Archives Scrapbooks

The image shows a printed article titled "Private Fantasies," which appears to be a review of a photography exhibition called "Contemporary Photographs V" at the Fogg Art Museum. The exhibition ran from April 29 to May 18. The article discusses the rise of photography at the Fogg from a marginalized status to a fully recognized art form, highlighting its small but distinguished collection.

The article reviews the works of three photographers:

1. Hansjurgen Schlieker: Known for his straightforward, black-and-white photographs of four young artists, two men, and two women. The style is described as simple and unadorned, focusing on the subjects without dramatic lighting or backgrounds.

2. Alex Webb: His photographs reflect private fantasies, often capturing unguarded reactions of people in various settings like carnivals and amusement parks. His work is noted for its raw, spontaneous quality.

3. Carol Ginsand: Her work, particularly the piece "No. 69," is critiqued for its lack of originality. The article mentions that her photographs of women friends are reminiscent of an upcoming book by Nan Goldin, suggesting a lack of uniqueness.

The reviewer expresses disappointment in Ginsand's work, stating that her photographs are too literal and do not capture the essence of her subjects' feelings or personalities. The article concludes by praising the Fogg for its progress in recognizing photography as a significant art form and encouraging the continuation of this trend.

The article is dated "Common 5/5/85," indicating it was published on May 5, 1985.

The image features a newspaper or magazine article titled 'Private Fantasies' along with a review of the 'Contemporary Photographs V' exhibition at the Fogg Art Museum. The review discusses the evolution of the museum's photography collection, which was significantly enhanced by the donation of 2000 photographs by Ben Shahn's widow. The exhibition, running through May 18, showcases a diverse range of photographs from 20th-century masters and contemporary artists.

The article highlights several photographers:

1. Guy Russell - A recent graduate whose black and white photographs capture the textures and geometry of buildings, often including witty interlopers and unusual perspectives.
2. Rosamund Purcell - Known for her still lifes that combine natural and man-made objects, creating mysterious and often surreal images.
3. Alex Webb - Captures the raw, spontaneous energy of street life in the United States, focusing on unguarded reactions and the interplay of light and shadow.
4. Carol Ginzburg - The only disappointment in the show, her photographs of women friends are overshadowed by lengthy, self-indulgent statements from the subjects, which fail to provide deeper insight.

The article concludes that Ginzburg's photographs are the weakest link in an otherwise excellent show. It emphasizes the importance of recognizing the accomplishments of living contemporary photographers and encourages readers to explore the exhibition at the Fogg, which is open daily.

The article is dated Monday, May 19, 1975, and is written by Susan Sontag.

The image shows a newspaper clipping from the 1975 issue of "Common" magazine. The article is titled "Private Fantasies" and discusses an exhibit of contemporary photographs at the Fogg Art Museum, specifically titled "Contemporary Photographs V."

Here's a detailed breakdown of the content:

1. Exhibit Description:

   • The exhibit, titled "Contemporary Photographs V," features photographs donated by Ben Shahn's widow, which were part of his collection of 20th-century photographs. The show opened in May 1975.
   • The exhibition includes works from various contemporary photographers, each showcasing distinct artistic styles and techniques.

2. Photographers and Their Works:

   • Guy Russell: Known for his dramatic and literal compositions, Russell's photographs often feature striking shadows and geometric forms. His works include a series where he captures the interplay of light and shadow, often focusing on a single figure or object.

   • Rosamund Purcell: Purcell’s work is more abstract and surreal, combining various elements in unconventional ways. She often uses elements like shadows and textures to create enigmatic scenes.

   • Alex Webb: Webb's photographs are noted for their spontaneity and depth. His work captures fleeting moments in New York City, blending the mundane with the fantastical.

   • Carol Ginandes: Ginandes’ photographs are accompanied by long statements about her subjects, often exploring themes of identity, relationships, and self-expression. However, the article criticizes Ginandes’ approach, stating that her statements are repetitive and lack depth, focusing more on the superficial rather than insightful character studies.

3. Critique:

   • The article highlights the artistic range and the unique approaches of the featured photographers, praising their distinct styles and the variety they bring to the exhibit.
   • It also notes that the inclusion of Carol Ginandes’ work, although praised for its subject matter, falls short in providing meaningful insights due to its lack of depth and repetitive nature.

4. Overall Context:

   • The exhibit is described as a blend of contemporary artistic expression, showcasing both experimental and traditional photographic techniques.
   • The inclusion of Ginandes’ work is noted as a mixed bag, emphasizing the strengths of other photographers while critiquing the depth of her contributions.

The newspaper clipping provides a snapshot of contemporary photography in the mid-1970s, reflecting the evolving styles and the critical reception of the time.

