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ARCH.2003.39, Rendition: 806662
This image displays a printed article, likely a museum or gallery review, which has been mounted or preserved on a larger, beige-colored paper or cardstock. The article is titled “Private Fantasies” and appears under the section heading “PHOTOGRAPHY”.
The piece reviews the exhibition “Contemporary Photographs V” at the Fogg Art Museum, which ran through May 18 (the year is not specified in the header, but a handwritten note suggests 1975).
The article examines the work of four contemporary photographers featured in the show:
Guy Russell – Described as a Boston University graduate and instructor at the Boston Art Institute. His photographs are noted for their focus on architectural corners and textures, often featuring dramatic shadows and natural elements like trees and bushes. One standout image is of “the thick base of a tree,” surrounded by ferns and plant edges.
Rosamund Purcell – Also a Boston University graduate, her work is described as “mysterious and caught with background.” She exclusively uses Polaroid Land materials and experiments with double exposures and unusual lighting. A noted image shows a woman “in a cone of light on a wooden floor... transformed into an unconscious astronaut hurtling through black space.”
Alex Webb – An alumnus of the Carpenter Center for the Visual Arts, his photographs capture “private fantasies triggered by the external world.” He focuses on “unguarded reactions” of people, especially in spontaneous moments—like “children wander aimlessly over an asphalt globe littered with popsicle wrappers and half-eaten ice cream cones.” His style is likened to Purcell’s, with an emphasis on capturing fleeting, vivid scenes.
Carol Ginandes – The reviewer expresses disappointment with her work, calling it “the only real disappointment of the show.” Her portraits, taken from a forthcoming book Of Woman Born, are described as “too long, repetitive and humorless.” Although she attempts to give her subjects voice through accompanying statements, the reviewer feels these “rarely give any insight into the character of the sitter.” The subjects are said to “wear cool masks of defiant disdain,” and the text notes her work is “sincere, but... too long, repetitive and humorless.”
The review is thoughtful and critical, praising the innovation and mystery of Russell, Purcell, and Webb, while offering a pointed critique of Ginandes’ work. The piece emphasizes the role of the photographer as a creator of “private fantasies” and explores the tension between illusion and reality in photographic portraiture and environmental capture.
This artifact offers a historical snapshot of mid-1970s photographic criticism and the evolving perception of photography as fine art in major American museums like the Fogg.
✅ In summary: This is a 1975 art review of the “Contemporary Photographs V” exhibition at the Fogg Art Museum, critiquing works by Russell, Purcell, Webb, and Ginandes, with a clear preference for the former three, mounted on cardstock with archival holes and a handwritten note.
The image appears to be a clipping from a newspaper or magazine, likely a print publication given the visible newspaper header and the layout. The text is titled "Private Fantasies" and discusses an exhibition of contemporary photographs at the Fogg Art Museum. The article critiques the works of four photographers: Guy Russell, Rosamund Purcell, Alex Webb, and Carol Ginandes. Each section provides analysis and commentary on the style, themes, and techniques of these photographers' works. The article notes the diversity of the exhibition, comparing the literal and non-dramatic approach of Russell with the more experimental and mysterious compositions of Purcell and Ginandes, and the candid, spontaneous nature of Webb's work. The text also touches on the exhibition's focus on lesser-known contemporary photographers, highlighting a shift in the status of photography within the museum. The cut-off at the bottom of the clipping indicates that the article continues beyond the visible portion. There is a handwritten note at the bottom of the page dated "Crumon 5/9/75," suggesting the clipping may have been filed or marked for personal reference. The overall tone of the article is analytical and critical, offering insights into the artists' works within the context of the exhibition.
This image shows a printed article titled "Private Fantasies" placed on a brown paper or folder. The article discusses "Contemporary Photographs V" at the Fogg Art Museum, focusing on the work of four young photographers: Guy Russell, Rosamund Purcell, Alex Webb, and Carol Ginandes. The text describes the styles and themes of each photographer's work, with particular attention to the quality and artistic personality of their photographs. The article concludes that the only weak spot in the otherwise excellent show is the work of Carol Ginandes. The article is signed by Susan Cooke. There is handwritten text at the bottom right of the article that reads "Crumon 5/9/75." The brown paper has two punch holes on the right side, suggesting it might be part of a binder or folder.
