein. The artwork is noted as courtesy of the Fogg Art Museum, Harvard University. The page has a few punched holes along the left edge and is mounted on a plain, slightly darker tan sheet, giving it a vintage, archival look.