The image shows a newspaper clipping titled "Photography" and "Private Fantasies," which appears to be a review of an exhibition called "Contemporary Photographs V" held at the Fogg Art Museum from March 18 through May 18. The review discusses various photographers featured in the exhibition, including Ben Shahn's widow's donation of photographs to the museum.

Key points from the review include:

1. Ben Shahn's Contribution:

   • The Fogg Art Museum received 2000 photographs from Ben Shahn's widow, which are part of the current "Contemporary Photographs V" exhibit.

2. Guy Russell:

   • Guy Russell, a graduate of the University of California, is noted for his dramatic, black-and-white photographs of buildings, focusing on textures and shadows.

3. Rosamund Purcell:

   • Purcell’s work is described as mysterious and dreamlike, with images that seem to be from another world. Her photographs are experimental and surreal, featuring unusual compositions and lighting.

4. Alex Webb:

   • Webb's photographs capture the raw and spontaneous moments of life, focusing on the unguarded reactions of people in various situations, such as a carnival.

5. Carol Ginandes:

   • Ginandes' work is criticized for its overly verbose accompanying statements and its lack of depth in understanding the subjects, which are described as portraits of her friends. Her photographs are seen as the weakest part of the exhibition.

The review highlights the diversity and range of the photographers' styles and techniques, while also pointing out some shortcomings in certain pieces, particularly in Ginandes' work. The overall tone of the review is informative and analytical, focusing on the strengths and weaknesses of the displayed photographs.

The image is a page from a newspaper or magazine clipping, dated May 19, 1975, featuring an article titled "Private Fantasies" about a photography exhibition at the Fog Art Museum.

The article discusses "Contemporary Photographs V," an exhibit of photographs by four young artists: Guy Russell, Rosamund Purcell, Alex Webb, and Carol Ginandes. Here are some detailed points from the article:

1. Background on the Exhibition:

   • The Fog Art Museum, which holds a collection of 20th-century photography, is displaying photographs from four young artists. This exhibition follows a previous show featuring photographs by Ben Franklin.

2. Guy Russell:

   • Russell's photographs are described as literal and non-dramatic, focusing on the corners and sides of buildings. His pictures are simple and straightforward, highlighting textures and geometry. One notable photo captures a woman's face through a window, with a piece of glass in the foreground, adding a surreal element.

3. Rosamund Purcell:

   • Purcell's work is more experimental, using surreal-imposed images and double exposures. Her photos depict a woman in various scenes, such as a bird bath, giving a dreamlike quality to the images. Her work is described as having a mysterious and otherworldly quality.

4. Alex Webb:

   • Webb's pictures are noted for their raw, spontaneous look. His work captures everyday moments and people, reflecting private fantasies. His photos include a child's carnival and an ice cream vendor, showcasing a variety of scenes and subjects.

5. Carol Ginandes:

   • Ginandes’ photographs are accompanied by long statements from her subjects, which discuss their feelings and relationships. The article criticizes these statements for being repetitive and providing little insight into the characters depicted. The article praises Ginandes’ ability to capture the essence of her subjects, despite the superfluous statements.

The article concludes by emphasizing the importance of the Fog Art Museum's collection, suggesting that the exhibit offers a glimpse into the work of talented contemporary photographers.

The image shows an article from a publication discussing an exhibition titled "Contemporary Photographs V" at the Fogg Art Museum, held through May 18. The article reviews the works of several photographers featured in the exhibition:

1. General Overview:

   • The Fogg Art Museum has been gifted 200 photographs by Ben Shah since his widow donated them in 1974.
   • The exhibition includes works by both established and emerging contemporary photographers.

2. Guy Russell:

   • Russell's photographs are described as surreal and enigmatic, capturing a range of tones and textures.
   • The images are noted for their complex compositions and mysterious qualities, such as a black and crumpled environment and an unseen figure casting shadows.
   • One photograph shows a thicket with a hidden face, adding to the surreal nature of his work.

3. Resanaurd Purcell:

   • Purcell’s work includes black and white photographs of young artists.
   • The article mentions that these portraits are of high quality, with each image reflecting the unique personality of the photographer.

4. Alex Webb:

   • Webb's series of photographs, titled "Private Fantasies," triggers various personal interpretations.
   • The images are noted for their spontaneous look and are compared to snapshots, capturing candid moments.
   • They often feature children with props like globes and mannequins, creating a surreal and dreamlike atmosphere.

5. Carol Ginandes:

   • Ginandes’ work, titled "Women Diary," is critiqued for not meeting the high standards of the other photographers.
   • The images are accompanied by long statements discussing themes like relationships, dreams, and personal reflections.
   • The critique points out that the photographs seem overly restrictive and fail to visually engage with the viewer as effectively as they could.