The image shows a page from a magazine or publication. The page is titled "Private Fantasies" and features an article about photography. The article discusses the work of several photographers, including Ben Shahn, Alex Webb, and Guy Russell. The article highlights the unique styles and themes of each photographer, such as Shahn's focus on social issues and Webb's exploration of urban landscapes. The article also mentions the upcoming exhibition of contemporary photographs at the Fogg Art Museum, which will showcase the work of these and other photographers. The page includes a photograph of a woman standing in front of a mirror, which is described as a "private fantasy" and a reflection of the photographer's personal style. The article is written in a formal and informative tone, providing insights into the world of photography and the artists who practice it.
The image is a page from a magazine or newspaper featuring an article about a photography exhibition at the Fogg Art Museum. The article discusses the exhibition's focus on contemporary photography and highlights the work of several photographers, including Ben Russell, Alex Webb, and Gina Nandede. The article provides a brief overview of the exhibition and its themes, as well as individual descriptions of the photographers' works. The article also includes a quote from Susan Cooke, who praises the exhibition as one of the best places to see contemporary photography. The image has a brown border and a hole in the upper right corner, suggesting that it may have been removed from a larger publication.
The image depicts a page from a magazine or publication titled "Private Fantasies", which appears to be a review or feature article discussing contemporary photographers and their work. The page is structured with a mix of text and visual elements, including a handwritten note in the bottom right corner.
The image portrays a page from a photography-focused publication, likely from the 1970s, that critically examines contemporary photographers and their work. The combination of structured text, a handwritten annotation, and a warm, vintage aesthetic suggests it is part of a curated or archival collection, possibly used for study or review purposes. The content is rich in detail, offering insights into the artistic landscape of the time.
The image depicts a magazine or newspaper article mounted on a brown scrapbook page. The article is labeled “Photography” at the top and titled “Private Fantasies.” It reviews an exhibition of contemporary photographs at the Fogg Art Museum, focusing on works by various photographers, including Luke Purcell, Alex Webb, and others. The text discusses themes, techniques, and styles of the photography showcased, including depictions of private fantasies, urban imagery, and interpretations of cultural identity.
The article also critiques specific photographs and mentions disappointment in certain aspects of one artist's work. A handwritten notation, “Crume 5/9/75,” appears underlined near the center, indicating the date or perhaps the name of the person who added the clipping to the scrapbook. The scrapbook's page has one hole-punch near the right edge.
This image shows a newspaper or magazine article page that has been physically placed on a larger sheet of tan-colored paper. The article is headed with the title "Private Fantasies" under the larger heading "PHOTOGRAPHY" which is part of a series titled "Contemporary Photographs V at the Fogg Art Museum."
The text talks about an exhibition of photographs and seems to review and discuss the work of various artists, including Ben Shah's widow, Alek Webb, Alex Webb, and Russell Lee's photographs. The critique includes commentary on their style, technique, and subject matter, referring to Webb's treatment of the urban American environment, and Lee's evocative images of children, among other details.
On the right-hand side of the article, there is a handwritten note in cursive which appears to be a date—"Oc[t] 5/1985"—indicating when the article may have been read, or perhaps when the event described occurred.
There are also three black circular marks near the top and bottom edges on the right side of the backing paper, possibly indicating where the paper might be bound or marked for filing purposes. The sheets of paper are oriented in portrait format and have been punched with two holes on the left edge, suggesting they were once part of a binder or folder.
The image shows a newspaper or magazine clipping titled "Private Fantasies." The article discusses contemporary photography with reference to exhibitions at the Fogg Art Museum. The text reviews the photographic works of several artists, including Guy Russell, Rosamund Purcell, Alex Webb, and Carol Ginandes. It comments on their styles, themes, and the emotional or intellectual impact of their photographs.
The clipping is mounted or pasted onto a brownish sheet of paper or cardstock, which has some holes punched on the right side, suggesting it was part of a binder or scrapbook. There is a handwritten note or signature near the lower right part of the clipping that reads "Cromon 5/9/75." The overall condition of the paper shows signs of aging, with some discoloration around the edges.
A vintage-looking page is mounted on a light brown manila folder. The page is a black‑and‑white newspaper clipping with the heading “Private Fantasies” at the top, arranged in two columns of small text. It appears to be a short art/photography review, with a byline at the bottom right (Susan Cooke). There is a handwritten note near the bottom center, including a date that looks like 5/9/75. The folder shows three binder holes along the right edge and sits on a gray background.