6. Overall Critique:

   • The article praises the exhibition overall, noting that the Fogg is to be commended for presenting such a varied and compelling collection.
   • The only significant criticism is directed at Carol Ginandes’ work, which the author feels does not reach the same level of impact as the others.

The article is authored by Susan Corke, dated May 9, 1975.

This image shows a newspaper or magazine article page that has been physically placed on a larger sheet of tan-colored paper. The article is headed with the title "Private Fantasies" under the larger heading "PHOTOGRAPHY" which is part of a series titled "Contemporary Photographs V at the Fogg Art Museum."

The text talks about an exhibition of photographs and seems to review and discuss the work of various artists, including Ben Shah's widow, Alek Webb, Alex Webb, and Russell Lee's photographs. The critique includes commentary on their style, technique, and subject matter, referring to Webb's treatment of the urban American environment, and Lee's evocative images of children, among other details.

On the right-hand side of the article, there is a handwritten note in cursive which appears to be a date—"Oc[t] 5/1985"—indicating when the article may have been read, or perhaps when the event described occurred.

There are also three black circular marks near the top and bottom edges on the right side of the backing paper, possibly indicating where the paper might be bound or marked for filing purposes. The sheets of paper are oriented in portrait format and have been punched with two holes on the left edge, suggesting they were once part of a binder or folder.

The image shows a newspaper or magazine clipping titled "Private Fantasies." The article discusses contemporary photography with reference to exhibitions at the Fogg Art Museum. The text reviews the photographic works of several artists, including Guy Russell, Rosamund Purcell, Alex Webb, and Carol Ginandes. It comments on their styles, themes, and the emotional or intellectual impact of their photographs.

The clipping is mounted or pasted onto a brownish sheet of paper or cardstock, which has some holes punched on the right side, suggesting it was part of a binder or scrapbook. There is a handwritten note or signature near the lower right part of the clipping that reads "Cromon 5/9/75." The overall condition of the paper shows signs of aging, with some discoloration around the edges.

The image is a page from a magazine or newspaper featuring an article about a photography exhibition at the Fogg Art Museum. The article discusses the exhibition's focus on contemporary photography and highlights the work of several photographers, including Ben Russell, Alex Webb, and Gina Nandede. The article provides a brief overview of the exhibition and its themes, as well as individual descriptions of the photographers' works. The article also includes a quote from Susan Cooke, who praises the exhibition as one of the best places to see contemporary photography. The image has a brown border and a hole in the upper right corner, suggesting that it may have been removed from a larger publication.

The image depicts a page from a magazine or publication titled "Private Fantasies", which appears to be a review or feature article discussing contemporary photographers and their work. The page is structured with a mix of text and visual elements, including a handwritten note in the bottom right corner.

Key Elements of the Image:

Header:

• The top of the page features a header with the word "PHOTOGRAPHY" prominently displayed, indicating the subject matter of the article.
• Below this, the title "Private Fantasies" is written in bold, larger font, suggesting it is the name of the article or feature.

Main Text:

• The article is written in a dense, columned format, typical of magazine layouts. It discusses contemporary photographers and their work, focusing on exhibitions and artistic styles.
• The text is divided into paragraphs, with some sections highlighted or emphasized through typographic variations (e.g., bold or italicized words).
• The content references specific photographers and their exhibitions, such as:
  • Ben Shahn, whose widow donated 2,000 photographs to the Fogg Art Museum.
  • Rosamund Purcell, whose work is described as "literal and non-dramatic."
  • Guy Russell, whose photographs are noted for their simplicity and artistic qualities.
  • Carol Giranades, whose work is described as "the only real disappointment" of the show, with critiques of her photographs and accompanying statements.

Visual Elements:

• The page includes a handwritten note in the bottom right corner, dated "5/9/75" and signed "Cummon". This suggests the page may have been part of a personal collection, annotated by someone reviewing or studying the article.
• The text layout is clean and organized, with justified alignment and consistent spacing, typical of professional publishing.

Design and Layout:

• The page has a warm, sepia-toned background, giving it an aged or vintage appearance.
• The text is printed in black ink, with clear typography that is easy to read.
• The overall design suggests the publication is from the mid-to-late 20th century, as indicated by the date on the handwritten note and the style of the article.

Content Focus:

• The article critiques and analyzes the work of contemporary photographers, highlighting their styles, themes, and the impact of their exhibitions.
• It discusses the Fogg Art Museum's exhibition of photographs, mentioning specific artists and their contributions.
• The tone is analytical, offering opinions on the strengths and weaknesses of the photographers' work.

Overall Impression:

The image portrays a page from a photography-focused publication, likely from the 1970s, that critically examines contemporary photographers and their work. The combination of structured text, a handwritten annotation, and a warm, vintage aesthetic suggests it is part of a curated or archival collection, possibly used for study or review purposes. The content is rich in detail, offering insights into the artistic landscape of the time.